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Discusses the relationship of actions to "set" and unconscious motivation. Demonstrates ideomotor action. Explains visual and tactile muscle reading. Illustrates social motivation through film clips of experiments with pigeons. Concludes with a psychological test showing unconscious perception and immediate forgetting. (WGBH-TV) Kinescope.
Uses photographs and diagrams the explain the age of the universe. Discusses the age of the earth, compositions of the milky way, how stars are formed, and cosmic development. Points out the difference between mechanical and evolutionary changes in the universe. Explains the uncoiling spiral of a new galaxy, and speculates on the duration of our own solar system. Features Dr. Bart J.Bok, Professor of Astronomy, National University of Australia. (WGBH-TV) Kinescope.
After putting the outline of his main figure on the canvas, Painter Reinhardt does something which non-artists might consider astonishing: he begins to cover the figure with the “underpainting.” But as he talks and explains what he is doing, another technique of the artist becomes clear. With this part of the job done, the audience is left to await the next step in the making of a painting.
Gloria Kaufman lectures on goddess worship. Date and location unknown. Kaufman's lecture begins two minutes into first side, following a fragment of a lecture by Madeline Pabis on the fear of lesbianism.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
A public service announcement for the Illinois Department of Public Health in which a mother in the "old days" drags her son to a quarantined measles home so that he can catch the virus and "get it over with." An offscreen male narrator describes how the measles vaccination makes such practices unnecessary, and the boy is shown receiving his vaccine at a doctor's office. Submitted for the Clio Awards.
A public service announcement from the Wilderness Society in which a scene of forest wildlife is overlaid with audio of developers clearing trees. An offscreen male narrator reminds the viewer that "man does not live by development alone," while onscreen text provides information on how to order a free booklet on "the American wilderness." Submitted for the Clio Awards.
A public service announcement from the University of Toronto featuring a silent scroll of text discussing the problem of noise pollution and urging the viewer to contact the university's Pollution Probe to learn more. White screens accompanied by a noisy siren bookend the text scroll. Submitted for the Clio Awards.
Participants are Miss Mirka Misic, Yugoslavia; Miss Susan Rennie, Union of South Africa; Mr. Norbert Scholz, Germany; Mr. Young-Koo Lee, Korea; and Mrs. Waller. The debate on the nature of communism is enlivened by the young Yugoslavian delegate who attempts to defend her country's brand of communism under questioning by representatives of Germany, Korea and the Union of South Africa. Mirka insists that Russia borders on imperialism while her country has communism at its best. She asserts that co-existence between communism and capitalism is necessary "if we want a peaceful world." The Korean panel member, however, vigorously replied that communism "by its very nature" denies co-existence with the capitalist countries. Speaking from his firsthand experience of communism during three months in North Korea after that area was captured by the Communists during the Korean war, he is violently in disagreement with anything communistic. He is joined in his views by the remaining two members of the panel.
Discusses finishing techniques in ceramic sculpture. Explains how the finish must make the sculptured work permanent and at the same time enhance its feeling and form. Shows the method of firing ceramic pieces in the kiln. Demonstrates different methods of finishing the pieces including staining, waxing, and the application of different types of glazes. Concludes with a discussion of ancient and modern polychrome sculpture. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Demonstrates the tools and techniques of wood carving. Discusses and shows the advantages and disadvantages of wood as a medium of sculptor. Illustrates with finished works carved from different woods explaining the sculptural qualities and techniques of each. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Presents an actual demonstration of the modeling of a portrait in clay. Explains how a sculptured portrait reflects "likeness" and reveals the character and personality of the sitter. Discusses the problems of working in three dimensions and the creation of the sculptural form and proportion. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the problems and techniques of conceiving a monumental sculpture. Presents the steps the sculptor follows from the initial sketch to the completed work. Explains the use of the enlarging device in developing the eight-foot dimensions of a large figure from the basic features of a small sketch. Demonstrates by sculpturing a figure of Walt Whitman of a monumental scale. Features Merres Gage, sculptor and Professor of Fine Arts, University of Southern California. (UCS) Film.
In this program, Mr. Fitzpatrick discusses the importance of the self-portrait as a means of art expression. Tells how the self-portrait not only preserves a physical likeness of the artist, but provides an insight into his character, mode of dress, and customs. Demonstrates the various techniques involved painting self-portraits by having two professional artists develop their own likenesses. Presents and explains the work and self-portraits of great artists to help develop a greater understanding of this art form.
In this program, Mr. Fitzpatrick presents a historical review of sculpturing, emphasizing the materials and techniques employed in creating this art form. Discusses sculptural masterpieces from Egypt, Assyria, and Greece. Displays and explains the use of various varieties of stone. Demonstrates ways in which the beginner may use simple materials and tools--plaster of Paris, insulating brick, and a knife. Continues with a more detailed explanation of the sculptor's tools--mallet and various chisels. Features Henry Bursztznowicz demonstrating the techniques and tools used.
In this program, Mr. Fitzpatrick discusses water color, which, because of its spontaneous, lucid quality, is intriguing both to the artist and the layman alike. Watercolor paintings by well-known painters, such as John Marin and Winslow Homer, are discussed as to subject, technique, composition, and total effect. The tools and materials of the craft are explained, and a variety of methods in their use are demonstrated, with emphasis on the creative approach. Experimental, contemporary examples of watercolor painting will be viewed and explained in relation to the processes previously demonstrated.
