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Explains contrast as opposed to repetition or variation. Defines tonal contrast as modulation or change of tonality and harmonic contrast, or the off-setting of plain harmony by color-harmony. Illustrates with a selection from a Bach cantata. (WMSB-TV) Kinescope.
Fignewton Frog (puppet) and Dora (person) make rainbows, raindrops, and puppets out of household materials to perform a play called "The Little Rainbow" in the "Make-Do Theater." The play tells the story of why people think there is a pot of gold at the end of the rainbow. They then recommend books about weather that children can find at the library.
The home and habits of the koala bear are illustrated in this tale of the bear who leaves home to seek his fortune at sea. Dora tells the story to Fignewton Frog who manages the shadow puppets.
Employs dance routines and originally scored music to portray reactions to human illness. Emphasizes detection, treatment, and acceptance of treatment methods of illness. Compares Americans, the Ojibwa Indians of Canada, and the Djuka Bush Negroes of Dutch Guiana. (KUHT) Film.
Uses dance routines and originally scored music to demonstrate cultural differences in early training of infants. Compares families of southern urban Negroes, the Manus of the Admiralty Islands, and the Hopi Indians of northern Arizona. Describes group objectives of early training, its impact upon the child's personality, and the end result of childhood training.
Watch a searchlight as it pierces heavy night clouds. Notice that you don’t see the beam of light, merely where it comes from: the face of the searchlight, reflections from the clouds or duct blocking the beam. In other words, the light beam itself is invisible. Beginning with a similar demonstration, Edwin C. Kemble shows the difficulty science has had in providing a wholly satisfactory theory of light. He uses a stroboscopically lighted tank to illustrate wave theory and high-voltage discharges to suggest the violence necessary to generate radiant energy with short wavelengths. The violent damage done by X-rays, gamma rays and ultra violet radiation leads Kemble to the corpuscular explanation of light. By an examination of cloud-chamber photographs, visibly recording action in the unseen world of atomic particles, Kemble reconciles the two theories. The yield of this revolutionary work is dramatic: no less than the discovery of a universal property of all forms of existence.
Continues the discussion of hypnosis from the preceding program, "HYPNOSIS." Explains hypnotism as an interpersonal reaction between the hypnotist and the subject. Points out how hypnotism functions in relation to sensitivity, anesthesia, action, rigidity, amnesia, hypermnesia, contradiction, and post-hypnotic suggestion. (WGBH-TV) Kinescope.
Presents optical illusions and demonstrations to show how people see what they see. Discusses the effect of projection, relativity, association, and optical illusions in seeing. Explains the relationship of the eyes to the brain in organizing experience.
Demonstrates that intelligence is the most significant criterion of differences between people. Points out how I.Q. varies with socio-economic status and education. Cites research on man's productivity. Describes the relationship of personality to body-build. (WGBH-TV) Kinescope.
Compares the reactions of Americans, the Manus of the Admiralty Islands, and the Kiriwina if the Trobriand Islands when exposed to the crisis of human birth. Uses dance routines and originally scored music to portray cultural differences in the selection of the birth place, the reactions of husband and wife, and the way a child is delivered. (KUHT) Film.
Employs dance routines and originally scored music to portray differences in marriage rituals of three societies. Emphasizes the basic motive behind the selection of marriage partners, the rituals that join them, and the values that guide their relationships. Compares Americans, the Bantu of Africa, and the Muria of India.
Explains how an understanding of pure science can lead to applied science. Demonstrates this relationship by reviewing a theory of heath and how it led to a number of inventions: smokeless fireplaces, new types of stoves, pressure cookers, and drip-style coffee pots. Features Dr. Sanborn C. Brown, Professor of Physics, Massachusetts Institute of Technology. (WGBH-TV) Kinescope.
Discusses imitative polyphony as a basic principle of musical structure. Illustrates two types of composition which use imitative polyphony as the structural principle, namely, the sixteenth century motet and the fugue as heard in Handel's Messiah. (WMSB-TV) Kinescope.
The delegates discuss Britain's reaction to "the United States' humiliation in its satellite rivalry with the USSR" and what America is famous for in each of the representatives' countries.
In this program Uncle Wonder uses a gram scale and weighs the air in a basketball. He also shows that air has weight by balancing two balloons, one at each end of a stick, and breaking one of them, the other naturally falls to the table.
Bash Kennett shows some of the things which fascinated children of other times, taking a trip to see some dolls, stereopticons, books and bicycles of early periods which grandfather may have enjoyed as a boy. Songs include “The Devil’s Nine Questions” and “This A’Way.”
Outlines the scope of this series of programs and defines the nature and function of passing notes in music. Compares music in architecture. Outlines the formal or structural principals in music. (WMSB-TV) Kinescope.
Tells the story of changes which have taken place in home implements. Shows an early vacuum cleaner, phonograph, washing machine, butter churn, and candle mold.
