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The purpose of this presentation is to demonstrate step-by-step the closed cuff method of gowning and gloving. According to the program, this method is preferred as a safer method since the danger of the glove cuffs rolling onto the contaminated skin surfaces is eliminated. After the surgical scrub is completed, the nurse enters the operating room and approaches the table on which the sterile gown has been placed. She dries her hands using two sterile towels and puts on the sterile gown being careful to touch only the inside of the gown. She does not extend her hands through the cuffs of the sleeves. The packaging of the gloves is described. The nurse opens the inner sterile wrapper and picks up the right glove by the cuff using her covered left hand. Placing the glove palm down on her sleeve covered right hand with the fingers pointing toward her and the cuff edge at the seam of the sleeve cuff, she pulls the upper glove cuff edge over the open gown cuff and extends her fingers into the glove at the same time. By grasping both the gown and glove she pulls the glove onto her hand. The left glove is put on in the same fashion. The gowning and gloving is demonstrated a second time without explanation for emphasis. The removal of the gown and gloves is also demonstrated with emphasis on avoiding personal contamination.
An advertisement for Cracker Jack snack food that depicts two people in a train sleeper car, who can't see one another, passing "The Big Pass Around Pack" across the hall. A male passenger who is walking down the hall notices this and becomes a fortuitous intermediary between the two people sharing the product and he indulges himself with the snack as well. The scene ends with a close-up of the Cracker Jack logo.
An advertisement for Dial Gold soap narrated by a man. The scene depicts a small, cramped car picking up a group of men who are carpooling and looking at one another suspiciously. The scene ends with a close-up of the product and the narrator saying, "Aren't you glad you used dial, don't you wish everybody did."
Indiana University, Bloomington. Audio-Visual Center
Summary:
Demonstrates how the campus industrial recruiting at the University of Connecticut resulted in confrontation between student activists and the University president. Uses two camera crews working independently to show simultaneously the philosophies and strategies of both sides. Depicts how the students' attempt at a peaceful protest was met by police who read the riot act and made arrests. Shows the president conversing with other administrators, and questions whether the use of force was appropriate.
An advertisement for Diet Pepsi that is narrated by a man accompanied by music. The scene depicts various men and boys in Washington, D.C. who are taking in the sights. However, they are all distracted by "the kinda girl, girl watchers watch," who is taking a stroll. The narrator suggests that this woman "keeps her figure, keeps her cool" by drinking Diet Pepsi.
Someone running down a dirt road in a see-through white top and white pants with red silk wrapped around some of it. She has red diaphanous fabric in her hands that she waves as she runs around a sandy area with a smile. Another person with an elaborate hair updo and a colorful dress puts a jug on her shoulders and walks near a waterfall's edge. She holds out the jug to collect water, then we just see her feet as she walks over rocks to the other side of the creek. Woman on a rock with lots of jewelry on, looks to camera and then runs away. Another woman looks as if she's yelling as she arrives at an elevation peak. There's a woman leaning with one leg against a tree in a black catsuit and lots of jewelry. She looks to camera through the jewelry. We see the sun and then the silhouette of a rocky path with a person walking on it.
Edward R. Feil, Edward G. Feil, Ken Feil, Beth Rubin
Summary:
Brief home movie of Eddie, Kenny, and Beth in the living room at the Feil home. Beth makes faces at the camera as Eddie plays as a horse with a carrot in his mouth.
Edward R. Feil, Naomi Feil, Beth Rubin, Edward G. Feil, Ken Feil, Vicki Rubin
Summary:
Home movie of Eddie's birthday party at the Ed Feil home in July 1969. Shows Naomi and Beth putting on a puppet show for Eddie and his friends. Cake is served and Eddie opens presents.
Depicts an encounter between two train passengers--a black man and a white woman. A brief exchange of glances leads them both into an imagined sequence in which personal fantasies and prejudices are explored, exposed, and abandoned.
Home movie that begins with footage taken out the window of an airplane in flight. Kenny sits at the kitchen table while a maid (presumably Dasy) serves him cottage cheese. The camera then focuses on the children's artwork, which is hanging on the walls.
John Beard, Executive Director, Fountain House, Robert Kaiser, Gary C. Bergland, Larry Novak
Summary:
Shows how Fountain House, located in the "Hell's Kitchen" section of New York City, reintegrates patients returning from mental institutions as functioning citizens. Explains that the house is non-residential and most of the people who come there do not have jobs. Records how Fountain House helps its people find housing, provides vocational training, arranges jobs with nearby businesses, and offers community services in the house itself. Includes conferences between patients and staff at the house and at places of work.
People drive invisible cars throughout town. A narrator explains how different cars need different types of fuels and cars that knocks needs Gulf’s no-nox fuel.
Develops through animation the story of Harold, who with his purple crayon creates a world of his own, since whatever he draws becomes real. Harold's adventures begin when he goes for a walk in the woods and draws the trees; when he is tired of the walk he draws a boat and some water and sails to an imaginary picnic, where he draws the food; and, finally when he tires of his adventuring he draws his house, his bed, the bedcovers and then hops in and goes to sleep. Based on Crockett Johnson's book by the same title.
One in a series, this film takes a look at creativity as it is exhibited by children with hearing deficits. Each child reads a set of instructions for a creative activity, and each child interprets the instructions differently. Creativity has been defined as responses to the Circles Subtest of the MINNESOTA TEST OF CREATIVITY developed by Dr. E. Paul Torrance.
One in a series, this film takes a look at memory as it is exhibited by children with hearing deficits. Each child watches the instructor use a pencil to tap blocks in varying sequences, then tries to recreate the unique sequence. Memory has been defined as responses to items from the KNOX CUBES TEST.
Celebrates the 1820-1970 sesquicentennial of Indiana University by surveying its history and current programs. Points out the admission of women and students from other countries. Covers the development of the schools of music, medicine, education, business, and law, as well as the growth of the College of Arts and Sciences. Features brief scenes of the five regional campuses and of various athletic programs. Includes footage of Chancellor Herman B Wells, former President Elvis J. Stahr, and current President Joseph Sutton.
Indiana University. Audio-Visual Center, Indiana University. Sesquicentennial Committee
Summary:
Celebrates the 1820-1970 sesquicentennial of Indiana University by surveying its history and current programs. Points out the admission of women and students from other countries. Covers the development of the schools of music, medicine, education, business, and law, as well as the growth of the College of Arts and Sciences. Features brief scenes of the five regional campuses and of various athletic programs. Includes footage of Chancellor Herman B Wells, former President Elvis J. Stahr, and current President Joseph Sutton.
We see a party with everyone doing handstands and talking to each other while they eat appetizers. It's revealed that the party was conceived by a couple who wanted to show off their newest rug. We see a manicured hand pat or run along different rug textures and fabrics.
An advertisement for Kodak products that is narrated by a man accompanied by music. The idyllic scene depicts a young couple walking through a park and dreaming of moments in their future, like taking pictures of their unborn children with Kodak cameras. The scene begins and ends with the Kodak logo overlaid in the lower right corner.
In this French commercial, a group of men fail to protect the Krema candy from a herd of children in a grocery store. Later a boy taking pity shares some of his candy with the defeated men.
An advertisement for Manufacturers Hanover Trust bank narrated by a man. The scene depicts a defeated man named Mr. Bender driving his jalopy into a mechanics shop; he has been there so often that they have a coffee mug with his name on it. Manufacturers Hanover Trust suggests that Mr. Bender could buy a new car on credit and save money. The scene ends with a close-up of a logo and the tag line "...it's good to have a great bank behind you."
Edward R. Feil, Ken Feil, Beth Hellerstein, David Hellerstein, Mary Feil Hellerstein, Naomi Feil, Betsy Feil, George H. Feil, George Feil, Herman Hellerstein, Harold S. Feil, Ellen Feil, Jonathan Hellerstein, Nellie Feil, Daniel Hellerstein, Amy Feil, Beth Rubin, Maren Mansberger Feil, Leslie Feil, Susan Hellerstein
Summary:
A joint birthday party for Ken Feil, Beth Hellerstein, and David Hellerstein at the Harold Feil home. Each of the three gets their own cakes and blows out the candles, with Ellen helping Ken with his candles. Ken then opens presents with the help of his cousins.
An advertisement for "Maxim Freeze-Dried Coffee," or instant iced coffee, narrated by a man who is accompanied by music. The scene depicts percolators being used in fourteen different ways other than to make coffee, such as a fishbowl, during the summer. The scene ends with a close-up of the product on ice as the narrator says, "You may never "perc" again."
Edward R. Feil, Betsy Feil, Ellen Feil, George H. Feil, Beth Hellerstein, Daniel Hellerstein, Ken Feil, David Hellerstein, Edward G. Feil, Leslie Feil, Amy Feil, Nellie Feil, Susan Hellerstein, Beth Rubin, Jonathan Hellerstein, Mary Feil Hellerstein, Naomi Feil, Maren Mansberger Feil, Herman Hellerstein, Harold S. Feil, George Feil
Summary:
Home movie of a joint birthday party for Betsy Feil and Ed Feil's 45th birthday. Nellie presents each with a birthday cake. The camera focuses on different members of the family eating cake. In the living room, Betsy opens presents. The film then cuts to Naomi talking to a man in a classroom, then George H. Feil, Eddie, and Kenny playing with toy trucks in the living room as the adults eat (possibly at a different birthday celebration).
Home movie of a trip to New York City. Shows Naomi dining outside Rockefeller Center, the sculpture of Prometheus, and Times Square at nighttime. Also shows brief street scenes in Manhattan. The film is cut with slug leader of a young African-American woman (possibly from another Feil production).
An advertisement for "Mrs. Paul's Fried Onion Rings Party Pack" that is narrated by a man accompanied by music. The advertisement depicts fried onion rings showing up in the most unlikely places, like in a slot machine at a casino. The scene ends with a close-up of the product as the narrator praises it.
A public service announcement for the New York Urban Coalition that is narrated by a man. The scene depicts a claustrophobic POV shot of someone following a white man around a very derelict apartment. It is revealed that the potential renter is a black man, who reluctantly says, "I'll take it." The scene ends with the New York Urban Coalition address as the narrator solicits help, "Almost half of all non-whites are forced to live in substandard housing...Give a damn."
Part of episode 221 of PBL. Studies the widespread and often erroneous notions about welfare recipients. Presents the fallacy that many people on welfare could work if they wanted to. Reveals that 90 percent of all welfare recipients are young children or are aged, blind, or totally disabled. Attempts, through interviews, to give a view of welfare life. Shows segments of the hearings of the President's Commission on Income Maintenance.
Edward R. Feil, Vicki Rubin, Beth Rubin, Julius Weil, Helen Kahn Weil, Naomi Feil, Harold S. Feil, Ken Feil, Edward G. Feil
Summary:
Home movie of a birthday party for Julius Weil (same party as "Vicki gives Opa Cake"). He is given birthday cards, a man plays guitar, and people clap along. The film then shows black and white photos of Julius and Helen, newspaper clippings, and footage of a banquet where Julius is honored. Shows Kenny pointing at a street sign for Julius Weil Drive. Julius Weil turned 75 in 1977 - likely that this film was a compilation of earlier footage meant for that milestone.
As a woman talks on the phone a rat sneaks into a garbage pile by using a telephone wire. An announcer warns the viewers that the only way to stop a rat is to use a garbage can with a lid.
An advertisement for Purina dog food that depicts a male hobo sitting on a park bench. A dog jumps onto the bench, drops a can of Purina in his lap, and starts whispering in his ear. The hobo translates for the audience the dog's praise for Purina and opens the can.
Stop-action photography of common school mishaps illustrates potential safety hazards and ways they can be avoided. Points out that a school building is constructed for maximum safety: accidents are caused by people. Stresses the individual child's responsibility for accident prevention.
An advertisement for Spic and Span cleaner narrated by a man who is accompanied by music. The scene depicts a young janitor attempting to mop a hallway using a liquid cleaner. An older janitor gives him some Spic and Span and he is then able to clean the floor well. The scene ends with a close-up of the product as the narrator says, "Spic and Span, the big job cleaner, gets the dirt liquid cleaners leave behind."
Develops the need for a artificial hearts while arguing for cautious human experimentation. Interviews Dr. Denton Cooley, who made the first artificial heart insertion, and Dr. Michael DeBakey, who is opposed to heart insertion. Shows the famous Karp operation where Dr. Cooley inserted the first artificial heart. Explains that the main problems in using artificial hearts are the power source and the internal lining of the heart, which sometimes have an adverse effect upon red blood cells.
Indicates that a suicide attempt is a cry for help, sympathy, and understanding--all of which can be handled by the suicide clinic. Indicates that most suicide attempts are the result of a crisis which passes leaving the person fully recovered. Shows that suicides cross all socioeconomic levels and that these individuals are not necessarily emotionally unstable. Links most suicides with long-term depression involving love, work, or physical illness. Looks at the need for recognition and therapy of persons with suicidal tendencies.
Examines Supreme Court rulings regarding civil rights, reapportionment, and criminal procedure in the light of subsequent consequences of these decisions. Interviews allies and critics of the Warren Court, who evaluate the decisions. Reveals that for Earl Warren, the role of the court was that of responding to human needs.
Presents reporters David Brinkley and Walter Cronkite with critics John Fischer and Senator John O. Pastore probing the question of bias in television newscasting. Discusses topics such as the 1968 Democratic National Convention, and the restraints and influences placed upon television by advertising. Shows David Brinkley contending that a completely objective person would be virtually a vegetable and that he strives for fairness, not simply objectivity.
Edward R. Feil, Edward G. Feil, Beth Rubin, Ken Feil, Naomi Feil
Summary:
Footage of Beth, Eddie, and an unknown boy playing Tic Tac Toss in the backyard of the Feil home. A young Kenny wanders around the yard with a dog. Some of this footage would be used in the Tic Tac Toss commercial.