In episode 81, Dean Shanahan speaks to Paula Apsell and Doug Hamilton—producers of PBS’s critically acclaimed science series Nova—about the show's climate change programming and learning how to educate their audiences on the facts.
In Ep. 104, Dean Shanahan talks with former director of the Office of Policy Analysis at the U.S. Department of the Interior. Tune in to hear Clement discuss the impact of climate change and whistleblowing in a government agency.
In episode 87, we feature an early-release episode of a mini-series from the College of Arts and Sciences featuring three alumni who received awards from the College this year. This episode is about award-winning author, journalist, and music critic Anthony DeCurtis.
Episode 102 is our second annual student Halloween edition of the show. Last year, we told you IU’s best legends in Episode 67. This year, we are a little more serious, talking with professor Robert Dobler about the ways we experience, commemorate, and avoid death.
This week, Dean Shanahan discusses the Lotus World Music and Arts Festival with Executive Director Sunni Fass and Interim Artistic Director Rob Simonds. Listen to learn about the history of the festival, how Lotus cultivates the acts, and what artists that will be performing this year.
In Ep. 103, Dean Jim Shanahan is joined by Bernard Fraga, Professor of Political Science at Indiana University. Tune in to hear about Fraga's research on voter turnout rates, political polls, and gerrymandering and redistricting.
In episode 94, Associate professor Terri Francis and Dean Shanahan discuss the Black Film Center/Archive’s Michael Shultz film series (including To Be Young, Gifted, and Black, Cooley High, Krush Groove and Car Wash), Francis’s upcoming book about the cinematic career of Josephine Baker, and the realities of Afrosurrealism.
In episode 79, Dean Shanahan speaks to Joan Hawkins, associate professor at the IU Media School, about the Wounded Galaxies festival and symposium.
Wounded Galaxies: 1968 – Beneath the Paving Stones, the Beach is a festival and symposium produced by The Burroughs Century Ltd., welcoming scholars, writers, artists, archivists, filmmakers, performers, and others interested in exploring the intellectual and aesthetic legacy of 1968, during its 50th Anniversary year.
The festival subtitle is a translation of the French slogan “Sous les pavés, la plage!,” a popular resistance graffiti in France Mai ’68 that refers to both the sand beneath cobblestones lifted by students to hurl at police as well as the ‘Situationist’ conviction that the streets–the expression of capital and consumption–could be rediscovered by abandoning a regimented life.