Could not complete log in. Possible causes and solutions are:
Cookies are not set, which might happen if you've never visited this website before.
Please open https://media.dlib.indiana.edu/ in a new window, then come back and refresh this page.
An ad blocker is preventing successful login.
Please disable ad blockers for this site then refresh this page.
Discusses the purpose, successes, and failures of NATO, the prospects for extending its economic functions, and ways of making it more effective. Gives the history of NATO's formation and explains the financial contribution of each member country. (WTTW) Kinescope.
Outlines the political history of the Congo and discusses the success of the Belgian colonial policy. A native of the Congo proposes a program for more self-government of the people. Stresses the economic importance of the Congo to Belgium and to the United States. (WTTW) Kinescope.
Discusses the formation of the Afro-Asian bloc, the declaration issued by it, and the possible influences this organization may have in world politics. Considers official United States reaction to the bloc and the bloc's possible influence on the formation of United States foreign policy. (WTTW) Kinescope.
Discusses attempts, from the Roman Empire to the present, at European unification. Examines the progress in economic unification through the Schuman Plan. Appraises the effects on the United States on the degree of unification in Europe. (WTTW) Kinescope.
Uses the cross section of a tree stump to explain the events in the life of a tree. Tells how insects, weather, hurricanes, and urbanization effect the life of a tree. Describes the function of the parts of a tree trunk. Illustrates, through experiments, how a tree lifts great quantities of water high in the air. (WGBH-TV) Kinescope.
Dramatizes the questions raised in Darwin's mind on his return to England from his famous voyage. Discusses why animals differ when found in different locations, why and how species arise, and if new forms appear suddenly. Uses graphic illustrations, slides, and live animals to explain simple concepts of the origin of the species. (WGBH-TV) Kinescope.
Today beneath our feet we find dwarf plants which once were green giants of the Coal Age. We may hold a fossil in our hands of a plant that live 250,000,000 years ago, yet looked very much like a fern of today. The club mosses, horsetails and ferns, mostly miniature plants in northern forests, once grew to be 60-1000 feet tall in the warm, damp climate of the Carboniferous Period. Out of a terrarium, which you might set up in your living room, will unfold this story of a past age of plant life. You will find out how these simple plants reproduce by spores, and you’ll learn how to keep them in a miniature world.
Shows how animal tracks may be identified and explains how various types of tracks are classified. Demonstrates the making of track stamps through the use of potatoes. Discusses the making of plaster casts of tracks and the wiring of stories using tracks. (WGBH-TV) Kinescope.
Tells the life story of bats. Shows live bats and pictures a bat's voice of and oscillograph. Explains how bats navigate by echolocation or sonar. (WGBH-TV) Kinescope.
There are many partnerships in nature where two plants may help each other, or a plant and animal may mutually benefit one another, or where two animals may contribute to each other’s welfare. You will see on this program an example of each. The lichen, a common plant, looks like one individual, but really consists of two kinds of plants living together. You will see this story through the microscope. And you will see the story of cross-pollination, in which bees and insects take nectar from the flowers and in so doing transfer pollen from one flower to another. Ever look inside a wood eating termite? You will and with a microscope to see a story of mutual benefit. Inside the termite lives a host of one-celled animals which assist the termite in digesting the cellulose in the wood he consumes. (WGBH-TV) Kinescope.
Outlines and explains the life cycle of the salamander and shows some common salamanders of New England. Show how to set up a terrarium for keeping salamanders as pets. Also considers ferns, mosses, and club mosses suggested for use in a terrarium. (WGBH-TV) Kinescope.
Shows close-ups of toads and frogs of New England. Pictures various kinds of frogs and toads, explains how to identify their eggs, and presents extreme close-up views of the action of polliwogs. (WGBH-TV) Kinescope.
Turtles are reptiles along with snakes, lizards and crocodiles. The turtle has a remarkable history, too. He has been around for 200 million years and is relatively unchanged from his early ancestors. On this program you’ll find out about the turtle’s adaptations for his kind of life, for instance the way he breathes. Animals with lungs usually use their ribs to aid in expansion of the chest for breathing, but since the turtle’s ribs re part of his armor of shell, he cannot do this. What does he do? You find this out along with meeting several species of turtles and learning how to tell the age of these long-lived reptiles. Fifteen-year-old Frank Maurer, of Newton, Mass. is the guest of Mrs. Grimes. He is generally interested in science and especially in turtles, frogs, and snakes which he keeps as pets.
Many people fear all spiders to such an extent that they have never explored this interesting world of living things. Only a few spiders are harmful to human beings, and the other thousands of kinds are often shunned because of these. Here is a new insight into the spider, a creature with eight eyes, glands to produce several kinds of silk, and instinctual knowledge to build snares so complicated and beautiful that man has to admire their design and efficiency. On beautiful film, taken by Charles Walcott, you’ll see Charlotte, (Aranea cavatics, the barn spider that EB White wrote about in Charlotte’s Web) spin her web and catch prey. Other film sequences will show how a funnel-web spider uses her sheet web, and how a crab spider, camouflaged like a flower, needs no web at all but awaits his victim on a plant.
The ants are social insects with a fascinating story of division of labor and social organization. Their history of how this social structure developed from very simple beginnings to more complicated systems is interesting too. You’ll find that some ants eat protein food while others are vegetarians, and you’ll discover that the kind of society which ants maintain is related to their food habits. Robert Willey, an entomologist, will demonstrate these things with live colonies of ants. You’ll learn too how to keep an ant colony and what kinds of questions about behavior of ants you might answer by observation. On film, you will see an ant herdsman tending the aphid cows and stoking them to secure their sweet honeydew.
Shows and discusses the order of insects known as lepidoptera or scale-winged insects. Illustrates with collections of butterflies and moths from many parts of the world. Explains how to begin a collection, equipment needed, where to find specimens, and how to properly mount and keep them. (WGBH-TV) Kinescope.
Discusses and illustrates physical characteristics of the bird. Explains the skeletal system, covering of feathers, and uses of the beak and feet. Outlines graphically the ancestry of the bird. (WGBH-TV) Kinescope.
Explains and illustrates the characteristics of the medium of theater art. Outlines the history and evolution of the stage platform. Discusses the functions of the stage and auditorium. Relates the actors and the audience to theater art. Presents theater art as a synthesis of a variety of fine arts.
Discusses three major aspects of expression in the fine arts: medium, subject, and form. Studies these aspects of theater as a fine art. Compares theater art with other art forms. Presents specialists in art, music, and theater. (KUON-TV) Film.
Describes the role of the production crew--the designers, craftsmen, and technicians. Demonstrates the procedures followed by the production staff in the creation of the play. Shows where they work, how they perform their jobs, and the tools which they use.
Tells the story of the beaver and its role in the history of America. Explains how the beaver builds dams and creates new environments. Shows a beaver dam with the animals swimming, feeding, and diving. Uses diagrams and models to study a beaver community, the lodge, and their engineering skills. (WGBH-TV) Kinescope.
Home movie documenting multiple trips Bailey took to Europe between 1957 and 1964. Highlights include pastoral scenes and medieval architecture in Rothenburg ob der Tauber, Germany ; Bailey boarding the Auguste Piccard mesoscaphe in Lausanne, Switzerland ; public art in Geneva, including the Reformation Wall and Woodrow Wilson Memorial Sphere. In Paris, Bailey visits the Palace of Versailles, Notre Dame, Tuileries Garden, Chartres Cathedral, and the Sorbonne, which she once attended as a student.
Dramatizes parts of Liszt's life from a young boy to his last days as a teacher. Shows by animated maps, still pictures, and dramatization the places where he lived or performed, the people he knew, and the times in which he lived. Explains many things that influenced Liszt's music and presents excerpts of his music with special attention to Les Preludes.
Describes and illustrates the mold casting stage in the development of the sculptural portrait. Shows how plaster is mixed, applied to the clay, and the importance of working fast. Discusses the use of shims for separating the mold. Concludes by showing the completed mold. (KETC) Kinescope.
Presents two excerpts from Maxim Gorki's play The Lower Depths, as played by the Moscow Art Theater. One scene shows a group of social outcasts telling stories of former wealth and grandeur and an actor soliloquizing on "What is Man?" The second scene, taking place at a drinking party, shows the group's reaction to the actor's suicide.
Continues the modeling from Sculpture IV. Explains how the artist works to refine certain areas. Demonstrates how to "draw" carefully in the clay to bring out certain characteristics of the model. Discusses capturing certain expressions in the clay. (KETC) Kinescope.
Continues the modeling from Sculpture VI and completes the clay bust. Discusses and demonstrates how the eye is modeled. Emphasizes the importance of having different parts work together as a whole. Outlines the many finishing techniques that can be used. Comments briefly on several contemporary sculptors. (KECT) kinescope.
Walter Kerr, drama critic for the New York Herald Tribune, interviews noted Irish author Frank O'Connor. Mr. O'Connor contrasts the novel and the short story in relation to characterization, plot, and the time element. He discusses styles of the short story and appraises past and present psychological and subject matter trends in prose fiction.
Pictures and describes a number of common African musical instruments. Indicates the probable origin of the instruments. Among those shown and played are the tom-tom, skin drums, horns of various types, and the xylophone.
A public service announcement from the American Institute of Architects (AIA) in which the song "America the Beautiful" plays ironically over still images of trash, poverty, and destitution in an inner city ghetto. An offscreen male narrator says that if the viewer does not think the song and pictures go together, they need to "change the pictures." The narrator states that the AIA is "trying to" enact this change. Submitted for the Clio Awards.
A public service announcement for the American Cancer Society in which a doctor walks down a hospital corridor while addressing the camera about how money raised for cancer research is being spent. Submitted for the Clio Awards.
The coach of a freshman track team explains to teenage boys the intricacies of the male reproduction system, primary and secondary sexual characteristics, and the relationship between the sexes during adolescence.
Source material used for the Agency for Instructional Technology series Geography in U.S. history : illuminating the geographic dimensions of our nation's development.
Begins with two older couples (realtives?) posing with Nelle and Lynn ; Bixler family visits Parrot Jungle in Miami where exotic birds perform.
Lynn playing on the swing set in the Bixler backyard ; Lynn and Nelle boarding a plane ; some dark footage of one of the couples from the beginning along with scenes of a backyard garden ; Lynn playing with the dog ; Nelle and Donald modeling a formal dress for the camera ; Nelle prepares a turkey for Thanksgiving ; scenes of what appears to be a big family gathering ; people out on a the water and the Bixler's boat with the confederate flag ; ends with more footage of Lynn and Nelle at the beach.
Illustrates and explains the many different ways in which seeds are dispersed--by animals, by the wind, and by water. Points out that only a very few live to grow into plants.
Presents one view of loyalty and its importance in the measure of a man. Considers martyrdom, the relationship of loyalty to prejudice, and loyalty as self-protection. Questions which loyalties are the most important. Suggests an answer, but leaves the ultimate solution open for further consideration. (KQED) Film.
Evaluates the significance of the "sense of tragedy" in making a measure of a man. Analyzes the pleasure man derives from the tragedy of a fellow creature in literature or drama. Presents writings and documents from real life to inquire into the elements that make tragedy. (KQED) Film.
Discusses Guatemalan politics, relations with the U.S., the use of U.S. foreign aid. Describes the country itself and its customs and habits. Shows native clothing and handicrafts. (WTTW) Kinescope.
Surveys the political and economic evolution of Puerto Rico. Explains Puerto Rico's new political association with the U.S. Describes present Puerto Rican efforts to realize economic benefits through this new status. (WTTW) Kinescope.
Discusses the basic elements of painting--line, form, color, and texture--as well as those of music and poetry. Clarifies the meaning of these elements with charcoal drawings, musical selections, and poetry readings.
Discusses and demonstrates scenic design and the part it plays in theatrical production. Introduces the scenic designer and his work, discusses the problems he faces as an artist, and shows how he creates scenery. Illustrates the objective of stage scenery. Presents styles of scenic design including realism, stylism, and theatricalism.
Describes the art of stage make-up and its function in the theatre. Presents and discusses three main categories of make-up: character, stylized, and straight make-up. Examines the tools and materials used in stage make-up and demonstrates their use. Shows the functions of make-up in relation to characterization, lighting, distance, and color.
Discusses the role of music and sound in theatrical production. Shows the sound designer at work and exhibits the tools and equipment he uses. Demonstrates techniques followed in creating musical and sound effects for a play, using illustrations from well-known productions.
Discusses the contribution of movement and gesture to the art of the theatre. Stresses the importance of the director in determining stage action. Presents problems encountered in stage composition, stage movement, and stage business.
Discusses stage lighting in terms of special effects, atmosphere, and mood. Follows the work of the light designer from the initial preparation to the final production. Outlines the objectives and demonstrates in detail the basic requirements of stage lighting. Presents many types of lighting equipment and explains how they are used to produce desired effects. Includes a brief history of stage lighting.
Explains dialogue from the point of view of the playwright who composes it and the actor who gives it expression. Describes and demonstrates three types of dialogue: straight dialogue, set speech, and soliloquy. Illustrates devices and techniques used by the actor to support the dialogue including articulation, tempo, force, and quality. (KUON-TV) Film.
Examines the actor's contribution to theatrical production. Discusses two basic steps in the actor's creation of the character which he portrays: visualization and expression. Demonstrates by following the actor and director through a study-analysis discussion and a rehearsal of Romeo and Juliet.
Shows and discusses the play from the point of view of the playwright and the stage director. Describes how the playwright uses such sources as feelings, ideas, actuality, real people, and in analyzing and interpretation the play. (KUON-TV) Film.