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Discusses rhythm as the punctuation in the language of music. Illustrates tempo, pulse, rhythm, meter, and accent with musical selections. Demonstrates and suggests the different emotional responses evoked by them. (University of Rochester) Film.
Shows how the "chord of nature" developed and became the basis for much of classical, folk, and popular music. Shows what is meant by the perfect fifth. Features Dr. Howard Hanson, director of the Eastman School of Music.
Shows the musical difference between the conventional seven-tone white key scale and the "newer" scales used by Debussy and others. Demonstrates that romantic composers explored the newer scales and illustrates use of the full keyboard by modern composers. (University of Rochester) Film.
discusses the analysis, tabulation, and charting of music. Proposes six categories and undertakes to show that nearly all music fits into this pattern. Uses numerous illustrative musical selections. (University of Rochester) Film.
Explains the use of the tone colors of an instrument or groups of instruments to achieve desired musical effects. Concentrates on the winds and the brasses as a number of musicians display the tonal color limits of their instruments. (University of Rochester) Film.
Analyzes the score of a symphony and explains why it was scored as it was. Compares this symphony to a painting and to an austere essay and shows how the background, the highlights, and the essential figures are developed. Analyzes a composer's motives and illustrates their orchestral expression. (University of Rochester) Film.
Explains how the composer conveys to his audience the emotions, the actions, and the thoughts of the personages in an opera. Shows how particular character "themes" and descriptive settings are worked out so as to express musically the thoughts, emotions, and behavior of the characters. (University of Rochester) Film.
Examines the construction--theme by theme, movement by movement--of a modern symphony. Like as musical form to a mural, to a complicated building, and to a well-planned public speech. Feature the playing of Hanson's Romantic Symphony, No. 2. (University of Rochester) Film.
Discusses similarities of approach to painting tone pictures and narrating stories with music among composers from Palestrina to Strauss. Shows that the same chords have been used by different composers to describe similiar moods or settings. Uses a variety of musical illustrations. (University of Rochester) Film.
Describes the white keys of the piano as part of the composer's language. Shows different colors and tonal qualities of various white key scales. Demonstrates transposition and shows the great variety possible in seven white piano keys. (University of Rochester) Film.
Show how the black keys on the piano can be an alphabet of music all by themselves. Demonstrates the black key scale is characteristic of much folk or primitive music and show how it has been used by many modern composers. (University of Rochester) Film.
Introduces the harp, explains how it produces sounds, and reviews its development from early times in Egypt. Explains and demonstrates techniques of playing, of tuning, and of producing special effects. Musical selections include: Salzedo, Fraicheur, La Desirade, Cortige, Chansons Dans la Nuit, and Traipsin' thru Arkansaw; Bach, Arioso; and ravel, Piece en Frome de Habanera. (Arts and Audiences, Inc.) Film.
Explains that the personality of music is determined by the composer's style and by the use of various musical effects. Demonstrates and contrasts styles through selections played at the piano. Includes music by Bach, Schumann, Debussy, Liszt, and Chopin.
Discusses the dignity of man and its importance. Examines the influence upon the human race of the ideas of such men as Galileo, Darwin, Marx, and Freud. Points out the state of man's dignity today in a world of terrorism, torture, hatred, and progressive dehumanization. Concludes with the reasons for a belief in man's dignity. (KQED) Film.
In his final program, John Dodds poses a startling question: “Are Americans civilized?” Undoubtedly, he says, most Americans will reply without hesitation. “Of course, we are!” Yet, Dr. Dodds points out, we are branded by many foreigners as a raw, materialistic, uncouth, mercenary, and even an uncivilized nation. He inquires into the factors in our society that have induced such severe criticism from abroad. He asks if others are merely jealous of our technological advancement –which most are as quick to adopt as they are to criticize –or have they actually found some basic flaws in the fabric of our culture. In peering into the structure of our civilization, he holds up a mirror in which all Americans might profit from viewing themselves. From this analysis we realize that American have their shortcomings both obvious and subtle, but, as to the state of American civilization, Dr. Dodds leads us to believe the picture is more pleasant than many would have us think.
Compares Italian paintings on musical subjects with music of contemporary composers of Italy during the Renaissance. Musical performances are provided by the Saturday consort. Featured guest is Dr. Walter Hovey, Head of the Frick Fine Arts Department, University of Pittsburgh. (WQED) Kinescope.
Discusses and demonstrates the use of the versatility of the instrument and explains how effects are produced. Features Rey de la Torre. Includes the following illustrative selections: Llobet, "Catalonian Melody"; Terrega, "Tremolo Study"; Sor, "Theme and Variation"; and Albenize, "Leyenda."
Compares German paintings and engravings of the Renaissance with contemporary music of the period. Musical selections are performed by the Saturday Consort. Host is Colin Sterne with featured guest Dr. Walter Hovey of the University of Pittsburgh.
Describes the problem of reducing the effect of gravity on humans. Discusses the sense of sight, balance, position, and touch and how they will be affected by upper air travel. Describes the construction of the inner ear and the way in which it affects our sense of balance. (New Mexico College of A. & M.A.) Film.
