22. Our food : eggs and dairy products (27:25)

Date:
196u
Summary:
William C. “Bill” Smith of Oregon Educational Broadcasting, who hosts and narrates this group of programs, takes youngsters on a day’s jaunt to an Oregon “egg factory,” a dairy farm and a dairy manufacturing plant to show them that, though milk, butter and eggs still come from the same old reliable sources, the ways which they are processed have changed considerably. On a farm where 100,000 laying hens produce enough eggs in one day to feed cities the size of Schenectady; New York; St. Joseph, MO; and Kalamazoo, Michigan, we see how eggs are gathered, cleaned and graded, and sent to market. On the dairy farms we see modern milking methods and milk being transported to a manufacturing plant. Processes involved in bottling milk and making cheese are seen, and the ice cream bar section is visited.

23. Perch Anatomy (1:24:00)

Date:
1963
Summary:
Points out exterior structure and coloration of a living perch. Uses fresh specimens to show dissection techniques and reveal internal structures. The respiratory, digestive, excretory, and reproductive systems are removed and examined. the head is opened. The olfactory tract and brain are studied. Heart action is observed in a freshly killed specimen. The circulatory system is outlined. Further areas of investigation are suggested.

24. Ralph Ellison, on works in progress (28:58)

Date:
196u
Summary:
Reveals a candid portrait of Ralph Ellison, author of The Invisible Man. Presents Ellison discussing the function of the writer in society, how he came to write The Invisible Man; his own involvement with the work, and how he feels a work of art should engage all of a writer's being. Features the author reading from this work and commenting on the contribution which the Negro church has made to the eloquence of most Negro writers.

25. Role of the weak (29:29)

Date:
1963
Summary:
Reveals the intense feeling for the weak individual and the place in society which Eric Hoffer has achieved. Describes working as source of power for these people. Focuses on Hoffer's systematized mode of living with its inherent difficulties for the weak individual.

27. Sometimes harmonious, sometimes not (29:38)

Date:
1963
Summary:
Presents, in fable form, the philosophical question of free will versus determinism. The mannequins in a store window come to life and threaten the window dresser. Cartoon figures--symbolizing man--watch the action in the window and react in various but accepted ways.

29. Summer in Scandinavia | Springtime in Europe (1:17:38)

Date:
1957/1964
Summary:
Summer in Scandinavia This film contains graphic footage that some viewers may find distressing. Home movie documenting Bailey's trip to Scandinavia, circa 1964. Features street scenes of major cities such as Oslo, Helsinki, Stockholm, and Copenhagen. Captures the daily life of locals as they enjoy public parks and markets in each city. Ends with footage of a hunting expedition in the Arctic, where men track, kill, and skin seals and polar bears. Springtime in Europe Home movie documenting multiple trips Bailey took to Europe between 1957 and 1964. Highlights include pastoral scenes and medieval architecture in Rothenburg ob der Tauber, Germany ; Bailey boarding the Auguste Piccard mesoscaphe in Lausanne, Switzerland ; public art in Geneva, including the Reformation Wall and Woodrow Wilson Memorial Sphere. In Paris, Bailey visits the Palace of Versailles, Notre Dame, Tuileries Garden, Chartres Cathedral, and the Sorbonne, which she once attended as a student.

30. Thai Images of the Buddha (13:11)

Date:
1963
Summary:
Documents the principal works of ancient statuary which constituted the core of the exhibition, The Arts of Thailand, which came to the United States in the form of a traveling exhibition in 1960. Presents the transformation of the Buddha image from the representation of a revered teacher to that of a supreme deity. Makes the point that one cannot understand Thailand today if one fails to see how faithfully the psychology of a nation is mirrored in its depiction of the Buddha throughout the centuries.