391. The heretic king (29:09)

Date:
1957
Summary:
Discusses the revolutionary reign of King Akhnaton in Egypt, 1400 B.C. Emphasizes his attempt to establish monotheism and to direct Egyptian death. Considers, also, the change in painting and sculpture from ritualistic forms to realism. (NYU) Kinescope.

392. The holy city of Greece (28:29)

Date:
1957
Summary:
Uses pictures, models, art objects, and discussion to describe ancient Delphi and the structures on MT. Parnassus. Explains the uses and unusual features of Apollo's temple, the amphitheater, and the treasuries. (NYU) Kinescope.

393. The Homelands of the Conquistadors (29:13)

Date:
1957
Summary:
Discusses the world from which the conquistadors came. Describes their lands of origin on the Iberian Peninsula and traces their ancestral antecedents. Appraises these Europeans who first established American empires. (KETC) Kinescope.

394. The illustration and the text (29:50)

Date:
1957
Summary:
Discusses the collaboration between authors and illustrators in illustrating a text. Describes the problems involved and stresses the importance of the illustrator and the author working together. Defines an illustration as successful when it conveys accurately the ideas in the text. Uses examples from John Carroll's Alice's Adventures in Wonderland, George Cruikshank's etchings for The Old Curiosity Shop, Rockwell Kent's woodcuts for Moby Dick, and others. (KETC) Kinescope.

395. The importance of accepting or rejecting Darwin's theory (29:13)

Date:
1957
Summary:
Reviews the evidence on both sides and discusses the importance of the issue of accepting or rejecting Darwin's theory. Discusses the evidence in support of the conception that man is different in kind from other animals because he is rational. Stresses the significance of the entire issue. (Palmer Films) Kinescope.

396. The justice of law (29:10)

Date:
1957
Summary:
Defines "justice of law," and discusses the relation of natural to just and unjust law. Explains the equality of justice, and illustrates how man-made laws have been evolving toward natural laws. (Mortimer Adler-San Francisco Productions) Kinescope.

397. The kinds of art (30:10)

Date:
1957
Summary:
Describes various kinds of art and their distinct differences. Distinguishes between the productive and the cooperative arts, and states that the latter consists only of farming, healing, and teaching. Explains and illustrates the differences between useful arts and fine arts. (Palmer Films) Kinescope.

398. The kinds of law (28:26)

Date:
1957
Summary:
Divides laws into three categories--human, natural (moral), and divine--and discusses the nature of each. Suggests two ways of identifying the different laws, and explains how natural laws are discovered. Compares the characteristics of the positive or human law with the natural or moral law, and points out the conflicts which arise between the two. (Mortimer Adler-San Francisco Productions) Kinescope.

399. The kinds of work and the dignity of all forms of labor (28:46)

Date:
1957
Summary:
Discusses various types of work, ranging from sheer drudgery to labors of love. Lists several activities, such as dancing, football, carpentry, and music, which are play for some and work for others. States two conditions by which work takes on dignity, and defines the dignity of man and the dignity of labor. (Mortimer Adler-San Francisco Productions) Kinescope.

400. The Large and the Small (30:01)

Date:
1957
Summary:
Shows how man has learned to measure quantities beyond his sight and grasp. Uses diagrams to explain how the size of the earth was discovered in classical times. Examines modern problems of extreme scale including the universe and size of viruses. Features Dr. Philippe LeCorbeiller, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.