101. Man's needs (29:14)

Date:
1957
Summary:
Presents an analysis of man's trust and greatest needs. Points out that man's aspirations and needs are not always one and the same thing. Features an interview between Dr. Erich Fromm and host Dr. Huston Smith. (KETC) Kinescope.

102. Masks in the world of art (29:50)

Date:
1957
Summary:
In this program, Mr. Fitzpatrick discusses masks as a form of art expression, how they are made, and their uses. Describes ceremonial festivals, and the theater. Demonstrates the making of the mask in clay, paper mache, and bent cardboard. Explains how various materials such as raffia, paint, and metal are applied to the mask for decoration. Uses models to illustrate the artistic merit and effectiveness of masks.

103. Meaning and learning (29:13)

Date:
1957
Summary:
Explains how learning is aided by the meaningfulness of the material to be learned. Points out how rhyme, rhythm, and symbolism are aids to learning. Conducts an experiment to show the relationship of meaning to learning. (WGBH-TV) Kinescope.

104. Melody and polyphony, flute and harp (23:36)

Date:
1957
Summary:
Introduces the harp, explains how it produces sounds, and reviews its development from early times in Egypt. Explains and demonstrates techniques of playing, of tuning, and of producing special effects. Musical selections include: Salzedo, Fraicheur, La Desirade, Cortige, Chansons Dans la Nuit, and Traipsin' thru Arkansaw; Bach, Arioso; and ravel, Piece en Frome de Habanera. (Arts and Audiences, Inc.) Film.

105. Merry Mount (29:29)

Date:
1957
Summary:
Explains how the composer conveys to his audience the emotions, the actions, and the thoughts of the personages in an opera. Shows how particular character "themes" and descriptive settings are worked out so as to express musically the thoughts, emotions, and behavior of the characters. (University of Rochester) Film.

106. Metal sculpture in the world of art (29:37)

Date:
1957
Summary:
In this program, Mr. Fitzpatrick discusses the use and adaption of metal as an art form. Explains how new metals have created a challenging material for the sculptor. Demonstrates the use of simple tools in creating different types of metal sculpture from rod, wire, sheet, and mesh. Illustrates with metal sculptures.

107. Meter and Rhythm (29:17)

Date:
1957
Summary:
Discusses rhythm as the punctuation in the language of music. Illustrates tempo, pulse, rhythm, meter, and accent with musical selections. Demonstrates and suggests the different emotional responses evoked by them. (University of Rochester) Film.

108. Military precautions for preventing war (29:21)

Date:
1957
Summary:
Discusses the use of military force as the major deterrent to war until an international force can be established. Features General John E. Hull, United States Army (retired) and host Dr. Huston Smith. (KETC) Kinescope.

109. Mobilizing agricultural resources (29:32)

Date:
1957
Summary:
Interview-in-depth with Henry A. Wallace. A warning from a leading agriculturalist of the imperative necessity to bring agricultural resources all over the world, and most especially in the under-developed areas, to their maximum production or face a misery in those under-developed areas which could trouble world peace even more than the opposing ideologies of American and Russia. There is a suggestion for a world loan development for small farmers through the co-operation of the wealthy nations.

110. Mobilizing economic resources (29:39)

Date:
1957
Summary:
An interview-in-depth with Barbara Ward. An analysis of the existing economic resources of the world; a pointing up of the great disparity between different parts of the world; and a suggestion for a massive transfer of seed capital from the west to the east in order to bring the world standard of living to an over-all high level.

111. Modeling the portrait (29:33)

Date:
1957
Summary:
Presents an actual demonstration of the modeling of a portrait in clay. Explains how a sculptured portrait reflects "likeness" and reveals the character and personality of the sitter. Discusses the problems of working in three dimensions and the creation of the sculptural form and proportion. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.

112. Modern Development of Rocketry (14:50)

Date:
1957
Summary:
Traces the history of the development of the liquid-fuel missile by groups in Germany and the U.S. Views the development of the White Sands Proving Grounds and a parallel development of rocketry by the Germans, and explains the similarity of the two. Identifies the German A-9 and A-10 rockets as the forerunners of the multi-stage rocket. (New Mexico College of A. & M.A.) Film.

113. Modern Music (29:31)

Date:
1957
Summary:
Shows the musical difference between the conventional seven-tone white key scale and the "newer" scales used by Debussy and others. Demonstrates that romantic composers explored the newer scales and illustrates use of the full keyboard by modern composers. (University of Rochester) Film.

114. Monumental sculpture (29:42)

Date:
1957
Summary:
Discusses the problems and techniques of conceiving a monumental sculpture. Presents the steps the sculptor follows from the initial sketch to the completed work. Explains the use of the enlarging device in developing the eight-foot dimensions of a large figure from the basic features of a small sketch. Demonstrates by sculpturing a figure of Walt Whitman of a monumental scale. Features Merres Gage, sculptor and Professor of Fine Arts, University of Southern California. (UCS) Film.

115. Movement and Gesture: Action for Illusion (29:31)

Date:
1957
Summary:
Discusses the contribution of movement and gesture to the art of the theatre. Stresses the importance of the director in determining stage action. Presents problems encountered in stage composition, stage movement, and stage business.

116. Music and art : Germany (29:18)

Date:
1957
Summary:
Compares German paintings and engravings of the Renaissance with contemporary music of the period. Musical selections are performed by the Saturday Consort. Host is Colin Sterne with featured guest Dr. Walter Hovey of the University of Pittsburgh.

117. Music and art : Italy (29:20)

Date:
1957
Summary:
Compares Italian paintings on musical subjects with music of contemporary composers of Italy during the Renaissance. Musical performances are provided by the Saturday consort. Featured guest is Dr. Walter Hovey, Head of the Frick Fine Arts Department, University of Pittsburgh. (WQED) Kinescope.

118. Music and Effects: Sound for Illusion (29:17)

Date:
1957
Summary:
Discusses the role of music and sound in theatrical production. Shows the sound designer at work and exhibits the tools and equipment he uses. Demonstrates techniques followed in creating musical and sound effects for a play, using illustrations from well-known productions.

119. Music and Sound (29:10)

Date:
1957
Summary:
Shows how the "chord of nature" developed and became the basis for much of classical, folk, and popular music. Shows what is meant by the perfect fifth. Features Dr. Howard Hanson, director of the Eastman School of Music.

120. Musical Words (29:17)

Date:
1957
Summary:
Demonstrates a composer's vocabulary, beginning with "two-letter words" and proceeding to three-, four-, five-, and six-letter words. Illustrates each of these with musical selections. Describes the "personality" of musical words and indicates how a composer uses that personality in communicating with listeners. (University of Rochester) Film.

121. Narcotics traffic among teens (30:30)

Date:
1957
Summary:
Outlines some of the factors contributing to the narcotics traffic. Suggests possible ways to prevent drug addiction and to treat addicts. Shows how drugs are distributed and used. Features and interview with an addict. (WTTW) Kinescope.

122. Narrative Music (29:32)

Date:
1957
Summary:
Discusses similarities of approach to painting tone pictures and narrating stories with music among composers from Palestrina to Strauss. Shows that the same chords have been used by different composers to describe similiar moods or settings. Uses a variety of musical illustrations. (University of Rochester) Film.

123. Nature versus the laboratory (29:54)

Date:
1957
Summary:
Uses demonstrations of falling objects to explain how laboratory experiments help in understanding nature. Discusses the work of Galileo and Newton. Illustrates how basic laws of science are arrived at through laboratory experiments. Relates the work of the scientist to modern technology and a changing world. Features Dr. Gerald Holton, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.

124. New worlds for the book (29:41)

Date:
1957
Summary:
Describes how printers from many countries contributed to the art of printing. Tells how printing spread from Germany to other countries. Describes the significant printing done in Italy, Belgium, France, England, Mexico, and New England during the early development of the New World. (USC) Film.

125. Non-objective space in the world of art (29:15)

Date:
1957
Summary:
In this program, Mr. Fitzpatrick discusses the vital and revolutionary change that the constructions of the modern engineer with new materials have upon our thinking in art, particularly in the field of sculpture. Looking at large photographs of bridges, fire escapes, and TV antennas, we are conscious of the open-work build-up, the thrust, the tensions of modern constructions that stimulate the artist’s imagination toward new and dynamic art creativity. Materials such as wire, sheet metal, string, plaster, and wood are used in non-objective space designs, stabile and mobile.

126. Observation and experiment (29:10)

Date:
1957
Summary:
Discusses the significance to science of observation and experimentation. Demonstrates with experiments the difference between observation and laboratory experiments. Shows and explains early laboratory apparatus used in developing natural laws of science. (WGBH-TV) Kinescope.

127. One eye, two eyes, three eyes (15:05)

Date:
1957
Summary:
Two Eyes, the prettiest and sweetest sister is mistreated by her mother and sisters and never gets enough to eat. Her fairy godmother tells her that her pet goat is magic and if she will say a magic rhyme she will have all the food she wants. Realizing that Two Eyes is eating better than they, the two sisters learn her secret and the goat is killed. Two Eyes then buries the goat's heart by the door step and a gold and silver fruit tree appears. When the Prince comes by and asks for some fruit only Two Eyes can pick it for him. When he learns of her cruel treatment, he takes her to his castle to be his bride.

128. Opening program (35:51)

Date:
1957
Summary:
This is the first in a series of children’s program. Poindexter introduces his friend Mr. Raccoon, Miss Red Hen, The Princes and the Boy from “The Story that Never Ended,” the shoemaker from the story of “The Elves and the Shoemaker,” puppets from the “Grasshopper and the Ants,” the Gingerbread Boy, The Three Little Pigs, and many others. This program sets the scene for the story adventures ahead in this series.

129. Opera in English (29:39)

Date:
1957
Summary:
Mr. Goldovsky discusses his basic philosophy of the Opera in English and demonstrates his production techniques with excerpts from Rigoletto, and his own personal story of the need for the broader concept and acceptance of opera.

130. Opinion in relation to freedom and government (29:32)

Date:
1957
Summary:
Discusses the opinion in the realm of action, and points out the need for authority because of the disagreement among men. Points out that man makes decisions through his own judgement or opinion. Explains that the freedom of choice raises the need for some authority, either force or majority rule, in order that men may live together in peace. (Palmer Films) Film.

131. Paper from China (29:43)

Date:
1957
Summary:
Tells the story of the invention and spread of paper making. Discusses the materials and tools used in making paper. Demonstrates how paper was made in ancient China. Traces the history of the movement of paper making from China to Germany. (USC) Film.

132. Paper sculpture in the world of art (1:33:44)

Date:
1957
Summary:
In this program, Mr. Fitzpatrick discusses the use of paper as a medium of artistic expression. He demonstrates, with simple tools, the processes of folding, slashing, and scoring. Explains how to select appropriate papers for paper sculpture. Using the various techniques, several sculptures are constructed with examples.

133. Perception of objects (29:16)

Date:
1957
Summary:
Discusses and illustrates perceptions of objects. Uses diagrams and animated film. Shows how the mind organizes objects psychologically into sets in order to understand them more easily. (WGBH-TV) Kinescope.

134. Political methods of solving differences between nations (29:29)

Date:
1957
Summary:
Presents a discussion of American Foreign Policy. Points out the need of convincing our allies we are doing "the right thing" in foreign affairs. Features Mr. Paul Nitze, President of the Foreign Service Educational Foundation, and host Dr. Huston Smith. (KETC) Kinescope.

135. Population and birth control (29:35)

Date:
1957
Summary:
Presents a panel discussion on birth control as the most immediate answer for keeping the expansion of the world population in harmony with the gradual expansion of production. Featured personalities are Barbara Ward, Julian Huxley, and Harrison Brown. (KETC) Kinescope.

136. Population and the earth's resources (29:32)

Date:
1957
Summary:
Examines the resources of the earth and their ability to support man. Discusses the expansion of population in relation to resources. Points out the possibility of birth control to curb the dangers of population growth which could outrace the ability to produce. Features Harrison Brown, chemist and author. (KETC) Kinescope.

137. Population, resources and fulfillment (29:37)

Date:
1957
Summary:
Presents a look at the rapid growth in world population as a result of scientific advances in control of disease. Discusses the question of the expanding population with respect to economic and agricultural resources. Features Julian Huxley, biologist and author. (KETC) Kinescope.

138. Prelude to the Revolution (29:46)

Date:
1957
Summary:
Sketches the background of the independence movement in the Latin Americas early in the nineteenth century: the intellectual revolution in Europe, Anglo-American and French breaks with the past, unrest in the Latin American colonies, and the events of the Napoleonic Age. (KETC) Kinescope.

139. Preparing people for more significant living (29:37)

Date:
1957
Summary:
Presents a panel discussion on ways and means of preparing people for more significant living. Discusses the importance of a continuing education after formal training has ended. Points out reasons why adults do not continue educating themselves and how to overcome these problems. Features Mr. Aldous Huxley, Dr. Robert Hutchins, and Dr. Clarence Faust. (KETC) Kinescope.

140. Puerto Rico (29:36)

Date:
1957
Summary:
Surveys the political and economic evolution of Puerto Rico. Explains Puerto Rico's new political association with the U.S. Describes present Puerto Rican efforts to realize economic benefits through this new status. (WTTW) Kinescope.

141. Range Safety and Missile Guidance (14:56)

Date:
1957
Summary:
A rocket motor operates for a short time and then the missile coasts the rest of the way up and down. Once into the coasting period there is no way to change its trajectory. Stray missiles are prevented from leaving the range by stopping their motors before the burning is scheduled to end. Some missiles can be guided from the ground. Three types of guidance systems are: Command, Beam Riding, and Homing.

142. Reaction and Momentum (14:52)

Date:
1957
Summary:
Explains the principle of propulsion, and illustrates the way in which the design of a rocket engine increases the speed of escaping gases. Illustrates the law of momentum as applied to propulsion. States that one of the biggest problems of jet designers is that of making jet gases go faster. (New Mexico College of A. & M.A.) Film.

144. Relating human need to human aspirations (29:40)

Date:
1957
Summary:
Presents a discussion of the use of man's freedom. Tells how freedom can best be utilized to bring about and adjustment between aspirations and needs. Panelists include Dr. Erich Fromm, psychoanalyst, Barbara Ward, economist and author, and host Dr. Huston Smith. (KETC) Kinescope.

145. Reproduction in terra cotta (29:36)

Date:
1957
Summary:
Shows how terra cotta clay may be used to create a reproduction. Demonstrates two different methods of using terra cotta. Explains several large pieces of terra cotta sculpture and presents them in their natural setting. Discusses and shows how this technique of sculpture can be used for monuments and on buildings. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.

146. Responding to a stimulus (29:46)

Date:
1957
Summary:
Shows in detail what happens in a stimulus-response situation. Illustrates with a startle response. Explains the sensitivity of the five senses. Discusses the rods and cones of the eye and their purposes. Describes the type of response caused by muscles and glands. Points out the interrelations of the endocrine glands. (WGBH-TV) Kinescope.

147. Robert Frost : part 1 (29:46)

Date:
1957
Summary:
The first program includes highlights from the other programs in this series to serve as an overview. Robert Frost discusses with a group of high school students and adults how and why he writes poetry. Illustrates his points with readings of his own poems, including "The Pasture" and "Stopping by Woods on a Snowy Evening." Emphasizes that prose has rhythm but that poetry is rhythm plus rhyme. Features a conversation with Dr. Jonas Salk, developer of the Salk polio vaccine. (WQED) Kinescope.

148. Robert Frost : part 2 (29:47)

Date:
1957
Summary:
Robert Frost talks about and illustrates with his own poems the fundamental meaning of poetry. He speaks of the fun of writing, listening to words, and stories in poetry. He reads from his own poems “The Runaway Colt,” “Dust,” “The Woodchuck,” “The Ant,” “The Bluebird,” and “Stopping by the Woods.” This program evolved from a lecture to fifth grade classes involved in WQED’s Television Teaching Demonstration.

149. Robert Frost : part 4 (29:58)

Date:
1957
Summary:
Robert Frost discusses with a group of high school students what brings him happiness in life, what he does for entertainment, and what it means to write a poem. Reads and interprets from "The Gift Outright," "The Road Not Taken," and "Mending Wall." He denies that poems say anything more than they seem to say. (WQED) Kinescope.

150. Robert Frost : part 7 (29:48)

Date:
1957
Summary:
Robert Frost speaks informally with a group of friends about poetry, authors, and publishing. He discusses his philosophy of poetry, and his ideas on religion, loyalty, world affairs, love, and science. Suggests that one should not read more into a poem than is intimated by the poet. (WQED) Kinescope.

151. Robert Frost : part 9 (29:56)

Date:
1957
Summary:
This program is a conversation between Robert Frost and DR. JONAS SALK, developer of the Salk Polio Vaccine. They compare and discuss the similarities of science and poetry, and the devotions and the methods of procedure the poet and the scientist must make as well as the satisfaction derived in both fields by fulfillment.

152. Role of the Artist in Society (29:39)

Date:
1957
Summary:
Discusses the role and status of artists in society. Considers the sources of support of artists and suggests that artists are necessary to any society. Includes participation by Mark Van Doren, the author, and Philip Evergood, an American painter. (Hofstra College and WOR-TV) Kinescope.

153. Role of the Critic in the Arts (29:21)

Date:
1957
Summary:
Describes the critic as having a responsibility to society while expressing his own point of view. the critic does not attempt to educate but rather to observe keenly and to report and comment upon the arts. Features critics from the New York Herald-Tribune, Time magazine, and the New York Times. (Hofstra College and WOR-TV) Kinescope.

154. Roots of prejudice : is prejudice always bad? (29:28)

Date:
1957
Main contributors:
National Educational Television
Summary:
Teenagers from the United Kingdom, Pakistan, the Philippines, and Indian discuss prejudices against Britain and her policies. They further discuss their preconceived notions about America and indicate how their visit has changed these ideas. (WOR-TV) Kinescope.

155. Roots of prejudice : what are democracy's prejudices? (29:41)

Date:
1957
Main contributors:
National Educational Television
Summary:
Herald Tribune Forum delegates from Israel, France, Turkey, and Lebanon discuss their prejudices against other forum delegates and their countries. They indicate that some of their prejudices have been removed through acquaintances made in the U.S. (WOR-TV) Kinescope.

156. Roots of prejudice : who's responsible? (28:09)

Date:
1957
Main contributors:
National Educational Television
Summary:
Herald Tribune Forum members from the Gold Coast, the Union of South Africa, Ethiopia, and Nigeria discuss American prejudices towards Africans and towards African-Americans. (WOR-TV) Kinescope.

157. Scenic Styles: Design for Illusion (29:21)

Date:
1957
Summary:
Discusses and demonstrates scenic design and the part it plays in theatrical production. Introduces the scenic designer and his work, discusses the problems he faces as an artist, and shows how he creates scenery. Illustrates the objective of stage scenery. Presents styles of scenic design including realism, stylism, and theatricalism.

158. Science and Common Sense (29:42)

Date:
1957
Summary:
Discusses the relationship between science and common sense. Demonstrates the validity of the theory that "nature abhors a vacuum." Conducts experiments with water and mercury barometers to show the relationship of atmospheric pressure to the development of a newer and more concise theory. Features Dr. Leonard K. Nash, Professor of Chemistry, Harvard University. (WGBH-TV) Kinescope.

159. Science and Quantity (30:09)

Date:
1957
Summary:
Discusses the importance of numerical measurement in the progress of science. Uses experiments from physics, chemistry, and astronomy to show how a quantitative approach to science aids in understanding. Presents a brief history of the evolution of the mathematics in science. Features Dr. Gerald Holton, Professor of Physics, Harvard University. (WGBH-TV) Kinescope.

160. Sculpture in relief (29:37)

Date:
1957
Summary:
Explains and demonstrates how sculpture in relief developed from the cave man to the present. Illustrates with ancient and modern examples. Discusses the composition and carving techniques of full-scale reproductions of famous sculptures. Describes how the artist's sculpture is transferred in the production of a commemorative medal. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.

161. Sculpture in stone (29:29)

Date:
1957
Summary:
Discusses the use of stone as a medium of sculpture. Demonstrates the tools and techniques of stone carving. Shows several works carved from different types of stone explaining why particular stone os chosen for a specific piece of sculpture. Illustrates with the carving of a portrait of Washington. features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.

162. Sculpture in the world of art (29:41)

Date:
1957
Summary:
In this program, Mr. Fitzpatrick presents a historical review of sculpturing, emphasizing the materials and techniques employed in creating this art form. Discusses sculptural masterpieces from Egypt, Assyria, and Greece. Displays and explains the use of various varieties of stone. Demonstrates ways in which the beginner may use simple materials and tools--plaster of Paris, insulating brick, and a knife. Continues with a more detailed explanation of the sculptor's tools--mallet and various chisels. Features Henry Bursztznowicz demonstrating the techniques and tools used.

163. Sculpture in wood (29:34)

Date:
1957
Summary:
Demonstrates the tools and techniques of wood carving. Discusses and shows the advantages and disadvantages of wood as a medium of sculptor. Illustrates with finished works carved from different woods explaining the sculptural qualities and techniques of each. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.

164. Seeing double (29:19)

Date:
1957
Summary:
How and why do some writers arrange the fragments they have selected from actuality in an overlapping repetitive way?

165. Self-portraits in the world of art (29:59)

Date:
1957
Summary:
In this program, Mr. Fitzpatrick discusses the importance of the self-portrait as a means of art expression. Tells how the self-portrait not only preserves a physical likeness of the artist, but provides an insight into his character, mode of dress, and customs. Demonstrates the various techniques involved painting self-portraits by having two professional artists develop their own likenesses. Presents and explains the work and self-portraits of great artists to help develop a greater understanding of this art form.

166. Sexual or erotic love (30:19)

Date:
1957
Summary:
Discusses the essentials of love, and explains how sexual love and erotic love can be combined. Distinguishes between sexual desire and sexual love, outlining the elements of both. States that if sex or want come first, love is short lived but that love will last if it comes first. (Palmer Films) Film.

167. Sign and symbol (29:21)

Date:
1957
Summary:
Man learned early to read the messages of the footprint and the broken twig and the book of the clouds and the tides, as truly as though these were printed texts. Soon he began to make readable marks, blazing trails, signaling with piled stones and scratches on rock. Out of this came primitive pictograph for purposes of magic, commemoration, and communication. He talked to strangers in a sign language, the very symbols of which later were written down as characters. Simple pictures of these things came to stand for complicated ideas, as well as the things themselves. This opening program shows how very elaborate messages were early conveyed by simple signs.

169. Sketching in the world of art (29:24)

Date:
1957
Summary:
In this program, Mr. Fitzpatrick discusses the creation of a work of art through sketching. He explains and demonstrates the expression of an idea using a variety of media and techniques. Uses the work of Miro, Kandinsky, and others of the contemporary school to clarify the expression of concepts and objectives. Stresses the point that sketching should represent each individual's own personal creative interpretation of an idea.

170. Slang around the world (29:18)

Date:
1957
Main contributors:
National Educational Television
Summary:
Presents members of the New York Herald Tribune World Forum and forum director Helen Hiett Waller. Teenagers from the Sudan, Israel, Ceylon, and Yugoslavia discuss American slang as an obstacle to the understanding of English and as a puzzlement and source of amusement to foreign visitors. The young people examine slang words and phrases in their own language.

171. Snow White and Rose Red (15:08)

Date:
1957
Summary:
Hand puppets portray the age-old story of two girls named Snow White and Rose Red, who live with their mother in a small cottage near the forest. One evening a bear comes to their door seeking warmth. He is invited in, and after playing with the two little girls, the mother tells him he is welcome to stay with them until spring.

172. Space Highways (14:52)

Date:
1957
Summary:
Discusses naviagational routes in space travel. Describes parabolas, hyperbolas and ellipses as the curves that will be traced by airships coasting in planetary and solar gravitational fields.

173. Spots and Floods: Lights for Illusion (29:22)

Date:
1957
Summary:
Discusses stage lighting in terms of special effects, atmosphere, and mood. Follows the work of the light designer from the initial preparation to the final production. Outlines the objectives and demonstrates in detail the basic requirements of stage lighting. Presents many types of lighting equipment and explains how they are used to produce desired effects. Includes a brief history of stage lighting.

174. Stage and Backstage: Space for Illusion (29:16)

Date:
1957
Summary:
Describes the role of the production crew--the designers, craftsmen, and technicians. Demonstrates the procedures followed by the production staff in the creation of the play. Shows where they work, how they perform their jobs, and the tools which they use.

175. Staging the opera (29:30)

Date:
1957
Summary:
Describes the fundamental relationships existing between music, staging, and words in the successful and meaningful production of an opera. Stresses the importance, on the part of the stage director and the actors, of understanding the language of the music in arriving at staging procedures. Shows correct and incorrect examples of fitting stage movement to the music using selections from Don Giovanni, Faust, and Carmen. (WQED) Kinescope.

176. Summary of three months in the U.S.A (30:18)

Date:
1957
Main contributors:
National Educational Television
Summary:
All 33 of the Herald Tribune High School Forum delegates appear in their native costumes and talk of their experiences and impressions after their three month stay in four different American homes and schools. 1957 (WOR-TV) Kinescope.

177. Terra cotta sculpture (29:31)

Date:
1957
Summary:
Discusses the use of terra cotta clay in sculpturing. Shows the modeling of a figure in terra cotta clay. Explains the nature of this medium and the problems of working with it. Tells how terra cotta clay differs from ordinary modeling clay. Demonstrates the "inside-outside" method of working with terra cotta. Illustrates with examples of completed figures in different kinds of terra cotta clay. Features Merrell Gage, sculptor and Professor of Fine Arts, University of Southern California. (USC) Film.

178. The actor : character creation for illusion (29:03)

Date:
1957
Summary:
Examines the actor's contribution to theatrical production. Discusses two basic steps in the actor's creation of the character which he portrays: visualization and expression. Demonstrates by following the actor and director through a study-analysis discussion and a rehearsal of Romeo and Juliet.

179. The aesthetic and moral problems concerning art (27:53)

Date:
1957
Summary:
In the concluding program on this subject, Dr. Adler deals with the two general considerations of aesthetics and ethics. On the side of aesthetics, he draws a comparison between beauty in art and beauty in nature. He also deals with the problem of intellectual and moral content of art, the consideration of freedom of the arts, and concludes by comparing the importance in human life of producing as opposed to appreciating works of art.

180. The Age of the Universe (29:35)

Date:
1957
Summary:
Uses photographs and diagrams the explain the age of the universe. Discusses the age of the earth, compositions of the milky way, how stars are formed, and cosmic development. Points out the difference between mechanical and evolutionary changes in the universe. Explains the uncoiling spiral of a new galaxy, and speculates on the duration of our own solar system. Features Dr. Bart J.Bok, Professor of Astronomy, National University of Australia. (WGBH-TV) Kinescope.

181. The Alphabet in Black (29:51)

Date:
1957
Summary:
Show how the black keys on the piano can be an alphabet of music all by themselves. Demonstrates the black key scale is characteristic of much folk or primitive music and show how it has been used by many modern composers. (University of Rochester) Film.

182. The Alphabet in White (29:13)

Date:
1957
Summary:
Describes the white keys of the piano as part of the composer's language. Shows different colors and tonal qualities of various white key scales. Demonstrates transposition and shows the great variety possible in seven white piano keys. (University of Rochester) Film.

183. The amazing bird (29:41)

Date:
1957
Summary:
Discusses and illustrates physical characteristics of the bird. Explains the skeletal system, covering of feathers, and uses of the beak and feet. Outlines graphically the ancestry of the bird. (WGBH-TV) Kinescope.

184. The Amphibians: Salamanders (30:07)

Date:
1957
Summary:
Outlines and explains the life cycle of the salamander and shows some common salamanders of New England. Show how to set up a terrarium for keeping salamanders as pets. Also considers ferns, mosses, and club mosses suggested for use in a terrarium. (WGBH-TV) Kinescope.

185. The Amphibians: Toads and Frogs (29:49)

Date:
1957
Summary:
Shows close-ups of toads and frogs of New England. Pictures various kinds of frogs and toads, explains how to identify their eggs, and presents extreme close-up views of the action of polliwogs. (WGBH-TV) Kinescope.

186. The bears bargain (15:10)

Date:
1957
Summary:
Hand puppets enact the story of a man and wife who were too lazy to plant their own pear trees. Their neighbor tells them they may have all the pears that fall from the tree on their side of the fence.The husband goes to fetch wood and meets a bear who agrees to carry wood to the wife if he can have some bread pudding. The selfish husband and wife eat all of the pudding before the bear arrives. When he sees he has been tricked, the bear upsets everything in the house and leaves. He comes to the pear tree and decides to take the pears. Just then the wife sneezes, the bear thinks they are shooting at him so he drops the pears and runs away. The neighbor comes by and recovers the pears that were dropped, leaving the lazy man and wife with nothing.

187. The beautiful book (29:20)

Date:
1957
Summary:
Discusses the development of printing. Describes how printing is developed from simple writing on papyrus to decorated books written on parchment and vellum. Explains the origins of and differences between parchment and vellum. Discusses paint,ink,and writing techniques of the Middle Ages. Illustrates with collector's items. (USC) Film.

188. The beginnings of a conference for television (29:29)

Date:
1957
Summary:
Introduces the series, SCIENCE AND HUMAN RESPONSIBILITY, by discussing the reasons for calling the conference. Surveys the problems to be discussed. Features Dr. Huston Smith, Professor of Philosophy, Washington University. (KETC) Kinescope.

189. The brave tailor (15:07)

Date:
1957
Main contributors:
WKNO-TV, The Junior League of Memphis, Tom Tichenor, Diane Parrish, Emma Wade, Al Gresham, Al Wood, Bill Orr, Howard Holst
Summary:
Marionettes reveal the story of a Young Tailor who buys jam for one slice of bread which attracts seven hungry flies. The tailor kills all seven flies with one blow, decides he is very brave, and goes to the castle to win the hand of the Princess. He presents himself to the King and Queen, who sent him to kill two giants who have been destroying the kingdom. They promise the tailor the Princess in marriage when the giants are dead.

190. The case against Darwin (29:24)

Date:
1957
Summary:
Concludes the presentation of evidence supporting the case for Darwin, and discusses arguments against the Darwinian theory. (Palmer Films) Kinescope.

191. The case for Darwin (29:46)

Date:
1957
Summary:
Discusses the evidence and arguments for the Darwinian theory of man's nature and origin. Outlines the Theory of Evolution as it applies to plants and animals, and applies this theory to man, considering both physical and mental evolution. (Palmer Films) Kinescope.

192. The classic guitar : a miniature orchestra (22:43)

Date:
1957
Summary:
Discusses and demonstrates the use of the versatility of the instrument and explains how effects are produced. Features Rey de la Torre. Includes the following illustrative selections: Llobet, "Catalonian Melody"; Terrega, "Tremolo Study"; Sor, "Theme and Variation"; and Albenize, "Leyenda."

193. The Colonial Empires (29:24)

Date:
1957
Summary:
Discusses various aspects of the colonial overseas empires and suggests how these aspects affected the future nations. Reviews some of the economic aspects of the colonial Latin Americas. (KETC) Kinescope.

194. The conditions of progress in philosophy (28:49)

Date:
1957
Summary:
Tells about the Institute of Philosophical Research in San Francisco, and discusses its purpose and activities. Explains the necessary conditions for philosophical progress, and describes the contribution of the Institute to liberal education. Points out that the Institute is not attempting to find answers to all questions, but rather to establish a foundation for future philosophers. (Mortimer Adler-San Francisco Productions) Kinescope.

195. The cross (29:46)

Date:
1957
Summary:
Continues the painting shown in THE HANDS. Shows the outlining and painting of the cross, including the addition of the grain of the wood. Explains the importance of the cross to the theme of the painting. (KETC) Kinescope.

196. The delinquent self (29:10)

Date:
1957
Summary:
Outlines the ways in which an individual develops a concept of himself as delinquent or criminal. Pictures typical episodes from the record of a delinquent and presents an interview with a delinquent become criminal. (WTTW) Kinescope.

197. The difference between knowledge and opinion (30:10)

Date:
1957
Summary:
Discusses the psychological difference between knowledge and opinion, and describes the skeptic point of view. Compares knowledge and opinion in relation to truth, and states that most of the things learned in school--history, geography, geometry--are right opinions, not knowledge. Presents Adler's views, and quotes from great philosophers. (Palmer Films) Film.

198. The Dignity of Man (29:48)

Date:
1957
Summary:
Discusses the dignity of man and its importance. Examines the influence upon the human race of the ideas of such men as Galileo, Darwin, Marx, and Freud. Points out the state of man's dignity today in a world of terrorism, torture, hatred, and progressive dehumanization. Concludes with the reasons for a belief in man's dignity. (KQED) Film.

199. The Distance to the Sun (29:35)

Date:
1957
Summary:
Uses charts, models, and diagrams to illustrate basic concepts of solar measurement. Explains the use of parallax in finding the scale of the universe. Demonstrates how to find the distance to the moon and sun. Features Dr. Cecelia Payne-Gaposchkin, Professor of Astronomy, Harvard University. (WGBH-TV) Kinescope.

200. The distinction of work, play and leisure (28:49)

Date:
1957
Summary:
Distinguishes between work and play and work and leisure, and discusses the meaning of chores. Explains that work is that which we have to do for subsistence. Presents a derivation of the word "leisure", and lists some leisure activities. Places leisure between work and play, and points out that there are no distinct dividing lines between leisure and work and leisure and play. (Mortimer Adler-San Francisco Productions) Kinescope.