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Explains and demonstrates how the writer selects and arranges words to achieve proper placement of detail for meaning. Stresses the importance of understanding the relationship between the writer's roving eye and point of view. Uses examples from The Killers, Tom Sawyer, The Canterbury Tales, and the Iliad. (KETC) Kinescope.
Discusses the relationship of actions to "set" and unconscious motivation. Demonstrates ideomotor action. Explains visual and tactile muscle reading. Illustrates social motivation through film clips of experiments with pigeons. Concludes with a psychological test showing unconscious perception and immediate forgetting. (WGBH-TV) Kinescope.
Uses photographs and diagrams the explain the age of the universe. Discusses the age of the earth, compositions of the milky way, how stars are formed, and cosmic development. Points out the difference between mechanical and evolutionary changes in the universe. Explains the uncoiling spiral of a new galaxy, and speculates on the duration of our own solar system. Features Dr. Bart J.Bok, Professor of Astronomy, National University of Australia. (WGBH-TV) Kinescope.
After putting the outline of his main figure on the canvas, Painter Reinhardt does something which non-artists might consider astonishing: he begins to cover the figure with the “underpainting.” But as he talks and explains what he is doing, another technique of the artist becomes clear. With this part of the job done, the audience is left to await the next step in the making of a painting.
Participants are Miss Mirka Misic, Yugoslavia; Miss Susan Rennie, Union of South Africa; Mr. Norbert Scholz, Germany; Mr. Young-Koo Lee, Korea; and Mrs. Waller. The debate on the nature of communism is enlivened by the young Yugoslavian delegate who attempts to defend her country's brand of communism under questioning by representatives of Germany, Korea and the Union of South Africa. Mirka insists that Russia borders on imperialism while her country has communism at its best. She asserts that co-existence between communism and capitalism is necessary "if we want a peaceful world." The Korean panel member, however, vigorously replied that communism "by its very nature" denies co-existence with the capitalist countries. Speaking from his firsthand experience of communism during three months in North Korea after that area was captured by the Communists during the Korean war, he is violently in disagreement with anything communistic. He is joined in his views by the remaining two members of the panel.
Discusses finishing techniques in ceramic sculpture. Explains how the finish must make the sculptured work permanent and at the same time enhance its feeling and form. Shows the method of firing ceramic pieces in the kiln. Demonstrates different methods of finishing the pieces including staining, waxing, and the application of different types of glazes. Concludes with a discussion of ancient and modern polychrome sculpture. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Demonstrates the tools and techniques of wood carving. Discusses and shows the advantages and disadvantages of wood as a medium of sculptor. Illustrates with finished works carved from different woods explaining the sculptural qualities and techniques of each. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Presents an actual demonstration of the modeling of a portrait in clay. Explains how a sculptured portrait reflects "likeness" and reveals the character and personality of the sitter. Discusses the problems of working in three dimensions and the creation of the sculptural form and proportion. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the problems and techniques of conceiving a monumental sculpture. Presents the steps the sculptor follows from the initial sketch to the completed work. Explains the use of the enlarging device in developing the eight-foot dimensions of a large figure from the basic features of a small sketch. Demonstrates by sculpturing a figure of Walt Whitman of a monumental scale. Features Merres Gage, sculptor and Professor of Fine Arts, University of Southern California. (UCS) Film.
In this program, Mr. Fitzpatrick discusses the importance of the self-portrait as a means of art expression. Tells how the self-portrait not only preserves a physical likeness of the artist, but provides an insight into his character, mode of dress, and customs. Demonstrates the various techniques involved painting self-portraits by having two professional artists develop their own likenesses. Presents and explains the work and self-portraits of great artists to help develop a greater understanding of this art form.
In this program, Mr. Fitzpatrick presents a historical review of sculpturing, emphasizing the materials and techniques employed in creating this art form. Discusses sculptural masterpieces from Egypt, Assyria, and Greece. Displays and explains the use of various varieties of stone. Demonstrates ways in which the beginner may use simple materials and tools--plaster of Paris, insulating brick, and a knife. Continues with a more detailed explanation of the sculptor's tools--mallet and various chisels. Features Henry Bursztznowicz demonstrating the techniques and tools used.
In this program, Mr. Fitzpatrick discusses water color, which, because of its spontaneous, lucid quality, is intriguing both to the artist and the layman alike. Watercolor paintings by well-known painters, such as John Marin and Winslow Homer, are discussed as to subject, technique, composition, and total effect. The tools and materials of the craft are explained, and a variety of methods in their use are demonstrated, with emphasis on the creative approach. Experimental, contemporary examples of watercolor painting will be viewed and explained in relation to the processes previously demonstrated.
In this program, Mr. Fitzpatrick discusses the vital and revolutionary change that the constructions of the modern engineer with new materials have upon our thinking in art, particularly in the field of sculpture. Looking at large photographs of bridges, fire escapes, and TV antennas, we are conscious of the open-work build-up, the thrust, the tensions of modern constructions that stimulate the artist’s imagination toward new and dynamic art creativity. Materials such as wire, sheet metal, string, plaster, and wood are used in non-objective space designs, stabile and mobile.
In this program, Mr. Fitzpatrick discusses the place of "The Madonna" in painting and sculpture. Uses prints to explain the many ways of representing this theme. Illustrates important points with sculptured madonnas and other religious works. Demonstrates various approaches to this subject with sketches.
In this program, Mr. Fitzpatrick discusses the use of paper as a medium of artistic expression. He demonstrates, with simple tools, the processes of folding, slashing, and scoring. Explains how to select appropriate papers for paper sculpture. Using the various techniques, several sculptures are constructed with examples.
In this program, Mr. Fitzpatrick discusses the use and adaption of metal as an art form. Explains how new metals have created a challenging material for the sculptor. Demonstrates the use of simple tools in creating different types of metal sculpture from rod, wire, sheet, and mesh. Illustrates with metal sculptures.
Discusses the discovery and exploitation of the natural resources of the West--minerals, grazing, lumber--plus agricultural development of the Great Plains and the Pacific Coast valleys. Also, considers communications in the West--stage lines, railroads, and the telegraph. (KETC) Kinescope.
Shows how animal tracks may be identified and explains how various types of tracks are classified. Demonstrates the making of track stamps through the use of potatoes. Discusses the making of plaster casts of tracks and the wiring of stories using tracks. (WGBH-TV) Kinescope.
Discusses new explorations by the American Museum of Natural History; indicates that important finds have opened up the early history of the area of Afghanistan, Baluchistan, and the Indus Valley.
Enumerates the problems of living in ancient Egypt from a woman's standpoint--no running water, electricity, or refrigeration. Shows bronze ornaments used for bartering purposes as well as household equipment and cosmetics. (NYU) Kinescope.
Discusses the importance of numerical measurement in the progress of science. Uses experiments from physics, chemistry, and astronomy to show how a quantitative approach to science aids in understanding. Presents a brief history of the evolution of the mathematics in science. Features Dr. Gerald Holton, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.
Uses demonstrations to illustrate how scientists arrive at facts. Explains how and why scientists often give the impression of being to sure of their knowledge of the universe. Discusses the importance of numerical statements in science and how physical law is derived. Features Dr. Phillipe LeCorbeiller, Professor of applied Physics, Harvard University.
Explains and demonstrates how sculpture in relief developed from the cave man to the present. Illustrates with ancient and modern examples. Discusses the composition and carving techniques of full-scale reproductions of famous sculptures. Describes how the artist's sculpture is transferred in the production of a commemorative medal. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the use of stone as a medium of sculpture. Demonstrates the tools and techniques of stone carving. Shows several works carved from different types of stone explaining why particular stone os chosen for a specific piece of sculpture. Illustrates with the carving of a portrait of Washington. features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the use of terra cotta clay in sculpturing. Shows the modeling of a figure in terra cotta clay. Explains the nature of this medium and the problems of working with it. Tells how terra cotta clay differs from ordinary modeling clay. Demonstrates the "inside-outside" method of working with terra cotta. Illustrates with examples of completed figures in different kinds of terra cotta clay. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Discusses the discovery of the Dead Sea scrolls; explains how the scrolls came into being, who wrote them and why, and what they mean today. Includes a study of Palestine, beginning with its earliest recorded history; and shows samples of Palestinian art.
In this program, Mr. Fitzpatrick discusses the creation of a work of art through sketching. He explains and demonstrates the expression of an idea using a variety of media and techniques. Uses the work of Miro, Kandinsky, and others of the contemporary school to clarify the expression of concepts and objectives. Stresses the point that sketching should represent each individual's own personal creative interpretation of an idea.
Describes how printers from many countries contributed to the art of printing. Tells how printing spread from Germany to other countries. Describes the significant printing done in Italy, Belgium, France, England, Mexico, and New England during the early development of the New World. (USC) Film.
Uses pictures, models, art objects, and discussion to describe ancient Delphi and the structures on MT. Parnassus. Explains the uses and unusual features of Apollo's temple, the amphitheater, and the treasuries. (NYU) Kinescope.
Discusses the discoveries and developments which brought about the invention of movable type by Gutenberg. Describes the work of the alchemist in casting metals, the making of wood blocks, and the development of oil based paints. Demonstrates Gutenberg's experiments with metals and shows woodcuts representative of those produced and used in Gutenberg's day. Features Dr. Frank Baxter.
Tells the story of the invention and spread of paper making. Discusses the materials and tools used in making paper. Demonstrates how paper was made in ancient China. Traces the history of the movement of paper making from China to Germany. (USC) Film.
Discusses the development of printing. Describes how printing is developed from simple writing on papyrus to decorated books written on parchment and vellum. Explains the origins of and differences between parchment and vellum. Discusses paint,ink,and writing techniques of the Middle Ages. Illustrates with collector's items. (USC) Film.
Discusses current theories on the origin of the Semitic alphabet. Illustrates the acrophonic principle of alphabetization by the development of several letters from the Semitic through the Greek and finally to their Latin forms. Explains the emergence of the Greek letters into Eastern and Western systems. Features Dr. Frank Baxter.
Presents the story of the decipherment of ancient cuneiform and hieroglyphic writing. Explains how the Rosetta stone in Egypt became the key to unlock the mystery of hieroglyphics. Discusses the work of Grotefend, Rawlinson, and Champollion in achieving an understanding of ancient writing. (UCS)
Points out the purposes and procedures of the series of motion pictures, YESTERDAY'S WORLDS. Reviews objects shown and summarizes ideas discussed in the preceding 25 half-hour programs. Emphasizes the values of research into man's past. (NYU) Kinescope.
This series, aired from 1954 through 1958, is built around the annual New York Herald Tribune World Youth Forum, which hosts approximately thirty foreign high school students from around the world in the US. The World Youth Forum features the high school students discussing problems of concern to America and the world. Discussions are presided over by Mrs. Helen Hiet Waller, World Youth Forum Director, with a maximum of encouragement to free expression. In this program from 1957, students from the United Kingdom, Union of South Africa, India, and Lebanon discuss the influence of American comics, films, and be-bop; the contribution of American education throughout the Arab world; the relative merits of British and American school systems; the relative impact of Britain vs U.S. influence in the world; and whether Britain or the U.S. has the truer democracy.
This series, aired from 1954 through 1958, is built around the annual New York Herald Tribune World Youth Forum, which hosts approximately thirty foreign high school students from around the world in the US. The World Youth Forum features the high school students discussing problems of concern to America and the world. Discussions are presided over by Mrs. Helen Hiet Waller, World Youth Forum Director, with a maximum of encouragement to free expression. In this program from 1957, students from Brazil, Finland, Japan, Jordan, and Singapore discuss the question of universal misunderstanding of teenagers. Although they are divided on the seriousness of the problem, they indicate that the misunderstanding between parents and teenagers does exist in their countries.
Presents members of the New York Herald Tribune World Forum and forum director Helen Hiett Waller. Teenagers from the Sudan, Israel, Ceylon, and Yugoslavia discuss American slang as an obstacle to the understanding of English and as a puzzlement and source of amusement to foreign visitors. The young people examine slang words and phrases in their own language.
Herald Tribune Forum delegates from Israel, France, Turkey, and Lebanon discuss their prejudices against other forum delegates and their countries. They indicate that some of their prejudices have been removed through acquaintances made in the U.S. (WOR-TV) Kinescope.
Teenagers from the United Kingdom, Pakistan, the Philippines, and Indian discuss prejudices against Britain and her policies. They further discuss their preconceived notions about America and indicate how their visit has changed these ideas. (WOR-TV) Kinescope.
Herald Tribune Forum members from the Gold Coast, the Union of South Africa, Ethiopia, and Nigeria discuss American prejudices towards Africans and towards African-Americans. (WOR-TV) Kinescope.
All 33 of the Herald Tribune High School Forum delegates appear in their native costumes and talk of their experiences and impressions after their three month stay in four different American homes and schools. 1957 (WOR-TV) Kinescope.
Discusses the decline of printing during the 18th and 19th centuries. Points out the main reasons behind the decline of printing. Reviews the work of William Morris and his successors in reviving the art of printing. (USC) Film.
This discussion centers around the political organization of the ancient Incas in Peru in relation to the work of their craftsmen in pottery and gold. Guests are Dudley T. Easby, Jr., secretary of the Metropolitan, and Julius Bird, department of anthropology at the American Museum of Natural History.
Discusses the present status of archaeology in Russia. Shows and discusses objects, found in Russia, formerly owned by Scythians and buried with them. Stresses the vast quantity of these objects and emphasizes the artistic quality of these exports from Greece. (NYU) Kinescope.
Discusses the processes involved in creating a piece of sculpture suitable for reproduction. Explains compositional elements in sculpture while a figure is modeled. Shows the process of making a plaster mold from the completed figure. Demonstrates how the "slip" or liquid clay is poured in the mold and after drying how the mold is removed. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
Shows how terra cotta clay may be used to create a reproduction. Demonstrates two different methods of using terra cotta. Explains several large pieces of terra cotta sculpture and presents them in their natural setting. Discusses and shows how this technique of sculpture can be used for monuments and on buildings. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.
The first program includes highlights from the other programs in this series to serve as an overview. Robert Frost discusses with a group of high school students and adults how and why he writes poetry. Illustrates his points with readings of his own poems, including "The Pasture" and "Stopping by Woods on a Snowy Evening." Emphasizes that prose has rhythm but that poetry is rhythm plus rhyme. Features a conversation with Dr. Jonas Salk, developer of the Salk polio vaccine. (WQED) Kinescope.
Robert Frost speaks informally with a group of friends about poetry, authors, and publishing. He discusses his philosophy of poetry, and his ideas on religion, loyalty, world affairs, love, and science. Suggests that one should not read more into a poem than is intimated by the poet. (WQED) Kinescope.
Robert Frost talks about and illustrates with his own poems the fundamental meaning of poetry. He speaks of the fun of writing, listening to words, and stories in poetry. He reads from his own poems “The Runaway Colt,” “Dust,” “The Woodchuck,” “The Ant,” “The Bluebird,” and “Stopping by the Woods.” This program evolved from a lecture to fifth grade classes involved in WQED’s Television Teaching Demonstration.
Dr. Henry Steele Commager and his guests discuss various aspects and problems of American higher education. Presents one viewpoint concerning the need for change in public thinking toward higher education, how students acquire attitudes, college and university methods, intellectual versus social training, educational leadership, and the problem of standards. Centers the discussion around the importance of society to the ultimate solving of these problems. (WQED) Kinescope.
Dr. Henry Steele Commager discusses the political thinking of today. Explains the desirability of the inductive or pragmatic approach to problems of politics and society. Discusses the concepts of majority and minority rule, loyalty, and security in terms of theoretical dangers, fundamental truths, and moral absolutes. Points out the importance of experience, reality, and actuality in judging political action. (WQED) Kinescope.
Dr. Henry Steele Commager and his guests discuss freedom and security in today's society. Defines freedom as a natural right, a practical necessity, and a way of living. Considers the problem of freedom, security, and loyalty on a national as well as local level. (WQED) Kinescope.
Dame Edith Sitwell’s guests are Dr. Neal Woodruff and Beekman Cottrell of the English Department of Carnegie Institute of Technology. She discusses with them life, poetry, the world and people.
Dr. Golden reviews the historical development of worker organizations, the role of labor unions in society, and the general structure of union organizations. Examines and evaluates labor's concern for sound social institutions and new constructive efforts. (WQED) Kinescope.
Dr. Urey discusses the work of the twentieth century scientist and the problems which he meets and how he accomplishes his goals. In his talk, Dr. Urey draws from his own background in research on heavy hydrogen.
Robert Frost discusses with a group of high school students what brings him happiness in life, what he does for entertainment, and what it means to write a poem. Reads and interprets from "The Gift Outright," "The Road Not Taken," and "Mending Wall." He denies that poems say anything more than they seem to say. (WQED) Kinescope.
This program is a conversation between Robert Frost and DR. JONAS SALK, developer of the Salk Polio Vaccine. They compare and discuss the similarities of science and poetry, and the devotions and the methods of procedure the poet and the scientist must make as well as the satisfaction derived in both fields by fulfillment.
Dr. Urey describes the advancement of civilization as a result of scientific discoveries. He points out the impact of science on humanity, the importance of ethics in science, and the significance of seemingly "impractical" scientific investigation. (WQED) Kinescope.
Dynamics of Industrial Philosophy (1942), by Mr. Golden, is evaluated for use in the area of labor relations today. “How has militant unionism affected the acceptance of labor organizations?” “Are labor’s needs furthered by strike methods?” “What was the significance of the instigation of the 40 hour week?” “Is there democracy in unionism?” “What should be the qualities of a labor leader?” “How can labor reach a greater acceptance in our society?” These are some of the questions answered and discussed in this program. Mr. Golden makes a strong appeal for greater individual expression and participation by employers and union members in order to build a stronger growth policy and more workable system for labor negotiations in our time.
“The Responsibility of Unions in our Democracy,” “the choosing and training of labor leaders,” “educating the public to labor philosophies and policies,” and “the opportunities for growth and cooperation in labor relations” are points of discussion in this last of four programs with Clinton Golden. The spiraling of rising prices and rising wages, the union shop and wildcat strikes are critically examined by Mr. Golden and his guests. The progress of arbitration techniques and new constructive policies for labor relations are presented as a summarization for this series.
Dame Edith Sitwell’s guest are Dr. Neal Woodruff and Oliver Shoemaker, both of the English Department of Carnegie Institute of Technology. She discusses with them some of the outstanding qualities of poetry depicted by poets throughout the ages and she gives some of her impressions of great society.
Dr. Harold Urey discusses the responsibilities of the scientist to science, to the world, and to himself in relation to his discoveries. He is joined by guests and they speak of the moral responsibility of the scientist with regard to potentially dangerous work. (WQED) Kinescope.
Dr. Urey relates scientific thinking to philosophical, political and religious areas. He discusses the revolutionary change in the ideas of today due to radical discoveries by scientists. He speaks of the important role of the scientist today.
Dr. Commager lectures on the subject of nationalism as something Americans take for granted but as something that is actually new in history. He also clarifies nationalism as a blessing rather than a curse to mankind. He discusses his theory that American nationalism differs in important ways from European or even Asiatic. He shows how nationalism came about as suggesting what the US can should do to mitigate the ravages of nationalism generally.
Dr. Henry Steele Commager discusses the place of America in history. Explains early European curiosity concerning the value of the discovery of America. Points out how America's contribution to technology, social democracy, federal politics, education, separation of church and state, and nationalism have influenced institutions elsewhere. (WQED) Kinescope.
Describes the influence of organized labor on governments and in the direction of foreign policy. Discusses the work of labor organizations and presents a film that shows the coming of the Industrial Revolution to various world areas. (WTTW) Kinescope.
Discusses the organization of the colonial empires by the mother countries. Explains how these early patterns have affected the development of South America, including even the independent nations. (KETC) Kinescope.
Sketches the background of the independence movement in the Latin Americas early in the nineteenth century: the intellectual revolution in Europe, Anglo-American and French breaks with the past, unrest in the Latin American colonies, and the events of the Napoleonic Age. (KETC) Kinescope.
Recounts the slow movement of the Spanish into the area of the Paraguay-Parana river system and across the Andes into Chile. Describes their difficulties with the Chilean Indians, and the Aracanians.
Traces the movements of the Spanish in the Americas. Stresses their efforts to find "another Mexico" after Cortez had conquered the Aztec empire. Explains the role of such men as Cabeza de Vaca, Coronado, and De Soto in these later movements. (KETC) Kinescope.
Discusses various aspects of the colonial overseas empires and suggests how these aspects affected the future nations. Reviews some of the economic aspects of the colonial Latin Americas. (KETC) Kinescope.
Points out and discusses the various groups or classes of colonial society--the whites, the mixed breeds, and the pure breed. Considers the religious, intellectual, and artistic life of these groups. (KETC) Kinescope.
Reviews the penetration of later Latin Americans into the hinterlands of the several colonies. Points out that these frontier movements expanded the territory held and often set the boundaries of the future nations. (KETC) Kinescope.
Fignewton Frog (puppet) and Dora (person) tell a story about Cheerily Chirp the young cricket who wants to learn to play the violin instead of being restricted to traditional cricket music.
Uses demonstrations of falling objects to explain how laboratory experiments help in understanding nature. Discusses the work of Galileo and Newton. Illustrates how basic laws of science are arrived at through laboratory experiments. Relates the work of the scientist to modern technology and a changing world. Features Dr. Gerald Holton, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.
Demonstrates a composer's vocabulary, beginning with "two-letter words" and proceeding to three-, four-, five-, and six-letter words. Illustrates each of these with musical selections. Describes the "personality" of musical words and indicates how a composer uses that personality in communicating with listeners. (University of Rochester) Film.
Divides laws into three categories--human, natural (moral), and divine--and discusses the nature of each. Suggests two ways of identifying the different laws, and explains how natural laws are discovered. Compares the characteristics of the positive or human law with the natural or moral law, and points out the conflicts which arise between the two. (Mortimer Adler-San Francisco Productions) Kinescope.
Describes the fundamental relationships existing between music, staging, and words in the successful and meaningful production of an opera. Stresses the importance, on the part of the stage director and the actors, of understanding the language of the music in arriving at staging procedures. Shows correct and incorrect examples of fitting stage movement to the music using selections from Don Giovanni, Faust, and Carmen. (WQED) Kinescope.
Mr. Goldovsky discusses his basic philosophy of the Opera in English and demonstrates his production techniques with excerpts from Rigoletto, and his own personal story of the need for the broader concept and acceptance of opera.
Continues the painting shown in THE CROSS. Shows the addition of the rope to the painting, binding "The Man of Sorrows" to the cross. "The process of further developing and finishing the surface of the painting has begun. (KETC) Kinescope.
Herald Tribune Forum delegates from Lebanon, France, India, United Kingdom, Indonesia, Korea, Philippines, Germany, and the Union of South Africa compare education in the U.S. with that of their countries. Includes comments on teaching methods, classroom procedures, and co-education. (WOR-TV) Kinescope. 1957