1. Allen Ginsberg and Lawrence Ferlingetti (29:17)

Date:
1966
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Features Allen Ginsberg and Lawrence Ferlingetti, outspoken contemporary poets, and studies their poetic engagement and direct involvement with events in the contemporary world. Depicts the two poets in various settings in San Francisco such as the San Francisco City Lights Bookshop. Offers a reading of poems and excerpts of such poems as "Who to be King to," "From New York to San Fran," "The Guru," "Howl and Other Poems," "Notes for Howl and Other Poems," "Dog," and "The Situation in the West."

3. Brother Antoninus and Michael Mcclure (29:10)

Date:
1966
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Depicts Michael McClure, an experimental poet who has written in many styles, and Brother Antoninus, a Dominican lay brother who is distinguished as a poet because of his unique combination of poetry reading and dramatic encounters with his audiences. Touches upon McClure's use of hallucinogenic drugs for achieving poetry that speaks directly out of the emotions and his experimental system of developing poetry through the use of words printed on cards which are shuffled to create poems at random. Places the viewer in the audience during one of Brother Antoninus' celebrated readings.

4. Bruce Jay Friedman and Black Humor (29:02)

Date:
1966
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Probes the characteristics distinguishing Black Humor from other literature. Explores its historical perspectives and present forms. Illustrates a series of line drawings while a synopsis of Friedman's novel Stern is read.

5. Claes Oldenburg (29:16)

Date:
1966
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Introduces Claes Oldenburg, his studio, and his reasons for doing what he does. Shows how he works and presents many examples of his works, from plaster and enamel sculptures of food and clothing to his "soft sculptures" of ordinary household objects and furniture in canvas and vinyl. Depicts the opening of his major exhibition at the Sidney Janis Gallery in New York.

6. Constellations, Guides to the Night Sky (11:00)

Date:
1961
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Uses animation and actual photographs to show the easily recognized constellations used for locating other constellations and celestial objects in northern and southern skies; and, through use of overprints relates constellations to their mythological origins. Introduces constellations through recognition of the Big Dipper as a part of Ursa Major. The "pointers" of the Big Dipper are used to find Polaris and the Little Dipper. Nova, light and dark nebulae, binary stars, and the Great Spiral Galaxy in Andromeda are identified. Circumpolar rotation of constellations in the northern sky is demonstrated.

7. Controlled Photographic Lighting (08:45)

Date:
1959
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Demonstrates the three basic considerations in controlled photographic lighting--placement of lights, quality of light, and lighting ratio. Uses a mannequin as a model to show the functions of main, fill, background, and accent lights in addition to the effects achieved when the lights are moved to different angles. Generalizes this studio set-up to apply to lighting in television, outdoor pictures, and when using flashbulbs. The effects of diffuse floodlights and spots are illustrated, and the changes produced by varying the lighting ratio is seen.

8. Dance: Echoes of Jazz (28:42)

Date:
1966
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Traces the development of American jazz dance, from tap dancing through the stylized theatrical form of the 1900s and orchestrated jazz of the Thirties, to the cool, abstract music of the Sixties. Demonstrates the basic steps of tap dance (sand, shuffle, waltz clog, time step, buck and wing) as performed by Honi Coles. Presents Paula Kelly, Dudley Williams, and William Luther dancing to "Storyville, New Orleans" and the music recorded by Jelly Roll Morton, and Grover Dale and Michel Harty dancing in "Idiom 59" and to recorded music of the same title by Duke Ellington. Presents John Butler's choreography of music by Gunther Schuller (variations on a theme by John Lewis, ("django") danced by John Butler, Mary Hinkson, and Buzz Miller.

9. Dance: In Search of "Lovers" (29:13)

Date:
1966
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Documents the creation of a ballet, "Lovers," by Glen Tetley as well as an exploration of the costumes, music, storyline, choreography, stage sets, and people involved with the production itself. Illustrates what goes into a production of this nature and the integration of the parts into final performance. Shows the people involved during practice, in their studios and homes, and during the final performance on stage.

10. Denise Levertov and Charles Olson (29:04)

Date:
1966
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Introduces the personalities and works of Denise Levertov and Charles Olson through their readings and approaches to poetry. Shows Levertov in her home where she discusses her reasons for becoming a poet, her methods of work, and reads "Life at War," "Losing Track," "The Ache of Marriage," and "Two Angels." Visits Olson in his home where he describes and analyzes his concept of open verse composition and recites several of his poems, including "Letter 27 Maximus to Dogtown," and "The Librarian."