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Discusses the dynamics of ideas and ideologies. Suggests a cultural exchange with Russia in an effort to lessen world tensions. Features Dr. Harold Fisher, Professor of International Relations, San Francisco State College and host Dr. Huston Smith. (KETC) Kinescope.
In this program, Mr. Fitzpatrick relays that real understanding and appreciation is discovered and developed through frequent visits to the art gallery and museum. We enter an exhibition of painting and sculpture, move from one work of art to the other, at the same time discussing the particular aspects of each as they relate to various contemporary movements in the arts. With illustrative drawings done with chalk at a large easel, the points previously observed and discussed are clarified. The program's guest is Miss Stella Nardozza, Teaching Supervisor, Pittsburgh Television Teaching Demonstration.
In this program, Mr. Fitzpatrick discusses wood sculpture as an art form. Describes the tools needed for manipulating the wood. Demonstrates simple methods and techniques of carving. Explains the selection of wood, importance of grain, and factors which contribute to the finished art piece. Illustrates with examples of wood sculpture.
Discusses the transition in art from realism to the abstract. Explains the reasons underlying abstract and non-objective painting. Demonstrates important points with illustrations drawn in chalk and paint. Uses prints of abstract painting to clarify and develop a greater understanding of the artist's interpretation. (WQED) Kinescope.
In this program, Mr. Fitzpatrick discusses masks as a form of art expression, how they are made, and their uses. Describes ceremonial festivals, and the theater. Demonstrates the making of the mask in clay, paper mache, and bent cardboard. Explains how various materials such as raffia, paint, and metal are applied to the mask for decoration. Uses models to illustrate the artistic merit and effectiveness of masks.
Man learned early to read the messages of the footprint and the broken twig and the book of the clouds and the tides, as truly as though these were printed texts. Soon he began to make readable marks, blazing trails, signaling with piled stones and scratches on rock. Out of this came primitive pictograph for purposes of magic, commemoration, and communication. He talked to strangers in a sign language, the very symbols of which later were written down as characters. Simple pictures of these things came to stand for complicated ideas, as well as the things themselves. This opening program shows how very elaborate messages were early conveyed by simple signs.
Winnie Mae Crawford, Encyclopaedia Britannica Films
Summary:
Uses prize-winning dolls from an international fair in Italy to depict an imaginary jaunt around the world from one national doll exhibit to another. Backgrounds representing native environment of the dolls in their folk costumes give a life-like illusion. With a special musical score adapted to the camera presentation.
Discusses the significance to science of observation and experimentation. Demonstrates with experiments the difference between observation and laboratory experiments. Shows and explains early laboratory apparatus used in developing natural laws of science. (WGBH-TV) Kinescope.
Physicists and biophysicists find common ground in interpreting the oscillation of a suspended spring. It is a simple piece of coiled metal which pulses over a small pool of mercury. The spring and the mercury are connected to a battery. Both scientists agree that the motion, regular and seemingly tireless, results from a design embodying the principle of “positive feedback.” From the biophysicist’s point of view, the pulsing spring is rather like the beating human heart. More and more areas of agreement common to all branches of science thus seems, as Professor LeCorbeiller puts it, “too beautiful not to be true.” And if science is one in revealing nature, will it not demonstrate that nature itself is one … animate and inanimate, spring and heart, body and tone?
