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States that people read for pleasure, information, and enlightenment. Explains what enlightenment means and how to read for this type of learning. Points out that to gain enlightenment, a person should actively read books that are challenging. Gives suggestions for active reading. (Palmer Films) Films.
Discusses the role of conversation and discussion in the life of learning. Gives the three methods of teaching--indoctrination, lecturing, and questioning. Suggests how adult conversation can serve as the means of learning. (Palmer Films) Film.
Presents the case for television as an instrument for learning, and explains the obstacles that stand in the way of successful educational television programs. Suggests how to watch an educational program if it is to help in learning. (Palmer Films) Films.
Discusses international law as an effective force in world affairs. Suggests that international law be backed with an international police force. Features Dr. F. S. C. Northrop, Professor of Philosophy and Law, Yale University, and host Dr. Huston Smith. (KETC) Kinescope.
Dramatizes parts of Liszt's life from a young boy to his last days as a teacher. Shows by animated maps, still pictures, and dramatization the places where he lived or performed, the people he knew, and the times in which he lived. Explains many things that influenced Liszt's music and presents excerpts of his music with special attention to Les Preludes.
Discusses fraternal love, and differentiates it from sexual love. Explains Aristotle's idea of human association based on utility, pleasure, and excellence. Distinguishes between justice and love, and depicts a society based on love and friendship rather than justice. (Palmer Films) Film.
Presents one view of loyalty and its importance in the measure of a man. Considers martyrdom, the relationship of loyalty to prejudice, and loyalty as self-protection. Questions which loyalties are the most important. Suggests an answer, but leaves the ultimate solution open for further consideration. (KQED) Film.
Discusses the needs of education, federal aid, teacher and classroom shortages. Points out how individuals should be educated to make more valuable use of leisure time. Features Dr. Clarence Faust, President of the Fund for the Advancement of Education. (KETC) Kinescope.
Presents a discussion of the philosophic atmosphere in which scientists are doing their thinking. Questions man's freedom to do anything. Dr. Arthur H. Compton, Professor of Natural Philosophy, Washington University, is interviewed by host Dr. Huston Smith. (KETC) Kinescope.
Presents an analysis of man's trust and greatest needs. Points out that man's aspirations and needs are not always one and the same thing. Features an interview between Dr. Erich Fromm and host Dr. Huston Smith. (KETC) Kinescope.
In this program, Mr. Fitzpatrick discusses masks as a form of art expression, how they are made, and their uses. Describes ceremonial festivals, and the theater. Demonstrates the making of the mask in clay, paper mache, and bent cardboard. Explains how various materials such as raffia, paint, and metal are applied to the mask for decoration. Uses models to illustrate the artistic merit and effectiveness of masks.
Explains how learning is aided by the meaningfulness of the material to be learned. Points out how rhyme, rhythm, and symbolism are aids to learning. Conducts an experiment to show the relationship of meaning to learning. (WGBH-TV) Kinescope.
Introduces the harp, explains how it produces sounds, and reviews its development from early times in Egypt. Explains and demonstrates techniques of playing, of tuning, and of producing special effects. Musical selections include: Salzedo, Fraicheur, La Desirade, Cortige, Chansons Dans la Nuit, and Traipsin' thru Arkansaw; Bach, Arioso; and ravel, Piece en Frome de Habanera. (Arts and Audiences, Inc.) Film.
Explains how the composer conveys to his audience the emotions, the actions, and the thoughts of the personages in an opera. Shows how particular character "themes" and descriptive settings are worked out so as to express musically the thoughts, emotions, and behavior of the characters. (University of Rochester) Film.
In this program, Mr. Fitzpatrick discusses the use and adaption of metal as an art form. Explains how new metals have created a challenging material for the sculptor. Demonstrates the use of simple tools in creating different types of metal sculpture from rod, wire, sheet, and mesh. Illustrates with metal sculptures.
Discusses rhythm as the punctuation in the language of music. Illustrates tempo, pulse, rhythm, meter, and accent with musical selections. Demonstrates and suggests the different emotional responses evoked by them. (University of Rochester) Film.
Discusses the use of military force as the major deterrent to war until an international force can be established. Features General John E. Hull, United States Army (retired) and host Dr. Huston Smith. (KETC) Kinescope.
Interview-in-depth with Henry A. Wallace. A warning from a leading agriculturalist of the imperative necessity to bring agricultural resources all over the world, and most especially in the under-developed areas, to their maximum production or face a misery in those under-developed areas which could trouble world peace even more than the opposing ideologies of American and Russia. There is a suggestion for a world loan development for small farmers through the co-operation of the wealthy nations.
An interview-in-depth with Barbara Ward. An analysis of the existing economic resources of the world; a pointing up of the great disparity between different parts of the world; and a suggestion for a massive transfer of seed capital from the west to the east in order to bring the world standard of living to an over-all high level.
Presents an actual demonstration of the modeling of a portrait in clay. Explains how a sculptured portrait reflects "likeness" and reveals the character and personality of the sitter. Discusses the problems of working in three dimensions and the creation of the sculptural form and proportion. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Traces the history of the development of the liquid-fuel missile by groups in Germany and the U.S. Views the development of the White Sands Proving Grounds and a parallel development of rocketry by the Germans, and explains the similarity of the two. Identifies the German A-9 and A-10 rockets as the forerunners of the multi-stage rocket. (New Mexico College of A. & M.A.) Film.
Shows the musical difference between the conventional seven-tone white key scale and the "newer" scales used by Debussy and others. Demonstrates that romantic composers explored the newer scales and illustrates use of the full keyboard by modern composers. (University of Rochester) Film.
Discusses the problems and techniques of conceiving a monumental sculpture. Presents the steps the sculptor follows from the initial sketch to the completed work. Explains the use of the enlarging device in developing the eight-foot dimensions of a large figure from the basic features of a small sketch. Demonstrates by sculpturing a figure of Walt Whitman of a monumental scale. Features Merres Gage, sculptor and Professor of Fine Arts, University of Southern California. (UCS) Film.
Discusses the contribution of movement and gesture to the art of the theatre. Stresses the importance of the director in determining stage action. Presents problems encountered in stage composition, stage movement, and stage business.
Compares German paintings and engravings of the Renaissance with contemporary music of the period. Musical selections are performed by the Saturday Consort. Host is Colin Sterne with featured guest Dr. Walter Hovey of the University of Pittsburgh.
Compares Italian paintings on musical subjects with music of contemporary composers of Italy during the Renaissance. Musical performances are provided by the Saturday consort. Featured guest is Dr. Walter Hovey, Head of the Frick Fine Arts Department, University of Pittsburgh. (WQED) Kinescope.
Discusses the role of music and sound in theatrical production. Shows the sound designer at work and exhibits the tools and equipment he uses. Demonstrates techniques followed in creating musical and sound effects for a play, using illustrations from well-known productions.
Shows how the "chord of nature" developed and became the basis for much of classical, folk, and popular music. Shows what is meant by the perfect fifth. Features Dr. Howard Hanson, director of the Eastman School of Music.
Demonstrates a composer's vocabulary, beginning with "two-letter words" and proceeding to three-, four-, five-, and six-letter words. Illustrates each of these with musical selections. Describes the "personality" of musical words and indicates how a composer uses that personality in communicating with listeners. (University of Rochester) Film.
Tells the life story of bats. Shows live bats and pictures a bat's voice of and oscillograph. Explains how bats navigate by echolocation or sonar. (WGBH-TV) Kinescope.
Outlines some of the factors contributing to the narcotics traffic. Suggests possible ways to prevent drug addiction and to treat addicts. Shows how drugs are distributed and used. Features and interview with an addict. (WTTW) Kinescope.
Discusses similarities of approach to painting tone pictures and narrating stories with music among composers from Palestrina to Strauss. Shows that the same chords have been used by different composers to describe similiar moods or settings. Uses a variety of musical illustrations. (University of Rochester) Film.
Uses demonstrations of falling objects to explain how laboratory experiments help in understanding nature. Discusses the work of Galileo and Newton. Illustrates how basic laws of science are arrived at through laboratory experiments. Relates the work of the scientist to modern technology and a changing world. Features Dr. Gerald Holton, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.
Describes how printers from many countries contributed to the art of printing. Tells how printing spread from Germany to other countries. Describes the significant printing done in Italy, Belgium, France, England, Mexico, and New England during the early development of the New World. (USC) Film.
In this program, Mr. Fitzpatrick discusses the vital and revolutionary change that the constructions of the modern engineer with new materials have upon our thinking in art, particularly in the field of sculpture. Looking at large photographs of bridges, fire escapes, and TV antennas, we are conscious of the open-work build-up, the thrust, the tensions of modern constructions that stimulate the artist’s imagination toward new and dynamic art creativity. Materials such as wire, sheet metal, string, plaster, and wood are used in non-objective space designs, stabile and mobile.
Discusses the significance to science of observation and experimentation. Demonstrates with experiments the difference between observation and laboratory experiments. Shows and explains early laboratory apparatus used in developing natural laws of science. (WGBH-TV) Kinescope.
Two Eyes, the prettiest and sweetest sister is mistreated by her mother and sisters and never gets enough to eat. Her fairy godmother tells her that her pet goat is magic and if she will say a magic rhyme she will have all the food she wants. Realizing that Two Eyes is eating better than they, the two sisters learn her secret and the goat is killed. Two Eyes then buries the goat's heart by the door step and a gold and silver fruit tree appears. When the Prince comes by and asks for some fruit only Two Eyes can pick it for him. When he learns of her cruel treatment, he takes her to his castle to be his bride.
This is the first in a series of children’s program. Poindexter introduces his friend Mr. Raccoon, Miss Red Hen, The Princes and the Boy from “The Story that Never Ended,” the shoemaker from the story of “The Elves and the Shoemaker,” puppets from the “Grasshopper and the Ants,” the Gingerbread Boy, The Three Little Pigs, and many others. This program sets the scene for the story adventures ahead in this series.
Mr. Goldovsky discusses his basic philosophy of the Opera in English and demonstrates his production techniques with excerpts from Rigoletto, and his own personal story of the need for the broader concept and acceptance of opera.
Discusses the opinion in the realm of action, and points out the need for authority because of the disagreement among men. Points out that man makes decisions through his own judgement or opinion. Explains that the freedom of choice raises the need for some authority, either force or majority rule, in order that men may live together in peace. (Palmer Films) Film.
Tells the story of the invention and spread of paper making. Discusses the materials and tools used in making paper. Demonstrates how paper was made in ancient China. Traces the history of the movement of paper making from China to Germany. (USC) Film.
In this program, Mr. Fitzpatrick discusses the use of paper as a medium of artistic expression. He demonstrates, with simple tools, the processes of folding, slashing, and scoring. Explains how to select appropriate papers for paper sculpture. Using the various techniques, several sculptures are constructed with examples.
Discusses and illustrates perceptions of objects. Uses diagrams and animated film. Shows how the mind organizes objects psychologically into sets in order to understand them more easily. (WGBH-TV) Kinescope.
Shows the preparation and use of photographic slides in instruction. Suggests various sources of pictures and shows how pictures can be photographed by the teacher or copied from other printed matter. Includes and introduction to the Polaroid camera and film that can produce positive slides in three minutes. Recommends using slides for teaching and reporting to parent groups on children's activities and progress. Discusses the use of a tape recorded narration for some groups of slides.
There are many partnerships in nature where two plants may help each other, or a plant and animal may mutually benefit one another, or where two animals may contribute to each other’s welfare. You will see on this program an example of each. The lichen, a common plant, looks like one individual, but really consists of two kinds of plants living together. You will see this story through the microscope. And you will see the story of cross-pollination, in which bees and insects take nectar from the flowers and in so doing transfer pollen from one flower to another. Ever look inside a wood eating termite? You will and with a microscope to see a story of mutual benefit. Inside the termite lives a host of one-celled animals which assist the termite in digesting the cellulose in the wood he consumes. (WGBH-TV) Kinescope.
Presents a discussion of American Foreign Policy. Points out the need of convincing our allies we are doing "the right thing" in foreign affairs. Features Mr. Paul Nitze, President of the Foreign Service Educational Foundation, and host Dr. Huston Smith. (KETC) Kinescope.
Presents a panel discussion on birth control as the most immediate answer for keeping the expansion of the world population in harmony with the gradual expansion of production. Featured personalities are Barbara Ward, Julian Huxley, and Harrison Brown. (KETC) Kinescope.
Examines the resources of the earth and their ability to support man. Discusses the expansion of population in relation to resources. Points out the possibility of birth control to curb the dangers of population growth which could outrace the ability to produce. Features Harrison Brown, chemist and author. (KETC) Kinescope.
Presents a look at the rapid growth in world population as a result of scientific advances in control of disease. Discusses the question of the expanding population with respect to economic and agricultural resources. Features Julian Huxley, biologist and author. (KETC) Kinescope.
Sketches the background of the independence movement in the Latin Americas early in the nineteenth century: the intellectual revolution in Europe, Anglo-American and French breaks with the past, unrest in the Latin American colonies, and the events of the Napoleonic Age. (KETC) Kinescope.
Presents a panel discussion on ways and means of preparing people for more significant living. Discusses the importance of a continuing education after formal training has ended. Points out reasons why adults do not continue educating themselves and how to overcome these problems. Features Mr. Aldous Huxley, Dr. Robert Hutchins, and Dr. Clarence Faust. (KETC) Kinescope.
Surveys the political and economic evolution of Puerto Rico. Explains Puerto Rico's new political association with the U.S. Describes present Puerto Rican efforts to realize economic benefits through this new status. (WTTW) Kinescope.
A rocket motor operates for a short time and then the missile coasts the rest of the way up and down. Once into the coasting period there is no way to change its trajectory. Stray missiles are prevented from leaving the range by stopping their motors before the burning is scheduled to end. Some missiles can be guided from the ground. Three types of guidance systems are: Command, Beam Riding, and Homing.
Explains the principle of propulsion, and illustrates the way in which the design of a rocket engine increases the speed of escaping gases. Illustrates the law of momentum as applied to propulsion. States that one of the biggest problems of jet designers is that of making jet gases go faster. (New Mexico College of A. & M.A.) Film.
Presents a panel discussion on ways and means of realizing the potential economic and agricultural resources of the world. Features Barbara Ward, James McDonnell, and Henry Wallace. (KETC) Kinescope.
Presents a discussion of the use of man's freedom. Tells how freedom can best be utilized to bring about and adjustment between aspirations and needs. Panelists include Dr. Erich Fromm, psychoanalyst, Barbara Ward, economist and author, and host Dr. Huston Smith. (KETC) Kinescope.
Shows how terra cotta clay may be used to create a reproduction. Demonstrates two different methods of using terra cotta. Explains several large pieces of terra cotta sculpture and presents them in their natural setting. Discusses and shows how this technique of sculpture can be used for monuments and on buildings. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Shows in detail what happens in a stimulus-response situation. Illustrates with a startle response. Explains the sensitivity of the five senses. Discusses the rods and cones of the eye and their purposes. Describes the type of response caused by muscles and glands. Points out the interrelations of the endocrine glands. (WGBH-TV) Kinescope.
The first program includes highlights from the other programs in this series to serve as an overview. Robert Frost discusses with a group of high school students and adults how and why he writes poetry. Illustrates his points with readings of his own poems, including "The Pasture" and "Stopping by Woods on a Snowy Evening." Emphasizes that prose has rhythm but that poetry is rhythm plus rhyme. Features a conversation with Dr. Jonas Salk, developer of the Salk polio vaccine. (WQED) Kinescope.
Robert Frost talks about and illustrates with his own poems the fundamental meaning of poetry. He speaks of the fun of writing, listening to words, and stories in poetry. He reads from his own poems “The Runaway Colt,” “Dust,” “The Woodchuck,” “The Ant,” “The Bluebird,” and “Stopping by the Woods.” This program evolved from a lecture to fifth grade classes involved in WQED’s Television Teaching Demonstration.
Robert Frost discusses with a group of high school students what brings him happiness in life, what he does for entertainment, and what it means to write a poem. Reads and interprets from "The Gift Outright," "The Road Not Taken," and "Mending Wall." He denies that poems say anything more than they seem to say. (WQED) Kinescope.
Robert Frost speaks informally with a group of friends about poetry, authors, and publishing. He discusses his philosophy of poetry, and his ideas on religion, loyalty, world affairs, love, and science. Suggests that one should not read more into a poem than is intimated by the poet. (WQED) Kinescope.
This program is a conversation between Robert Frost and DR. JONAS SALK, developer of the Salk Polio Vaccine. They compare and discuss the similarities of science and poetry, and the devotions and the methods of procedure the poet and the scientist must make as well as the satisfaction derived in both fields by fulfillment.
Discusses the role and status of artists in society. Considers the sources of support of artists and suggests that artists are necessary to any society. Includes participation by Mark Van Doren, the author, and Philip Evergood, an American painter. (Hofstra College and WOR-TV) Kinescope.
Describes the critic as having a responsibility to society while expressing his own point of view. the critic does not attempt to educate but rather to observe keenly and to report and comment upon the arts. Features critics from the New York Herald-Tribune, Time magazine, and the New York Times. (Hofstra College and WOR-TV) Kinescope.
Homer, a school bus, and his driver Tom help children learn about proper conduct when riding in a school bus, and the responsibility of riders in maintaining safety. Illustrates how to get on and off the bus, how to wait for the bus, the six basic rules of safe bus riding, and the importance of evacuation drills.
Discusses and demonstrates scenic design and the part it plays in theatrical production. Introduces the scenic designer and his work, discusses the problems he faces as an artist, and shows how he creates scenery. Illustrates the objective of stage scenery. Presents styles of scenic design including realism, stylism, and theatricalism.
Discusses the relationship between science and common sense. Demonstrates the validity of the theory that "nature abhors a vacuum." Conducts experiments with water and mercury barometers to show the relationship of atmospheric pressure to the development of a newer and more concise theory. Features Dr. Leonard K. Nash, Professor of Chemistry, Harvard University. (WGBH-TV) Kinescope.
Discusses the importance of numerical measurement in the progress of science. Uses experiments from physics, chemistry, and astronomy to show how a quantitative approach to science aids in understanding. Presents a brief history of the evolution of the mathematics in science. Features Dr. Gerald Holton, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.
Describes and discusses the materials and tools used in modeling a portrait bust from clay. Shows the steps in applying clay to the armature. Illustrates how the sculptor proceeds to develop essential characteristics of the model's head. (KETC) Kinescope.
Continues the modeling begun in Sculpture I. Brings the portrait bust to life-size proportions by adding more clay to the armature. begins work on some of the details of form ending with a general likeness of the model. (KETC) Kinescope.
Mose demonstrates the placement of features and the locating and working out of the especially prominent jaw muscles of the model. He explains the use of the death maskand tells stories about models and techniques.
Explains and demonstrates how sculpture in relief developed from the cave man to the present. Illustrates with ancient and modern examples. Discusses the composition and carving techniques of full-scale reproductions of famous sculptures. Describes how the artist's sculpture is transferred in the production of a commemorative medal. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the use of stone as a medium of sculpture. Demonstrates the tools and techniques of stone carving. Shows several works carved from different types of stone explaining why particular stone os chosen for a specific piece of sculpture. Illustrates with the carving of a portrait of Washington. features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
In this program, Mr. Fitzpatrick presents a historical review of sculpturing, emphasizing the materials and techniques employed in creating this art form. Discusses sculptural masterpieces from Egypt, Assyria, and Greece. Displays and explains the use of various varieties of stone. Demonstrates ways in which the beginner may use simple materials and tools--plaster of Paris, insulating brick, and a knife. Continues with a more detailed explanation of the sculptor's tools--mallet and various chisels. Features Henry Bursztznowicz demonstrating the techniques and tools used.
Demonstrates the tools and techniques of wood carving. Discusses and shows the advantages and disadvantages of wood as a medium of sculptor. Illustrates with finished works carved from different woods explaining the sculptural qualities and techniques of each. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Demonstrates the removal of the mold from the clay bust. Shows methods and implements used in removing the cast. Points out the importance of being careful and patient. Reviews briefly what has taken place in the preceding programs. (KETC) Kinescope.
Continues the modeling from Sculpture IV. Explains how the artist works to refine certain areas. Demonstrates how to "draw" carefully in the clay to bring out certain characteristics of the model. Discusses capturing certain expressions in the clay. (KETC) Kinescope.
Continues the work on details begun in Sculpture V. Explains how an area can be broken up into planes by the use of a block of wood. Demonstrates ways of modeling the eyes. Discusses the importance of the sculptor being able to draw graphically. (KETC) Kinescope.
Continues the modeling from Sculpture VI and completes the clay bust. Discusses and demonstrates how the eye is modeled. Emphasizes the importance of having different parts work together as a whole. Outlines the many finishing techniques that can be used. Comments briefly on several contemporary sculptors. (KECT) kinescope.
Describes and illustrates the mold casting stage in the development of the sculptural portrait. Shows how plaster is mixed, applied to the clay, and the importance of working fast. Discusses the use of shims for separating the mold. Concludes by showing the completed mold. (KETC) Kinescope.
Discusses the process of making a plaster cast. Points out how the molds are shellacked and placed together again. Demonstrates how the plaster is mixed. Shows the process of pouring the plaster into the mold. (KETC) Kinescope.
Shows how the mold is removed from the finished plaster bust. Discusses the use of bluing in the first coat of plaster. Illustrates the use of the screwdriver and mallet in removing the mold. Concludes with a comparison of the model and the completed plaster portrait bust. (KETC) Kinescope.
In this program, Mr. Fitzpatrick discusses the importance of the self-portrait as a means of art expression. Tells how the self-portrait not only preserves a physical likeness of the artist, but provides an insight into his character, mode of dress, and customs. Demonstrates the various techniques involved painting self-portraits by having two professional artists develop their own likenesses. Presents and explains the work and self-portraits of great artists to help develop a greater understanding of this art form.
Discusses the essentials of love, and explains how sexual love and erotic love can be combined. Distinguishes between sexual desire and sexual love, outlining the elements of both. States that if sex or want come first, love is short lived but that love will last if it comes first. (Palmer Films) Film.
Man learned early to read the messages of the footprint and the broken twig and the book of the clouds and the tides, as truly as though these were printed texts. Soon he began to make readable marks, blazing trails, signaling with piled stones and scratches on rock. Out of this came primitive pictograph for purposes of magic, commemoration, and communication. He talked to strangers in a sign language, the very symbols of which later were written down as characters. Simple pictures of these things came to stand for complicated ideas, as well as the things themselves. This opening program shows how very elaborate messages were early conveyed by simple signs.
In this program, Mr. Fitzpatrick discusses the creation of a work of art through sketching. He explains and demonstrates the expression of an idea using a variety of media and techniques. Uses the work of Miro, Kandinsky, and others of the contemporary school to clarify the expression of concepts and objectives. Stresses the point that sketching should represent each individual's own personal creative interpretation of an idea.
Hand puppets portray the age-old story of two girls named Snow White and Rose Red, who live with their mother in a small cottage near the forest. One evening a bear comes to their door seeking warmth. He is invited in, and after playing with the two little girls, the mother tells him he is welcome to stay with them until spring.
Discusses naviagational routes in space travel. Describes parabolas, hyperbolas and ellipses as the curves that will be traced by airships coasting in planetary and solar gravitational fields.
Discusses stage lighting in terms of special effects, atmosphere, and mood. Follows the work of the light designer from the initial preparation to the final production. Outlines the objectives and demonstrates in detail the basic requirements of stage lighting. Presents many types of lighting equipment and explains how they are used to produce desired effects. Includes a brief history of stage lighting.
Describes the role of the production crew--the designers, craftsmen, and technicians. Demonstrates the procedures followed by the production staff in the creation of the play. Shows where they work, how they perform their jobs, and the tools which they use.
Describes the fundamental relationships existing between music, staging, and words in the successful and meaningful production of an opera. Stresses the importance, on the part of the stage director and the actors, of understanding the language of the music in arriving at staging procedures. Shows correct and incorrect examples of fitting stage movement to the music using selections from Don Giovanni, Faust, and Carmen. (WQED) Kinescope.
Summer in Scandinavia
This film contains graphic footage that some viewers may find distressing.
Home movie documenting Bailey's trip to Scandinavia, circa 1964. Features street scenes of major cities such as Oslo, Helsinki, Stockholm, and Copenhagen. Captures the daily life of locals as they enjoy public parks and markets in each city. Ends with footage of a hunting expedition in the Arctic, where men track, kill, and skin seals and polar bears.
Springtime in Europe
Home movie documenting multiple trips Bailey took to Europe between 1957 and 1964. Highlights include pastoral scenes and medieval architecture in Rothenburg ob der Tauber, Germany ; Bailey boarding the Auguste Piccard mesoscaphe in Lausanne, Switzerland ; public art in Geneva, including the Reformation Wall and Woodrow Wilson Memorial Sphere. In Paris, Bailey visits the Palace of Versailles, Notre Dame, Tuileries Garden, Chartres Cathedral, and the Sorbonne, which she once attended as a student.
Shows the use of tape recorders in teaching situations and presents some of the different models of recorders indicating their controls, various speeds, and purposes. Gives a demonstration of several microphone placements and offers suggestions for the improvement of recorded sound quality. Explains how to edit tapes by splicing and suggests many uses for tape recorders such as in language instruction, music groups, and conferences.
Discusses the use of terra cotta clay in sculpturing. Shows the modeling of a figure in terra cotta clay. Explains the nature of this medium and the problems of working with it. Tells how terra cotta clay differs from ordinary modeling clay. Demonstrates the "inside-outside" method of working with terra cotta. Illustrates with examples of completed figures in different kinds of terra cotta clay. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Demonstrates through slow motion and natural photography the positions and movements of the "Texas Star." Opens with a group of eight dancers performing the introduction to the dance. Shows each pair of dancers, identified by a number, demonstrating the different parts of the dance and how each step flows smoothly into the next. Concludes with the performance of the dance to a record.
Examines the actor's contribution to theatrical production. Discusses two basic steps in the actor's creation of the character which he portrays: visualization and expression. Demonstrates by following the actor and director through a study-analysis discussion and a rehearsal of Romeo and Juliet.
In the concluding program on this subject, Dr. Adler deals with the two general considerations of aesthetics and ethics. On the side of aesthetics, he draws a comparison between beauty in art and beauty in nature. He also deals with the problem of intellectual and moral content of art, the consideration of freedom of the arts, and concludes by comparing the importance in human life of producing as opposed to appreciating works of art.
Uses photographs and diagrams the explain the age of the universe. Discusses the age of the earth, compositions of the milky way, how stars are formed, and cosmic development. Points out the difference between mechanical and evolutionary changes in the universe. Explains the uncoiling spiral of a new galaxy, and speculates on the duration of our own solar system. Features Dr. Bart J.Bok, Professor of Astronomy, National University of Australia. (WGBH-TV) Kinescope.
