41. The Negro and the American Promise (59:39)

Date:
1962
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Brings together four prominent Negro leaders who discuss American Negroes' movement for racial and social equality, and their own motivations, doctrines, methods and goals. Features Negro leaders James Baldwin, Malcolm X, Martin Luther King, and Dr. Kenneth Clark as host.

42. Touch clay : a ceramic experience (29:04)

Date:
1966
Main contributors:
See Other Contributors
Summary:
Presents scenes of natural objects typifying the things which inspire ceramist Dik Schwanke. Shows him at work in his studio, illustrating his methods of combining pottery and sculpture. Includes background music by the "Shags."

43. How humorists make us laugh : Part 1 (29:41)

Date:
1956
Summary:
The services of artist John Drummond of Iowa State College are utilized to show another method of causing laughter, that of the use of the caricature. He draws a caricature of lecturer Feinberg. The artist’s techniques are then analyzed and demonstrated to show just how he goes about emphasizing certain features and deemphasizing others to make his subject appear “funny.”

44. How humorists make us laugh : Part 2 (29:38)

Date:
1956
Summary:
In this program, artist John Drummond of Iowa State College demonstrates more techniques of caricaturing and their relation to humor as Dr. Feinberg lectures on the same subject.

45. Humor and satire in art (29:35)

Date:
1956
Summary:
Dr. Feinberg addresses humor and satire as exhibited in cartoons and other art forms. Work is shown and analyzed by the professor.

46. What we laugh at (29:37)

Date:
1956
Summary:
Going more deeply into the how and why of laughter, Dr. Feinberg discusses international jokes and tells how they originated. A clown routine, so common in international jokes, is demonstrated and analyzed.

47. Satire, Part I (29:07)

Date:
1959
Summary:
Two forms of satire are illustrated by Dr. John W. Dodds in this first of two programs that include selections ranging from Swift to S.J. Perelman. Savage, withering satire as expressed by excerpts from Jonathan Swift’s “A Modest Proposal” and Samuel Butler’s “Hudibras,” and satire on types of people by author G.B. Shaw, Ogden Nash, and S.J. Perleman are read by Dodds.

48. The nature of satire (28:53)

Date:
1956
Summary:
Dr. Feinberg addresses satire; why satire is used, how it combines humor and criticism, its relationship to the nature of reality, and how it causes laughter. Dr. Feinberg points out that cosmic irony, social irony, and individual irony are the basis for satire, and discusses and illustrates each of these three forms.

49. Music and Literature: Poetry (30:03)

Date:
1958
Summary:
Discusses the relationship of poetry to music during the Elizabethan period. Describes the manner in which Byrd and Dowland set poetry to music. Musical selections are performed by the Saturday Consort. Featured guest is Dr Frances Eldredge, Department of English, Chatham College, Pittsburgh. (WQED) Kinescope.

50. Music and the Church: The Roman Catholic Church (29:22)

Date:
1958
Summary:
Discusses music in the Catholic Church during the renaissance. Various examples of Music as it might have been played in private chapels is performed by the Saturday Consort. Featured guest is Father Thomas Jackson, Secretary to the Commission of Music of the Pittsburgh Diocese. (WQED) Kinescope.