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- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Depicts Michael McClure, an experimental poet who has written in many styles, and Brother Antoninus, a Dominican lay brother who is distinguished as a poet because of his unique combination of poetry reading and dramatic encounters with his audiences. Touches upon McClure's use of hallucinogenic drugs for achieving poetry that speaks directly out of the emotions and his experimental system of developing poetry through the use of words printed on cards which are shuffled to create poems at random. Places the viewer in the audience during one of Brother Antoninus' celebrated readings.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Probes the characteristics distinguishing Black Humor from other literature. Explores its historical perspectives and present forms. Illustrates a series of line drawings while a synopsis of Friedman's novel Stern is read.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Introduces Claes Oldenburg, his studio, and his reasons for doing what he does. Shows how he works and presents many examples of his works, from plaster and enamel sculptures of food and clothing to his "soft sculptures" of ordinary household objects and furniture in canvas and vinyl. Depicts the opening of his major exhibition at the Sidney Janis Gallery in New York.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Traces the development of American jazz dance, from tap dancing through the stylized theatrical form of the 1900s and orchestrated jazz of the Thirties, to the cool, abstract music of the Sixties. Demonstrates the basic steps of tap dance (sand, shuffle, waltz clog, time step, buck and wing) as performed by Honi Coles. Presents Paula Kelly, Dudley Williams, and William Luther dancing to "Storyville, New Orleans" and the music recorded by Jelly Roll Morton, and Grover Dale and Michel Harty dancing in "Idiom 59" and to recorded music of the same title by Duke Ellington. Presents John Butler's choreography of music by Gunther Schuller (variations on a theme by John Lewis, ("django") danced by John Butler, Mary Hinkson, and Buzz Miller.
- Date:
- 1966
- Main contributors:
- Bach, Johann Sebastian, 1685-1750. Passacaglia, organ, BWV 582, C minor.
- Summary:
- Introduces four major choreographers--Martha Graham, Doris Humphrey, Charles Weidman, and Hanya Holt--who revolted against the conventions of ballet to produce American modern dance. Employs film clips and still photographs taken in 1934 to show the dancers and their teachers during the beginning days at Mount Bennington College. Each choreographer explains her/his view of the meaning dance should have within the arts. Includes a full production of Doris Humphrey's Passacaglia by the American Dance
- Date:
- 1966
- Main contributors:
- See Other Contributors
- Summary:
- Introduces four major choreographers--Martha Graham, Doris Humphrey, Charles Weidman, and Hanya Holt--who revolted against the conventions of ballet to produce American modern dance. Employs film clips and still photographs taken in 1934 to show the dancers and their teachers during the beginning days at Mount Bennington College. Each choreographer explains her/his view of the meaning dance should have within the arts. Includes a full production of Doris Humphrey's Passacaglia by the American Dance
- Date:
- 1966
- Main contributors:
- Indiana University Audio Visual Center
- Summary:
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Documents the creation of a ballet, "Lovers," by Glen Tetley as well as an exploration of the costumes, music, storyline, choreography, stage sets, and people involved with the production itself. Illustrates what goes into a production of this nature and the integration of the parts into final performance. Shows the people involved during practice, in their studios and homes, and during the final performance on stage.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Introduces the personalities and works of Denise Levertov and Charles Olson through their readings and approaches to poetry. Shows Levertov in her home where she discusses her reasons for becoming a poet, her methods of work, and reads "Life at War," "Losing Track," "The Ache of Marriage," and "Two Angels." Visits Olson in his home where he describes and analyzes his concept of open verse composition and recites several of his poems, including "Letter 27 Maximus to Dogtown," and "The Librarian."
- Date:
- 1966
- Summary:
- Portrays some of the learning of both students and instructors at the Harvard Medical School. Presents discussions of an instructor's first lecture, the meaning of academic freedom, and the reasons why a teacher must also be a researcher. Demonstrates a bedside teaching situation, a clinical conference dealing with pathology, and a brain-cutting operation conference.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Introduces the personalities and works of Frank O'Hara and Ed Sanders through their readings, environments, and approaches to their medium. Presents O'Hara reading "To the Film Industry in Crisis," "The Day Lady Dies," "Song," and "Having a Coke with You." Visits O'Hara's bookstore while he discusses his pacifism, literary rock-and-roll, his interest in filmmaking, and the content of some of his poetry. Shows Sanders in the Lower East Side neighborhood of New York where he lives, in his bookstore. Describes an experience of his and the poem "Cemetery Hill" which came out of this experience.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Depicts Frank Stella and Larry Poons, two young New Abstractionists, in their studios painting and discussing their work.Concludes that these artists have instituted an innovation by exploiting repetition, emptiness, and monotony to produce their abstract works. Describes Stella's productions as high geometric polygons and Poon's current work as a counterpoint of dots on canvas.
- Date:
- 1966
- Main contributors:
- See Other Contributors
- Summary:
- Records the poetry and personality of Gwendolyn Brooks and the Chicago environment which provided the sources for most of her materials. Features Miss Brooks reading several of her poems, each accompanied by scenes of the people or locale described. Examines her method of working, the things she finds most pleasant in life, and the thrill of winning the 1950 Pulitzer Prize for poetry.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Attempts to reveal the personality of Hart Crane through his books and papers, and through interviews with his friends and associates. Presents the views of Malcolm Cowley, Waldo Frank, Gorham Munson, and Peggy Baird. Presents readings of several of Hart Crane's poems by actor Gary Merrill.
116. Jack Tworkov (29:10)
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Introduces the abstract expressionism of Jack Tworkov and his feelings about the meaningfulness of his work, along with a description of the events which led him to become an artist. Presents him working on a painting, discussing his interest in producing what he calls organic form or shape by using a straight line and changing its contour while keeping its origin and end points the same. Shows several examples of his long-stroke abstract paintings which established him as one of America's major contemporary painters.
117. Jasper Johns (29:10)
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Presents the pop artist Jasper Johns in an interview in which he discusses his ideas about art; interspersed with scenes in which he is working on various works. Shows some of the flag paintings which anticipated the pop art movement of which he is one of the fathers. Includes examples of his subject matter--targets, flags, numbers, words, and maps. Depicts him working with encaustic medium in which the pigments are mixed with molten wax.
118. Jim Dine (29:48)
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Introduces Jim Dine discussing his works and explains how they represent his life through the things familiar to him. Traces his artistic development through various periods: his "tie" period, his "cool" period, his "bathroom" period, and his "child's room" period, his "palette" period, and his "sculpture" period with his furniture-sculptures. Presents Dine in a short "happening" during which he explains that happenings developed out of the artist's need to speak more directly with the viewer.
119. John Updike (28:48)
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Discusses the beliefs, concepts, and attitudes which have influenced the novels of John Updike. Presents several selections from short stories read by the author and accompanied by scenes which depict the narration.
120. John Updike (28:41)
- Date:
- 1966
- Main contributors:
- John Updike, John Sommers, Cynthia Chutter
- Summary:
- Discusses the beliefs, concepts, and attitudes which have influenced the novels of John Updike. Presents several selections from short stories read by the author and accompanied by scenes which depict the narration.
- Date:
- 1966
- Summary:
- Describes the contributions of Arthur Schawlow in the development of the ruby laser. Demonstrates, through a working model of atoms, how ordinary light is produced and how laser light is generated and controlled, and shows why getting the light under control is so difficult. Presents several sequences showing Schawlow's part in working out the physics behind the first successful laser.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Documents the economic and educational plight of the Negro tenant farmers in the southern United States. Shows that in spite of hard work in the fields, the tenant farmer, who earns on the average less than $1,000 a year, can provide his family with only the most meager existence. Demonstrates that he is constantly in debt to the white land-owner, his children cannot escape because the schools for them are hopelessly inadequate, and that the Negro tenant farmer's only hope is the recently obtained right to vote.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Interviews objectivist poet Louis Zukofsky as to the form and philosophy underlying his poetry, the circumstances under which his first poem was published, and several unique aspects of his poetry. Points out that while Zukofsky is not widely known, his poems and writings about poetry have had an important influence on his own and later generations. Includes readings of several of his works, such as "The," "Section Nine of 'A'," and "Bottom on Shakespeare."
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Introduces Kenneth Noland and Morris Louis, known as color-field painters among the New Abstractionists. Discusses their attitudes toward their works, and the factors and people influencing them. Shows examples of their works and those of Helen Frankenthaler.
- Date:
- 1966
- Summary:
- Examines the various means of delivering nuclear weapons to distant targets and protecting these delivery systems from surprise attack. Discusses how the vulnerability of bombers to nuclear attack led to the development of various kinds of protected missile sites. Reviews the effectiveness of the U.S. defenses against bomber and/or missile attack.
126. Philip Roth (58:00)
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Presents a discussion between Philip Roth, novelist and professor of English at the University of Pennsylvania, and Jerre Manginne concerning Roth's stories and plays. Illustrates the relationship of his work to that of Saul Bellow, and discusses his reactions to critics' reviews.
- Date:
- 1966
- Main contributors:
- WNET/13
- Summary:
- [motion picture] Introduces the poetry of Philip Whalen and Gary Snyder and the reasons behind their works. Illustrates Whalen's reading of his poetry "Homage to Rodin" with pictures of the Palace of the Legion of Honor and Rodin's sculptures "The Thinker" and "The Shades." Presents Snyder reading from some of his poems, including "Hay for the Horses," "Above Pate Valley," and "The Market."
- Date:
- 1966
- Summary:
- Warning: This film begins with combat footage and images of deceased soldiers. Examines various methods of countering the possibility of governments using weapons of mass destruction and engulfing the major powers in an expanding local conflict. Presents some of the views held by international leaders and scientists on the potential dangers of chemical, bacteriological, and nuclear weapons, and some of the propositions by which the Western nations might cooperate to lessen these dangers.
- Date:
- 1966
- Summary:
- Interviews Richard Wilbur and Robert Lowell (Pulitzer Prize winners) and explores their interests in poetic expression, and the origins of the ideas in their respective poems. Presents Wilbur reading "On The Marginal Way," "Love Calls Us To The Things of this World," and "Advice to a Prophet." Shows Lowell reading "Water," "Soft Wood," "A Flaw," "Fall, 1961," and "The Opposite House."
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Interviews Richard Wilbur and Robert Lowell (Pulitzer Prize winners) and explores their interests in poetic expression, and the origins of the ideas in their respective poems. Presents Wilbur reading "On the Marginal Way," "Love Calls Us to the Things of This World," and "Advice to a Prophet." Shows Lowell reading "Water," "Soft Wood," "A Flaw," "Fall, 1961," and "The Opposite House."
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Provides a candid view of poet Robert Creeley in his home and introduces his poetry. Presents him describing the influences of other literary figures on his works and explaining his own method of working. Includes readings of several of his poems, such as "La Noche," "The First Time," "The Place," and "Someplace."
- Date:
- 1966
- Main contributors:
- Robert Creeley, Richard Moore, Philip Greene
- Summary:
- Provides a candid view of poet Robert Creeley in his home and introduces his poetry. Presents him describing the influences of other literary figures on his works and explaining his own method of working. Includes readings of several of his poems, such as "La Noche," "The First Time," "The Place," and "Someplace."
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Studies the return of romanticism to contemporary poetry through the poetry of Robert Duncan and John Wieners. Presents Duncan reading several poems, including "The Architecture," and excerpts from "A Biographical Note" and "A Statement on Poetics." Shows Wieners, a student of Duncan, reading "A Poem for Painters," "Cocaine," and an excerpt from an unpublished prose work.
- Date:
- 1966
- Summary:
- Studies the return of romanticism to contemporary poetry through the poetry of Robert Duncan and John Wieners. Presents Duncan reading several poems, including "The Architecture," and excerpts from "A Biographical Note" and "A Statement on Poetics." Shows Wieners, a student of Duncan, reading "A Poem for Painters," "Cocaine," and an excerpt from an unpublished prose work.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Examines several of Robert Rauschenberg's works, including "Oracle," a piece of "radio-sculpture," scenes from his theatrical works "Spring Training" and "Pelican," and a painting called "Barge." Discusses why, at the peak of his fame as a painter, Rauschenberg stopped painting altogether and how he feels about his art. Includes a discussion by Leo Castelli, an art dealer and friend of Rauschenberg, about the artist as a person and the significance of his works.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Introduces the humorist S.J. Perelman and his opinions on a wide variety of subjects. Discusses the authors who have influenced him and the reasons why a writer must imitate somebody. Concludes with a talk about reading, F. Scott Fitzgerald, travel, and Nathanael West.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Examines Richard Lippold's approach to the relationship between the artist's experience and the way in which he shapes it into its own organic form. Presents Lippod, a musician as well as sculptor, in his studio at the organ, and continues with some of his sculpture, including "The Sun." Shows shots of the sun and light in objects, people, animals, birds, and the sea as the types of experience providing inspiration to Lippold in creating "The Sun."
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Examines a number of opinions of Negro leaders as to the way the Negro should operate in his search for equality. Includes interviews with Elijah Muhammed of the Black Muslims; Daniel Watts, editor of Liberator magazine; Jimmy Garrett from the Congress of Racial Equality; Fannie Lou Hamer, one of the founders of the Mississippi Freedom Democratic Party; John Lewis, the co-founder, and Julian Bond of the Student Non-Violent Coordinating Committee; Andrew Young of the Southern Christian Leadership Conference; and Bill Epton, candidate from the Progressive Labor Party.
- Date:
- 1966
- Main contributors:
- See Other Contributors
- Summary:
- Contrasts the areas of the world where there is an abundance of food with the areas where starvation is a way of life, and documents the pattern which has led to the lack of an adequate food supply. Reviews the history of the food crisis along with attempts at solutions. Covers areas including India, Libya, the Philippines, South America, Canada, Europe, and the United States.
- Date:
- 1966
- Summary:
- Probes, in documentary style, the attempts which are made to solve the problems which have been brought about by the urban population explosion. Cites slum areas, racial unbalance in the schools, and the needs of untrained or illiterate rural immigrants as some of the elements involved. Points out projects in urban renewal and urban rehabilitation, bussing children from one school district to another, and antipoverty programs as attempted solutions.
- Date:
- 1966
- Summary:
- Documents several experiments conducted at the Sleep Research Laboratory of the University of California at Los Angeles in studying the nature of sleep. Presents experiments to determine the relationship of dreams to stomach secretions, the amount of time infants spend dreaming, and the effects of depriving a subject of dreams. Shows the recording and interpretation of electrical impulses from a sleeping subject and the rapid eye movements during dreaming.
- Date:
- 1966
- Main contributors:
- See Other Contributors
- Summary:
- Presents scenes of natural objects typifying the things which inspire ceramist Dik Schwanke. Shows him at work in his studio, illustrating his methods of combining pottery and sculpture. Includes background music by the "Shags."
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Presents several interviews with Vladimir Nabokov, during which he talks freely about his life and work, his feelings about what the literary masterpieces of this country are, and what he thinks of American writing. Discusses the way he writes, and his past. Shows him informally walking about the village of Montreux, Switzerland, collecting butterflies and playing soccer and chess. Closes with a discussion, by Nabokov concerning his forthcoming novel.
- Date:
- 1966
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Documents the life and work of William Carlos Williams, poet, Pulitzer Prize winner, and physician. Illustrates his work with selected readings from letters, poems, and the autobiography of the poet. Shows still photographs of the poet as a young man and in his later years with his son, also a physician, practicing medicine in the local hospital.
- Date:
- 1965
- Main contributors:
- NET
- Summary:
- From the NET series Population Problems. Answer print.
- Date:
- 1965
- Summary:
- The circus is a glorious mixture of many different acts, and the circus crowd is a glorious mixture of many different kinds of people with greatly varied taste. For some, the antics of the clowns are the most memorable parts of the show; for others, the grace and daring of the aerialists draw the loudest cheers; and there are some to whom the massive, lumbering elephants are the circus’s most exciting offering. This program is about the elephants (dubbed “bulls” in circus jargon). It also looks at two other important circus animals; the bears and the chimpanzees.
- Date:
- 1965
- Summary:
- Discusses the two major aspects of the crime problem in the United States--police protection of citizens from crime and rehabilitation of juvenile offenders through training schools and reformatories. Aspects of these problems are examined by police experts, criminologists, and others. Methods of operation used by the Chicago Police Department are evaluated; training schools are visited; and their methods are contrasted with community programs designed to keep the juvenile from ever becoming a criminal.
- Date:
- 1965
- Summary:
- Provides an opportunity for the viewer to compare the personality of Dorothea Lange, photographer-artist, with her work. Many of her photographs are presented; these cover various periods, such as the depression, World War II, and the growth of the urban sprawl in contemporary California. Lange is shown in her home as she states she is convinced the world is not being truly photographed at all today. To the present generation of photographers, she proposes a new photographic project with the cities of America as the subject--to be done on a scale comparable to that of the Farm Security Administration Photographic Project of the thirties.
- Date:
- 1965
- Summary:
- Provides a close view of Dorothea Lange and her photographs, enabling the viewer to share her deep involvement in her work and her philosophy as a photographer. Looks in on Lange as she prepares for a one-woman exhibition of her work covering the past fifty years and comments on the reasons and emotions that have moved her to photograph particular scenes. Represents, with her death in October, 1965, a memorial to her and to the despair and hope which she captured so well in her documentary photographs.
- Date:
- 1965
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Provides an opportunity for the viewer to compare the personality of Dorothea Lange, photographer-artist, with her work. Many of her photographs are presented; these cover various periods, such as the depression, World War II, and the growth of the urban sprawl in contemporary California. Lange is shown in her home as she states she is convinced the world is not being truly photographed at all today. To the present generation of photographers, she proposes a new photographic project with the cities of America as the subject--to be done on a scale comparable to that of the Farm Security Administration Photographic Project of the thirties.
- Date:
- 1965
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Provides a close view of Dorothea Lange and her photographs, enabling the viewer to share her deep involvement in her work and her philosophy as a photographer. Looks in on Lange as she prepares for a one-woman exhibition of her work covering the past fifty years and comments on the reasons and emotions that have moved her to photograph particular scenes. Represents, with her death in October, 1965, a memorial to her and to the despair and hope which she captured so well in her documentary photographs.
- Date:
- 1965
- Summary:
- Traces the development of American jazz dance, from tap dancing through the stylized theatrical form of the 1900's and orchestrated jazz of the Thirties, to the cool, abstract music of the Sixties. Demonstrates the basic steps of tap dance (sand shuffle, waltz clog, time step, buck and wing) as performed by Honi Coles. Presents Paula Kelly, Dudley Williams, and William Luther dancing to "Storyville, New Orleans" and the music recorded by Jelly Roll Morton, and Grover Dale and Michel Harty dancing in "Idiom 59" and to recorded music of the same title by Duke Ellington. Presents John Butler's choreography of music by Gunther Schuller, variations on a theme by John Lewis.
153. Flicks #1 (27:43)
- Date:
- 1965
- Summary:
- Defines movies as glorified shadow shows and traces the motion picture revolution from a simple shadow on a wall to modern movies. Presents a history of the development of the movie camera, film, and other photographic inventions. Includes Al Jolson, Lon Chaney, Laurel and Hardy, and sequences from The Great Train Robbery and a Conquest of Space.
- Date:
- 1965
- Main contributors:
- Richard Lukin, Ron Allen
- Summary:
- Condensed version of "Gift of Choice" episode of Population Problem. Reports on experiments being carried out to determine the factors controlling pregnancies both to aid those who want children and to control fertility for those who want to limit family size.
- Date:
- 1965
- Main contributors:
- See Other Contributors
- Summary:
- Explores India's most critical problem and examines proposed solutions. Discusses the agricultural crises and the social customs which interrelate with the population problem. Shows the educational strategy to control the size of families. Presents illuminating accounts of major aspects of life in contemporary India.
- Date:
- 1965
- Main contributors:
- See Other Contributors
- Summary:
- Condensed version of India--Writings on the Sand.
- Date:
- 1965
- Main contributors:
- See Other Contributors
- Summary:
- Presents an historical examination of Japan and the factors involved in the solution of her population problem. Surveys crowded, modern Japan and illustrates change by focusing on a family and by tracing Japan's history with a fast-moving blend of art prints. Deals specifically with legalized abortion and birth control meetings and documents the advantages that a balanced population provides for Japan.
- Date:
- 1965
- Summary:
- Illustrates Edward Weston's philosophy of photography and life through his writings, which he called "Daybooks." Relates the feelings of the photographer as photographs are presented from Weston's soft-focus period, his abstract photographs, and his work done in Mexico. Evaluates Weston as an artist through discussions by two of his sons, his second wife, and one of his former students.
- Date:
- 1965
- Summary:
- Illustrates Edward Weston's philosophy of photography through his photographs. Includes photographs from his study of Point Lobos, California; his record of California and the western United States; portraits of his cats; and samples from his satirical series and his civil defense series.
- Date:
- 1965
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Illustrates Edward Weston's philosophy of photography and life through his writings, which he called "Daybooks." Relates the feelings of the photographer as photographs are presented from Weston's soft-focus period, his abstract photographs, and his work done in Mexico. Evaluates Weston as an artist through discussions by two of his sons, his second wife, and one of his former students.
- Date:
- 1965
- Main contributors:
- Indiana University, Bloomington. Audio-Visual Center
- Summary:
- Illustrates Edward Weston's philosophy of photography through his photographs. Includes photographs from his study of Point Lobos, California; his record of California and the western United States; portraits of his cats; and samples from his satirical series and his civil defense series.
- Date:
- 1965
- Main contributors:
- Morton Gould, Sol Schoenbach, Clark Jones
- Summary:
- Introduces the music of the woodwinds. Presents the story of their evolution from outdoor performances to the concert hall. Includes the following: the Second Movement of Haydn's Divertimento in B Flat Major; the First Movement of Antonio Rosetti's Wind Quintet in E Flat; and the Pastorale of Gabriel Pierne.
- Date:
- 1965
- Summary:
- Presents music of the renaissance played by the New York Pro Musica using authentic instruments of the period. Demonstrates the recorder, brumhorn, sackbut, dulcian, viola da gamba, and shawm. Performs such compositions as: Passamezzo for the Coronettas, Galliard of Monsieur Wustrow, Galliard of the Battle, Reprise, Spanish Pavane, Bourree, The Queen's Courante, Passamezzo, and Galliard.
- Date:
- 1965
- Summary:
- Examines trade unionism in Australia, England, and the United States and pursues in its comparative study what trade unionism has come to mean to Australins.
- Date:
- 1965
- Summary:
- Talks about a new anti-discrimation bill going before Parliament. This episode is seen through the eyes, experiences and observations of Sha Jahan, 23 of Pakistan and Rudy Kizerman, a young British subject from Barbados. Discusses hostility towards many Indian, Pakistani and African immigrants and social aspects of race in the country.
166. Three men (27:26)
- Date:
- 1965
- Summary:
- Focuses on the United Nations' three Secretary Generals: Norwegian Trygve Lie, Sweden's Dag Hammarskjold and U Thant of Burma. Interspersed with film excerpts, photos, and commentary, the show also includes an interview with General U Thant and Andrew Cordiers, Dean of Columbia University's school of international affairs.
- Date:
- 1965
- Summary:
- Reports on family therapy, a relatively new and unusual form of psychotherapy in which a family is treated as a unit. Examines a middle class New England family undergoing family therapy. Uses a one-way mirror technique to record the candid reactions of the family. Follows their progress in nine of the thirteen actual therapy sessions. **Part of the Mental Health series within America's crises
- Date:
- 1964
- Summary:
- The desert plains of central Idaho bore silent witness to many events in history – the coming of the Oregon Trail, the wars between the whites and the Indians, the events of the Old West, Today they are witnessing a change that is far more important – the coming of atomic power. On the lava plains of central Idaho is the National Reactor Testing Station, famous for “firsts” in nuclear energy. Here electricity was first generated from atomic energy and atomic power first was used to light a town. Principles of nuclear submarine propulsion were worked out in “a ship on the desert” in Idaho. “Challenge” visits the National Reactor Testing Station to look at a power plant of the future, a reactor that makes more nuclear fuel than it consumes. The principle is not perpetual motion. This reactor takes the part of uranium that is not fissionable fuel (more than 99 per cent of the total) and converts it into plutonium, a man made element that is a good nuclear fuel. Because the reactor “breeds” plutonium it is called a “breeder” reactor – Experimental Breeder Reactor-II. How this breeding is accomplished, and how fuel for EBR-II is fabricated by remote control, is explained in this program.
- Date:
- 1964
- Summary:
- A few years ago history was made at the United States Atomic Energy Commission’s Argonne National Laboratory where this program was filmed. This is the story of the dedicated research scientists whose search for truth ended a fallacy in chemistry which had existed for more than half a century. Although their efforts were not as exciting as the discovery that the world was round and not flat, the scientists at Argonne disproved that a group of elements called “inert gases” would not react with other elements to form compounds. This is not to imply that these elements – helium, neon, argon, krypton, xenon, and radon – did not have utility. Helium is the gas used to send balloons aloft. Neon, argon, and krypton are used in light bulbs: xenon in high speed photographic cells; and radon in medical therapy to irradiate cancer cells. What the Argonne scientists investigated was the atomic structure of these elements. For years it had been falsely believed that the electrons within these elements could not combine with electrons within the atoms of other elements. Following a report of Canadian scientists, the researchers at Argonne found that, instead of picking up electrons from other atoms, some of these so-called “inert gases” actually gave up electrons when combined with other elements. Using Krypton, xenon, and radon, in separate experiments, the Argonne scientists succeeded in making compounds which previously were unheard of. In fact, they also found at least one xenon compound for which they weren’t looking. This was xenon trioxide, a powerful explosive, made from xenon and oxygen. Many new uses will doubtless be found for these new compounds, according to the scientists. One might be the use of xenon tetrafluoride to store large quantities of fluorine as an oxidizing agent in rocket fuel.
170. Automation (1:00:42)
- Date:
- 1964
- Summary:
- Mr. Hoffer examines the role that works plays in self-esteem as well as the effects of growing automation upon this self-esteem. He comments on the basic human need in all societies, in every period of history, for self-realization. It is, he feels, the feeling of worth derived from productive activity whether it be manual labor or the creation of art, literature and philosophy. Mr. Hoffer points out that early science grew out of Western man’s conception of God as “a master scientist,” and that Leonardo da Vinci, for his art, investigated anatomy and became interested in science because he believed it was “God’s work.” He then traces the development of machines from early civilization to what he terms, “present day over-mechanization and automation.” Today’s fast-growing automation and shrinking labor market is turning early man’s dream of luxury and leisure into a nightmare. Unemployment among workers is outstripping the ability of today’s economy to supply jobs for the unskilled. Mr. Hoffer cites current unemployment figures and projects them into the future, commenting that “when man is cut off from the chance to exercise his skills, he loses his confidence, his joy for life, and his sense of worth. Where you have people without a sense of usefulness, you have a potentially explosive situation ideal for the growth of hatred, bigotry and racism.”
- Date:
- 1964
- Summary:
- Examines the French-Anglo Canadian controversy and French-Canadian dissatisfaction with the Anglo-Canadian controlled country, and describes the economic, educational, social, and traditional factors that have ignited the conflict.
- Date:
- 1964
- Summary:
- Wild animal exhibitions originated with the menagerie, but jungle beasts as performers are relative newcomers to the circus. Because traveling menageries were so successful financially, circus operators around the turn of the century began to incorporate into their shows wild animal exhibitions with “lion tamers” in attendance. The American public flocked to see the dangerous denizens of faraway jungles paraded with great ballyhoo by nerveless human handles, and wild animal acts swiftly became an integral part of the circus. There is another kind of animal act which answers a different interest among circus audiences and comes out of a longer standing tradition than the wild animal acts: the tame animal act in which the animal, through meticulous training, is able to perform tricks exploiting the upper limits of its physical capability and intelligence. It is always with squeals of delight that the audience watches an animal –a seal, pony, chimpanzee, or dog –break into a routine which makes it look “human.”This program concentrates on these two kinds of animal performance. It uses as examples of the tame animal act the skillful and imaginative “Stephenson’s Dogs,” seen in rehearsal on the Ringling lot. In the wild animal category there are three different performers: Clyde Beatty, Pat Anthony, and Robert Baudy. In each case the viewer sees them at work with their “cats” (tigers and lions), while their voices come over their own performance shots describing the dangers of their profession, their training methods, how they groom the animals, and what happens when a snarling cat turns against his master (Anthony, who puts his arm in the mouth of a tiger, tells us that if the animal begins to bite his arm, he bites his ear, which makes the tiger relinquish its hold.) The three trainers on this program represent two different approaches to the art of the wild animal act. Both Pat Anthony (who studied animal training under the G.I. Bill) and veteran Clyde Beatty (whose performances are seen in both old and current film clips) give “fighting acts,” concentrating on the physical aspects of their performances –often wielding the gun and whip irritating the cats into loud roaring, and, in general, making it as clear as possible that a 165-pound man is taking on 8700 pounds of “unleashed jungle fury.” Robert Baudy, a Frenchman, has a different approach. His act emphasizes “style” rather than combat, and, clad in rich costume, he enters the steal arena with a more aesthetic objective than that of his colleagues Beatty and Anthony: he makes his Siberian tigers go through the paces of their impossible tricks with quiet, sinister, grace.
- Date:
- 1964
- Main contributors:
- See Other Contributors
- Summary:
- Opens with an interview involving Nkosi, Soyinka, and featured guest, Achebe. Focuses on the craft and work of Achebe himself and questions whether he deliberately avoids passing moral judgment. Shows Achebe discussing the influences which have shaped his artistic life and recounting experiences from a U. S. visit. Closes with an examination of the traditional novel and a possible new African novel form.
- Date:
- 1964
- Summary:
- Presents Mr. Nkosi interviewing poet and educator David Rubardiri of Nyasaland and Kenyan poet Joseph Kariuki. Discusses Rubardiri's personal struggle as a creative writer in an emerging nation and the general state of contemporary African literature. Describes native oral tradition involved in African writing, discusses possible future forms, and examines how African literature is taught in the schools.
- Date:
- 1964
- Summary:
- Examines French African literature and the concept of "negritude," the idea of a unique African collective personality. Visits a classroom in Nyasaland, where the teacher-poet Rubadiri discusses Soyinka's poem "Telephone Conversation." Presents President Senghor of Senegal, also an admired poet, who speaks on the concept of "negritude." Closes with an interview of Dr. Fonlon in Cameroon, who discusses dangers facing African literature.
- Date:
- 1964
- Summary:
- In this program research scientists explore a mystery that has baffled man for ages – the life process itself. To gain knowledge that someday might answer questions such as, “How do plants make food?” and “What will control the spread of cancer?” Scientists at the United States Atomic Energy Commission’s Argonne National Laboratory are experimenting with the simplest forms of plant and animal life. One avenue of research is centered on the study of algae, one-celled green plants commonly found in pools of stagnant water. The algae were singled out because, like man, they are basically chemical factories – only infinitely more simple in structure. Scientists explain, in this program, how they have succeeded in growing algae in pure “heavy” water, a rare form of water that has hydrogen atoms that are twice as heavy as Normal hydrogen atoms.From a unique “algae farm” the scientists harvest these tiny plants. Their crop gives them chemicals that have heavy hydrogen in place of ordinary hydrogen atoms. Other larger plants are being grown successfully in mixtures of heavy water and ordinary water, and these also are valuable chemical factories.The scientists found that organisms growing in heavy water grow at a slower rate and have different nutritional requirements than organisms growing in ordinary water. From these findings, research scientists are exploring the possibility that heavy water might cause a slow-down in the aging process. Scientist has experimented also with mice to determine what effect heavy water has on animals. Already, they have succeeded in replacing about 30 percent of the normal water in mice with heavy water. Scientists have found that heavy water retards the growth of mice and that tissue which normally grows the fastest appeared to be the most retarded in growth. This latter finding may someday have a bearing on understanding cancer in humans and may lead to a breakthrough in its treatment.Other startling biological effects also have been demonstrated in organisms which have been given doses of “heavy” carbon, nitrogen, and oxygen. In these experiments, scientists were able to alter the growth of the organisms. These alterations may hold further clues to the life process.
- Date:
- 1964
- Summary:
- Presents an interview with exiled South African essayist and short story writer, Mphahlele, who discusses the advantages and disadvantages of a writer in exile. Reveals that he feels he has absorbed both the European and African traditional ways of life but shows he remains gloomy about creative writing in a divided society. Discusses the author's autobiography and the impact of emerging African literature.
- Date:
- 1964
- Summary:
- What fingerprinting is to the F.B.I., spectroscopy is to the scientist. Through its use, astronomers have been able to learn more about the chemical composition of the sun than is known about the composition of the earth. Spectroscopy is used in food research to find impurities in canned food and cans of beer; it is used to trace the origin of paint found on a car in a hit-and-run accident; or to determine how jewelry was made centuries ago. Just how does this technique work? It is a simple story as explained by physicists at Argonne National Laboratory. Yet its applications are extremely precise. The basic instrument is the spectroscope, which can be as simple as a piece of glass used to split sunlight into a “rainbow” of color or as complicated as a piece of delicate apparatus that can single out sixty thousand different colors and requires a room as big as a small house. The use of spectroscopy was extremely important during the development of the atomic bomb. Large quantities of uranium and graphite were needed to produce the bomb, and scientists knew that the very success of the project depended on obtaining these elements in their purist forms. Using a spectroscope, scientists were able to measure the purity of the valuable elements. They knew that each element emits certain colors in the same manner that each man has different fingerprints. Thus, scientists could “look” at two pictures of different samples of uranium and determine which was the purer, since uranium containing impurities gave a different color or wavelength when photographed and compared with photographs of light from pure uranium. Scientists have spent literally years studying photographic plates from the spectrograph to determine the frequencies of light from specimens of chemical elements. The measurement and interpretation is an exacting and time-consuming task which is important if scientists are to understand the structure of atoms.
- Date:
- 1964
- Summary:
- The task of today’s mathematicians and computers is to keep abreast of the fast-moving world of nuclear research where yesterday’s successful experiments can be outdated tomorrow. To record the progress being made in this complex field, television camera crews went to the Atomic Energy Commission’s Argonne National Laboratory where in the Mathematics Division men and machines are working daily to process the avalanche of data, the results of thousands experiments that are performed each year at Argonne. In this program, “Machines that think” cameras focus on the latest computers which in a matter of minutes can analyze and solve problems that would take a team of mathematicians a life time to work out. The program reports on computers that have such names as Chloe, Phylis, Engine No.2, and Analog. Chloe is a computer capable of transforming picture patterns, such as chromosome alignments, into numbers, the meaningful language of computers. In the study of radiation effects on chromosomes, for example, Chloe can come up with faster and more accurate answers than human observers. Chloe’s information, in turn, can be fed to other computers which can interpret the findings and “tell” the experimented the results he’s getting while the experiment is still in progress. Still other computers are capable of making adjustments, again while the experiment is in progress, while others can make “decisions,” such as interrupting the function of a main computer to “ask” a question about the experiment. There are other new computers which can tell scientists whether or not their design in experimental models, such as rockets or reactors, will work –even before the machine is built. This is accomplished by feeding the computers mathematical models of the proposed rocket or reactor and asking the computer to test them. Their answers can save scientists years in experimenting by trial and error and millions of dollars necessary to build experimental models.
- Date:
- 1964
- Summary:
- Had it not been for the study into the nature of matter itself, the twentieth century probably would be without television, atomic power, and space satellites. This Program looks into a branch of science called particle physics, a study of sub nuclear particles. The experiments are being carried out at the Atomic Energy Commission’s Argonne National Laboratory. This is the story of experiments in a field where the lifespan of one of the subjects can be less than a billionth of a second and where the subject has no mass or shape –terms almost impossible for the layman to visualize yet alone comprehend. One of the particles which scientists know little about is the neutrino, a neutral particle carrying no electrical charge, but which some day may yield the key to the universe. Scientists say the neutrino does not have mass and the only way it can be observed is by collecting trillions of them and forcing them to collide with other particles, and then observing the damage of that collision. To accomplish this collision, a maze of machinery and nearly infinite timing and precision is required. This program reports on some of these experiments and the machinery employed. For these experiments, where the sub nuclear particles are in existence less than a few billionths of a second and are without mass, scientists have invented various detection devices. A sophisticated electron detector can observe and record these collisions in a manner similar to conventional radar which can follow aircraft. Another method which the program illustrates is high-speed photography which is capable of following the collision in the same way vapor trails from a high-altitude jet can be photographed without the camera capturing the plan itself. The ambition of the sub nuclear physicist is to unify all of nature’s phenomena into coherent sets of laws. His eventual goal is to find the answers that are at the core of the universe.
181. Talent (59:54)
- Date:
- 1964
- Summary:
- Mr. Hoffer argues that the men working beside him as longshoremen on the San Francisco docks are “lumpy with talent.” Genius, he notes, is not rare, it is wasted; and the talent of the workingman is a kind of common sense practicality. Wherever this talent exists among working men, they do their jobs without “all that fuss” which he considers to be characteristic of the underdeveloped countries of the world. Then, Mr. Hoffer raises a question regarding the forces that bring about creative periods in our history – periods that began quite suddenly and ended just as suddenly. He cites, as examples, “the period of cave drawings,” “the Age of Pericles,” “the Florence of the Renaissance,” and “the flowering of New England,” Mr. Hoffer contends that it was not because there was more talent during these periods (“the artists of Florence,” he notes, “were the sons of shopkeepers, and tailors.”), but rather that others forces which exist in every period of history were at work and these forces freed the talent.
- Date:
- 1964
- Summary:
- Precision and perfection are the watchwords of today’s Space and Atomic Age. Nothing can be overlooked everything must be checked and rechecked before the “go” signal can be given. A crack in a missile’s fuel line, invisible to the human eye, can be disastrous. A defect in an atomic reactor, while not disastrous, can mean costly and time-consuming repairs. This program examines “non-destructive testing”, a new-comer, yet one of the most important engineering techniques. Non-destructive testing is simply a method of examining an object for defects without destroying it in the process. It is unlike other testing methods such as automobile test, for example, in which the vehicle is pushed to its maximum performance before it ends up on the junk pile. The television cameras are at the Metallurgy Division of the United States Atomic Energy Commission’s Argonne National Laboratory, where scientists are using such non-destructive testing techniques as X-rays, gamma rays, and neutron radiography. At Argonne, neutronradiography is an invaluable aid to pinpoint what happens to uranium or plutonium fuel that sustains a chain reaction in an atomic reactor. The knowledge gained through this technique is important in designing the atomic power plants of today and tomorrow. Also shown are the ultrasonic testing methods used to detect imperfections by “bouncing” sound waves through objects that are being tested. One of these methods converts sound waves into electronic signals to show television pictures of hidden defects. The value of these non-destructive testing methods becomes increasingly more important as the tolerances become smaller and smaller for the new atomic reactors, space vehicles, and aircraft engines that are being constructed.
- Date:
- 1964
- Summary:
- For centuries men have dreamed of turning common elements such as lead and zinc into more precious metals such as gold and silver. Today, nuclear scientists are looking beyond this and are inventing new elements which are more valuable than gold. This program, “The Alchemist’s Dream,” looks into these new elements –like curium and berkelium –which were unheard of a few years ago. Using an instrument called a cyclotron –an atom smasher –scientists at the United States Atomic Energy Commission’s Argonne National Laboratory are making new elements which do not exist in nature. In a manner of speaking, scientists at Argonne are working in an “atomic shooting gallery.” Houses in a special room behind seven –foot thick concrete doors, a cyclotron bombards target atoms of curium with a beam of a special variety of hydrogen nuclei, resulting in the making of a new elements, berkelium, one of eleven elements which have been “invented” by science. Behind heavy concrete walls, painstaking precautions are taken in the manufacture of these new elements because of harmful radiation, a byproduct of atom splitting. Though these experiments yield only small amounts of the new elements, they enable scientists to work out their chemical properties. This research provides new information on how atoms are put together. It also tells the scientists what to expect when larger quantities of the new elements are available. Already, some of these man-made elements are furnishing the power for satellites and remote weather stations. A small quantity of one of the new man-made elements, californium, scientists predict, could produce enough energy to do the job of a nuclear reactor weighing several tons.
- Date:
- 1964
- Summary:
- Electrical power to heat and light American homes and industries in the future will be furnished by plutonium. This program reports on plutonium, one of the eleven man-made elements, which as a future source of fuel will produce two million times more energy than coal. Plutonium did not exist on earth until less than a quarter-century ago when it was born in a nuclear reactor. Born in a wartime program to obtain material for the atomic bomb, plutonium is finding important peacetime uses because it is a potent nuclear fuel. In fact, 99 percent of all uranium that is mined must be converted into plutonium in a reactor in order for mankind to use its latent energy. It has been estimated that the reserve of uranium that can be converted into plutonium represents hundreds of times more energy than the nation’s combined reserves of coal, oil, and natural gas. Against this background of the importance of plutonium, the program shows some of the elaborate precautions that must be taken in handling it. Plutonium is highly toxic. It burns easily in air. Its metallurgical properties make it extremely difficult to work with. At the Plutonium Fabrication Building, the cameras capture the elaborate precautions employed, revealing how plutonium is combined with uranium and other elements and shaped into wire-thin rods of fuel. As the program points out, 25 years ago the word plutonium could not be found in the dictionary, but tomorrow – through scientific research – the word plutonium will be as common as the words coal and oil are today.
- Date:
- 1964
- Summary:
- San Francisco longshoreman and author-philosopher Eric Hoffer began more than fifteen years ago to identify in his thought the nature of the “true believer,” the inspiration for his book on the subject. After writing the book, he turned his thoughts to the underdeveloped nations of the world, leading him to a consideration of the effects of change. Suddenly, Mr. Hoffer found himself thinking about juveniles; concluding that nations, as people, can be juvenile and that “true believers” are, in fact, perpetual juveniles – “true believers” such as General de Gaulle of France, Premier Khrushchev of Russia, and Premier Sukarno of Indonesia. His conclusion from all this is that each human being has one central preoccupation, - one train of thought- to which all of his thoughts are related.
- Date:
- 1964
- Summary:
- Examines the problem of the individual in a complex society. Analyzes how various aspects of American life satisfy man's need for self-identification. Assesses the impact of government planning on individual initiative and community identification and examines the problems of people living in urban renewal projects. Points out how the Polaroid Corporation deals with the suppression of individuality in industry and how a steel corporation treated an executive who expressed personal opinions.
- Date:
- 1964
- Summary:
- In this program, Mr. Hoffer explains why he believes it is the West and not the East that demonstrates mysterious and unnatural behavior in times of stress and change. His interest in the East and Middle East began in 1955 with the emergence of the new nations of Africa and the East. Their desire for self-rule, for modernization, was, and still is, being accompanied by terrorism, riots and violence. The west, on the other hand, finds that it does not have to resort to these tactics of violence because change has taken place in an orderly way. Mr. Hoffer’s conclusion is that this was the unnatural way… this was not normal human behavior. This orderliness and practical sense that keeps us going is due, he feels, to the rise of the autonomous individual who has the ability to make his own decisions and who must save his soul by his own efforts. This individual did not rise in the Eastern societies mainly because the secular and political powers were one in much the same manner as communism is today. In this way, a man’s religion and political faith were one, and therefore, there was never a conflict. In our society, these faiths are “fighting each other.” It is this struggle within Western man to reconcile these forces that has given rise to the autonomous individual capable of controlling his destiny in an orderly and practical manner. Mr. Hoffer then discusses this practical streak in the Westerner and the antagonism between the practical and the intellectual. Our society, unlike that of the Greeks, is dominated by the masses or the practical man, not by the intellectual as is the general belief. “Any society shaped and dominated by the intellectual,” Mr. Hoffer concludes, “Will not allow practical actions to be a gateway to man’s feeling of a sense of worth. Since our society is governed by practical considerations, it is dominated by the masses and not by the intellectuals.”
- Date:
- 1964
- Summary:
- Mr. Hoffer begins his discussion of “The New Age” by pointing out that it is generally, though falsely, referred to in America as the “Age of the Masses” (i.e. mass communications, mass consumption, mass production). He explains that it is no longer the masses who control the political and economic life of the country. In politics, it is the intellectual who is the general, the diplomat, the ruler. Economically, with the rise of automation, it is the intellectual with the machine who is replacing the many laborers and their hands. Mr. Hoffer then compares the intellectual of the past and present in this country. In the past, the intellectual of America, in much the same manner as today’s European, Asian and African intellectual, was a colonial and ruled with the attitude of a colonial. He demanded absolute obedience and power, and his interests were not so much with the needs of the masses as with the construction and initiation of imposing works and great ideas. In contrast to the “Old Colonialism” of America’s intellectual of the past, the “New colonialist” intellectual of America today rose from the masses and his interests lie with the needs and demands of the masses. Mr. Hoffer describes the “New Colonialist” intellectual as “the man in the business suit who looks like everyone else.” Economically, he is interested in wages, clothing and feeding the people. Politically, he wants not blind obedience but the enthusiastic approval and support of the masses for his projects and ideas. He concludes by stating his believe that the “Old Colonialism” of today’s European, Asian and African intellectual leaders should learn from the “New Colonialism” of America.
- Date:
- 1964
- Summary:
- Mr. Nkosi begins his survey of African writers in London where he talks to Walter Allen, English critic who has reviewed a number of African books for the British Press. Next the viewer is taken to Nigeria where he meets pioneer novelist Amos Tutuola whose The Palm-Wine Drinkard (correct spelling) was published in 1952 by the English company, Faber and Faber. Tutuola, a master story-teller in the true African oral idiom, talks of his past and of the story-telling of the old people in his village, storytelling which was the basis of his inspiration to write. After reading the opening passage from The Palm-Wine Drinkard, he says that what influenced his first novel was a book in the Youroba folklore tradition, thus dispelling the myth that behind his colloquial, often ungrammatical style lies a more sophisticated background. This program ends with a conversation between the host and Ulli Beier, German-born editor of the African Literary Magazine, Black Orpheus, published in Nigeria. Beier talks of coming to Nigeria in the early fifties when there was no such thing as Nigerian literature. In 1956 when he started his magazine he was forced to rely on translation from the already-established and popular French African writers. In this literary wasteland, Tutuola was the remarkable exception. But in the past few years there has been an explosion of interest in writing. In Nigeria, for example (partly through the encouragement of Mbari, a club where writers and artists meet, exhibit, publish, and discuss aesthetic standards) an enthusiastic group of writers is growing steadily. For whom do they write? Up to now, according to Beier, writers have been gearing to the European public because Europe is where, for the most part, they have been read and published. But the real challenge, he feels, will now be to create a real African audience
- Date:
- 1964
- Summary:
- Presents Nkosi and Soyinka in Accra interviewing Professor Abraham, philosopher and author of The Mind of Africa. Focuses in detail on the function of the writer in Africa.
- Date:
- 1963
- Summary:
192. Confronted (1:00:32)
- Date:
- 1963
- Summary:
- Shows the confrontation of several Northern communities with the issue of Negro integration in schools, jobs, and housing. Shows Negroes demonstrating for jobs in construction work in Queens, a New York City borough. White reaction to the demonstration is recorded. There are scenes of a Negro demonstration intended to force the hiring of more members of that race by a St. Louis bank. In Chicago a barber vows he would go out of business if he were required by law to cut hair of Negroes; also in Chicago whites organize to oppose an "open occupancy" ordinance. Violence is recorded by the film at Folcroft, Pennsylvania, when a Negro family moves into a previously all-white housing area.
- Date:
- 1963
- Summary:
- Reviews Eric Hoffer's views on man as a truly free being. Describes check of absolute power and struggle away from the animal in man as prerequisites to freedom. Reveals play as one of the best times for man to receive insight.
- Date:
- 1963
- Main contributors:
- See Other Contributors
- Summary:
- Presents several Southerners who advocate viewpoints and actions which are at variance with extremists on both sides of the civil rights issue. Interviews Governor Carl E. Sanders of Georgia; R. E. McIver, a businessman of Conway, South Carolina: The Reverend James L. Hooten, minister of the First Christian Church, Savannah, Alabama; Beverly Briley, Mayor of Nashville, Tennessee; and Eleanor Sheppard (Mrs. Thomas E.), Mayor of Richmond, Virginia. Indicates that the differences of attitudes and approaches to civil rights presented provided insight into a range of viewpoints which would add sanity and stability to the South in the present period of crisis.
- Date:
- 1963
- Summary:
- Reveals the intense feeling for the weak individual and the place in society which Eric Hoffer has achieved. Describes working as source of power for these people. Focuses on Hoffer's systematized mode of living with its inherent difficulties for the weak individual.
- Date:
- 1963
- Summary:
- Presents, in fable form, the philosophical question of free will versus determinism. The mannequins in a store window come to life and threaten the window dresser. Cartoon figures--symbolizing man--watch the action in the window and react in various but accepted ways.
- Date:
- 1963
- Summary:
- Explains how the development of the computer has made possible the automatic control of routine tasks in government, industry, and general business. Includes demonstrations of the use of computers by the Social Security Administration, by a medium-sized industrial plant, by a machine corporation, and at an oil refinery. Comments on the value of computers in administration and management.
- Date:
- 1963
- Summary:
- Focuses upon actress Ingrid Thulin and producer-director Ingmar Bergman. Shows Miss Thulin at home and at work as she comments upon the acting profession in Sweden. Presents background to the development of Bergman. Contains scenes from some of his work, including "Winter Light" in which Miss Thulin played the leading female part.
- Date:
- 1963
- Summary:
- Presents Eric Hoffer in an extended dialogue on man's weaknesses and how they relate to the total process of learning to become human. Describes human nature as highly unnatural in comparison with the simplicity of the physical sciences. Reviews man's struggle to survive by attempting the impossible and overcoming his weakness.
- Date:
- 1963
- Summary:
- Mr. Hoffer discusses with Mr. Day how change affects an individual’s self-esteem. He considers change in relation to the problems of African-Americans, the under-developed countries of Asia and Africa, and popular upheavals in communist countries. He says: “Times of drastic change are times of passion. We can never be fit and ready for that which is wholly new. We have to adjust ourselves, and every radical adjustment is a crisis in self-esteem. We undergo a test; we have to prove ourselves. A population subjected to drastic change is thus a population of misfits, and misfits live and breathe in an atmosphere of passion.”