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Indiana University, Bloomington. Audio-Visual Center
Summary:
Introduces the personalities and works of Denise Levertov and Charles Olson through their readings and approaches to poetry. Shows Levertov in her home where she discusses her reasons for becoming a poet, her methods of work, and reads "Life at War," "Losing Track," "The Ache of Marriage," and "Two Angels." Visits Olson in his home where he describes and analyzes his concept of open verse composition and recites several of his poems, including "Letter 27 Maximus to Dogtown," and "The Librarian."
Indiana University, Bloomington. Audio-Visual Center
Summary:
Traces the development of American jazz dance, from tap dancing through the stylized theatrical form of the 1900s and orchestrated jazz of the Thirties, to the cool, abstract music of the Sixties. Demonstrates the basic steps of tap dance (sand, shuffle, waltz clog, time step, buck and wing) as performed by Honi Coles. Presents Paula Kelly, Dudley Williams, and William Luther dancing to "Storyville, New Orleans" and the music recorded by Jelly Roll Morton, and Grover Dale and Michel Harty dancing in "Idiom 59" and to recorded music of the same title by Duke Ellington. Presents John Butler's choreography of music by Gunther Schuller (variations on a theme by John Lewis, ("django") danced by John Butler, Mary Hinkson, and Buzz Miller.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Features Allen Ginsberg and Lawrence Ferlingetti, outspoken contemporary poets, and studies their poetic engagement and direct involvement with events in the contemporary world. Depicts the two poets in various settings in San Francisco such as the San Francisco City Lights Bookshop. Offers a reading of poems and excerpts of such poems as "Who to be King to," "From New York to San Fran," "The Guru," "Howl and Other Poems," "Notes for Howl and Other Poems," "Dog," and "The Situation in the West."
Indiana University, Bloomington. Audio-Visual Center
Summary:
Introduces the personalities and works of Frank O'Hara and Ed Sanders through their readings, environments, and approaches to their medium. Presents O'Hara reading "To the Film Industry in Crisis," "The Day Lady Dies," "Song," and "Having a Coke with You." Visits O'Hara's bookstore while he discusses his pacifism, literary rock-and-roll, his interest in filmmaking, and the content of some of his poetry. Shows Sanders in the Lower East Side neighborhood of New York where he lives, in his bookstore. Describes an experience of his and the poem "Cemetery Hill" which came out of this experience.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Provides a close view of Dorothea Lange and her photographs, enabling the viewer to share her deep involvement in her work and her philosophy as a photographer. Looks in on Lange as she prepares for a one-woman exhibition of her work covering the past fifty years and comments on the reasons and emotions that have moved her to photograph particular scenes. Represents, with her death in October, 1965, a memorial to her and to the despair and hope which she captured so well in her documentary photographs.
Indiana University, Bloomington. Audio-Visual Center
Summary:
An Indiana University student shows a prospective student's parents the campus and explains the counseling system. Includes academic and extracurricular activities, the extension centers, and many buildings on the campus.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Discusses the Standing Committee, functions of the Committee system, and the role of the majority and minority leaders in congress. Presents opinions on seniority and the selection of committee members and officers. Features Dr. John T. Dempsey, Professor of Political Science, University of Detroit, and members of Congress. (WYES-TV) Film and kinescope.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Demonstrates the three basic considerations in controlled photographic lighting--placement of lights, quality of light, and lighting ratio. Uses a mannequin as a model to show the functions of main, fill, background, and accent lights in addition to the effects achieved when the lights are moved to different angles. Generalizes this studio set-up to apply to lighting in television, outdoor pictures, and when using flashbulbs. The effects of diffuse floodlights and spots are illustrated, and the changes produced by varying the lighting ratio is seen.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Explains the process of editing motion picture footage in double system synchronous sound motion picture production. Follows, through use of flashbacks, the step-by-step sequences from the use of a clapstick to establish synchronization cues during shooting; the use of this visual-auditory signal to re-establish synchronization for each "take" during editing; means of permanently marking these head synchronization points; to the usefulness of the gang synchronizer and means of establishing internal synchronization points. Animation is employed to illustrate maintenance of synchronization in cutting from one take to another and means of elimination of unwanted sound in the sound track.