31. William Carlos Williams (28:52)

Date:
1966
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Documents the life and work of William Carlos Williams, poet, Pulitzer Prize winner, and physician. Illustrates his work with selected readings from letters, poems, and the autobiography of the poet. Shows still photographs of the poet as a young man and in his later years with his son, also a physician, practicing medicine in the local hospital.

32. Dorothea Lange: The Closer for Me (29:03)

Date:
1965
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Provides an opportunity for the viewer to compare the personality of Dorothea Lange, photographer-artist, with her work. Many of her photographs are presented; these cover various periods, such as the depression, World War II, and the growth of the urban sprawl in contemporary California. Lange is shown in her home as she states she is convinced the world is not being truly photographed at all today. To the present generation of photographers, she proposes a new photographic project with the cities of America as the subject--to be done on a scale comparable to that of the Farm Security Administration Photographic Project of the thirties.

33. Dorothea Lange: Under the Trees (29:02)

Date:
1965
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Provides a close view of Dorothea Lange and her photographs, enabling the viewer to share her deep involvement in her work and her philosophy as a photographer. Looks in on Lange as she prepares for a one-woman exhibition of her work covering the past fifty years and comments on the reasons and emotions that have moved her to photograph particular scenes. Represents, with her death in October, 1965, a memorial to her and to the despair and hope which she captured so well in her documentary photographs.

34. The Daybooks of Edward Weston: How Young I Was (29:10)

Date:
1965
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Illustrates Edward Weston's philosophy of photography and life through his writings, which he called "Daybooks." Relates the feelings of the photographer as photographs are presented from Weston's soft-focus period, his abstract photographs, and his work done in Mexico. Evaluates Weston as an artist through discussions by two of his sons, his second wife, and one of his former students.

35. The Daybooks of Edward Weston: The Strongest Way of Seeing (28:52)

Date:
1965
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Illustrates Edward Weston's philosophy of photography through his photographs. Includes photographs from his study of Point Lobos, California; his record of California and the western United States; portraits of his cats; and samples from his satirical series and his civil defense series.

36. Music of Africa (29:04)

Date:
1963
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Features Fela Sowande of Nigeria, a leading African musicologist, composer, and organist, along with other Nigerian musicians demonstrating how contempory African music has mingled traditional African and Western idioms to create new forms. Explains that African music places a greater stress on melody rather than rhythm. The music, therefore, more closely resembles African dialects where the meaning is expressed by tonal inflection. Summarizes from this that the talking drum can be either a musical function or transmitter of messages.

37. The Negro and the American Promise (59:39)

Date:
1962
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Brings together four prominent Negro leaders who discuss American Negroes' movement for racial and social equality, and their own motivations, doctrines, methods and goals. Features Negro leaders James Baldwin, Malcolm X, Martin Luther King, and Dr. Kenneth Clark as host.

38. The Social Animal (09:39)

Date:
1962
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Investigates some of the ways in which man is influenced and changed by society. Demonstrates the effect of group pressure to conform and shows the consequences of publicly stating ideas contrary to one's private beliefs.

39. Constellations, Guides to the Night Sky (11:00)

Date:
1961
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Uses animation and actual photographs to show the easily recognized constellations used for locating other constellations and celestial objects in northern and southern skies; and, through use of overprints relates constellations to their mythological origins. Introduces constellations through recognition of the Big Dipper as a part of Ursa Major. The "pointers" of the Big Dipper are used to find Polaris and the Little Dipper. Nova, light and dark nebulae, binary stars, and the Great Spiral Galaxy in Andromeda are identified. Circumpolar rotation of constellations in the northern sky is demonstrated.

40. Editing Synchronous Sound (10:46)

Date:
1960
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Explains the process of editing motion picture footage in double system synchronous sound motion picture production. Follows, through use of flashbacks, the step-by-step sequences from the use of a clapstick to establish synchronization cues during shooting; the use of this visual-auditory signal to re-establish synchronization for each "take" during editing; means of permanently marking these head synchronization points; to the usefulness of the gang synchronizer and means of establishing internal synchronization points. Animation is employed to illustrate maintenance of synchronization in cutting from one take to another and means of elimination of unwanted sound in the sound track.