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Defines the characteristics of the psychopathic criminal, using film clips and tape recordings to provide examples of the true criminal. Shows three typical and less violent prototypes: the con man, the bigamist and the youthful car thief. Discusses treatment and prevention of the psychopathic criminal. Features Dr. Douglas M. Kelly.
Concentrates on criminal behavior committed by teenagers. Points out that juvenile delinquency may be over-exaggerated. Shows how improvements in statistics, reporting, and apprehension influence the total picture of teenage crime. Presents a group of young people discussing themselves and their problems. (KQED) Kinescope.
Describes the folklore connected with crime. Uses vignettes to show the absurdity of such superstitions as handedness, hair coloring, scars, blemishes, deformities, and glandular problems as causes of criminality. Points out that an indirect relationship may exist between physical characteristics and crime. (KQED) Kinescope.
Discusses folklore connected with crime, pointing out that a slight correlation may exist between criminality and the weather, phase of the moon, fire, darkness, and light. Uses vignettes to show how bad weather and dimly lit areas serve as secondhand causes of crime. Features Dr. Douglas M. Kelly.
Discusses the relationship of crime to race, national origin, and minority groups. Points out patterns of belief and the misconceptions that exist. Relates living conditions and geographical distribution to crime. Concludes that race is irrelevant to criminality. (KQED) Kinescope.
Analyzes patterns of culture and their influence on the rise of criminality, using the Nazi regime in Germany as an example. Points out how accepted behavior in one culture may be a crime in another. Discusses the impact of cultures meeting head-on, thus giving rise to criminal behavior.
Discusses alcohol as a measurable cause of crime, using filmed sequences and dramatic episodes to show how alcohol breaks down inhibitions, provides a sense of false security, and impairs judgment. Points up the relationship between alcohol and traffic accidents. Features Dr. Douglas M. Kelly.
Bird identification has escaped the laboratory stage in the past 20 years. Frequently the identification of living things down to the species, depends upon features not really observable. But naming a bird (in some cases even to a subspecies) can now be done quite accurately through a system of field identification. Perfected by outstanding field observers like Ludlow Agrisom and Roger T. Peterson and put into book form and general circulation by Peterson, this system has created a hobby full of leisure for many people. This program will introduce the elements of knowing a bird when you see it, alive and in its environment. Graphic art and film will illustrate how you look for stance, pattern, habits and combinations of marking to identify a bird. Betty Sears, “Discovery’s” artist, appears on this program with the sketch book she uses on birding watching expeditions.
Discusses how and why birds migrate. Shows ways in which the movements of birds is studied. Describes and illustrates the use of the mist net in capturing birds for banding. Outlines the results obtained by banding. Tells the migration story of the Arctic Tern and the Golden Plover. (WGBH-TV) Kinescope.
Discusses the basic narcotic drugs and their relationship to crime. Includes a filmed sequence of an addict undergoing withdrawal and receiving a shot that assuages him. Points out that crime committed by the drug addict is a secondary effect. (KQED) Kinescope.
Explains the importance of oxygen in sustaining life. Points out problems involved in developing a closed ecological system such as a sealed cabin in space. Presents the research being conducted with photosynthesis. Features Dr. Jack Myers, Chief, Laboratory of Algae Physiology, University of Texas. (KUTH) Film.
Bash tells the story behind many of the sayings we use today. She tells of historical events and circumstances leading to the use of such phrases as: to pull up stakes; in the nick of time; lock, stock and barrel, and to fly off the handle. Songs include "Grey Goose," "Cockle Shells" and "Big Rock Candy Mountain."
Employs dance routines and originally scored music to portray differences in marriage rituals of three societies. Emphasizes the basic motive behind the selection of marriage partners, the rituals that join them, and the values that guide their relationships. Compares Americans, the Bantu of Africa, and the Muria of India.
William Daley and Shari Lewis discuss the capacity of man’s hands and the way hands in many parts of the world today still remain the primary means by which useful and beautiful objects are created to fill people’s needs. Pottery, as created by primitive people of the American continent, is an example of this idea. Several Girl Scouts work with Mr. Daley creating objects from clay, indicating the satisfaction which comes from creative activity. Mr. Daley demonstrates the properties of clay and introduces ways in which is can be useful by untrained hands.
Perhaps the original need for masks was for man to be able to disengage himself from his everyday life. He used them to symbolize that he was not “himself.” He was another being, human or superhuman, or even an abstract quality. He was able to satisfy two needs through the use of masks – the need for religion and the need for diversion. Miss Leadbeater and Shari Lewis concentrate on masks used for diversion and their counterparts in the modern United States – at Halloween and Mardi Gras.
Employs dance routines and originally scored music to portray the formation of human personality in three societies. Demonstrates the authoritarian, cooperative, and dwarfed personality types. Points out how personality types perpetuate themselves. Compares Americans, Alorese of the Dutch East Indies, and the Hopi Indians. (KUHT) Film.
There is in the heart of every man the desire to express himself through the creation of something beautiful, says Shari Lewis. Whatever the motivation for making the object, the result is, in many cases, beauty. Woodcarving from many parts of the world is examined and provides an opportunity to explore its beauty.
Bash tells the story of the building of the missions in California and describes the long voyage made by Father Serra and other Padres as they moved north from Mexico. Life in the mission community is described. Songs include "Adelita" and "Sombrero Blanco." The Lillian Patterson dancers perform a dance of the period of the latter song.
Walter Kerr, drama critic for the New York Herald Tribune, interviews noted Irish author Frank O'Connor. Mr. O'Connor contrasts the novel and the short story in relation to characterization, plot, and the time element. He discusses styles of the short story and appraises past and present psychological and subject matter trends in prose fiction.