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Depicts the Japanese occupation of Manchukuo. Describes the mechanization of industry. Includes scenes showing coal and iron mines, steel mills, railroads, government buildings, new housing, native Chinese life, shops and trade, the Russian influence in Harbin, the raising of soya beans, schools, and hospitals. A silent teaching film.
Reveals the appearance, tonal qualities, and functions of various instruments of the woodwind choir--piccolos, flutes, clarinets, oboes, English horns, bassoons, and contrabassoons. Uses close-up photography to illustrate the techniques of playing these woodwinds. Includes excerpts from Brahms' First symphony, Beethoven's Turkish march, and Brahms' Fourth symphony.
Uses a police dog to teach primary-grade children the various steps to follow while crossing the street. Explains how to wait for a policeman's signal or for a light signal, and how to cross the street when there is no signal; points out the danger of crossing the street between parked cars and in walking behind cars backing out of alleys. With subtitles.
Stresses the need for purifying water for the various uses of a community, and shows methods of aerating, filtrating, disinfecting, and testing a city's water supply. Illustrates the complexity of this aspects of defending the health of a city.
Isobel Ludant, a model working in a high-end clothing shop, becomes embroiled in a quarrel, resulting in a ruined gown. To pay for the dress, she turns to her father, an artist, who gets entangled with art thieves while trying to secure the money and is subsequently arrested. Meanwhile, Isobel is dismissed from her job and later becomes the secretary to art dealer Francis Doran, who is unaware of her father's troubles. As her father is released from prison and his reputation is tarnished, Doran supports Isobel, and their relationship evolves, especially as his artistic success begins to rise.
The information presented here about each recording in this collection comes from minimal original documentation by the collector and from additional research by ATM staff. Use of the recordings in this collection requires permission from the American Museum of Natural History with a description of intended use. Patrons should contact atmusic@indiana.edu for assistance in getting further access to these recordings. These are acoustic recordings made on a cylinder phonograph and they are characterized by the relatively low fidelity and high surface noise typical of this format and recordings of this age. Some recordings in this collection may not appear in the MCO application due to damage that makes them currently unplayable. For more information on damaged recordings, contact the Archives of Traditional Music. The recordings available here are derivatives from stylus-based transfers made in 2017 on the Endpoint Solutions playback machine. Minimal noise reduction and de-clicking have been applied to these derivatives to offer modest improvement to the listening experience without compromising the integrity of the source audio. Some of these recordings are matched pairs made simultaneously by Berthold Laufer in an effort to capture a clear recording of the voice on one cylinder while capturing a clear recording of the instruments on another cylinder.
Shows how Springfield, Massachusetts, offers an inspiring plan to other communities for combating racial and religious intolerance, and shows how any school and any town can deal with the causes of this injustice.