Start Over Date 1957 Unit IUL Moving Image Archive

211. Introduction (29:44)

Date:
1957
Summary:
Presents an introduction of the series OF SCIENTISTS AND SCIENTISTS. Discusses the subject of science and shows excerpts from other programs in the series. Illustrates with experiments and mathematical problems the kind of thinking essential to the study of science. Features Dr. Philippe LeCorbeiller and Dr. Gerald Holton, Physics Department, Harvard University. (WGBH-TV) Kinescope.

212. Science and Common Sense (29:42)

Date:
1957
Summary:
Discusses the relationship between science and common sense. Demonstrates the validity of the theory that "nature abhors a vacuum." Conducts experiments with water and mercury barometers to show the relationship of atmospheric pressure to the development of a newer and more concise theory. Features Dr. Leonard K. Nash, Professor of Chemistry, Harvard University. (WGBH-TV) Kinescope.

213. The Large and the Small (30:01)

Date:
1957
Summary:
Shows how man has learned to measure quantities beyond his sight and grasp. Uses diagrams to explain how the size of the earth was discovered in classical times. Examines modern problems of extreme scale including the universe and size of viruses. Features Dr. Philippe LeCorbeiller, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.

214. The Distance to the Sun (29:35)

Date:
1957
Summary:
Uses charts, models, and diagrams to illustrate basic concepts of solar measurement. Explains the use of parallax in finding the scale of the universe. Demonstrates how to find the distance to the moon and sun. Features Dr. Cecelia Payne-Gaposchkin, Professor of Astronomy, Harvard University. (WGBH-TV) Kinescope.

217. The cross (29:46)

Date:
1957
Summary:
Continues the painting shown in THE HANDS. Shows the outlining and painting of the cross, including the addition of the grain of the wood. Explains the importance of the cross to the theme of the painting. (KETC) Kinescope.

218. The painting takes shape (29:48)

Date:
1957
Summary:
Continues the painting shown in UNDERPAINTING. More area is covered with underpaint, the head and face are developed through the use of brushes, and additional work is done on the chest area.

219. Language of music (29:42)

Date:
1957
Summary:
In this program, Mr. Goldovsky clearly demonstrates the need for close attention to the language of the written musical score. Through musical example he aptly demonstrates the use of the musical passage as a guide to stage production and direction. He gives a more complete understanding of the opera through recognition of the language of music.

220. Introduction (28:52)

Date:
1957
Summary:
Introduces as artist who begins the painting, "The Man of Sorrows," portraying Christ on the Cross. Shows the rough sketch which serves as a guide for the painting and discusses philosophic and artistic considerations involved in its execution. (KETC) Kinescope.