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Discusses the use of western capital for the industrial development of the under-developed areas of the world. Presents an analysis of long range foreign aid policy to help secure peace. Features Dr. Harlan Cleveland, Dean, Syracuse University, John E. Hull, General, United States Army (retired), and host Dr. Huston Smith. (KETC) Kinescope.
Examines the potentiality of education on the sub-verbal level. Discusses the training of the special senses such as vision and the autonomic nervous system. Points out the need for research and application of training on the sub-verbal level in order for man to attain a higher capacity for thought. Features Aldous Huxley, author and lecturer. (KETC) Kinescope.
Presents a look at world illiteracy. Suggests the use of an already proven method of combating illiteracy in order to help the people of underdeveloped areas. Emphasizes that people are on the move and must be helped. Features Dr. Frank Laubach, missionary, educator, and author. (KETC) Kinescope.
Herald Tribune Forum delegates from Lebanon, France, India, United Kingdom, Indonesia, Korea, Philippines, Germany, and the Union of South Africa compare education in the U.S. with that of their countries. Includes comments on teaching methods, classroom procedures, and co-education. (WOR-TV) Kinescope. 1957
Discusses human action and its causes. Compares voluntary and involuntary response. Uses a slow motion film clip to demonstrate the startle response. Concludes with a demonstration to show that voluntary effort has its causes. (WGBH-TV) Kinescope.
Discusses briefly the scope of psychology. Uses charts, models, and demonstrations to explain how the eye function. Illustrates size constancy and distance in perceptions. (WGBH-TV) Kinescope.
[motion picture] Presents a number of problems arising in the filming of a person walking into a room to talk to someone. Explains that certain effects can be created in the minds of an audience by the way the sequence is filmed and edited. Uses animation and live action to illustrate examples of variation achieved by changes in camera movement and placement, composition of scene, and cutting during action or at junction points of action. Concludes with scenes selected to form a sequence for audience interpretation.