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Home movie of Ed and Naomi's trip to Bermuda. Shows street scenes, the Feils biking through Amen Corner, going to the beach, and taking a boat tour. A man on the boat plays guitar and makes a large batch of cocktails for the passengers.
Develops through animation the story of Harold, who with his purple crayon creates a world of his own, since whatever he draws becomes real. Harold's adventures begin when he goes for a walk in the woods and draws the trees; when he is tired of the walk he draws a boat and some water and sails to an imaginary picnic, where he draws the food; and, finally when he tires of his adventuring he draws his house, his bed, the bedcovers and then hops in and goes to sleep. Based on Crockett Johnson's book by the same title.
One in a series, this film takes a look at creativity as it is exhibited by children with hearing deficits. Each child reads a set of instructions for a creative activity, and each child interprets the instructions differently. Creativity has been defined as responses to the Circles Subtest of the MINNESOTA TEST OF CREATIVITY developed by Dr. E. Paul Torrance.
One in a series, this film takes a look at memory as it is exhibited by children with hearing deficits. Each child watches the instructor use a pencil to tap blocks in varying sequences, then tries to recreate the unique sequence. Memory has been defined as responses to items from the KNOX CUBES TEST.
Celebrates the 1820-1970 sesquicentennial of Indiana University by surveying its history and current programs. Points out the admission of women and students from other countries. Covers the development of the schools of music, medicine, education, business, and law, as well as the growth of the College of Arts and Sciences. Features brief scenes of the five regional campuses and of various athletic programs. Includes footage of Chancellor Herman B Wells, former President Elvis J. Stahr, and current President Joseph Sutton.
Home movie of a trip to New York City. Shows Naomi dining outside Rockefeller Center, the sculpture of Prometheus, and Times Square at nighttime. Also shows brief street scenes in Manhattan. The film is cut with slug leader of a young African-American woman (possibly from another Feil production).
Part of episode 221 of PBL. Studies the widespread and often erroneous notions about welfare recipients. Presents the fallacy that many people on welfare could work if they wanted to. Reveals that 90 percent of all welfare recipients are young children or are aged, blind, or totally disabled. Attempts, through interviews, to give a view of welfare life. Shows segments of the hearings of the President's Commission on Income Maintenance.
William C. “Bill” Smith of Oregon Educational Broadcasting, who hosts and narrates this group of programs, takes youngsters on a day’s jaunt to an Oregon “egg factory,” a dairy farm and a dairy manufacturing plant to show them that, though milk, butter and eggs still come from the same old reliable sources, the ways which they are processed have changed considerably. On a farm where 100,000 laying hens produce enough eggs in one day to feed cities the size of Schenectady; New York; St. Joseph, MO; and Kalamazoo, Michigan, we see how eggs are gathered, cleaned and graded, and sent to market. On the dairy farms we see modern milking methods and milk being transported to a manufacturing plant. Processes involved in bottling milk and making cheese are seen, and the ice cream bar section is visited.
As a woman talks on the phone a rat sneaks into a garbage pile by using a telephone wire. An announcer warns the viewers that the only way to stop a rat is to use a garbage can with a lid.
Reveals a candid portrait of Ralph Ellison, author of The Invisible Man. Presents Ellison discussing the function of the writer in society, how he came to write The Invisible Man; his own involvement with the work, and how he feels a work of art should engage all of a writer's being. Features the author reading from this work and commenting on the contribution which the Negro church has made to the eloquence of most Negro writers.
Stop-action photography of common school mishaps illustrates potential safety hazards and ways they can be avoided. Points out that a school building is constructed for maximum safety: accidents are caused by people. Stresses the individual child's responsibility for accident prevention.
Examines what has happened in Europe to check the threat of a menancing population growth. Traces the growth of population in Europe from the Middle Ages and suggests that the small-family concept, which began in England in the late nineteenth century, has had more effect on population than any other thing.
Develops the need for a artificial hearts while arguing for cautious human experimentation. Interviews Dr. Denton Cooley, who made the first artificial heart insertion, and Dr. Michael DeBakey, who is opposed to heart insertion. Shows the famous Karp operation where Dr. Cooley inserted the first artificial heart. Explains that the main problems in using artificial hearts are the power source and the internal lining of the heart, which sometimes have an adverse effect upon red blood cells.
Indicates that a suicide attempt is a cry for help, sympathy, and understanding--all of which can be handled by the suicide clinic. Indicates that most suicide attempts are the result of a crisis which passes leaving the person fully recovered. Shows that suicides cross all socioeconomic levels and that these individuals are not necessarily emotionally unstable. Links most suicides with long-term depression involving love, work, or physical illness. Looks at the need for recognition and therapy of persons with suicidal tendencies.
Presents reporters David Brinkley and Walter Cronkite with critics John Fischer and Senator John O. Pastore probing the question of bias in television newscasting. Discusses topics such as the 1968 Democratic National Convention, and the restraints and influences placed upon television by advertising. Shows David Brinkley contending that a completely objective person would be virtually a vegetable and that he strives for fairness, not simply objectivity.
Examines the competitive struggle of cable television operators against movie-theater owners, commercial broadcasters, and the telephone company. Discusses the differences in programming philosophies of commercial and cable TV. Includes a discussion of Federal Communications Commission policies in the regulation of broadcasting.
Explains that Wellmet House attempts to rehabilitate the mentally ill not by gaining conforming behavior but by helping them relate to other people in natural and unstructured ways. Points out that half of the residents are mentally ill and the other half are college students from nearby universities who staff Wellmet House. Emphasizes the need for each patient to find individual expression. Shows patients and staff at dinner, parties, the local pub, and a house meeting.
A public service announcement for the American Cancer Society in which a doctor walks down a hospital corridor while addressing the camera about how money raised for cancer research is being spent. Submitted for the Clio Awards.
A public service announcement from the American Cancer Society in which a man buying cigarettes from a vending machine is juxtaposed with shots of casino games, rolling dice, and a horse race. The vending machine dispenses a carton of cigarettes as an offscreen male narrator states, "You lose." Submitted for the Clio Awards.
A public service announcement from the American Cancer Society in which a woman takes a shower while an offscreen female narrator urges viewers to give themselves a monthly breast self-examination. Submitted for the Clio Awards.
A public service announcement from the American Institute of Architects (AIA) in which the song "America the Beautiful" plays ironically over still images of trash, poverty, and destitution in an inner city ghetto. An offscreen male narrator says that if the viewer does not think the song and pictures go together, they need to "change the pictures." The narrator states that the AIA is "trying to" enact this change. Submitted for the Clio Awards.
A public service announcement from the Atlantic Richfield oil company (ARCO) announcing their acquisition of Sinclair Oil and phasing out of Sinclair's dinosaur logo. The ad features an animation of a dinosaur telling an ARCO executive that he is retiring to live in Miami. As the dinosaur leaves, an offscreen male narrator states that the end of one era means the beginning of another. Submitted for the Clio Awards.
A Rolls-Royce pulls up to a curb. The chauffeur gets out of the car and walks over to the window of the back passenger. He hands him some clothes. We see as the chauffer starts walking away that he's going into a laundromat. He puts the suit in a machine closest to the front window. The passenger of the vehicle is reading his newspaper leisurely and looking out to see the progress from the window. We see a new perspective of the passenger, he's wearing a shirt and underwear. When the chauffeur exits the laundromat the passenger becomes happy and expectant. The door is opened to the car and he is handed his suit. He starts putting it on, now with a cigar in his mouth. The chauffeur moves back to the driver's seat and begins to pull away from the laundromat curb. An announcer talks about Barney's wash-and-wear suits and their suit variety.
An older person in a cleaning uniform is wiping off dust with a rag when she comes upon a placard that says Barney's has 60,000 fashions for men. She is in disbelief at the number and decides to count all of the suits, we see her as she makes her counting progress throughout the store. The announcer talks about all the brands and the array of options at the store.
An advertisement for Baskin-Robbins 31 Flavors ice cream in which a variety of animated characters try different flavors while a narrator describes the company's offerings.
An advertisement for Beatric Foods Meadow Gold ice cream in which a narrator drops scoops of three flavors of ice cream from the top of the Leaning Tower of Piza in order to determine the bounce quality of each variety, and a boy runs to the bottom and takes one of the scoops into a dish and eats it.
An advertisement for Broadview Savings in which a puppet tells the viewer they will be able to visit Echo Valley if they save money at the organization. Submitted for Clio Awards category Banks.
An advertisement for Broadview Savings in which a puppet attempts to make a dog tell the viewer they will save money using the organization's services. Submitted for Clio Awards category Banks.
Depicts an encounter between two train passengers--a black man and a white woman. A brief exchange of glances leads them both into an imagined sequence in which personal fantasies and prejudices are explored, exposed, and abandoned.
A public service announcement from Stag beer in which a group of elderly women collect and crush aluminum cans, while an offscreen male narrator describes how the company will pay one-half cent per can dropped off at Stag recycling centers. Submitted for the Clio Awards.
A public service announcement from the Citizens for Clean Air in which the close-up and audio of a man breathing overlays shots of cars, planes, factory chimneys, and other sources of air pollution. An offscreen male narrator describes the many kinds of pollutants in the air we breathe and urges the viewer to write to the organization's address. Submitted for the Clio Awards.
An advertisement for 16-oz bottles of Coca-Cola in which an offscreen narrator describes the cost-saving benefits of the product over close-ups of a sandwich being prepared and cups of Coke being placed on top of pennies. Submitted for the Clio Awards.
An advertisement for Commerce Union Bank in which a boy who is being chauffeured to the bank trades vehicles with a boy who rode on his bike. Submitted for Clio Awards category Banks.
An advertisement for Cracker Jack snack food that depicts two people in a train sleeper car, who can't see one another, passing "The Big Pass Around Pack" across the hall. A male passenger who is walking down the hall notices this and becomes a fortuitous intermediary between the two people sharing the product and he indulges himself with the snack as well. The scene ends with a close-up of the Cracker Jack logo.
An advertisement for Crocker-Anglo National Bank in which a man tells his co-worker that a bank teller is interested in him and the other man says that all of the bank's representatives treat customers the same way. Submitted for Clio Awards category Banks.
An advertisement for Dairy Queen ice cream in which a family takes a road trip and the parents forget their son at the Dairy Queen, and they travel back to find him enjoying a sundae.
An advertisement for Dairy Queen ice cream in which a mailman takes a break to eat a banana split and laughs as a dog tries to perform tricks in order to eat some of the ice cream.
An advertisement for Dairy Queen ice cream in which a Monkees-esque teen idol runs from a group of fans and travels to the Dairy Queen and feels refreshed.
David Baker’s Concert Piece was commissioned by Lenore Hatfield and The Camerata for M. Dee Stewart. Conducted by Keith Brown, it was premiered with that orchestra in 1997. It is a major three movement concerto with strings “informed by jazz” as Baker said. Since the piece begins muted, Stewart chose to use a SoloTone mute ala Tommy Dorsey. Baker was asked to transcribe it for piano to give it more performance opportunities. After giving the premier performance of the piano version, Ashley Toms and Stewart recorded it in Auer Hall, Jacobs School of Music at Indiana University. This exciting work was edited under the supervision of Konrad Strauss, Professor of Music (Audio Engineering and Sound Production); Chair, Department of Audio Engineering and Sound Production.
An advertisement for Dial Gold soap narrated by a man. The scene depicts a small, cramped car picking up a group of men who are carpooling and looking at one another suspiciously. The scene ends with a close-up of the product and the narrator saying, "Aren't you glad you used dial, don't you wish everybody did."
Someone running down a dirt road in a see-through white top and white pants with red silk wrapped around some of it. She has red diaphanous fabric in her hands that she waves as she runs around a sandy area with a smile. Another person with an elaborate hair updo and a colorful dress puts a jug on her shoulders and walks near a waterfall's edge. She holds out the jug to collect water, then we just see her feet as she walks over rocks to the other side of the creek. Woman on a rock with lots of jewelry on, looks to camera and then runs away. Another woman looks as if she's yelling as she arrives at an elevation peak. There's a woman leaning with one leg against a tree in a black catsuit and lots of jewelry. She looks to camera through the jewelry. We see the sun and then the silhouette of a rocky path with a person walking on it.
The purpose of this presentation is to demonstrate step-by-step the closed cuff method of gowning and gloving. According to the program, this method is preferred as a safer method since the danger of the glove cuffs rolling onto the contaminated skin surfaces is eliminated. After the surgical scrub is completed, the nurse enters the operating room and approaches the table on which the sterile gown has been placed. She dries her hands using two sterile towels and puts on the sterile gown being careful to touch only the inside of the gown. She does not extend her hands through the cuffs of the sleeves. The packaging of the gloves is described. The nurse opens the inner sterile wrapper and picks up the right glove by the cuff using her covered left hand. Placing the glove palm down on her sleeve covered right hand with the fingers pointing toward her and the cuff edge at the seam of the sleeve cuff, she pulls the upper glove cuff edge over the open gown cuff and extends her fingers into the glove at the same time. By grasping both the gown and glove she pulls the glove onto her hand. The left glove is put on in the same fashion. The gowning and gloving is demonstrated a second time without explanation for emphasis. The removal of the gown and gloves is also demonstrated with emphasis on avoiding personal contamination.
Ed visiting someone in Newport Beach, California (possibly a relative of Ed's). Shows the group at a marina, seeing the World's largest wind chimes outside the Robinson's department store, and children playing at a shopping center. Ends with footage of people playing shuffleboard.
Edward R. Feil, Betsy Feil, Ellen Feil, George H. Feil, Beth Hellerstein, Daniel Hellerstein, Ken Feil, David Hellerstein, Edward G. Feil, Leslie Feil, Amy Feil, Nellie Feil, Susan Hellerstein, Beth Rubin, Jonathan Hellerstein, Mary Feil Hellerstein, Naomi Feil, Maren Mansberger Feil, Herman Hellerstein, Harold S. Feil, George Feil
Summary:
Home movie of a joint birthday party for Betsy Feil and Ed Feil's 45th birthday. Nellie presents each with a birthday cake. The camera focuses on different members of the family eating cake. In the living room, Betsy opens presents. The film then cuts to Naomi talking to a man in a classroom, then George H. Feil, Eddie, and Kenny playing with toy trucks in the living room as the adults eat (possibly at a different birthday celebration).
Edward R. Feil, Edward G. Feil, Beth Rubin, Ken Feil, Naomi Feil
Summary:
Footage of Beth, Eddie, and an unknown boy playing Tic Tac Toss in the backyard of the Feil home. A young Kenny wanders around the yard with a dog. Some of this footage would be used in the Tic Tac Toss commercial.
Edward R. Feil, Edward G. Feil, Ken Feil, Beth Rubin
Summary:
Brief home movie of Eddie, Kenny, and Beth in the living room at the Feil home. Beth makes faces at the camera as Eddie plays as a horse with a carrot in his mouth.
Edward R. Feil, Edward G. Feil, Ken Feil, Beth Rubin, Leslie Feil, Ellen Feil, Naomi Feil, Nellie Feil, Mary Feil Hellerstein, Susan Hellerstein, David Hellerstein, Daniel Hellerstein, Beth Hellerstein, Kathryn Hellerstein, Vicki Rubin, Amy Feil, Betsy Feil, George H. Feil, Jonathan Hellerstein, Maren Mansberger Feil
Summary:
Home movie that begins with a birthday celebration for Ellen Feil and Susan Hellerstein at the Harold Feil home. Both birthday girls are given a cake as their siblings and cousins sit around the dining room table. At the Ed Feil home, Naomi, Beth, Eddie, and Kenny eat at the picnic table in the driveway with another little boy, possibly a friend. The children then ride bikes in the driveway.
Edward R. Feil, Edward G. Feil, Ken Feil, Naomi Feil, Beth Rubin
Summary:
Shows Eddie, Kenny, and Naomi at Squire’s Castle roasting marshmallows and eating popsicles. Beth is also part of the group. Later, at the camp site, Eddie and Naomi ride horses. Kenny later sits in Naomi’s saddle and rides with her. The family then goes to the lake, where they swim, fish, go rowing, and build a sandcastle.
Home movie of Eddie Feil at Hebrew school. Shows a group of young children in a classroom learning about kiddush and watching a puppet show put on by Naomi. The boys in the class wear yarmulkes. Eddie and another boy are then lifted up in chairs by the adults, possibly as a birthday celebration. Eddie then passes out brownies to his classmates.
Home movie that begins with footage taken out the window of an airplane in flight. Kenny sits at the kitchen table while a maid (presumably Dasy) serves him cottage cheese. The camera then focuses on the children's artwork, which is hanging on the walls.
Edward R. Feil, Ken Feil, Beth Hellerstein, David Hellerstein, Mary Feil Hellerstein, Naomi Feil, Betsy Feil, George H. Feil, George Feil, Herman Hellerstein, Harold S. Feil, Ellen Feil, Jonathan Hellerstein, Nellie Feil, Daniel Hellerstein, Amy Feil, Beth Rubin, Maren Mansberger Feil, Leslie Feil, Susan Hellerstein
Summary:
A joint birthday party for Ken Feil, Beth Hellerstein, and David Hellerstein at the Harold Feil home. Each of the three gets their own cakes and blows out the candles, with Ellen helping Ken with his candles. Ken then opens presents with the help of his cousins.
Black and white home movie focusing on young Kenny. Shows the boy at home amongst his toys as a maid watches nearby. Briefly shows Naomi talking on the phone.
Edward R. Feil, Naomi Feil, Beth Rubin, Edward G. Feil, Ken Feil, Vicki Rubin
Summary:
Home movie of Eddie's birthday party at the Ed Feil home in July 1969. Shows Naomi and Beth putting on a puppet show for Eddie and his friends. Cake is served and Eddie opens presents.
Begins with footage of a Christmas tree being burned and Naomi adding newspaper to the bonfire. Then shows Beth and Naomi performing a puppet show for the children at Kenny’s birthday party.
Edward R. Feil, Vicki Rubin, Beth Rubin, Julius Weil, Helen Kahn Weil, Naomi Feil, Harold S. Feil, Ken Feil, Edward G. Feil
Summary:
Home movie of a birthday party for Julius Weil (same party as "Vicki gives Opa Cake"). He is given birthday cards, a man plays guitar, and people clap along. The film then shows black and white photos of Julius and Helen, newspaper clippings, and footage of a banquet where Julius is honored. Shows Kenny pointing at a street sign for Julius Weil Drive. Julius Weil turned 75 in 1977 - likely that this film was a compilation of earlier footage meant for that milestone.
An advertisement for First National Bank of Kansas City in which a man writes to thank his father for his advice to enroll in the bank program. Submitted for Clio Awards category Banks.
An advertisement for First National Bank of Portland in which a narrator instructs the viewer on how best to save money using the bank's services. Submitted for Clio Awards category Banks.
An advertisement for First Security Bank in which an animated man introduces the institution's "check way" checking account. Summary for Clio Awards category Banks.
An advertisement for First Security Bank in which an animated man stands on a weight scale and a narrator compares a systematic diet to a savings plan at the bank. Submitted for Clio Awards category Banks.
An advertisement for First Security Bank in which an animated man sits on top of a model of his home and considers buying a larger one. Submitted for Clio Awards category Banks.
An advertisement for First Security Bank in which an animated man holds a paper over his head to repel rain, representing his emergency savings plan. Submitted for Clio Awards category Banks.
An advertisement for First Security Bank in which an animated man nervously introduces the institution's services. Submitted for Clio Awards category Banks.
An advertisement for First Security Bank in which an animated man rests on a cloud and holds up his savings plan to indicate how relaxed he feels. Submitted for Clio Awards category Banks.
An advertisement for First Security Bank in which an animated man nervously introduces the institution's services by altering a sign to include the slogan. Submitted for Clio Awards category Banks.
An advertisement for First Security Bank in which an animated fortune teller looks into a crystal ball and finds a new car using a "timeway" loan. Submitted for Clio Awards category Banks.
An advertisement for First Security Bank in which an animated man guards a pile of valuable documents but someone burns them with a match, and the narrator suggests a safety deposit box to prevent this emergency. Submitted for Clio Awards category Banks.