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Surveys the political and economic evolution of Puerto Rico. Explains Puerto Rico's new political association with the U.S. Describes present Puerto Rican efforts to realize economic benefits through this new status. (WTTW) Kinescope.
Discusses the basic elements of painting--line, form, color, and texture--as well as those of music and poetry. Clarifies the meaning of these elements with charcoal drawings, musical selections, and poetry readings.
Discusses and demonstrates scenic design and the part it plays in theatrical production. Introduces the scenic designer and his work, discusses the problems he faces as an artist, and shows how he creates scenery. Illustrates the objective of stage scenery. Presents styles of scenic design including realism, stylism, and theatricalism.
Describes the art of stage make-up and its function in the theatre. Presents and discusses three main categories of make-up: character, stylized, and straight make-up. Examines the tools and materials used in stage make-up and demonstrates their use. Shows the functions of make-up in relation to characterization, lighting, distance, and color.
Discusses the role of music and sound in theatrical production. Shows the sound designer at work and exhibits the tools and equipment he uses. Demonstrates techniques followed in creating musical and sound effects for a play, using illustrations from well-known productions.
Discusses the contribution of movement and gesture to the art of the theatre. Stresses the importance of the director in determining stage action. Presents problems encountered in stage composition, stage movement, and stage business.
Discusses stage lighting in terms of special effects, atmosphere, and mood. Follows the work of the light designer from the initial preparation to the final production. Outlines the objectives and demonstrates in detail the basic requirements of stage lighting. Presents many types of lighting equipment and explains how they are used to produce desired effects. Includes a brief history of stage lighting.
Explains dialogue from the point of view of the playwright who composes it and the actor who gives it expression. Describes and demonstrates three types of dialogue: straight dialogue, set speech, and soliloquy. Illustrates devices and techniques used by the actor to support the dialogue including articulation, tempo, force, and quality. (KUON-TV) Film.
Examines the actor's contribution to theatrical production. Discusses two basic steps in the actor's creation of the character which he portrays: visualization and expression. Demonstrates by following the actor and director through a study-analysis discussion and a rehearsal of Romeo and Juliet.
Shows and discusses the play from the point of view of the playwright and the stage director. Describes how the playwright uses such sources as feelings, ideas, actuality, real people, and in analyzing and interpretation the play. (KUON-TV) Film.
Discusses various levels of understanding of art in terms of visual, historical, and esthetics elements. Explains such terms as abstraction, cubism, futurism, and shows examples of each. Demonstrates the importance of the background of the viewers in his reaction to painting by analyzing the expressed likes and dislikes of five college teachers. (Hofstra College and WOR-TV) Kinescope.
Traces the various methods of propulsion. Explains the development of jet propulsion by the Chinese in 1232. Relates the history of the use of rocker power to the age of firearms. Shows how the rocket became an important weapon at sea because of the flammable nature of the ships. Surveys the actualities and dreams of rocketry throughout its development. (New Mexico College of A. & M.A.) Film.
Explains the principle of propulsion, and illustrates the way in which the design of a rocket engine increases the speed of escaping gases. Illustrates the law of momentum as applied to propulsion. States that one of the biggest problems of jet designers is that of making jet gases go faster. (New Mexico College of A. & M.A.) Film.
Traces the history of the development of the liquid-fuel missile by groups in Germany and the U.S. Views the development of the White Sands Proving Grounds and a parallel development of rocketry by the Germans, and explains the similarity of the two. Identifies the German A-9 and A-10 rockets as the forerunners of the multi-stage rocket. (New Mexico College of A. & M.A.) Film.
Examines what has happened in Europe to check the threat of a menancing population growth. Traces the growth of population in Europe from the Middle Ages and suggests that the small-family concept, which began in England in the late nineteenth century, has had more effect on population than any other thing.
Shows how the mold is removed from the finished plaster bust. Discusses the use of bluing in the first coat of plaster. Illustrates the use of the screwdriver and mallet in removing the mold. Concludes with a comparison of the model and the completed plaster portrait bust. (KETC) Kinescope.
Discusses the process of making a plaster cast. Points out how the molds are shellacked and placed together again. Demonstrates how the plaster is mixed. Shows the process of pouring the plaster into the mold. (KETC) Kinescope.
Continues the modeling begun in Sculpture I. Brings the portrait bust to life-size proportions by adding more clay to the armature. begins work on some of the details of form ending with a general likeness of the model. (KETC) Kinescope.
Describes and discusses the materials and tools used in modeling a portrait bust from clay. Shows the steps in applying clay to the armature. Illustrates how the sculptor proceeds to develop essential characteristics of the model's head. (KETC) Kinescope.
Discusses the world from which the conquistadors came. Describes their lands of origin on the Iberian Peninsula and traces their ancestral antecedents. Appraises these Europeans who first established American empires. (KETC) Kinescope.
Discusses the geography of Latin America, including information on area and population. Designed for the average North American viewer. (KETC) Kinescope.
Explains that a major problem of jet propulsion is increasing the speed of the expanding gas in the jet engine. Shows how the speed is increased by the addition of heat, more gas,and heavier molecules. Points out that there is no limit tot he speed that gas will move through the end of propulsion chambers if a material can be obtained that will stand the increased temperature. (New Mexico College of A.& M.A.)
Reviews the principles of sound and its transmission as it applies to rocket propulsion. Using the V-2 rocket motor as an example, the orientation of a typical rocket motor, including the types of materials used for fuels, is explained. (New Mexico College of A. & M.A.)
The V-2 was called the A-4 by the Germans and as such should have been the fourth in the A series of missiles. Actually it was the fifth since the A-5 was predecessor to the V-2. The A-4 incorporated most of the latest rocket knowledge and even extrapolated by increasing the dimensions greatly over any missile that had previously been built. Pumping of propellants and cooling of the motor were two major problems that were solved. Since the collapse of Germany, the V-2 has been used in several novel experiments.
Contrasts pulse jets, turbojets, and ramjets to a true rocket. Compares the operation of a true rocket engine with that of a jet engine, and explains the operation of the three types of jet engines showing the advantages and disadvantages of each. (New Mexico College of A. & M.A.)
Mose demonstrates the placement of features and the locating and working out of the especially prominent jaw muscles of the model. He explains the use of the death maskand tells stories about models and techniques.
Describes the main characteristics of impressionism and contrasts it with the art that prevailed in the era which preceded it. Stress is placed upon impressionism's major characteristics including elimination of details and use of color to produce optical effects in which colors are mixed by the eye. Special attention is given to coloring techniques used in painting such as use of colored dots rather than solid color areas.
Discusses the training of the men who represent the U.S. overseas. Describes the embassies and the men we have abroad, the history of our diplomatic service, and its present organization and budget. Considers the adequacy of the present program, with suggestions for the future. (WTTW) Kinescope.
Describes the organization of American states and appraises its effectiveness. Discusses U.S.-Latin American relations and considers how they can be improved.
Shows numerous paintings and discusses factors in the world today which lead artists to produce such paintings. Points out that war, mechanization, anxiety, and insecurity, speed and motion, and emphasis on the individual are some of the concerns of today's artists. (Hofstra College and WOR-TV) Kinescope.
Points out and discusses the values to be gained from the process of creating. Invites the viewer to draw a still life and shows five art students working creatively in various media.
Discusses the process of revision through which a painting is developed, revealing how the artist uses his skill, knowledge, and experience to shape his ideas into a finished work of art. Compares many drawings and sketches with the paintings based upon them.
Discusses line, form, and symbol as conventional devices for communication in the visual arts. Demonstrates some of the conventions used for communication in the theater and the dance. Illustrates the communication of ideas, using pictures by Picasso and others.
Two artists demonstrate the creative process by reacting to a stimulus presented by a psychologist. Defines creativity and outlines the elements composing it; stresses the influence of environment on the creative impulse.
Discusses the role and status of artists in society. Considers the sources of support of artists and suggests that artists are necessary to any society. Includes participation by Mark Van Doren, the author, and Philip Evergood, an American painter. (Hofstra College and WOR-TV) Kinescope.
Describes the critic as having a responsibility to society while expressing his own point of view. the critic does not attempt to educate but rather to observe keenly and to report and comment upon the arts. Features critics from the New York Herald-Tribune, Time magazine, and the New York Times. (Hofstra College and WOR-TV) Kinescope.
Discusses the nature and importance od adult learning, and points out the fallacy of thinking that the school is the only place where education occurs. Explains that adult learning is the gaining of wisdom and understanding and is for everybody, regardless of formal schooling. States that "adults are more educable than children as children are more trainable than adults," and stresses that when we cease to learn our mind starts to die. (Palmer Films) Film.
Distinguishes between morality and virtue, and discusses good and bad love. Points out that the three bad loves are love of money, pride, and romantic love, and explains both that Adler's and Freud's views of love. Presents and defines the commands of love--love God, love thyself, and love others--and illustrates how bad love can defeat good love. (Palmer Films) Film.
Discusses the nature of opinion as contrasted with knowledge. Points out that where opinion can be right or wrong, knowledge can not be wrong. States that opinions are subject to conflict, and gives various examples of opinion such as majority rule, opinion polls, and controversy. (Palmer Films) Film.
Discusses fraternal love, and differentiates it from sexual love. Explains Aristotle's idea of human association based on utility, pleasure, and excellence. Distinguishes between justice and love, and depicts a society based on love and friendship rather than justice. (Palmer Films) Film.
Discusses the essentials of love, and explains how sexual love and erotic love can be combined. Distinguishes between sexual desire and sexual love, outlining the elements of both. States that if sex or want come first, love is short lived but that love will last if it comes first. (Palmer Films) Film.
Discusses the psychological difference between knowledge and opinion, and describes the skeptic point of view. Compares knowledge and opinion in relation to truth, and states that most of the things learned in school--history, geography, geometry--are right opinions, not knowledge. Presents Adler's views, and quotes from great philosophers. (Palmer Films) Film.
States that people read for pleasure, information, and enlightenment. Explains what enlightenment means and how to read for this type of learning. Points out that to gain enlightenment, a person should actively read books that are challenging. Gives suggestions for active reading. (Palmer Films) Films.
Presents the case for television as an instrument for learning, and explains the obstacles that stand in the way of successful educational television programs. Suggests how to watch an educational program if it is to help in learning. (Palmer Films) Films.
Discusses the role of conversation and discussion in the life of learning. Gives the three methods of teaching--indoctrination, lecturing, and questioning. Suggests how adult conversation can serve as the means of learning. (Palmer Films) Film.
Describes various kinds of art and their distinct differences. Distinguishes between the productive and the cooperative arts, and states that the latter consists only of farming, healing, and teaching. Explains and illustrates the differences between useful arts and fine arts. (Palmer Films) Kinescope.
In the concluding program on this subject, Dr. Adler deals with the two general considerations of aesthetics and ethics. On the side of aesthetics, he draws a comparison between beauty in art and beauty in nature. He also deals with the problem of intellectual and moral content of art, the consideration of freedom of the arts, and concludes by comparing the importance in human life of producing as opposed to appreciating works of art.
Defines fine art and distinguishes between the terms liberal and servile as applied to the arts. Points out that a work of fine art has individuality, originality, and says something. Depicts modern painting as a revolt against the public's lack of aesthetic understanding. (Palmer Films) Kinescope.
