Could not complete log in. Possible causes and solutions are:
Cookies are not set, which might happen if you've never visited this website before.
Please open https://media.dlib.indiana.edu/ in a new window, then come back and refresh this page.
An ad blocker is preventing successful login.
Please disable ad blockers for this site then refresh this page.
Discusses rhythm as the punctuation in the language of music. Illustrates tempo, pulse, rhythm, meter, and accent with musical selections. Demonstrates and suggests the different emotional responses evoked by them. (University of Rochester) Film.
Shows how the "chord of nature" developed and became the basis for much of classical, folk, and popular music. Shows what is meant by the perfect fifth. Features Dr. Howard Hanson, director of the Eastman School of Music.
Shows the musical difference between the conventional seven-tone white key scale and the "newer" scales used by Debussy and others. Demonstrates that romantic composers explored the newer scales and illustrates use of the full keyboard by modern composers. (University of Rochester) Film.
discusses the analysis, tabulation, and charting of music. Proposes six categories and undertakes to show that nearly all music fits into this pattern. Uses numerous illustrative musical selections. (University of Rochester) Film.
Explains the use of the tone colors of an instrument or groups of instruments to achieve desired musical effects. Concentrates on the winds and the brasses as a number of musicians display the tonal color limits of their instruments. (University of Rochester) Film.
Analyzes the score of a symphony and explains why it was scored as it was. Compares this symphony to a painting and to an austere essay and shows how the background, the highlights, and the essential figures are developed. Analyzes a composer's motives and illustrates their orchestral expression. (University of Rochester) Film.
Explains how the composer conveys to his audience the emotions, the actions, and the thoughts of the personages in an opera. Shows how particular character "themes" and descriptive settings are worked out so as to express musically the thoughts, emotions, and behavior of the characters. (University of Rochester) Film.
Examines the construction--theme by theme, movement by movement--of a modern symphony. Like as musical form to a mural, to a complicated building, and to a well-planned public speech. Feature the playing of Hanson's Romantic Symphony, No. 2. (University of Rochester) Film.
Discusses similarities of approach to painting tone pictures and narrating stories with music among composers from Palestrina to Strauss. Shows that the same chords have been used by different composers to describe similiar moods or settings. Uses a variety of musical illustrations. (University of Rochester) Film.
