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A public service announcement from the Glass Container Manufacturers Institute in which a young man and woman leave various forms of litter around a city as they have fun on a date. An offscreen male narrator implores the viewer on behalf of glass manufacturers to "make love, not litter" and "keep America beautiful." Submitted for the Clio Awards.
A public service announcement from Stag beer in which a group of elderly women collect and crush aluminum cans, while an offscreen male narrator describes how the company will pay one-half cent per can dropped off at Stag recycling centers. Submitted for the Clio Awards.
An advertisement for John Hancock Mutual Life Insurance Company featuring a blind man who describes his experience working as an administrative director at the company. An offscreen male narrator discusses how the John Hancock company employs over 500 employees with some form of disability. Submitted for the Clio Awards.
An advertisement for Shell Oil in which a researcher stands in a body of water and demonstrates some of the company's methods for oil spill containment and clean-up. The researcher and an offscreen male narrator claim that Shell prioritizes preventing spills so that such containment methods never need to be used. Submitted for the Clio Awards.
A public service announcement for the Opportunities Industrialization Center's (OIC) adult education programs in which a Black man from New York recounts his difficulties finding and sustaining a job until OIC taught him a useful trade. The man addresses the camera about the importance of learning a skill to make it in the world. Submitted for the Clio Awards.
A public service announcement from the Glass Container Manufacturers Institute in which an offscreen narrator describes the steps for how recycled glass is processed and formed into new products over shots from a recycling plant and an automated bottling assembly line. The narrator tells the viewer that the bottle they used last week may form part of the future bottle they will use next week. Submitted for the Clio Awards.
A public service announcement from the Safety Belt Task Force in which a girl sitting in a rocking chair recounts her struggles following her father's death in a car crash. The girl angles her face toward the camera to reveal a scar from the accident, while an offscreen male narrator urges the viewer to wear a seat belt. Submitted for the Clio Awards.
A public service announcement from the Atlantic Richfield oil company (ARCO) announcing their acquisition of Sinclair Oil and phasing out of Sinclair's dinosaur logo. The ad features an animation of a dinosaur telling an ARCO executive that he is retiring to live in Miami. As the dinosaur leaves, an offscreen male narrator states that the end of one era means the beginning of another. Submitted for the Clio Awards.
An advertisement for General Electric in which actor and Native American chief Dan George talks about the significance of Lake Tahoe to his people. An offscreen male narrator discusses how General Electric's sewage treatment systems allow Lake Tahoe to remain one of the cleanest lakes in the world. Submitted for the Clio Awards.
A public service announcement from the American Cancer Society in which a man buying cigarettes from a vending machine is juxtaposed with shots of casino games, rolling dice, and a horse race. The vending machine dispenses a carton of cigarettes as an offscreen male narrator states, "You lose." Submitted for the Clio Awards.
A public service announcement from the American Cancer Society in which a woman takes a shower while an offscreen female narrator urges viewers to give themselves a monthly breast self-examination. Submitted for the Clio Awards.
A public service announcement from the National Clearinghouse for Drug Abuse Information in which an offscreen chorus sings a modified version of the children's rhyme "Ten Little Indians" over scenes of people suffering and overdosing from illicit drug use. Submitted for the Clio Awards.
A public service announcement from the New York City Department of Health in which a rat is shown burrowing its way underneath a scene of children playing outside as ominous music plays. An offscreen male narrator encourages viewers to cut off rats' food sources by disposing of garbage in a lidded trash can. Submitted for the Clio Awards.
Portrays representative aspects of Louisiana and its key city, New Orleans, during the years of Creole dominance. Shows Mississippi River packet boats, delta country, cotton and cane plantations, slavery, education, religion, architecture, music, the code duello, Creole customs, manners, and attitudes, and the prevalence of French speech.
Traces the experiences of a pioneer family in journeying from Illinois to a homestead on the Midwestern plains. Sequences include their relationship with other settlers and cattlemen, building and decorating a sod house, plowing, collecting fuel, contacts with a circuit-riding minister, and conversations and music of the time.
An advertisement for Knudsen Ice Cream in which a man waits in a long line at a specialty ice cream parlor, and a narrator says that Knudsen has the same taste and added convenience of being available at the grocery store.
Presents the life of the sunfish from the preparation of the nest, the laying and fertilizing of the eggs, the hatching of the eggs, and the development of the fish to maturity.
Immediately following Pearl Harbor, one of the critical problems facing the United States was what to do with the 100,000 people of Japanese descent living up and down the Pacific Coast. The immediate step was to remove all Japanese from critical areas around air fields, harbors, and industrial plants, to forestall sabotage and espionage. This mass migration accomplished by the Army working with the War Relocation Authority is shown in the film--from the first registration through the movement to temporary quarters established in race tracks and fair grounds to the final migration to settlements in Arizona, Colorado, Utah, and Wyoming.
An amateur film documents popular travel destination spots across Canada, including: Niagara Falls, Waterton Lakes National Park, Jasper National Park, Columbia Ice Fields, Athabasca Falls, Banff, Chateau Lake Louise. Amateur Cinema League member filmmaker.
The anatomy of the eye is shown in detail by diagram, regular photography, and cinephotomicrography. Demonstrates how to correct defects in focusing, the approved way of removing foreign objects from the eye, correct lighting precautions, and other measures for good eye hygiene. A silent teaching film.
Indicates the basic principle of the standard plain milling machine. Each part of the machine is named and explained, and some elementary setups are demonstrated.
Warning: Aboriginal and Torres Strait Islander people should note that this film may contain images of deceased persons.
This home movie contains material mainly from three visits the Gair family made in Australia to Mildura and the Murray Valley in the State of Victoria in 1940, and central Australia in 1950 and possibly 1957 to the State of South Australia and the Northern Territory, especially central Australia. It contains sequences of travel with a prominent Australian tour company, Bonds Tours, utilizing an elongated, rugged car for travel.
There is significant footage from Mt. Buffalo National Park in Victoria and Alice Springs and the West MacDonnell National Park in the Northern Territory. Notable locations within Mt. Buffalo National Park include wonderful shots of Pulpit Rock and Wilkinson’s Lookout, Lake Catani, the Leviathan, Manfield’s Lookout, Bent’s Lookout, and Reed’s Lookout. Shots in South Australia include Parachilna Gorge and the Flinders Ranges, with a stop at the Ancorichina Hostel nearby, as well as William Creek.
A wonderful sequence of camera tilts reveals the various Kodak posters for Mt. Buffalo National Park. In the Northern Territory locations include Alice Springs (known locally as “The Alice”), the Fink Gorge National Park and West MacDonnell National Park, and the Hermannsberg Lutheran mission, an Aboriginal mission in the Ljirapinta Ward of the MacDonnell Shire. A majority of the final segment includes many profile and group shots of Aboriginal people at a mission possibly sponsored by the “Australian Board of Missions, Church of England, Alice Springs,” which was printed on a nearby car. Footage consists of color film stock with particularly beautiful title cards inserted for many new locations and sites.
McRobbie-Gair Family Home Movies Collection: Following the European leg of their trip, the Gairs then sailed from Southampton to New York on the Queen Mary but there is no footage of this trip as Mr Gair had misplaced his movie camera and had to have it replaced in New York. This movie consists of travelogue sequences mainly of the Eastern United States and Canada, with footage from New York, Washington D.C., Virginia, Illinois, and New Mexico.
The film opens with shots of the New York City skyline and Times Square at night with an amazing light show of entertainment and advertising signage. The marquee of several historic movie theatres can be seen, including the Loew's State Theatre and the Strand Theatre, showing Only Angels Have Wings (1939) and Indianapolis Speedway (1939), respectively. Other notable footage includes a particularly engrossing segment of the 1939-40 New York World's Fair with excellent shots of many of the individual country exhibits at this event. There is also footage from George Washington's Mount Vernon estate in Virginia, Chicago cityscapes, and wonderful footage of Niagara Falls.
Moving north to Canada the film captures shots from Montreal, Toronto, and Québec City. Notable sequences include shots of Montmorency Falls and Château Frontenac in Québec City. Finally, the film travels to the American Southwest of New Mexico, including the cities of Gallop and Albuquerque. The film captures in amazing detail an "Inter-Tribal Indian Ceremonial" in Gallop, according to a title card, which includes ritual dancing, games (including tug-of-war and foot and horse races), and a rodeo with broncos and bulls. Footage consists of a combination of color and black and white film stock with title cards inserted for new locations and cities.
McRobbie-Gair Family Home Movies Collection: This home movie contains mainly footage of a large military parade in Melbourne, Australia. It is most likely of an ANZAC day parade. ANZAC day is one of the major public holidays in Australia and is held annually on April 25. It commemorates the first landings of the Australian and New Zealand Army Corps (ANZAC) at Gallipoli, Turkey, on April 25, 1915. The year of this particular parade is not yet clear though it is probably in the early 40s. But the footage of the event is particularly important as it features shots of numerous senior Australian politicians and military officers, including former Australian Prime Ministers, William Hughes and John Curtin. There is additional footage of other military parades and school sporting events very typical of the time.
Two boys, both between the ages of four and five, are subjects in a study of aggressive and destructive impulses. The film shows how differently two children, but a few months apart in age and from similar backgrounds, respond to a graduated series of opportunities and invitations to break balloons. Demonstration film of a projective technique developed by L. Joseph Stone.
United States. Department of Agriculture. Forest Service
Summary:
Shows the work of the U.S.D.A Forest Service forest rangers across the nation's 161 national forests. Narration lists the forest ranger's duty to "manage the vast American woodland to produce more timber for home builders, more forage for stockmen, more fish and game for sportsmen, protected watershed for towns and municipalities, abundant power for hydroelectric plants, and reliable supplies of water for famers who rely on irrigation." Forest fire prevention and fighting, replanting burned and logged areas, search and rescue of missing persons, educating children and enforcing poaching laws are among the jobs of the forest ranger depicted.
Laurence Olivier's reading of passages from Milton, William Blake, Robert Browning, Rudyard Kipling and Abraham Lincoln accompany scenes of daily life in wartime Britain. The texts selected emphasize national identity and heritage, patriotism, and the justness of the Allied cause.
Presents an account of an actual air raid by the Bomber Command of the Royal Air Force. Aerial photographs disclose the objective to be raided. Then staff planning, routine preparations, and the tension of the evening take-off are shown. Follows a big Wellington bomber through its bombing of the target, engine trouble, the wounding of its wireless operator, and finally its report back to headquarters.
A British production made as a fund raising appeal to American audiences to aid British children affected by the Blitz. The film depicts the hardships of life during wartime for children and discusses the relief efforts of the Save the Children Federation.
"This film illustrates the difference between World War II and the war of 1914, emphasizing the importance of mechanization, and contrasting the mobile tactics with the immobility of trench warfare. The scientific approach, both to problems of military strategy and to new weapons, is all-important. The film shows some of the work done by Canadian scientists to make these weapons as effective as possible."--National Film Board of Canada description.
"Step-by-step manufacture and assembly of the B-26 medium bomber in the Glenn Martin plant at Baltimore."--War Films, Bulletin of the Extension Division, Indiana University, February, 1943.
Focuses on the conservation of important natural elements such as rubber, oil and metal needed to support the U.S. Victory Program. Viewers are shown various ways in which they can change daily habits to get the most out of these materials.