Start Over Collection IUL Moving Image Archive

681. Exposure Meter: Theory and Use (09:23)

Date:
1960
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] Presents briefly the theory of operation of the photoelectric exposure meter and gives illustrations of how it can be intelligently used to solve exposure problems. Practical use of the meter is shown in handling exposure problems relating to: scenes with extreme brightness ranges, achieving accurate flesh tones, copying, taking incident light readings, establishing lighting ratios, setting lights for a pre-determined f/stop, using a gray and white card, making substitute readings, and selecting from the various f/stop and shutter speed combinations either to achieve a desired depth of field or stop subject-motion. Throughout the Weston Master III meter is used for demonstration.

682. Fetal Pig Anatomy (17:46)

Date:
1962
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] Features the internal anatomy of fresh fetal pig specimens by systems, to illustrate techniques of dissection for studying the anatomy of a mammal. Shows fetal pigs within a uterus. Next, the internal anatomy is examined; then, the abdominal cavity is exposed and internal organs pointed out. Shows both the female and male reproductive systems. Organs of the neck and thoracic cavity are exposed and identified. The arterial and venous systems are followed and major structures indicated. Finally, the skull is removed and the parts of the brain and their respective functions are discussed.

683. Glaze Application (10:46)

Date:
1949
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] A skilled potter demonstrates the four methods of glaze application: dipping, pouring, brushing, and spraying. Specific techniques and good craftsmanship are emphasized. Proper preparation of a piece for glazing and precise finishing before firing are shown.

684. Globes: An Introduction (09:42)

Date:
1963
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] Describes the globe as a model of the earth, showing how the globe represents physical and cultural features on the earth's surface, and provides information about direction, distance, size, and location. Points out the poles, the equator, and scales of latitude on a globe.

685. Great Plains (15:13)

Date:
1963
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] Provides a tour of the great plains area and covers the spring wheat belt, the range livestock belt, the corn belt, the wheat belt, the cotton belt, oil fields, and Edwards Plateau. Gives particular attention to Amarillo, Texas to show the pattern of growth for many cities of the southern plains region.

686. I.U. Goes to War (20:19)

Date:
1943
Main contributors:
Indiana U Audio-Visual Center
Summary:
[film] Filmed principally on the campus of Indiana University, this film depicts the activities of various organizations and classes as they contribute to the war effort. Shows President Wells meeting with deans and administrators to make curricular changes to meet new demands. Shots of classes in medicine, nursing, nutrition, physical education, military training, practice teaching, sciences, language, law, etc., show many students at their daily work. Reflects the tempo of a university campus geared to a wartime program.

687. Legislative Process (28:40)

Date:
1954
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] Uses the General Assembly of Indiana to portray a state legislature in action as it passes a bill through the various steps to become a law. Includes animated sequences to chart the steps in the process and shows the roles played by the House and Senate chambers, the committees, the Legislative Bureau, the Attorney General, the lobbyists, and the Governor in creating the laws of the state.

690. Simple Molds (10:26)

Date:
1954
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] Shows a skilled ceramist demonstrating the step-by-step process of making simple molds of three types: slipcasting, drape, and press molds. Portrays the process from pattern-making to the completed object, and explains the steps at each stage.

691. Simple Slab Methods (10:34)

Date:
1948
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] Demonstrates three slab methods of pottery-making. Shows wedging, forming a candleholder directly from a lump of clay, rolling a slab for a simple tile, and constructing a flower container from several pieces of clay. Emphasizes the correct use of basic tools.

692. Stacking and Firing (10:41)

Date:
1950
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] A skilled potter demonstrates the correct stacking of both green and glazed pottery in a small kiln as the narrator explains the factors involved. The potter then shows each step in firing the pieces.

693. Throwing (10:57)

Date:
1950
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] A skilled potter demonstrates the shaping of various pieces of pottery on a potter's wheel. Shows each step in making a bowl and special steps in completing a low, flat plate and a pitcher.

694. Wet-Mounting Pictorial Materials (11:43)

Date:
1954
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] Explains the advantages of wet mounting paper materials on cloth, and then demonstrates the wet-mounting process in detail. Also shows methods of displaying wet-mounted posters, charts, and maps.

695. Wheat Belt (16:03)

Date:
1963
Main contributors:
Indiana U Audio-Visual Center
Summary:
[motion picture] Describes the winter and spring wheat regions of the plains states. Compares a winter wheat farm in south central Kansas and a spring wheat farm in northeastern North Dakota. Relates wheat farming to topography, soils, precipitation, and other factors.

696. Study of Government (14:40)

Date:
19uu
Main contributors:
Indiana U Instructional Support Services
Summary:
[motion picture] Orients students to the opportunities and experiences for the study of government at a typical college or university. Emphasizes that government cannot be taken for granted and that everyone is a part of the government. Demonstrates various areas of government for study: American government, politics, public administration, comparative and internal relations, and immediate controversial problems. Concludes with the generalization that the study of government is democracy at work.

698. Controlled Photographic Lighting (08:45)

Date:
1959
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Demonstrates the three basic considerations in controlled photographic lighting--placement of lights, quality of light, and lighting ratio. Uses a mannequin as a model to show the functions of main, fill, background, and accent lights in addition to the effects achieved when the lights are moved to different angles. Generalizes this studio set-up to apply to lighting in television, outdoor pictures, and when using flashbulbs. The effects of diffuse floodlights and spots are illustrated, and the changes produced by varying the lighting ratio is seen.

699. Drinking and thinking (17:19)

Date:
1985
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
A dramatization which compares responsible drinking with alcohol abuse. Intermixed with scenes from a party, a male and female participant each present facts about alcohol consumption and its effect on physical and mental functioning. Contrasts the view of a person who advocates abstinence with the opinions of a drinker who rationalizes his heavy drinking. Some of the facts presented reveal the relationship between the number of drinks consumed and blood-alcohol levels, the effects on the individual at each level, and tips about how to moderate drinking and behave responsibly if one is consuming alcohol.

700. Editing Synchronous Sound (10:46)

Date:
1960
Main contributors:
Indiana University, Bloomington. Audio-Visual Center
Summary:
Explains the process of editing motion picture footage in double system synchronous sound motion picture production. Follows, through use of flashbacks, the step-by-step sequences from the use of a clapstick to establish synchronization cues during shooting; the use of this visual-auditory signal to re-establish synchronization for each "take" during editing; means of permanently marking these head synchronization points; to the usefulness of the gang synchronizer and means of establishing internal synchronization points. Animation is employed to illustrate maintenance of synchronization in cutting from one take to another and means of elimination of unwanted sound in the sound track.