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Discusses the dynamics of ideas and ideologies. Suggests a cultural exchange with Russia in an effort to lessen world tensions. Features Dr. Harold Fisher, Professor of International Relations, San Francisco State College and host Dr. Huston Smith. (KETC) Kinescope.
In this program, Mr. Fitzpatrick relays that real understanding and appreciation is discovered and developed through frequent visits to the art gallery and museum. We enter an exhibition of painting and sculpture, move from one work of art to the other, at the same time discussing the particular aspects of each as they relate to various contemporary movements in the arts. With illustrative drawings done with chalk at a large easel, the points previously observed and discussed are clarified. The program's guest is Miss Stella Nardozza, Teaching Supervisor, Pittsburgh Television Teaching Demonstration.
In this program, Mr. Fitzpatrick discusses wood sculpture as an art form. Describes the tools needed for manipulating the wood. Demonstrates simple methods and techniques of carving. Explains the selection of wood, importance of grain, and factors which contribute to the finished art piece. Illustrates with examples of wood sculpture.
Discusses the transition in art from realism to the abstract. Explains the reasons underlying abstract and non-objective painting. Demonstrates important points with illustrations drawn in chalk and paint. Uses prints of abstract painting to clarify and develop a greater understanding of the artist's interpretation. (WQED) Kinescope.
In this program, Mr. Fitzpatrick discusses masks as a form of art expression, how they are made, and their uses. Describes ceremonial festivals, and the theater. Demonstrates the making of the mask in clay, paper mache, and bent cardboard. Explains how various materials such as raffia, paint, and metal are applied to the mask for decoration. Uses models to illustrate the artistic merit and effectiveness of masks.
Man learned early to read the messages of the footprint and the broken twig and the book of the clouds and the tides, as truly as though these were printed texts. Soon he began to make readable marks, blazing trails, signaling with piled stones and scratches on rock. Out of this came primitive pictograph for purposes of magic, commemoration, and communication. He talked to strangers in a sign language, the very symbols of which later were written down as characters. Simple pictures of these things came to stand for complicated ideas, as well as the things themselves. This opening program shows how very elaborate messages were early conveyed by simple signs.
Winnie Mae Crawford, Encyclopaedia Britannica Films
Summary:
Uses prize-winning dolls from an international fair in Italy to depict an imaginary jaunt around the world from one national doll exhibit to another. Backgrounds representing native environment of the dolls in their folk costumes give a life-like illusion. With a special musical score adapted to the camera presentation.
Discusses the significance to science of observation and experimentation. Demonstrates with experiments the difference between observation and laboratory experiments. Shows and explains early laboratory apparatus used in developing natural laws of science. (WGBH-TV) Kinescope.
Physicists and biophysicists find common ground in interpreting the oscillation of a suspended spring. It is a simple piece of coiled metal which pulses over a small pool of mercury. The spring and the mercury are connected to a battery. Both scientists agree that the motion, regular and seemingly tireless, results from a design embodying the principle of “positive feedback.” From the biophysicist’s point of view, the pulsing spring is rather like the beating human heart. More and more areas of agreement common to all branches of science thus seems, as Professor LeCorbeiller puts it, “too beautiful not to be true.” And if science is one in revealing nature, will it not demonstrate that nature itself is one … animate and inanimate, spring and heart, body and tone?
Presents an introduction of the series OF SCIENTISTS AND SCIENTISTS. Discusses the subject of science and shows excerpts from other programs in the series. Illustrates with experiments and mathematical problems the kind of thinking essential to the study of science. Features Dr. Philippe LeCorbeiller and Dr. Gerald Holton, Physics Department, Harvard University. (WGBH-TV) Kinescope.
Discusses the relationship between science and common sense. Demonstrates the validity of the theory that "nature abhors a vacuum." Conducts experiments with water and mercury barometers to show the relationship of atmospheric pressure to the development of a newer and more concise theory. Features Dr. Leonard K. Nash, Professor of Chemistry, Harvard University. (WGBH-TV) Kinescope.
Shows how man has learned to measure quantities beyond his sight and grasp. Uses diagrams to explain how the size of the earth was discovered in classical times. Examines modern problems of extreme scale including the universe and size of viruses. Features Dr. Philippe LeCorbeiller, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.
Uses charts, models, and diagrams to illustrate basic concepts of solar measurement. Explains the use of parallax in finding the scale of the universe. Demonstrates how to find the distance to the moon and sun. Features Dr. Cecelia Payne-Gaposchkin, Professor of Astronomy, Harvard University. (WGBH-TV) Kinescope.
Continues the painting shown in THE HANDS. Shows the outlining and painting of the cross, including the addition of the grain of the wood. Explains the importance of the cross to the theme of the painting. (KETC) Kinescope.
Continues the painting shown in UNDERPAINTING. More area is covered with underpaint, the head and face are developed through the use of brushes, and additional work is done on the chest area.
In this program, Mr. Goldovsky clearly demonstrates the need for close attention to the language of the written musical score. Through musical example he aptly demonstrates the use of the musical passage as a guide to stage production and direction. He gives a more complete understanding of the opera through recognition of the language of music.
Introduces as artist who begins the painting, "The Man of Sorrows," portraying Christ on the Cross. Shows the rough sketch which serves as a guide for the painting and discusses philosophic and artistic considerations involved in its execution. (KETC) Kinescope.
Explains the classical principles of learning by association. Discusses the work of Ebbinghaus and Pavlov. Presents the laws of frequency of contiguity and reinforcement by satisfaction. Illustrates contiguity, exercise, and effect. (WGBH-TV) Kinescope.
Discusses human action and its causes. Compares voluntary and involuntary response. Uses a slow motion film clip to demonstrate the startle response. Concludes with a demonstration to show that voluntary effort has its causes. (WGBH-TV) Kinescope.
Shows in detail what happens in a stimulus-response situation. Illustrates with a startle response. Explains the sensitivity of the five senses. Discusses the rods and cones of the eye and their purposes. Describes the type of response caused by muscles and glands. Points out the interrelations of the endocrine glands. (WGBH-TV) Kinescope.
Illustrates, through music and poetry, the importance of interpreting the writer's tone of voice in deriving meaning from written communication. Defines tone as the relationship between what is meant and what is said. Points out that all written communication has some kind of tone. Discusses the reader's responsibility in reading the right tone from the printed page. (KETC) Kinescope.
Discusses briefly the scope of psychology. Uses charts, models, and demonstrations to explain how the eye function. Illustrates size constancy and distance in perceptions. (WGBH-TV) Kinescope.
Develops the theme that the ultimate aim of literature is ethical. Defines the accent of literature as a characteristic way of thinking which reflects a particular manner of speaking or sounding. Points out that literature must serve a cause or purpose. Uses examples from the writings of Carl Sandburg and Mark Twain. (KETC) Kinescope.
Discusses the use of scientific method in psychology. Uses the moon illusion to explain the development of a scientific hypothesis. Shows how psychological experiments are solving the problem of the moon illusion. (WGBH-TV) Kinescope.
Prof. Boring presents examples of instinctive behavior: Iron filings line up in a magnetic field; a cat rights itself when dropped; plants turn toward light; a person’s eyes blink, when an object suddenly passes close to the eye.
Prof. Boring shows how human beings can be “set” or “tuned in” to a special response just as a radio can be tuned to a particular station. The brain can be directed along a certain channel, which it will follow until that channel or “station” is changed. Once told to think of rhyming words for example the voluntary subject concentrates on the sound of words almost exclusively, until she comes to “month,” for which there is only one unfamiliar rhyme. (WGBH-TV) Kinescope.
There is a definite reason for most of your likes and dislikes, says Prof. Boring. He shows how measurements of them can be taken themselves, examples of preferred experiences which are largely results of learning; for example, pleasant pains, dissonance in musical intervals, and cultivated smells. He reminds us that man is a behaving organism that tries to get what he likes and likes what he tries to get, and that his preferences are established by heredity and learning.
Discusses the collaboration between authors and illustrators in illustrating a text. Describes the problems involved and stresses the importance of the illustrator and the author working together. Defines an illustration as successful when it conveys accurately the ideas in the text. Uses examples from John Carroll's Alice's Adventures in Wonderland, George Cruikshank's etchings for The Old Curiosity Shop, Rockwell Kent's woodcuts for Moby Dick, and others. (KETC) Kinescope.
Explains and demonstrates how the writer selects and arranges words to achieve proper placement of detail for meaning. Stresses the importance of understanding the relationship between the writer's roving eye and point of view. Uses examples from The Killers, Tom Sawyer, The Canterbury Tales, and the Iliad. (KETC) Kinescope.
Discusses the relationship of actions to "set" and unconscious motivation. Demonstrates ideomotor action. Explains visual and tactile muscle reading. Illustrates social motivation through film clips of experiments with pigeons. Concludes with a psychological test showing unconscious perception and immediate forgetting. (WGBH-TV) Kinescope.
Uses photographs and diagrams the explain the age of the universe. Discusses the age of the earth, compositions of the milky way, how stars are formed, and cosmic development. Points out the difference between mechanical and evolutionary changes in the universe. Explains the uncoiling spiral of a new galaxy, and speculates on the duration of our own solar system. Features Dr. Bart J.Bok, Professor of Astronomy, National University of Australia. (WGBH-TV) Kinescope.
After putting the outline of his main figure on the canvas, Painter Reinhardt does something which non-artists might consider astonishing: he begins to cover the figure with the “underpainting.” But as he talks and explains what he is doing, another technique of the artist becomes clear. With this part of the job done, the audience is left to await the next step in the making of a painting.
A public service announcement for the Illinois Department of Public Health in which a mother in the "old days" drags her son to a quarantined measles home so that he can catch the virus and "get it over with." An offscreen male narrator describes how the measles vaccination makes such practices unnecessary, and the boy is shown receiving his vaccine at a doctor's office. Submitted for the Clio Awards.
A public service announcement from the Wilderness Society in which a scene of forest wildlife is overlaid with audio of developers clearing trees. An offscreen male narrator reminds the viewer that "man does not live by development alone," while onscreen text provides information on how to order a free booklet on "the American wilderness." Submitted for the Clio Awards.
A public service announcement from the University of Toronto featuring a silent scroll of text discussing the problem of noise pollution and urging the viewer to contact the university's Pollution Probe to learn more. White screens accompanied by a noisy siren bookend the text scroll. Submitted for the Clio Awards.
Participants are Miss Mirka Misic, Yugoslavia; Miss Susan Rennie, Union of South Africa; Mr. Norbert Scholz, Germany; Mr. Young-Koo Lee, Korea; and Mrs. Waller. The debate on the nature of communism is enlivened by the young Yugoslavian delegate who attempts to defend her country's brand of communism under questioning by representatives of Germany, Korea and the Union of South Africa. Mirka insists that Russia borders on imperialism while her country has communism at its best. She asserts that co-existence between communism and capitalism is necessary "if we want a peaceful world." The Korean panel member, however, vigorously replied that communism "by its very nature" denies co-existence with the capitalist countries. Speaking from his firsthand experience of communism during three months in North Korea after that area was captured by the Communists during the Korean war, he is violently in disagreement with anything communistic. He is joined in his views by the remaining two members of the panel.
Discusses finishing techniques in ceramic sculpture. Explains how the finish must make the sculptured work permanent and at the same time enhance its feeling and form. Shows the method of firing ceramic pieces in the kiln. Demonstrates different methods of finishing the pieces including staining, waxing, and the application of different types of glazes. Concludes with a discussion of ancient and modern polychrome sculpture. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Demonstrates the tools and techniques of wood carving. Discusses and shows the advantages and disadvantages of wood as a medium of sculptor. Illustrates with finished works carved from different woods explaining the sculptural qualities and techniques of each. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Presents an actual demonstration of the modeling of a portrait in clay. Explains how a sculptured portrait reflects "likeness" and reveals the character and personality of the sitter. Discusses the problems of working in three dimensions and the creation of the sculptural form and proportion. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the problems and techniques of conceiving a monumental sculpture. Presents the steps the sculptor follows from the initial sketch to the completed work. Explains the use of the enlarging device in developing the eight-foot dimensions of a large figure from the basic features of a small sketch. Demonstrates by sculpturing a figure of Walt Whitman of a monumental scale. Features Merres Gage, sculptor and Professor of Fine Arts, University of Southern California. (UCS) Film.
In this program, Mr. Fitzpatrick discusses the importance of the self-portrait as a means of art expression. Tells how the self-portrait not only preserves a physical likeness of the artist, but provides an insight into his character, mode of dress, and customs. Demonstrates the various techniques involved painting self-portraits by having two professional artists develop their own likenesses. Presents and explains the work and self-portraits of great artists to help develop a greater understanding of this art form.
In this program, Mr. Fitzpatrick presents a historical review of sculpturing, emphasizing the materials and techniques employed in creating this art form. Discusses sculptural masterpieces from Egypt, Assyria, and Greece. Displays and explains the use of various varieties of stone. Demonstrates ways in which the beginner may use simple materials and tools--plaster of Paris, insulating brick, and a knife. Continues with a more detailed explanation of the sculptor's tools--mallet and various chisels. Features Henry Bursztznowicz demonstrating the techniques and tools used.
In this program, Mr. Fitzpatrick discusses water color, which, because of its spontaneous, lucid quality, is intriguing both to the artist and the layman alike. Watercolor paintings by well-known painters, such as John Marin and Winslow Homer, are discussed as to subject, technique, composition, and total effect. The tools and materials of the craft are explained, and a variety of methods in their use are demonstrated, with emphasis on the creative approach. Experimental, contemporary examples of watercolor painting will be viewed and explained in relation to the processes previously demonstrated.
In this program, Mr. Fitzpatrick discusses the vital and revolutionary change that the constructions of the modern engineer with new materials have upon our thinking in art, particularly in the field of sculpture. Looking at large photographs of bridges, fire escapes, and TV antennas, we are conscious of the open-work build-up, the thrust, the tensions of modern constructions that stimulate the artist’s imagination toward new and dynamic art creativity. Materials such as wire, sheet metal, string, plaster, and wood are used in non-objective space designs, stabile and mobile.
In this program, Mr. Fitzpatrick discusses the place of "The Madonna" in painting and sculpture. Uses prints to explain the many ways of representing this theme. Illustrates important points with sculptured madonnas and other religious works. Demonstrates various approaches to this subject with sketches.
In this program, Mr. Fitzpatrick discusses the use of paper as a medium of artistic expression. He demonstrates, with simple tools, the processes of folding, slashing, and scoring. Explains how to select appropriate papers for paper sculpture. Using the various techniques, several sculptures are constructed with examples.
In this program, Mr. Fitzpatrick discusses the use and adaption of metal as an art form. Explains how new metals have created a challenging material for the sculptor. Demonstrates the use of simple tools in creating different types of metal sculpture from rod, wire, sheet, and mesh. Illustrates with metal sculptures.
Discusses the discovery and exploitation of the natural resources of the West--minerals, grazing, lumber--plus agricultural development of the Great Plains and the Pacific Coast valleys. Also, considers communications in the West--stage lines, railroads, and the telegraph. (KETC) Kinescope.
Shows how animal tracks may be identified and explains how various types of tracks are classified. Demonstrates the making of track stamps through the use of potatoes. Discusses the making of plaster casts of tracks and the wiring of stories using tracks. (WGBH-TV) Kinescope.
An advertisement for Big Dip "ice milk" in which an animated man tells an ice cream scoop about the product and the scoop creates a sculpture of the Eifel Tower out of the ice milk.
An advertisement for Knudsen Ice Cream in which a boy runs to the grocery store to buy the product quickly, and shows the carton to a line of people waiting for ice cream from a specialty parlor.
Discusses new explorations by the American Museum of Natural History; indicates that important finds have opened up the early history of the area of Afghanistan, Baluchistan, and the Indus Valley.
Enumerates the problems of living in ancient Egypt from a woman's standpoint--no running water, electricity, or refrigeration. Shows bronze ornaments used for bartering purposes as well as household equipment and cosmetics. (NYU) Kinescope.
An advertisement for Dairy Queen ice cream in which a Monkees-esque teen idol runs from a group of fans and travels to the Dairy Queen and feels refreshed.
An advertisement for Baskin-Robbins 31 Flavors ice cream in which a variety of animated characters try different flavors while a narrator describes the company's offerings.
Discusses the importance of numerical measurement in the progress of science. Uses experiments from physics, chemistry, and astronomy to show how a quantitative approach to science aids in understanding. Presents a brief history of the evolution of the mathematics in science. Features Dr. Gerald Holton, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.
Uses demonstrations to illustrate how scientists arrive at facts. Explains how and why scientists often give the impression of being to sure of their knowledge of the universe. Discusses the importance of numerical statements in science and how physical law is derived. Features Dr. Phillipe LeCorbeiller, Professor of applied Physics, Harvard University.
Explains and demonstrates how sculpture in relief developed from the cave man to the present. Illustrates with ancient and modern examples. Discusses the composition and carving techniques of full-scale reproductions of famous sculptures. Describes how the artist's sculpture is transferred in the production of a commemorative medal. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the use of stone as a medium of sculpture. Demonstrates the tools and techniques of stone carving. Shows several works carved from different types of stone explaining why particular stone os chosen for a specific piece of sculpture. Illustrates with the carving of a portrait of Washington. features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the use of terra cotta clay in sculpturing. Shows the modeling of a figure in terra cotta clay. Explains the nature of this medium and the problems of working with it. Tells how terra cotta clay differs from ordinary modeling clay. Demonstrates the "inside-outside" method of working with terra cotta. Illustrates with examples of completed figures in different kinds of terra cotta clay. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the discovery of the Dead Sea scrolls; explains how the scrolls came into being, who wrote them and why, and what they mean today. Includes a study of Palestine, beginning with its earliest recorded history; and shows samples of Palestinian art.
In this program, Mr. Fitzpatrick discusses the creation of a work of art through sketching. He explains and demonstrates the expression of an idea using a variety of media and techniques. Uses the work of Miro, Kandinsky, and others of the contemporary school to clarify the expression of concepts and objectives. Stresses the point that sketching should represent each individual's own personal creative interpretation of an idea.
Describes how printers from many countries contributed to the art of printing. Tells how printing spread from Germany to other countries. Describes the significant printing done in Italy, Belgium, France, England, Mexico, and New England during the early development of the New World. (USC) Film.
Uses pictures, models, art objects, and discussion to describe ancient Delphi and the structures on MT. Parnassus. Explains the uses and unusual features of Apollo's temple, the amphitheater, and the treasuries. (NYU) Kinescope.
Discusses the discoveries and developments which brought about the invention of movable type by Gutenberg. Describes the work of the alchemist in casting metals, the making of wood blocks, and the development of oil based paints. Demonstrates Gutenberg's experiments with metals and shows woodcuts representative of those produced and used in Gutenberg's day. Features Dr. Frank Baxter.
Tells the story of the invention and spread of paper making. Discusses the materials and tools used in making paper. Demonstrates how paper was made in ancient China. Traces the history of the movement of paper making from China to Germany. (USC) Film.
Discusses the development of printing. Describes how printing is developed from simple writing on papyrus to decorated books written on parchment and vellum. Explains the origins of and differences between parchment and vellum. Discusses paint,ink,and writing techniques of the Middle Ages. Illustrates with collector's items. (USC) Film.
Discusses current theories on the origin of the Semitic alphabet. Illustrates the acrophonic principle of alphabetization by the development of several letters from the Semitic through the Greek and finally to their Latin forms. Explains the emergence of the Greek letters into Eastern and Western systems. Features Dr. Frank Baxter.
Presents the story of the decipherment of ancient cuneiform and hieroglyphic writing. Explains how the Rosetta stone in Egypt became the key to unlock the mystery of hieroglyphics. Discusses the work of Grotefend, Rawlinson, and Champollion in achieving an understanding of ancient writing. (UCS)
Points out the purposes and procedures of the series of motion pictures, YESTERDAY'S WORLDS. Reviews objects shown and summarizes ideas discussed in the preceding 25 half-hour programs. Emphasizes the values of research into man's past. (NYU) Kinescope.
This series, aired from 1954 through 1958, is built around the annual New York Herald Tribune World Youth Forum, which hosts approximately thirty foreign high school students from around the world in the US. The World Youth Forum features the high school students discussing problems of concern to America and the world. Discussions are presided over by Mrs. Helen Hiet Waller, World Youth Forum Director, with a maximum of encouragement to free expression. In this program from 1957, students from the United Kingdom, Union of South Africa, India, and Lebanon discuss the influence of American comics, films, and be-bop; the contribution of American education throughout the Arab world; the relative merits of British and American school systems; the relative impact of Britain vs U.S. influence in the world; and whether Britain or the U.S. has the truer democracy.
This series, aired from 1954 through 1958, is built around the annual New York Herald Tribune World Youth Forum, which hosts approximately thirty foreign high school students from around the world in the US. The World Youth Forum features the high school students discussing problems of concern to America and the world. Discussions are presided over by Mrs. Helen Hiet Waller, World Youth Forum Director, with a maximum of encouragement to free expression. In this program from 1957, students from Brazil, Finland, Japan, Jordan, and Singapore discuss the question of universal misunderstanding of teenagers. Although they are divided on the seriousness of the problem, they indicate that the misunderstanding between parents and teenagers does exist in their countries.
Presents members of the New York Herald Tribune World Forum and forum director Helen Hiett Waller. Teenagers from the Sudan, Israel, Ceylon, and Yugoslavia discuss American slang as an obstacle to the understanding of English and as a puzzlement and source of amusement to foreign visitors. The young people examine slang words and phrases in their own language.
Herald Tribune Forum delegates from Israel, France, Turkey, and Lebanon discuss their prejudices against other forum delegates and their countries. They indicate that some of their prejudices have been removed through acquaintances made in the U.S. (WOR-TV) Kinescope.
Teenagers from the United Kingdom, Pakistan, the Philippines, and Indian discuss prejudices against Britain and her policies. They further discuss their preconceived notions about America and indicate how their visit has changed these ideas. (WOR-TV) Kinescope.
Herald Tribune Forum members from the Gold Coast, the Union of South Africa, Ethiopia, and Nigeria discuss American prejudices towards Africans and towards African-Americans. (WOR-TV) Kinescope.
All 33 of the Herald Tribune High School Forum delegates appear in their native costumes and talk of their experiences and impressions after their three month stay in four different American homes and schools. 1957 (WOR-TV) Kinescope.
Discusses the decline of printing during the 18th and 19th centuries. Points out the main reasons behind the decline of printing. Reviews the work of William Morris and his successors in reviving the art of printing. (USC) Film.
This discussion centers around the political organization of the ancient Incas in Peru in relation to the work of their craftsmen in pottery and gold. Guests are Dudley T. Easby, Jr., secretary of the Metropolitan, and Julius Bird, department of anthropology at the American Museum of Natural History.
Discusses the present status of archaeology in Russia. Shows and discusses objects, found in Russia, formerly owned by Scythians and buried with them. Stresses the vast quantity of these objects and emphasizes the artistic quality of these exports from Greece. (NYU) Kinescope.
Discusses the processes involved in creating a piece of sculpture suitable for reproduction. Explains compositional elements in sculpture while a figure is modeled. Shows the process of making a plaster mold from the completed figure. Demonstrates how the "slip" or liquid clay is poured in the mold and after drying how the mold is removed. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Shows how terra cotta clay may be used to create a reproduction. Demonstrates two different methods of using terra cotta. Explains several large pieces of terra cotta sculpture and presents them in their natural setting. Discusses and shows how this technique of sculpture can be used for monuments and on buildings. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
A public service announcement from the U.S. Department of the Interior in which audio of children singing about going to the beach overlays a scene of a deserted beach covered with trash, dead fish, and rats. An offscreen male narrator warns that "beaches should be for people," not rats. Submitted for the Clio Awards.
A public service announcement from the Citizens for Clean Air in which the close-up and audio of a man breathing overlays shots of cars, planes, factory chimneys, and other sources of air pollution. An offscreen male narrator describes the many kinds of pollutants in the air we breathe and urges the viewer to write to the organization's address. Submitted for the Clio Awards.
An advertisement for General Electric garbage disposals in which an offscreen male narrator describes the disease risk from common houseflies and how the town of Jasper, Indiana eradicated most of their flies through reforming garbage collection and installing GE kitchen disposals. Close-ups of flies and footage of Jasper accompany the narration. Submitted for the Clio Awards.
An advertisement for General Motors in which a male narrator describes the company's initiative in designing a windshield that can withstand the impact of stones. Two test drives, first with a regular windshield and the second with GM's more damage-resistant windshield, are demonstrated, and the narrator argues that the new windshields are further proof that GM cares about keeping consumer repair costs down. Submitted for the Clio Awards.
A public service announcement from the Glass Container Manufacturers Institute in which a young man and woman leave various forms of litter around a city as they have fun on a date. An offscreen male narrator implores the viewer on behalf of glass manufacturers to "make love, not litter" and "keep America beautiful." Submitted for the Clio Awards.
A public service announcement from Stag beer in which a group of elderly women collect and crush aluminum cans, while an offscreen male narrator describes how the company will pay one-half cent per can dropped off at Stag recycling centers. Submitted for the Clio Awards.
An advertisement for John Hancock Mutual Life Insurance Company featuring a blind man who describes his experience working as an administrative director at the company. An offscreen male narrator discusses how the John Hancock company employs over 500 employees with some form of disability. Submitted for the Clio Awards.