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Discusses the processes involved in creating a piece of sculpture suitable for reproduction. Explains compositional elements in sculpture while a figure is modeled. Shows the process of making a plaster mold from the completed figure. Demonstrates how the "slip" or liquid clay is poured in the mold and after drying how the mold is removed. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Shows how terra cotta clay may be used to create a reproduction. Demonstrates two different methods of using terra cotta. Explains several large pieces of terra cotta sculpture and presents them in their natural setting. Discusses and shows how this technique of sculpture can be used for monuments and on buildings. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discuses virus diseases. Reviews the known viral diseases and the development of vaccination. Explains how a polio virus attacks a cell. Analyzes the activity of viruses, which cause cancer in animal cells. Demonstrates how virus cultures can be grown and used for inoculation. Concludes by discussing cures for viral diseases.
Presents an analysis of bacteriophages and how they may change. Explains why bacterial viruses are useful to scientists studying different life forms. Uses diagrams and animation to show how bacteria reproduce within a cell and how mutations of these viruses can be identified. Describes the "copy errors" responsible for mutation, and the ways in which cross-breeding among viruses takes place.
Discusses the relationship between viruses and cancer. Explains how viruses can cause cancers in animals and why it is believed they may be responsible for cancer in humans. Concludes by summarizing the important known facts about viruses. Indicates directions which future research in virology might take.
Presents an analysis of nucleic acid. Uses a large model of the tobacco mosaic virus to explain its structure. Demonstrates how a virus can be reconstituted from nucleic acid and protein molecules. Discusses the recent discovery of the alteration of nucleic acid to form mutations of the original virus. Concludes with a theory which may account for the way in which genetic information is stored in nucleic acid and then translated into a specific protein structure.
Shows how various viruses fit between the largest non-living molecule and the smallest unit of life. Uses models to explain the organization of various kinds of molecules and viruses. Reviews the first experiment in which a virus was isolated, purified, and crystallized. Concludes with a discussion on the importance of viruses in the understanding of all living matter.
Uses experiments to explain the principle of kinetic energy. Shows how springs have stored energy that do work for us. Illustrates with a jack-in-the-box, bow and arrow, clocks, screen door, and window shade. (WCET) Kinescope.
Uses demonstrations to explain the principle of light refraction. Illustrates with a penicle in water and a magnifying glass. Shows an optical illusion and tells how it happens. (WCET) Kinescope.
Uses experiments to explain the theory of density. Shows that some objects will float while other sink. Illustrates with objects made of cork, brick, wood, and steel. (WCET) Kinescope.
Explains lighting and its characteristics. Tells why lightning is first seen then followed by thunder. Demonstrates how lightning produces sound waves. (WCET) Kinescope.
Uses experiments to explain capillary action in plants. Shows how water gets from the roots up to the leaves. Demonstrates capillary action with thistle tubes. (WCET) Kinescope.
Continues the explanations of capillary action and presents the results of experiments started in HOW PLANTS GROW: PART 1. Demonstrates again the capillary action in thistle tubes. Shows how the capillary action between water and blotter paper can raise heavy objects. (WCET) Kinescope.
Uses demonstrations to explain how wheels function to reduce friction. Summarizes the principles of the inclined plane, lever, and wheel. (WCET) Kinescope.
Summarizes discussions in previous UNDERSTANDING THE CHILD films dealing with patterns and measurements of growth in children. Indicates the need for scientific knowledge in child rearing practices and how this knowledge is constantly changing. Discusses how changing attitudes toward habit training are affecting the approach to learning in the schools. (University of Michigan Television) Kinescope.
Discusses the physical growth of children, emphasizing that parents should realize that each child grows at his own rate. Also deals with appetite, sleep, communicable diseases, and accident prevention. (University of Michigan television) Kinescope.
Discusses the concepts of maturation and nurture, and examines their relation to physical, intellectual, social, and emotional growth. Two girls, ages 5 and 8, are used to demonstrate intellectual achievement.
Here, Dr. Jones defines the episodic principle as the simple rondo-form combining the two principles of repetition and contrast and illustrates the principle with a selection from Haydn. Concluding the series, he presents a selection from Beethoven’s “Quintet for Winds and Piano,” in which the repetitions between the contrasting episodes are varied.
Illustrates tempo and character contrast between movements of cyclic forms like the sonata and suite with Beethoven's Fifth Symphony and C-Sharp Minor Piano Sonata. Examples of the episodic principle are from Mozart and Chopin.
Indiana University, Bloomington. Audio-Visual Center
Summary:
Documents the economic and educational plight of the Negro tenant farmers in the southern United States. Shows that in spite of hard work in the fields, the tenant farmer, who earns on the average less than $1,000 a year, can provide his family with only the most meager existence. Demonstrates that he is constantly in debt to the white land-owner, his children cannot escape because the schools for them are hopelessly inadequate, and that the Negro tenant farmer's only hope is the recently obtained right to vote.
Again Dr. Jones uses Beethoven’s music as an illustration, explaining the composer’s humorous interplay of major and minor tonalities more fully. He also treats briefly the traditional tonal systems from the time of Wagner to the emergence of new tonal arrangements.
The basic unit of life –the cell –could not be studied in detail until recently. The electron microscope first enabled man actually to see its delicate construction. This program deals with a detailed description of the structure of a cell, and an analysis of the role each part plays in maintaining life. Dr. Saltman shows films of cells dividing, and photographs taken under the strong magnification of an electron microscope.
A filmed presentation of the many facets of theatrical director Tyrone Guthrie, his ideas, and his methods of working. Guthrie is seen at his home in Ireland, conducting a rehearsal in New York, and talking with students at an American college. In filmed interviews he discusses his general philosophy toward the theatre as a medium. June Havoc and Darren McGavin describe the feelings which most actors have toward working under Guthrie.
The psychological effects of various tonal patterns are demonstrated in the discussion of this topic. Professor Jones illustrates the varying characters or “atmosphere” of melodies based on scales and modes of different character.
In addition to organic elements, living beings are necessarily composed also of inorganic elements such as calcium, iron and cooper. This program analyzes the ways in which these inorganic substances behave, and what their function is in maintaining life. Bulk elements, including calcium, sodium and phosphorous salts, serve as structural materials to build bones, link cells, and activate nerves. Trace elements, existing in minute quantities throughout the system, include the iron, cooper, nickel and zinc which are found in the blood, or in the chlorophyll of green plants. Experiments and demonstrations of the ways in which minerals behave in living things form part of the program.
Discusses trends in the nominating process and the changes in sectional voting patterns. Briefly mentions the influence of third parties and splinter candidates. Summarizes criticisms of the political convention and the primary system, concluding that the process, whatever its weakness, has proved workable. Considers the influence of television on American elections. (Dynamic Films) Film.
Discusses pre-convention activity. Considers the influence of public opinion and public opinion polls, the role of the campaign manager, and the strategy for winning delegates in both states that pick delegates by conventions and states that hold primary elections. Shows scenes from the 1952 primary campaigns in New Hampshire and Nebraska. (Dynamic Films) Film.
Describes convention management in relation to the four committees of all political conventions. Explains the seating of these four committees--rules, platform, credentials, and permanent organization. Shows a film on the fight between Taft and Eisenhower delegates in the credential committee of 1952.
Dr. Tillich first deals with the puzzling question of how to deal with doubt in young people. It is important, he explains, to present religious symbols in as clear and persuasive a form as possible, without dictating what the child or young person should believe. Doubt can appear in later life, too, and is often a product of an inability to face life or to escape the pressures of conformity. The second part of the program consists of a variety of comments by Dr. Tillich about the value of art and of modern art in particular, his recollections of his father, and his early decision to devote his life to philosophy and theology. At the end of the program and to conclude the series, Dr. Tillich explains his belief that man must be concerned with the “ultimate” wherever it appears, that he must make an effort to understand his life in terms of that which transcends life, in terms of eternity.
Religion, comments Dr. Tillich at the start of the program, is primarily interested in finding answers to such questions as: “What is being?’ “What is the relation of life to eternity?” “What is the meaning of life?” After commenting on the role of religion, Dr. Tillich discusses the relations of a moral law to the teachings of religion. The first principle of all moral action is love, he says. Not sentimental love but the love which unites what has been separated. Our ability to love properly is what motivates all our moral actions. This ability is called grace. A church is organized to house grace, but a church is far more than a physical or temporal structure or organization. At the end of the program, Dr. Tillich discusses the different ways of understanding Jesus Christ and the language of religion.
The first program includes highlights from the other programs in this series to serve as an overview. Robert Frost discusses with a group of high school students and adults how and why he writes poetry. Illustrates his points with readings of his own poems, including "The Pasture" and "Stopping by Woods on a Snowy Evening." Emphasizes that prose has rhythm but that poetry is rhythm plus rhyme. Features a conversation with Dr. Jonas Salk, developer of the Salk polio vaccine. (WQED) Kinescope.
Discusses the influence of the president in picking vice-presidential nominees and the difficulties in getting able men to accept this nomination. Points out that candidates are most often selected to "balance the ticket" from the standpoint of geography as well as points of view on pertinent issues. Considers the "whys" behind the nomination of seven vice presidents who eventually became president.
Robert Frost speaks informally with a group of friends about poetry, authors, and publishing. He discusses his philosophy of poetry, and his ideas on religion, loyalty, world affairs, love, and science. Suggests that one should not read more into a poem than is intimated by the poet. (WQED) Kinescope.
Robert Frost talks about and illustrates with his own poems the fundamental meaning of poetry. He speaks of the fun of writing, listening to words, and stories in poetry. He reads from his own poems “The Runaway Colt,” “Dust,” “The Woodchuck,” “The Ant,” “The Bluebird,” and “Stopping by the Woods.” This program evolved from a lecture to fifth grade classes involved in WQED’s Television Teaching Demonstration.
Dr. Albright and his guests discuss the essential features of archaeology, and the means of translating the values of these different features to determine the patterns of human history. They speak of mounds, layers, pottery, scripts, etc. They analyze the scope of archaeological study in today’s world.
Dohnanyi and his guests discuss the compositions which the Maestro wrote in Budapest. The numbers he plays on this program are “Variations on Hungarian Folk Songs,” “Ruralia Hungarica,” and “Pastorale.”
Maestro Dohnanyi and his guests discuss his days as a composer in Vienna. He plays parts of “Winterigen,” “Humoresque,” and the entire “Minute” from his own composition “Suite, Opus No. 24.”
Maestro Dohnanyi and his guests discuss his early days as a composer. He plays two of his own selections: “Intermezzo, Opus No. 2” and “F Minor Rhapsody.”
Dr. Henry Steele Commager and his guests discuss various aspects and problems of American higher education. Presents one viewpoint concerning the need for change in public thinking toward higher education, how students acquire attitudes, college and university methods, intellectual versus social training, educational leadership, and the problem of standards. Centers the discussion around the importance of society to the ultimate solving of these problems. (WQED) Kinescope.
Dr. Henry Steele Commager discusses the political thinking of today. Explains the desirability of the inductive or pragmatic approach to problems of politics and society. Discusses the concepts of majority and minority rule, loyalty, and security in terms of theoretical dangers, fundamental truths, and moral absolutes. Points out the importance of experience, reality, and actuality in judging political action. (WQED) Kinescope.
Dr. Henry Steele Commager and his guests discuss freedom and security in today's society. Defines freedom as a natural right, a practical necessity, and a way of living. Considers the problem of freedom, security, and loyalty on a national as well as local level. (WQED) Kinescope.
Dame Edith Sitwell’s guests are Dr. Neal Woodruff and Beekman Cottrell of the English Department of Carnegie Institute of Technology. She discusses with them life, poetry, the world and people.
Dr. Clinchy discusses the problems involved in educating individuals for tolerance, including such questions as: Where do you meet strangers? What good may come out of a meeting of strangers, if such a meeting may provide conflict? Is conflict itself a good thing? Should individuality or homogeneity be encouraged in a society? What place does education have in preparing people for toleration? Can you condition people’s emotions? Dr. Clinchy makes the point that one essential for toleration is the assumption of responsibility. Toleration is not, and should not be, synonymous with indifference, and individuals must work actively to eradicate old prejudices and mistrusts, he concludes.