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Uses laboratory experiments to illustrate how chemicals liberate energy in the form of electricity. Explains the part Italians Galvani and Volta played in discovering the principle of electricity from chemicals. Demonstrates the reaction between zinc and lead in generating heat and electricity. Shows the types of electrical cells uses today. (KQED) Film.
Max Lerner and five Brandeis students discuss: Who really owns America? What are the chances of moving from one society to another? Do the elites really run America? Is the dictatorship of the elite a conspiracy? Are there conflicts among the elites? Has American business gone soft because their leaders do not understand the urgency of the situation today? Is there a military elite? Does the intellectual elite have control in America? Have the intellectuals failed to make clear to the public that they are in danger of their own destruction? Is democracy lost in the social anarchy that there is today?
Discusses problems arising when children become curious about sex and birth. Explains how parents can prepare themselves for this time, why questions must be answered, and how to proceed for mutual benefit of child and parent. (WTTW) Kinescope.
Explains why energy is necessary, where it is obtained and why more energy is needed. Defines and gives examples of kinetic and potential energy. Uses charts and diagrams to show how energy is used and how much is available. Points out the importance of nuclear energy for the future. (WQED) Film.
Considers the question, "Will machines ever run man?" Concludes that although the computer is the machine most like man himself, it is not the machine but man who determines what is to be done.
Presents the story of the English settlements along the Atlantic seaboard--first in Virginia, then in New England, Maryland, and the Carolinas. Explains how England later consolidated her holdings by taking the middle area from the Dutch. (KETC) Kinescope.
Continues the discussion of episodic form from the preceding program, "Episodic Form: Part 1". Illustrates the use of episodic form in the funeral march and other independent pieces unrelated to minuets marches, and such clear-cut types. Presents examples from Chopin and Debussy to point out (1) the greater continuity achieved by connecting up the three main segments of episodic form (by links, cadence-avoidance, etc.) ; and (2) the new effects possibly by rewriting the third segment and sometimes modifying it.
Discusses episodic form and its use. of the principle of contrast. Illustrates the structural scheme of episodic form in which an opening binary or ternary segment is followed by a contrasting binary or ternary section, after which the first segment is repeated. Explains how the middle part exhibits the qualities of a foil or episode, having a new theme, a new character or "mood", and generally a new key or tonality.
Here, Dr. Jones defines the episodic principle as the simple rondo-form combining the two principles of repetition and contrast and illustrates the principle with a selection from Haydn. Concluding the series, he presents a selection from Beethoven’s “Quintet for Winds and Piano,” in which the repetitions between the contrasting episodes are varied.
In what sense can Americans be equal? Not in looks, or in talents, but in opportunity, decide Dr. Wriston, Mr. Canham, and Martin S. Ochs, editor of the Chattanooga Times. Equality of opportunity, they state, is essential in a democracy. Turning in more detail to the system of democracy in this country, the three panelists discuss possible reforms within the operations of the Congress, the executive branch of the federal government, and the state governments. Among their suggestions are the consolidation of urban areas and school districts, the reform of self-limiting tax laws, the reform of election districts, and a re-examination of existing corporate law.
Maestro Dohnanyi and his guests discuss his early days as a composer. He plays two of his own selections: “Intermezzo, Opus No. 2” and “F Minor Rhapsody.”
Maestro Dohnanyi and his guests discuss his days as a composer in Vienna. He plays parts of “Winterigen,” “Humoresque,” and the entire “Minute” from his own composition “Suite, Opus No. 24.”
Dohnanyi and his guests discuss the compositions which the Maestro wrote in Budapest. The numbers he plays on this program are “Variations on Hungarian Folk Songs,” “Ruralia Hungarica,” and “Pastorale.”
Dr. Harbaugh describes the work of water, the most important agent at work in forming the finer features of the face of the Earth. He describes the hydrologic cycle: the round trip that water takes in evaporating from the ocean, precipitating on the land, and flowing back to the ocean. His guest is Ray K. Lindsey, associate professor of hydraulic engineering at Stanford University. Formerly a member of the faculty of the U.S. Department Graduate School and the University of California, he was a participant in the UNESCO Symposium on Hydrology in Ankara, Turkey (1952) and UN consultant to the Yugoslavian Hydro-matero-logical service. They discuss the mechanics of water: the way it can suspend materials and carry them along.
Miss Pearson shows how paint is a medium: water color, poster paint, and oil. She illustrates how it works, how it mixes, textures and application. Examples of works of art in these paint media are shown.
Explores the significance of ethnic dance in the field of formal dance. Presents a variety of West Indian dances. Explains their derivations and movements. Includes Bele, a West Indian adaptation of the minuet; Yanvallou, a voodoo dance; and Banda, a Haitian dance about death. Features Geoffrey Holder and Carmen de Lavallade.
Explores the significance of ethnic dance in the field of formal dance. Presents a variety of West Indian dances. Explains their derivations and movements. Includes Bele, a West Indian adaptation of the minuet; Yanvallou, a voodoo dance; and Banda, a Haitian dance about death. Features Geoffrey Holder and Carmen de Lavallade.
Mr. Ormandy discusses, with his guests, the relationship of the musician to the audience, the influence of the conductor in determining the orchestral personality, and problems of choral conducting. He concludes with an explanation of the relationship of the soloist and the conductor.
Mr. Ormandy discusses, with his guests, the duties and responsibilities of the music director. Explains the problems of programming, personnel changes in the orchestra, keeping standards, placement of instruments, and the importance of the conductor. he also expresses his views concerning the relationships between the conductor and orchestra, and the duties of the music critic in America today.
Mr. Ormandy discusses working out musical interpretation and technical aspects, the evolution of conducting and its relationship to the development of the modern symphony orchestra, domination of the orchestra by the conductor, modern music, twelve-tone music, and the role of the music critic.
Mr. Ormandy discusses a serious musician’s views of rock and roll music, how to interest young people in good music, opera in English, how high orchestral performance standards are maintained, and whether electronic instruments are the basis of a new music.
The panel takes up the importance of the national convention in drafting a party platform and important intra-party conflicts which have developed over the drafting of such platforms at recent conventions. Along these same lines, the panel considers the procedure used to draft the platform and the question of whether the platform is drafted to represent the policy position of the candidate or for the candidate to stand on.
A panel here considers the advantages and disadvantages of the convention systems as it now operates. Speakers also discuss suggestions for improving the convention as a nominating device, alternatives methods for nominating a president and vice president, and the problems and advantages of these alternatives.
Evaporation is shown to be a cooling process. The degree of evaporation of water illustrates humidity. Evaporation of water and other liquids is shown. Alcohol and acetone evaporate more readily than water. Solids can evaporate. This is called sublimation. Illustrations are dry-ice and iodine.
Dr. Clinchy discusses the problems involved in educating individuals for tolerance, including such questions as: Where do you meet strangers? What good may come out of a meeting of strangers, if such a meeting may provide conflict? Is conflict itself a good thing? Should individuality or homogeneity be encouraged in a society? What place does education have in preparing people for toleration? Can you condition people’s emotions? Dr. Clinchy makes the point that one essential for toleration is the assumption of responsibility. Toleration is not, and should not be, synonymous with indifference, and individuals must work actively to eradicate old prejudices and mistrusts, he concludes.
Discusses architecture as a clue to cultural change. Shows how, in the early 1900s, architects sought inspiration in traditional European styles, and a melange of modified Greek Revival, Italian Renaissance, Norman manor, and Tudor half-timber homes sprang up. Indicates that although earlier innovators Henry H. Richardson and Louis Sullivan had proposed a fresh approach to domestic architecture, it was not until the impact of Frank Lloyd Wright that public opinion shifted. Paralleling this movement toward "organic" architecture, the Bauhaus school of "functional," "abstract," and "international" styles began to flourish. Points out that in modern architecture we can detect the combined influences of these original thinkers in the emphasis on functional simplicity and the ingenious use of natural materials.
Traces the history of imperialism from the 15th Century to the present, Explains the reasons which lead to empire building by nation states. Discusses the geographical, economic, and political changes brought about by colonialism.
Discusses the nature of perception and knowing. Illustrates how experiences involve a transaction between perceiver and the thing of event perceived. Demonstrates the "trapezoid window" illusion created by Adelbert Ames, Jr. Relates perception and knowing to communication. (KQED) Film.
Discusses human action and its causes. Compares voluntary and involuntary response. Uses a slow motion film clip to demonstrate the startle response. Concludes with a demonstration to show that voluntary effort has its causes. (WGBH-TV) Kinescope.
Discusses briefly the scope of psychology. Uses charts, models, and demonstrations to explain how the eye function. Illustrates size constancy and distance in perceptions. (WGBH-TV) Kinescope.
Discusses methods used by composers to create variety in their musical sentence structure, or extend originally "regular'' phrases to longer proportions. Illustrates the following methods of extension: (1) cadence extension; (2) repetition, exact or sequential, in the body of the phrase; and (3) augmentation, or lengthening of note-values.
Presents an interview with exiled South African essayist and short story writer, Mphahlele, who discusses the advantages and disadvantages of a writer in exile. Reveals that he feels he has absorbed both the European and African traditional ways of life but shows he remains gloomy about creative writing in a divided society. Discusses the author's autobiography and the impact of emerging African literature.
Portrays some of the learning of both students and instructors at the Harvard Medical School. Presents discussions of an instructor's first lecture, the meaning of academic freedom, and the reasons why a teacher must also be a researcher. Demonstrates a bedside teaching situation, a clinical conference dealing with pathology, and a brain-cutting operation conference.
Bash traces the development of drama and entertainment from the medieval days of acrobats at fairs, to the present. She demonstrates use of early puppets and marionettes, speaks of the troubadours and minstrels, and describes the pantomimes of the Harlequin and Columbines. The Lillian Patterson dancers assist in presenting the pictures through dance and acrobatics, and Bash ends the program by taking a very modern merry-go-round ride. Songs are “The Little Marionette” and “Jumping Jack.”
Presents a debate on the problem of radioactive fallout from nuclear tests and the advisability of nuclear disarmament. Debates such pertinent questions as : "Does radioactive fallout from nuclear tests present a formidable danger to present and future generations?", "Will nuclear disarmament affect national security?", "Is continued testing necessary to insure future development of nuclear power for peaceful uses?" Features Dr. Edward Teller, Professor of Chemistry, California Institute of Technology, and Dr. Linus Pauling, Professor of Chemistry, California Institute of Technology. (KQED) Kinescope.
Discusses jealousy and fighting for attention among brothers and sisters. Tells what parents can do to overcome sibling rivalry. Answers questions concerning acceptance of only one brother and sister and not the others, treatment of siblings with respect to gifts, punishment, privileges, and loyalty of brothers and sisters for one another. (WTTW) Kinescope.
Tells the story of farm life in early America. Explains how the farmer once raised his own animals and used them for the many things he needed. Visits a farm to see farm animals. (KQED) Kinescope.
Discusses rational and irrational fears with illustrations from real-life situations. Distinguishes between these two types of fears, and suggests ways of controlling them through a system of unlearning the original fear by gradually making it pleasant. (KOMO-TV) Kinescope.
Fences tell a story about the way of life of the people who built them, the use to which the land was put and something of the personality of the builder. Bash Kennett tells of early fences and takes a tour through the countryside, showing how one can imagine the story of each farm or house from the fence which surrounds it. She tells the story of the early fence-viewer, whose chain measure was the basis of the measurement of today’s mile and city block. Songs include “The Bird Song” and “The Sow Who Got the Measles.”
Provides a historic background for the collegiate-level debate and emphasizes the need for debate and reasoning skills for military officers as well as civilians. Exalts free speech and right to debate are inherent to democracy. Gives an overview and describes the process of the tournament. 1961's debate topic is "that the United States should adopt a program of compulsory health insurance for all citizens." Shows the awards ceremony before the final round of the tournament. Follows the final round of King's College (negative position), who are defeated by Harvard (affirmative position). Features Elvis J. Stahr acting as Secretary of the Army in the year before becoming IU's 12th president.
Brushy writes a prize-winning poem for the school safety contests:
“It isn’t enough just to know every rule,
You should practice them all, for real safety at school.”
Sharing and taking turns with others can be the best way to play and Brushy and Susie-Q show us what happens when you don’t play this way. They never had any fun because they fought over things they wanted to play with. But, mother taught them by sharing they could each have more fun.
Bash Kennett tells about the art of craving the figureheads which graced the prow of sailing vessels in the past. She shows figureheads of all types and sings “Pretty Kitty” and “Wanderin.”
Joan Jockwig Pearson presents the elements of good design and its application to everyday living in buildings, clothing, furniture, and automobiles as well as in actual objects d’art.
Dramatizes a situation in which four persons, faced with possible death, reexamine their personal philosophies. An intellectual whose god is pure reason begins to realize his basic loneliness. An American businessman who must rely on cold organization reveals himself as warmly human. His wife turns from agreement with the intellectual's original view to agreement with her husband's new attitude. A German guide, a former Nazi who has lost the collective, totalitarian world he understands, leaves apparently to seek death in the mountains.
In this last program Professor Woodworth summarizes the points he has made in the course of the series. Then, as a climax to the study of the symphonic form, Professor Woodworth conducts the Cambridge Festival Orchestra in a performance of the final movement of Mozart's Symphony Number 38, and then in a complete performance of Prokofiev's Classical Symphony, showing the transition from the 18th Century to modern music.
Discusses the various instruments and methods used in gaining knowledge of stellar composition and in studying objects in space. Reviews the development of the telescope. Uses diagrams, photographs, and models to explain the importance of photography, the spectroscope, and radio-astronomy in unlocking the secrets of the universe. Features James S. Pickering of the American Museum, Hayden Planetarium.
Discusses finishing techniques in ceramic sculpture. Explains how the finish must make the sculptured work permanent and at the same time enhance its feeling and form. Shows the method of firing ceramic pieces in the kiln. Demonstrates different methods of finishing the pieces including staining, waxing, and the application of different types of glazes. Concludes with a discussion of ancient and modern polychrome sculpture. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses and explains the zones of a candle flame. Shows the differences between a candle and a burner flame. Uses experiments to illustrate and define air density and convection currents. (KQED) Film.
Host Bash Kennett describes the danger of fire aboard the clipper ships. Visits the San Francisco Bay's "Phoenix" fire boat, which is shown docked next to the Hills Brothers Coffee Company, and presents a demonstration of how the boat pumps water. Explains fire control in modern ships and discusses the important role of firemen who work in this role. Includes a performance of the traditional "I Grieve My Lord".
Discusses the problems which confront the child, the parents, and the teacher when the six-year-old starts out to school. Explains what school can mean to the child and his parents, how former habits are dropped and new ones developed, how friendships are made, and the overall affect of school on the child's development. Tells what parents can and should do when problems concerning the school arise. (WTTW) Kinescope.
Fignewton Frog (puppet) and Dora (person) hold a contest where children (puppets) have to guess the parts actors (also puppets) are playing based on their costumes. The children also have to guess what type of theater is being referenced in a number of tableaux.
Teaches the techniques of drawing fish. Demonstrates by painting fish swimming and jumping from water. Stresses the Japanese approach to composition using fish as an example. (KQED) Kinescope.
Bash tells of fishing in New England, where the fishermen fished close to the shore at first and then went all the way to the Grand Banks in their small craft. Examples of the ways in which various fish are caught includes the lobster trap, the use of lines or purse seine nets and the use of dredge nets. Songs include “Sarah,” “Hulla Baloo Belay” and “Crawdad.”
Bash talks about the brave men who have sailed small boats into the open ocean in search of fish from earliest times. They risk their lives and gamble their fortunes in these ventures. Bash takes a film trip to Fisherman’s Wharf to watch the mending of nets, the bustle of preparation and to see the fishing boats return to unload their catch of fish and crabs. Songs include “Blow the Man Down” and “Goodbye My Lover, Goodbye.”
Defines movies as glorified shadow shows and traces the motion picture revolution from a simple shadow on a wall to modern movies. Presents a history of the development of the movie camera, film, and other photographic inventions. Includes Al Jolson, Lon Chaney, Laurel and Hardy, and sequences from The Great Train Robbery and a Conquest of Space.
Man seems to have surpassed nature as he can fly faster and higher than the natural flying creatures. But further study of the flying habits of birds and insects is still necessary. Dr. Lippisch presents a discussion on the wing motion of birds and insects and how the texture and shape of the wings differ with the various birds and insects. Not only airborne animals apply the laws of fluid motion; the program also presents the propulsive systems of fish and shows the action of the fishtail-propeller in the Smoke Tunnel.
Discusses high-altitude flying with particular attention to rocket craft. Relates this discussion to flight in space. Features Mr. William B. Bridgeman, test pilot, who presents an account of his own experiences with the pioneer Douglas "Skyrocket." (KUHT) Film.
Host Bash Kennett tells the story behind many of the sayings we use today. Explains the events and circumstances leading to use of such phrases as: to pull up stakes; in the knick of time; lock, stock and barrel; and to fly off the handle. Includes performances of the traditionals "When Cockleshells Turn Silver Bells", "Lord Lord Lord", "Big Rock Candy Mountain".
Bash describes the value and beauty of the timber of our country, and how it helps hold the soil, gives cover for the animals, and is a valuable crop. Then she goes on a film expedition to an actual forest fire, showing the fire racing up the hillsides, destroying a forest, being fought by bucket, shovel, and even by planes bombing with chemicals before the fire is put out. Songs include “Mr. Rabbitt” and “Frog Went a Courtin’.”
Illustrates and discusses the chief causes of forgetting. Compares the theories of disuse and interference. Explains the part of retroactive inhibition and motivation in forgetting. Uses charts, diagrams, and examples to illustrate major points. (WGBH-TV) Kinescope.
Mr. Albert Ravenholt, correspondent of the American Universities Field Staff and staff correspondent for the Chicago Daily News, and Dr. George A. Peek, Jr., assistant professor of political science at the University of Michigan and coordinator for the series, focus their first discussion of the "tension areas" in the Far East on Formosa. Mr. Ravenholt, considered one of the nation's best-informed men on the Far East, comments on the important strategic position of Formosa, the complicated internal "police state" condition of the Island, and how the situation affects the United States. He explains that the Chinese communists are building up their forces along the China coastline. They may be planning to attach Formosa directly, to capture the Chinese Nationalist held islands closer to the mainland, or to force a diplomatic settlement concerning the possession of Formosa. The latter would then involve the issues of recognition of Red China and admission of that country into the United Nations. The United States is sending to Formosa economic and military aid totaling three to four million dollars per year, Mr. Ravenholt points out. This aid not only consists of building up the defenses of the Island, but also improving the diet of the Nationalists soldiers, improving their uniforms, constructing air fields and bridges, and making agricultural improvements. Finally, Mr. Ravenholt stresses the need for the U.S. to begin thinking of what kind of support we are willing to extend to the Chinese Nationalists in the event of war, and the need for thinking about the kind of non-communist Chinese leadership which we would like to have evolve in the future.
Discusses the future in terms of the areas that now interest scientists at the Argonne National Laboratories. Indicates problems that are still to be solved concerning the effects of radiation, the peaceful use of radiation, and the dangers of radiation.
A comparison of family life in France, Japan, India, and Canada. How each family treats and cares for a year-old baby. Mother-child relationships, feeding and bathing the child. Anthropologist Margaret Mead discusses how the upbringing of a child contributes to distinctive national characteristics.
The changes of season are described in terms of what the animals of the forest do during these times. Bash tells how each of the animals live during the four seasons. She sings “Saturday Night,” “Mr. Rabbit” and the “The Fox.”
Compares the daily activities of four elementary teachers from Japan, Poland, Puerto Rico, and Canada. Presents facts about each teacher's personality, classroom techniques, facilities available for use in the classroom, student-teacher relationships, salaries, home life, status in the community, and the importance of education in each of the countries. Between sequences, discussion of pertinent problems in education is carried on by a Montreal teacher, Glenna Reid; a Toronto professor, John R. Seeley; and the film's producer-commentator, Gordon Burwash.
Dr. John W. Dodds explores the concept of freedom as treated in literature. Includes readings from the works of Milton, Benet, Becker, Wordsworth, Perry, Browning, Whitman, Lowell, and Tennyson. (KQED) Kinescope.
Rabi and Viereck join Louis Lyons to discuss the freedom of the individual with their emphasis on the scientist and the artist. They agree there is no great cause for concern over the freedom today of the scientist or artist in terms of the freedoms and that they gain these freedoms through laws which bind them in their own professions. Included in the program is a spirited debate on scientific achievement and the necessity to combat mass determination of taste, particularly in the mass communications. Guests are Isidor I. Rabi, Higgins Professor of Physics, Columbia University; Nobel Prize winner in physics, 1944 and Peter Viereck, poet, professor of history, Mount Holyoke College; Pulitzer poet, 1949.
Uses laboratory experiments with water to illustrate that all matter exists in three states: solid,liquid, and gas. Discusses distillation and condensation. Shows the power of frozen water when it expands. Explains and demonstrates a dilatometer. (KQED) Film.
Describes Paris in the early 19th century and the operas written there by various composers and the beginning of individual French Operatic styles. Describes FAUST and CARMEN as the better known beginning works of French opera, presenting portions of each with piano and voice. (Univ. Calif. Ext.) Film.
Describes Paris in the early 19th century and the operas written there by various composers and the beginning of individual French Operatic styles. Describes FAUST and CARMEN as the better known beginning works of French opera, presenting portions of each with piano and voice. (Univ. Calif. Ext.) Film.
Discusses the benefits one receives from friends, and through interviews presents the values and bases of friendship. Presents reasons why some people are friendless and ways to help them acquire friends. Points out that one can have friends by engaging in activities with others. (KOMU-TV) Kinescope.
Why do the report cards of many children show such a wide range of achievement? Dr. Maria Pier’s points out that it is normal for a child’s report card to vary in quality. She discusses whether or not the bright child should be allowed to skip grades (years) and what marks really measure.
Gives an overview of the French Empire in North America with emphasis on its beginnings in the fishing and fur trade, missionary affairs and rivalry with Native Americans.
Discusses how sentences are put together to form the "explaining paragraph." This paragraph structure begins with a generalization from which specific ideas are developed and is followed by a summarizing generalization. Shows that the same developmental patterns are used in mathematics, music, and poetry.
Discusses how generalities in a paragraph should be supported by evidence. List vague, technical specific, and descriptive detail as the three kinds of detail that a writer uses as evidence. Illustrates that technical writers, poets, scientists, and novelist use the same paragraph patterns in their writing. (WQED) Kinescope.
Tells the story of Oberlin College in Ohio which first offered opportunities for higher education on a co-educational bases. Describes the significance of this institution to education for women and African Americans.
Reviews the penetration of later Latin Americans into the hinterlands of the several colonies. Points out that these frontier movements expanded the territory held and often set the boundaries of the future nations. (KETC) Kinescope.
Explores astronomy's present conception of the universe. Reviews the physical make-up of the Milky Way Galaxy and its rotation and motion through space, explains how galaxies are classified, and discusses two conceptions of the evolution of galaxies. Concludes with speculation concerning the possibilities of other planet systems supporting life similar to our own. Features James S. Pickering of the American Museum, Hayden Planetarium.
Bash tells why more games are played in the United States than any other country in the world. She says this is because immigrants brought the games of their native lands with them when they migrated here. She shows how games make for friendship among children of different countries. Hopscotch, jacks, checkers and football are included and the fun of making up your own games or rhymes and songs for old games is brought out. The Lillian Patterson dance group dances to several games. Songs include “Round and Round the Mulberry Bush,” “The Riddle Song,” and “Bluebells.”
Bash describes the difference in the way people shopped in the early days, telling how traveling “Yankee Peddlers” brought things in their wagons from farm to farm, then how the old fashioned general store sprang up. Authentic objects from the past are displayed, form high button shoes, to early spectacles. All the flavor of the general store, with its cracker barrels, Franklin stove, and crowded counters comes alive on the set, and gives a picture of the life of the early communities. Songs include “Paper of Pins,” “The Keeper,” and “Jennie Jenkins.”
Discusses ways of getting along with people and through interviews shows why some people can more easily get along wit h others. Emphasizes interest in others, acceptance, and understanding, as well as cheerfulness, helpfulness, and neatness and basic factors in getting along with people. (KOMU-TV) Kinescope.
Discusses and demonstrates how the deciphering of papyri led to recent excavations in Negev that have resurrected the village of Nesson--lost for 2000 years. (NYU) Kinescope.
Presents an analysis of the structure of viruses and how they are studied. Shows and explains how an electron microscope works. Uses film clips of experiments to demonstrate the cultivation, isolation, and purification of viruses. Concludes with a discussion of the differences between viruses.
Dr. Howard returns as Dr. Harbaugh's guest. With a model of a valley and synthetic ice, they simulate two types of glaciers in order to show the geologic work done by flowing ice. They point out areas on the Earth's surface where glaciers are at work today and show evidence of glacial work in the geologic past that has profoundly altered the whole geography of the North American continent as well as many other areas in the world.
Drs. Gould and Zumberge discuss the extent,volume, structure and general dynamics of the Antarctic ice cap. Dr. Zumberge explains the techniques of the glaciologist and illustrates with film taken at Camp Michigan the kinds of glaciological studies he and his colleagues were pursuing over there. They conclude the program with a discussion of what is now known about Antarctic glaciology and what remains to be studied.
Points out the purposes and procedures of the series of motion pictures, YESTERDAY'S WORLDS. Reviews objects shown and summarizes ideas discussed in the preceding 25 half-hour programs. Emphasizes the values of research into man's past. (NYU) Kinescope.
In this program, criminologist Joseph D. Lohman states that parole is to many people only “a legal escape route” from the prison to the free community and he indicates that a parole system should be much more than this. The release of one inmate and an interview with a former prisoner illustrate the problems experienced on release. Meeker and Lohman explore current statistics and compare the number of prisoners who “go straight” with those who return to a life of crime. They indicate aspects of a parole system that will aid in the former prisoner’s adjustment to conventional society.
A Black G.I. returns from Vietnam and is confronted by various Black Power activists. He is forced to question his reasons for having served in the military and what he wants to do in the future.
In this episode, Dr. Smith, Jr., examines the structure, patterning, and classification of words. He explains how the linguist defines a word in terms of base, vowels, and stress patterns, and presents examples using nouns, verbs, and pronouns.
In this episode, Dr. Smith, Jr., continues the discussion of grammar and how words are classified. Explains how adjectives, adverbs, and prepositions are identified by structure rather than meaning. Examines the structure of phrases and sentences.
Should babysitters be young or old –teenagers or grandparents? Can grandparents be good babysitters? What do children need from a babysitter? Why do grandparents “spoil” their grandchildren? Mrs. Maria Piers discusses the modern family and some difficulties when “outsiders” come to help.
Hand puppets tell the story of a colony of ants hard at work to store food for winter. Marry Ann Ant and Wilburforce are two young ants who hate to work and when the Grasshopper comes by with his funny musical instruments they want to stop and play. But the Queen Ant asks them to return to work and the Grasshopper goes off to play. Winter comes, and everyone is happy that they worked so hard to store food. The Ants find Mr. Grasshopper half-frozen in the snow and bring him in to get warm. The Queen orders him to work for his food by playing his musical instruments so that they can dance.
This program presents rare film clips of outstanding dancers: Anna Pavlova, Irene and Vernon Castle, and Argentinita, as well as performances by Alexandra Danilova and Frederick Franklin, to illustrate the importance of the dancer as the creator of a dance. Two sets of distinguished dancers perform the same roles from the balled “Le Beau Danube” to show how individual interpretation can vary the effect of the same choreography. Dance critic Walter Terry joins Miss Myers to discuss the importance of an interplay between choreographer and performer.
Discusses Great River by Paul Horgan. Sets forth the scope of the book, analyzes its form, and appraises the strengths and limitations of its author as historian and writer. Stresses the importance of the work with regard to the historical technique used.
