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What is the role of unconscious understanding, in dreams, in poetry, and in wit and humor? It plays a major part in all of these. In wit, satire, and puns, the unconscious understanding contributes largely to the meaning. Humor often loses all effect if it must be explained, but rather depends upon immediate, unconscious awareness of the point. Prof. Boring gives many amusing examples from literature.
After putting the outline of his main figure on the canvas, Painter Reinhardt does something which non-artists might consider astonishing: he begins to cover the figure with the “underpainting.” But as he talks and explains what he is doing, another technique of the artist becomes clear. With this part of the job done, the audience is left to await the next step in the making of a painting.
Dr. Gould notes that today man’s eyes and mind must be lifted to encompass outer space. Dr. Roberts discusses the earth and the Sun and explains why the year 1957-58 was selected IGY Year. Films of explosions on the Sun are shown and the Aurora is explained. A discussion of the Ionosphere ensues. Drs. Gould and Roberts indicate the scope and importance of the Upper Atmosphere studies of the IGY and the vital role of the Antarctic studies in the total IGY program.
Discusses musical form known as theme and variations in which attention is directed exclusively to the process of varying a simple theme. Illustrates with an example from a Mozart sonata. Points out the various kinds of· elaboration of the theme: (1) melodic embellishment; (2) change of tonality; (3) change of tempo; (4) change of basic meter; and (5) a coda at the end.
Discusses the type of variation form known as passacaglia in ·which the theme is a short pattern in the bass. Repeating this theme over and over again, more or less exactly, provides a ground for the variations above it. Illustrates with Purcell's Lament of Dido and Bach's Passacaglia in C Minor, both played in full.
Dr. Sumner explains how land surface is considered the most precious of all natural resources since it and climate together produce soil and determine the nature of vegetation. As an example of uncultivated plants which are a rich natural resource, Dr. Sumner cites our nation’s timber supplies. He points out that recent progress in reforestation has not equalized our consumption and growth of timber.
Presents a background of Verdi's life and discusses his early operatic productions, including Rigoletto. Discusses the characteristics of the Italian opera, describes Verdi's love for and his contribution to his country, and tells of his awakening interest in Shakespeare which later influenced some of his compositions.
Here was a man whose music was often misinterpreted, says Dr. Popper as he discusses the life and works of operatic composer Verdi. He tells how Verdi was influenced by Shakespeare and talks of his master work, “Rigoletto.” The program also features demonstrations of Verdi’s music.
What it means to live in a contemporary Japanese village is shown through film shot especially for this series in Nijike, 430 miles from Tokyo. A housewife appears in the film sequences, but the voice heard in the narration is that of Miss Kimie Tojo, daughter of the late Premier Tojo. Professor Ward, host for the program, points out that the village has often been considered the backbone of traditional Japan. His guest, Richard K. Beardsley, Professor of Anthropology at the University of Michigan, concurs. It is the land, (Professor Beardsley says), the importance of working the land, of keeping it going, of keeping it in the family, that strongly enforces traditional ways in Japanese villages. These traditional ways stress cooperation on a family and on a community level, and the subordination of each person to the collective good. Holding and working the land is a way of life, not a business. Yet the modern world has made its impression on village life. A century ago the village had little connection with the outside world. Now, as a result of central government supervision, police and military conscription, economic changes brought about when the villagers began to raise crops for outside sale, a national system of schools, and the introduction of electricity and radios, this insular picture has altered. But because of the basic social conditions and the primary concern for working the land, changes occur slowly. In their own villages, younger men are gaining control because they understand machinery and marketing best. A real social transformation is taking place, but quietly, without violence, without setting life off balance. The families scrape a living from two acres of land and stay, for the most part, buried within the household and the community. They find satisfaction from living collectively. Their way of life has for generations fitted their nature and their circumstances; yet it seems flexible enough to make room for the new.