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The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
The Herman B Wells papers includes materials pertaining to Wells' family and personal finances, his activities in the banking profession, his work in Germany for the United States government after World War II, and to his research and teaching and professional activities as a member of the faculty of Indiana University.
An advertisement for Maple Lane Chocolate Milk in which a narrator discusses how the product is made over scenes of people reaching for various chocolates.
Expands the popular definition of "primitive"--one who is self-taught--to include artists who reject academic or conventional expression, subject matter, or technique. Shows and discusses various examples of primitive art. (WQED) Kinescope.
The services of artist John Drummond of Iowa State College are utilized to show another method of causing laughter, that of the use of the caricature. He draws a caricature of lecturer Feinberg. The artist’s techniques are then analyzed and demonstrated to show just how he goes about emphasizing certain features and deemphasizing others to make his subject appear “funny.”
In this program, artist John Drummond of Iowa State College demonstrates more techniques of caricaturing and their relation to humor as Dr. Feinberg lectures on the same subject.
Going more deeply into the how and why of laughter, Dr. Feinberg discusses international jokes and tells how they originated. A clown routine, so common in international jokes, is demonstrated and analyzed.
Dr. Feinberg addresses satire; why satire is used, how it combines humor and criticism, its relationship to the nature of reality, and how it causes laughter. Dr. Feinberg points out that cosmic irony, social irony, and individual irony are the basis for satire, and discusses and illustrates each of these three forms.
The New York Woodwind Quintet is featured on this opening program with introductions by Yehudi Menuhin. Each member of the Quintet provides a simple explanation of his method of tone production evoking the familiar experiences of the children. For example: playing a flute is compared to blowing over the top of a soda bottle; the length of tubing in a French Horn is likened to a garden hose. The music selected for demonstration gives each instrument an opportunity to illustrate its sound alone and with the other instruments.
Presents each member of the New York Brass Quintet as he introduces his instrument and plays illustrative excerpts. Two trumpets begin with a duet. With the addition of the trombone, the French horn, and the tuba, a selection written for each successive ensemble is performed. Musical selections are: Pezel, Three Short Pieces from Suite; Saint-Jacome, Duet, No. 6; Spezzaferri, Preluio e Fuga; Bach, Two Chorales; and Ewald, Quintet for Brass, (3rd movement). (Arts and Audiences, Inc.) Film.
Dr. Feinberg summarizes his previous lectures and adds some interesting observations on various aspects of humor. A “drunk” routine, a device used so frequently by comedians, is presented and analyzed.
Outlines and discusses various theories of humor, and presents examples of laughter created to illustrate each theory. Shows, through the use of a polygraph, that physiological changes occur in various parts of the body when a person laughs. (WOI-TV) Kinescope.
Faith in human goodness generally implies a faith in a higher deity, and such is the case in the work of Rouault and Manessier. Washburn compares and contrasts a number of works of the two painters.
Dr. Feinberg puts another great writer under the microscope in this discussion of the humor of Jonathan Swift. He presents and analyses samples of Swift’s material.
Describes and demonstrates the sounds, manner of playing, and uses of representative percussion instruments. A young audience, led by members of the New York Percussion Trio, illustrate that organized clapping can be music. Members of the trio show and demonstrate wooden, skin-covered, and metal percussion instruments. The audience joins the trio in a mambo demonstrating how music can be made with some percussion instruments without long practice. Music includes: Nagel, Prelude in Dance; Kabelevsky, Dance of the Comedians; Portal, Sweet and Gentle; and an excerpt from Saint-Saens' Samson and Delilah. (Arts and Audiences,Inc.) Film.
Take melody – add harmony – rhythm – counterpoint and you have a musical composition, one element at a time. Members of the New York Woodwind Quintet return to explain and illustrate the component parts of music. Two young students of flute and clarinet play a duet by Tellemann to illustrate counterpoint. In closing, a familiar melody is selected and the children themselves choose the components for their own composition. In closing, a familiar melody is selected and the children themselves choose the components for their own composition.
Discusses and demonstrates the Stradivarius violin, the viola, and the cello. Explains the distinguishing features of the Stradivarius instruments being used and presents musical selections featuring each of the instruments in turn. Music includes: Beethoven, Serenade from Trio, Paganini, Caprice; Dohnanyi, Serenade from Trio; and Bach, Bourree from C Major Suite. (Arts and Audiences, Inc.) Film.