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Tells the story of the typical great agricultural estate in the highest farming land in the world--Bolivia. A landlord, whose family has owned his land for three hundred years, controls the labor of five thousand workers who regard him almost as a deity. Shows the stern life in this little kingdom with its own schools and churches, and its limited and hard-won crops.
States "food is a weapon of war," showing that women must learn to use the less desirable cuts of beef during wartime rationing. "A wartime film showing conservation needs and food planning in regard to wisely chosen cuts of meat. Various cooking methods are demonstrated to help housewives plan meals economically. By planning and cooking well, the wartime housewife helped to solve the problems of rationing during a national food emergency" (National Film Board of Canada catalog record http://onf-nfb.gc.ca/en/our-collection/?idfilm=16407#nav-generique).
Made as a warning to the English people, this film re-enacts, in a Welsh mining town, the events that took place in the Czechoslovakian mining town of Lidice, which resisted the Nazis in subversive ways and was eventually wiped out. Jennings gives a romantic portrait of town life which is interrupted by the arrival of the Nazis who remain anonymous enemies.
Describes the Canadian effort in World War II including news footage of Churchill addressing the Canadian Parliament, the building of the Alaska-Canada Highway, and Canadian tank and aircraft production.
Takes Leni Riefenstahl's footage from the Nüremberg speeches of the Nazi Leaders and superimposes English "translations" over a set of orations in English "in which Hitler, Goebbels, Göering, Streicher and Hess report their sins and mistakes as frankly as if they were victims of one of those notorious 'confession drugs'." (Documentary News Letter, March 1943, 195).
Takes Leni Riefenstahl's footage from the Nuremberg speeches of the Nazi Leaders and superimposes English "translations" over a set of orations in English "in which Hitler, Goebbels, Göring, Streicher and Hess report their sins and mistakes as frankly as if they were victims of one of those notorious 'confession drugs'." (Documentary News Letter, March 1943, 195).
How our fighting equipment gets through to our fighting men in quantity and on time. The mountains of supplies for combat loaded at ports of embarkation are unloaded under combat conditions and under fire in the South Pacific. From behind-the-lines General Supply Depots they are moved through jungle swamps to advance bases, to the firing lines. The never-ending battle of supply is graphically told in these pictures.
"How our fighting equipment gets through to our fighting men in quantity and on time. The mountains of supplies for combat loaded at ports of embarkation are unloaded under combat conditions and under fire in the South Pacific. From behind-the-lines General Supply Depots they are moved through jungle swamps to advance bases, to the firing lines. The never-ending battle of supply is graphically told in these pictures."--Supplement to Visual Aids Catalog, Indiana University Extension Division, May 1945.
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
This newsreel covers six subjects. "The Raiders of Timor": recounts how Australian troops were forced to hide in the mountains on the island of Timor when the Japanese military conquered the island. The Australians conducted asymmetrical warfare against the superior Japanese forces. Their time as guerrilla soldiers and their recovery from the Australian Army is retold through reenactments. "Army Salvage": shows how the Army is recycling obsolete munitions and tanks from museums and warehouses into new weaponry. "We Guard Britain's Books": records how the British were using microfilm to reformat their rare books to provide a back-up copy in case the original texts were destroyed through German bombing. The microfilms are shipped to America and stored in the Library of Congress where they are accessioned, inspected, cataloged, and stored on shelves. "Good News from the Fishing Front": depicts how Canadian fishermen are increasing their yield to aid with food shortages in the U.S. Shows the repairing of nets and the hauling in of a 500-ton catch of herring. "Battle in the Caucasus": uses combat footage to tell how the Soviet military defeated German forces in a battle in the mountains of the Caucasus region on November 19, 1942. "Thingummybob: A Factory Song From Australia": a woman sings a song accompanied by a military band for workers at a factory. The Song celebrates female workers who worked on the production line to make equipment for the war. The chorus goes "I'm the girl that makes the thing/ that drills the hole that holds the ring /that drives the rod that turns the knob/ that works the thingummybob."
The story of an American truck convoy ambushed by German tanks and rescued by a group of United States medium tanks. Graphically illustrates the importance of war production during World War II. Billed as a confidential industrial film bulletin from Under Secretary of War, Robert Patterson to the men and women of the American automotive industry.
Pictures a train trip to the Cero de Pasco mining district deep in the Peruvian Andes. Shows that copper and lead constitute the "wealth of the Andes". Discusses the construction problems that made the now-famous Central Railway of Peru one of the greatest engineering feats of all time. Includes a brief tour of Lima.
Explains what war gas is, how it is used by the enemy, and how simple household items, such as bicarbonate of soda and bleaching solution, may be used to prevent casualties.
United States. Army Air Forces. Motion Picture Unit, 1st
Summary:
The story of the twelve weeks of discipline, concentrated study and hard work leading to graduation from the Officers' Candidate School of the U.S. Army Air Forces and the rank of second lieutenant.
Deals with the evils of the one-crop system throughout the tobacco country of the South; then illustrates some of the ways in which the impoverished tobacco farmer can improve his lot by devoting some of his land to raising food crops, using governmental assistance, soliciting the help of local schools in community rehabilitation, and developing a community program to combat malnutrition.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946.
This film has no sound and shows clips of the Jay family and friends boating at a lake shore, working and playing in the yard, at home for Christmas, and taking portraits on the IU campus.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946. This film has no sound; shows residential and campus life in Bloomington.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946. Silent home movie of family and friends playing, cooking, and eating together.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946. Silent home movie shows Boy Scout troop at train station and in Washington, D.C.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946.
This silent film shows two young children playing outside and around a campfire with a woman.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946. Silent home movies shows family and friends at the beach, eating and playing outside, and boating on the lake.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946.
Silent home video of the Elkhart Boy Scout troop marching in Bloomington, at official events, and setting up camp together.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946. Silent home movie shows students looking at yearbooks, groups at an amusement park and picnic, beach scenes.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946. Silent home movie of young children playing in gardens and the river.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946. Silent home movie shows a woman riding a bike, farm scenes with sheep, gardening, etc.
These films are part of the John and Hilda Jay family papers. They likely date between 1939-1946.
Silent home video of the family taking wedding portraits, strolling the National Mall in Washington, D.C., and playing in the yard with the children.
