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Discusses rhythm as the punctuation in the language of music. Illustrates tempo, pulse, rhythm, meter, and accent with musical selections. Demonstrates and suggests the different emotional responses evoked by them. (University of Rochester) Film.
Considers immigration to the U.S.A from the post bellum years into the twentieth century. Discusses the areas of origin of the immigrants. Relates how they filled up the frontier and the Middle Border and furnished labor for the expanding industry of the East. (KETC) Kinescope.
Dr. Glenn Seaborg and his associates describe the discovery of the four "missing elements," technetium, astatine, francium, and promethium. Emphasizes the role of the cyclotron on the creation of synthetic elements. Dr. Ernest O. Lawrence explains the operation and development of high voltage accelerators from the first eight-inch cyclotron to the mammoth bevatron. Dr. Emilio Segre, a participant in the discovery of the first synthetic element, describes its discovery and demonstrates the technique used by him to identify astatine. (KQED) Film.
Shows the musical difference between the conventional seven-tone white key scale and the "newer" scales used by Debussy and others. Demonstrates that romantic composers explored the newer scales and illustrates use of the full keyboard by modern composers. (University of Rochester) Film.
Defines the motive as the core, kernal, or "single cell" of a piece of music. Motivic repetition is explained as the reiteration of the basic musical symbol to the point that it is made meaningful. (WMSB-TV) Kinescope.
Compares German paintings and engravings of the Renaissance with contemporary music of the period. Musical selections are performed by the Saturday Consort. Host is Colin Sterne with featured guest Dr. Walter Hovey of the University of Pittsburgh.
Compares Italian paintings on musical subjects with music of contemporary composers of Italy during the Renaissance. Musical performances are provided by the Saturday consort. Featured guest is Dr. Walter Hovey, Head of the Frick Fine Arts Department, University of Pittsburgh. (WQED) Kinescope.
Shows how the "chord of nature" developed and became the basis for much of classical, folk, and popular music. Shows what is meant by the perfect fifth. Features Dr. Howard Hanson, director of the Eastman School of Music.
Demonstrates a composer's vocabulary, beginning with "two-letter words" and proceeding to three-, four-, five-, and six-letter words. Illustrates each of these with musical selections. Describes the "personality" of musical words and indicates how a composer uses that personality in communicating with listeners. (University of Rochester) Film.