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Discusses the fugue, explains its construction, and demonstrates with compositions played in part and in their entirety. Includes selections by Mozart, Bach, and Beethoven.
Defines and discusses "song-form" in music. Illustrative works include B Major Sonatina (Schubert), Norwegian Dance (Grieg), Sonata in D Major (Brahms), and Trio (Beethoven). (USC) Film.
Visits Grand Teton National park near Jackson Hole, Wyoming. Discusses the life of the early French beaver trappers. Explains their methods of survival, and how they lived, traded, and fought with the Indians. Shows traps used by the early mountain men and demonstrates how they were set. Illustrates with film footage, dioramas, and photographs.
In this program, Temianka explains the meaning and origin of the word, “scherzo,” which refers to a sprightly, humorous instrumental composition or movement commonly used in quick triple measure. Illustrative compositions are selected for Mozart, Beethoven, Mendelssohn, Dvorak and Schumann.
Discusses and demonstrates theme and variations and traces the development of this musical form. Illustrations include variations of the Vintner's Daughter, and the "Trout-Quintet," played in its entirety by the Paganini Quartet, with piano. (USC) Film.
Visits Dinosaur National Monument in Utah and Colorado. Discusses the age of the dinosaur, how the dinosaur quarry was formed, and why the dinosaur became extinct. Illustrates with film footage of dinosaur quarry and photographs of dinosaurs and their enviroment as it existed 140,000,000 years ago.
Discusses the rondo and explains its construction. Illustrates with compositions played partially or in their entirety. Features the Paganini Quartet, including a brief history of the quartet's Stratavari instruments, all of which belonged to Paganini. Musical selections include Rondino (Kroisler), Turkish Rondo (Mozart), and the finale from both a sonata and a quartet by Beethoven. (USC) Film.
Visits Yellowstone National Park to explain the story of American buffalo and its destruction. Shows the Yellowstone herd and then explains the methods used by the Indians to capture the buffalo. Tells why the white man, after the Civil War, destroyed the buffalo herds. Illustrates with film footage, dioramas, and photographs.
Visits Mesa Verde National Park in Southwestern Colorado. Discusses the work of archaeologists and how they uncover ancient Indian cities. Shows an Indian burial ground, homes of early cliff dwellers, and workers excavating, mapping, and recording their discoveries. Explains how their work provides knowledge of early Indians.
Visits the national monument of Canyon de Chelly in Arizona. Describes the life of the Navajo Indians living in the canyon. Shows the ancient ruins of early Indian cliff dwellers. Tells how the Indians farm, raise sheep, cook, and build their homes. Concludes with scenes of a trading post and Indian rodeo. (KETC)
Uses a trip to a grocery store to explain who gets the money that is represented by the spread between farmers and consumers. Questions are answered by a store manager, businessmen at a civic club luncheon, and by a speaker at the luncheon. Points out reasons for and importance of the "marketing margin." (Agrafilms, Inc.) Kinescope.
Visits Carlsbad Caverns National Park near Carlsbad, New Mexico. Describes the discovery of the caverns by early settlers who observed a huge formation of bats leaving the entrance. Shows and explains how the huge caverns were formed over thousands of years of time. Provides close-ups of stalagmites, stalagtites, and limestone draperies.
Cities are growing, and people have to move about in them. How they do this can have a considerable effect on the development of the city itself. Many –perhaps most –of the inhabitants of a city own cars, and the temptation to use them is easy to understand. But often a private car is not the best way to get from here to there in a city; public transportation –buses, subways, streetcars, even helicopters for longer distance –is often the best way to move people. Yet too often even so simple a matter as intra-urban transportation resembles a jigsaw puzzle. Groups have grown up to handle different parts of the problem, with the results that these units may overlap, or do not cover the whole problem. The older geographical areas which they were established to serve are new sections within a larger unit, but the original group still exist while the transportation problems become more and more complicated, and increasingly in need of overall planning. Once again the program concludes with a plea to the citizen to learn more about the problems of urban transportation, and to help his community to resolve some of them.
Cities are growing at an explosive rate; more and more people come to cities to liv, to work, to raise their families where there are the greatest number of opportunities for jobs, education, and recreation. But these thousands of new inhabitants do not only increasethe population of the city; they also magnify the problems that any group of people face when they live together in large numbers. Where to live? How to move about? How to govern themselves and guide the development of the community in which they live? The first program of METROPLEX sets the stage for the others, explaining why people are attracted to the city, and what difficulties they and the community face when they move there. Photographs, film clips, diagrams, and sketches are used to good effect to make the picture clear.
Friction in the Old World led to war. The USA tried to maintain neutrality, but with each passing month the problems created became more and more thorny. Finally, the nation was drawn into the conflict. With amazing speed and efficiency the country mobilized. Its participation in World War I was the deciding factor in bringing victory to the Allies.
Reviews the progress of the Communist Party in Japan from pre-war days to the present. Includes film footage showing the release from prison of leading communist leaders just after World War II. Discusses the high degree of trained leadership, the party and the party's influence in politics.
Introduces the subject of Japanese Brush Painting. Explains the use of the brush painting materials. Discusses the Japanese approach to art. Artist-host T. Mikami paints samples of the subjects to be covered in the series. (KQED) Kinescope.
Reviews U.S. history from its beginnings, with emphasis on the heritage of freedom and the basic principles of the Declaration of Independence which together account for the nation's greatness. (KETC) Kinescope.
Discusses the dietary needs of the expectant mother and stresses the importance of proper diet for maintaining the mother's dental health and for developing the baby's teeth. A specialist in nutrition and a dentist serve as consultants. (WQED) Kinescope.
Discusses the initial visit to the doctor after pregnancy is suspected. Indicates some of the physiological changes which are indications of pregnancy and outlines some of the procedures in the doctor's office, including a step by step description of the pelvic examination. (WQED) Kinescope.
Compares German paintings and engravings of the Renaissance with contemporary music of the period. Musical selections are performed by the Saturday Consort. Host is Colin Sterne with featured guest Dr. Walter Hovey of the University of Pittsburgh.
Why special treatment for the American farmer? This is the questioned posed in this opening program and, using a story line built around the average family of Ed Harvey, the film seeks a more intelligent handling of agricultural policy on the national level. The program presents a definitive history of agriculture economics in an effort to explain the farmer’s vulnerable position in the constantly changing business cycle of a capitalistic society. Although the program does not advocate any definite policy, it does ask intelligent questions which tend to stimulate thinking on the farm problem.
“Trade is a two-way street. If you want to sell, you’ve got to buy,” says Ed Harvey in this program, after a discussion of international trade and the relation of surplus to tariff. A trip through Washington, D.C., and cartoon sequences of the surplus problem and the import-export balance are featured in the program.
Presents a discussion on America's position in the modern world. Covers such topics as foreign aid plans, internal restrictions on the operation of our foreign policy, and the operations of the United Nations.
Presents a discussion of economic growth as a national goal. Reviews the causes and effects of inflation, unemployment, and rate of growth. Points out the effect of education on new employment patterns. Compares American and Soviet rates of expansion. Discusses problems of automation, standards of living, and the individual initiative in our economic position.
Presents the utilitarian function and underlying ideas of varied works of art, and tells how many objects now treasured in museums were originally created for practical, utilitarian purposes. Explains how changes in ideas bring changes in art expression, illustrating with works of art from the collection of the Boston Museum of Fine Arts.
Describes the Japanese national character as a paradoxical complex of restraint and passion, arrogance and servility, pride in being Japanese and apology for being Japanese. Explains that Japan, more than any other nation has wavered between such contradictory attitudes and qualities. Discusses the concept of "force" and what it means to Japanese to be part of a group.
Illustrates the techniques involved in painting horses. Poses them in different stages of motion: running, trotting, and feeding. Tells why horses are a favorite subject for Japanese paintings. (KQED) Kinescope.
Shows the techniques involved in painting the heron. Depicts this bird sitting on a branch of a willow tree. Tells a tale of about the heron and the Emperor of Japan. (KQED) Kinescope.
Documents several experiments conducted at the Sleep Research Laboratory of the University of California at Los Angeles in studying the nature of sleep. Presents experiments to determine the relationship of dreams to stomach secretions, the amount of time infants spend dreaming, and the effects of depriving a subject of dreams. Shows the recording and interpretation of electrical impulses from a sleeping subject and the rapid eye movements during dreaming.
Presents the biography of Thornton Wilder by tracing his life and family background. Provides excerpts from his speeches and quotations from his writings and film clips. Analyzes, for their social meanings, the themes of several of his works.
Warning: This film contains nudity and close up images of corpses.
Focuses on Brazilian explorers Orlando and Claudio Villas Boas who, with the aid of the disc-lipped Tchukahmei, search the Amazon jungle from the air and ground for the Kreen-Akrore Indians, a group which has previously killed on sight. Explains that the objective is to bring the Kreen-Akrore to the 8,500 square mile Xingu National Park where Indian culture and economy survive. Records similar efforts to save other Amazon tribes.
Compares the daily activities of four elementary teachers from Japan, Poland, Puerto Rico, and Canada. Presents facts about each teacher's personality, classroom techniques, facilities available for use in the classroom, student-teacher relationships, salaries, home life, status in the community, and the importance of education in each of the countries. Between sequences, discussion of pertinent problems in education is carried on by a Montreal teacher, Glenna Reid; a Toronto professor, John R. Seeley; and the film's producer-commentator, Gordon Burwash.
Demonstrates the successful rehabilitation of mental health patients in Palo Alto Veterans Hospital. Explains that they are given tokens for rewards, trained in sheltered workshops, and finally re-established in the outside world. Shows examples of last-phase patients operating their own gas station and renovating a home where other released patients will live. Points out that an ex-patient serves as an advisor for newly released patients.
Tells the story of disarmament: past attempts at world disarmament and the present state of the current UN disarmament talks. Includes film clips of the devastation caused during World War II in Warsaw, London, Pearl Harbor, Hiroshima, etc. Explains what today's advanced, missiles could cause in the way of havoc. Reviews past attempts to bring about disarmament starting with the League of Nations. Presents filmed sequences from the United Nations' film library to show pertinent remarks made by Jules Moch of France, Henry Cabot Lodge of the United States, Selwyn Lloyd of the United Kingdom, Adrei Gromyko of the USSR, Krishna Menon of India, etc. Also discusses how the advances man has made in exploring outer space has effected the disarmament talks. Offers a better understanding of the points of view of the differing nations in working out a lasting disarmament agreement. Concludes with a statement delivered by Sir Leslie Munro of New Zealand, President of the UN's twelfth General Assembly. Featured host is Peter Ustinov, actor and playwright. (United Nations Television) Kinescope.
The circus is a glorious mixture of many different acts, and the circus crowd is a glorious mixture of many different kinds of people with greatly varied taste. For some, the antics of the clowns are the most memorable parts of the show; for others, the grace and daring of the aerialists draw the loudest cheers; and there are some to whom the massive, lumbering elephants are the circus’s most exciting offering. This program is about the elephants (dubbed “bulls” in circus jargon). It also looks at two other important circus animals; the bears and the chimpanzees.
Presents Wendell Castle, a sculptor who likes plastic and rugged woods better than materials which are traditionally used. Explains that Castle creates forms which are both beautiful and functional, relatively inexpensive, and fit with each other in a total environmental situation. Relates that Castle believes art is continually changing because the artist or designer by his very nature cannot be happy with things as they are.
Discusses the work and goals of organic research into the problem of insanity, and includes views of the Research Division of the Columbia Psychiatric Institute. Show various experiments, including those dealing with the cellular analysis of the brain, reaction time in aged animals and persons, and the effects of prenatal disturbances on the development of children. Discusses the purposes of research and the hopes of discovering cures for, and prevention of mental disease. Features Dr. Benjamin Pasamanick.
Dramatizes a story about an emotionally disturbed boy and his rehabilitation. Portrays the home situation which provoked the boy's illness, his reaction to it, and his antagonism toward the world which led him into juvenile delinquency. Shows how his commitment takes place, the treatment he receives, and his eventual readjustment and return home.
The children have to write their own story for a second part of the contest. Susie-Q decides to tell the story of how her kitten finally got to the cat show and won a prize.
Susie-Q teaches us about safety in the home. Susie-Q wants to enter her kitten in the pet show, but an accident leaves it with crumpled whiskers. All ends well when the pet show judges learn of the accident and award the kitten a prize for being the luckiest kitten in the show.
A 'do-it-yourself' river is used by Dr. Harbaugh to answer such questions as 'why do rivers meander?' 'does water always follow the route of least resistance?' and 'is it safe to build a house on a river bank?' His laboratory river is only eight feet long, but it behaves in the same manner as the great Mississippi, Amazon, or Danube. With his miniature river, Dr. Harbaugh demonstrates the old art of 'river stealing', which was a crime every bit as serious as horse stealing in the days of Mark Twain.
Dr. Harbaugh describes the work of water, the most important agent at work in forming the finer features of the face of the Earth. He describes the hydrologic cycle: the round trip that water takes in evaporating from the ocean, precipitating on the land, and flowing back to the ocean. His guest is Ray K. Lindsey, associate professor of hydraulic engineering at Stanford University. Formerly a member of the faculty of the U.S. Department Graduate School and the University of California, he was a participant in the UNESCO Symposium on Hydrology in Ankara, Turkey (1952) and UN consultant to the Yugoslavian Hydro-matero-logical service. They discuss the mechanics of water: the way it can suspend materials and carry them along.
Sculpture on its grandest scale is seen in the face of the Earth where rivers work to carve the hills and valleys. Dr. Harbaugh’s guest is Dr. Arthur D. Howard, professor of geology at Stanford University, who served as geologist with the Fourth Byrd Expedition to Antarctica in 1946-47. With the aid of three dimensional models, they demonstrate the ways in which a narrow stream can shape a vast expanse of land which is dozens of times its width. They discuss the way in which an area of the Earth, just as a man, goes through the ages of “youth,” “maturity,” and “old age.”
Dr. Howard returns as Dr. Harbaugh's guest. With a model of a valley and synthetic ice, they simulate two types of glaciers in order to show the geologic work done by flowing ice. They point out areas on the Earth's surface where glaciers are at work today and show evidence of glacial work in the geologic past that has profoundly altered the whole geography of the North American continent as well as many other areas in the world.
Dr Harbaugh's guest is Dr. Stanley Davis, assistant professor of geology at Stanford University. A graduate of the University of Nevada with a M.S. from the University of Kansas and a Ph.D. from Yale, he has also worked with the U.S. Bureau of Reclamation and the Kansas and Missouri Geological Surveys. Dr. Davis makes his own rocks on this program. In doing so, he demonstrates how nature is able to make solid rock through the copaction of clays, sands, and silts under great pressure. They discuss the part of North America which although now dry land was once part of the ocean.
Dr. Harbaugh describes the unceasing war between land and the sea and illustrates the work of ocean waves in shaping the seacoast. With Dr. Howard again as his guest, he investigates the origin of such seashore features as beaches, spits, and sea cliffs.
Because he has been ill, Brushy can’t play outdoors. After his first disappointment, he and his mother decide that he can make a leaf collection which would allow him to join the “Collector’s Club.”
