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Discusses the history of baseball from its inception in 1833, showing outstanding players, changes in the game, and scenes from the first night game in history 1933.
Girls from all over the United States tell how they feel about menstruation and how it has affected their lives. Emphasizes that menstruation is natural and healthy.
Limited to a Bolex, a tripod, a light meter, and 100 feet of Kodak 16mm B&W reversal film, we captured the film digitization phase of the Media Digitization and Preservation Initiative (MDPI) at Indiana University in Bloomington, IN. The film was shot in chronological order of the MDPI film digitization process and all editing was done in camera.
Indiana University, Bloomington. Audio-Visual Center
Summary:
A dramatization which compares responsible drinking with alcohol abuse. Intermixed with scenes from a party, a male and female participant each present facts about alcohol consumption and its effect on physical and mental functioning. Contrasts the view of a person who advocates abstinence with the opinions of a drinker who rationalizes his heavy drinking. Some of the facts presented reveal the relationship between the number of drinks consumed and blood-alcohol levels, the effects on the individual at each level, and tips about how to moderate drinking and behave responsibly if one is consuming alcohol.
Explores the problem that young people have with alcoholism. Stimulates consideration of self-reliance, decision-making, and resistance to peer pressure as part of developing the resolve to live free of dependence on alcohol or other drugs.
Discusses a well-known system for practicing pronunciation: articulation of consonants and enunciation of vowels. Emphasizes again more "parts" which are to be applied to "wholes." Shows how sounds are associated with a color code: blue for voiceless, red for voiced, and brown for nasal manner of articulation. Illustrates an early lesson at the "Presentation Stage" and introduces specific touch positions for color work.
Discusses shaping the pronunciation of vowels and consonants. Depicts the teacher helping the pupil combine voiced and nasal consonants with long vowels. Also presents more difficult sound combinations, including short vowels.
Demonstrates one pupil's accomplishment of the early goals of color work: pronunciation of vowel and consonant combinations. Depicts a pupil producing the majority of speech sounds on request, and imitating (shaping) some complex sounds: "SH", "R", "L", and "S". Discusses the application of "part" learning to the pronunciation of a new word, "talent," which the pupil sees in print.
Explains the contents of the Essentials of Good Speech. Discusses duration as an aspect of voice production and how it refers to the length of sound. Illustrates a lesson on duration at the "Presentation Stage" of Face A of the Speech Model. Shows the pupil learning a "part" (Duration) which will later be applied to a "whole" (word or words).
Presents a lesson at the "Imitation Stage" on duration, covering the "part" that will later be applied to a "whole" word or words. Depicts the shaping of the pupil's duration of vowels, using three levels of reinforcement.
Presents a lesson at the "Production Stage" on duration, an aspect of voice production. Depicts the pupil producing vowels of long or short duration on request. Points out how the knowledge and skill of the "part" learning of duration is then applied to the word "welcome." Demonstrates the use of verbal direction alone to help the pupil learn correct syllable duration in the word.
Discusses loudness as an aspect of voice production and how it refers to the relative strength of sounds. Emphasizes loudness as "part" learning which will be applied to a "whole" word or words. Shows an early lesson at the "Presentation Stage" of loudness, including a technique for handling inattention.
Presents a lesson at the "Imitation Stage" on loudness. Demonstrates how to help a pupil correctly imitate loud and soft vowels through the process of shaping only one ingredient at a time.
Demonstrates the production of vowels using requested loudness on first trials. Depicts the pupil applying her "part" learning, loudness, to get proper accent on the word "mama" through verbal request alone.
Presents a second lesson on pitch at the "Presentation Stage." Introduces hand signals used in association with extremes of pitch to help the pupil imitate extremes; these signals will be used later to cue her for correct pitch while she is talking.
Demonstrates the guiding of a pupil to consciously produce the desired pitch of vowels through reinforcement of his correct imitations. Depicts the teacher assessing the pupil's natural pitch for the vowels (ü), (ä), and (ē), in one case making the child conscious of his naturally high (ü).
Presents four lesson segments demonstrating advanced stages of pitch learning. Demonstrates, in the first segment, the production of vowels which move from low to high or high to low, and the production of combinations of loud, soft, high, and low-pitched vowels. Presents, in the second segment, the application of "part" learning of pitch to the correct general pitch by asking the pupil to lower his voice. Shows, in the final segment, the application of "part" learning of pitch to the intonation of the question, "Is it big?"
Discusses pitch as an aspect of voice production, and how it refers to the degree of highness or lowness of sound. Emphasizes pitch as a "part" which will be applied to "wholes." Presents a child's first lesson at the "Presentation Stage" of pitch, in which touch variations are introduced and explained.
Presents a pupil working at the "Imitation Stage" on pitch. Shows the pupil developing high vowels (ä) and (ē) from one naturally high vowel, (ü). Depicts a pupil being taught to sustain high vowels in moving in continuous voice from (ü) to (ä) and (ē).
Demonstrates teaching devices which can be employed to help the deaf pupil with step 1 of learning to pronounce the SH sound: three devices for tongue blunting, one device for keeping the tongue tip placement centered during blunting, and three devices for maintaining a high wide tongue during blunting.
Stresses the practice of the learned skill, proper tongue blunting, as a first step in learning "SH". Shows the pupil, now correct approximatley 75% of the time, being given a homework assignment, with his parents evaluating his practice.
Sets forth the incorporation of "SH" into words. Takes five nuclei words through Face A of the speech model. Demonstrates work on the first word, "she," from "Presentation, Imitation, and Production Stages" including carry-over devices and no-error level of practice. Uses one teaching device to review "SH" in isolation as well as one GLGSP in the language area.
Focuses on "CH" and "J" at Face C of the speech model through the GLGSP in classroom situations as the sounds arise incidentally in words. Shows the pupil working at the "Production Stage" of "CH" and the "Presentation Stage" of "J". Concludes the learning session, which began at Face A when the pupil started the in-depth work on "SH" as a single sound.
Works on the second nucleus word, "show", on Face A of the speech model through the "Production Stage". Shows evaluation and practice on all five nuclei words at the no-error level of practice at the "Production Stage" of Face A. Includes one GLGSP expanding language.
Presents the teacher collecting evidence of correct automatic production of all five nuclei words in general speech situations. Transfers skills learned on Face A to all words containing "SH" at Face B of the speech model. Follows the pupil as he progresses to Face C of the speech model, generalizing skills from Face A and B to analogous areas of speech, in this case the correct pronunciation of "ZH", "CH", and "J". Shows the pupil working at the "Presentation Stage" of Face C for "ZH" through the GLGSP.
Assesses the automatic and conscious production of a phrase. Depicts a teacher using the synthetic approach to begin a correction of the "whole" word, "welcome". Observes the child moving from "Presentation Stage" to "Imitation Stage" of Face A of the speech model. Examines the ability of the pupil to discriminate the difference in accent between her production (wel kum) and the correct accent (wel km). Shows the teacher using a discriminating activity, interweaving touch, vision, and auditory discrimination.
Continues synthetic practice of the "whole" word, "welcome", narrowing to analytic work on the second syllable (km). Shows the teacher shaping (km) toward correctness: weak form of the syllable, i.e., soft, short, nasal emission on (km). Then pupil works at the "Presentation and Imitation Stages" on Face A of the speech model.
Continues to practice, as well as working on the whole phrase incidentally. Evaluates the automatic production of the entire phrase. Includes five examples of use of the General Language: General Speech Pattern unrelated to specific work on (km).
Demonstrates the incorporation of the "part" (weak second syllable) back into the "whole", "Welcome." Depicts the teacher attempting to get proper intonation on the word through (a) shaping and (b) general practice. Presents an assessment of the automatic production of the phrase.
Examines carry-over practice involving habituation of the correct accent and intonation of the entire phrase. Demonstrates carry-over practice given through the General Language: General Speech Pattern by the teacher in the language lesson, by other teachers in a nursery school, and by parents at home. Concludes with a pupil automatically using the phrase correctly in a general situation.
Continues the shaping of the production of the element (km) to become weak. Depicts a pupil achieving a second approximation [making (km) very short], and later moving from High-Error to Low-Error to No-Error practice. Demonstrates the General Language: General Speech Pattern.
Discusses the GLGSP as an integrative device for the general teaching of language and speech so that every communication between pupil and adult can be made a learning situation for language or speech or both. Presents five steps a teacher can use in understanding what a pupil has said.
Follows the activities of a group of international Girl Scouts at a wilderness encampment in an Oregon national forest. Shows how they prepare for and take a five-day hike into the Three Sisters' Wilderness Area of Oregon without adult leaders. Quotations from their evaluation session are heard.
No longer wanted by their masters, a donkey, dog, cat, and rooster set out for Bremen to become musicians. They prove clever enough to outwit some robbers.
Develops through animation the story of Harold, who with his purple crayon creates a world of his own, since whatever he draws becomes real. Harold's adventures begin when he goes for a walk in the woods and draws the trees; when he is tired of the walk he draws a boat and some water and sails to an imaginary picnic, where he draws the food; and, finally when he tires of his adventuring he draws his house, his bed, the bedcovers and then hops in and goes to sleep. Based on Crockett Johnson's book by the same title.
Discusses the individuality of artistic techniques. Follows Reginald Pollack as he attempts to find creative inspiration in nature. Shows the benefits of studying other artists' work.
This older film is directed to young girls. Using diagrams, it helps them learn about menstruation and gives them a healthy understanding of the physical and emotional changes that occur in growing up.
Teaching Film Custodians abridged classroom version of a Cavalcade of America television series episode, "The Gift of Dr. Minot" (season 3, episode 20), which originally aired on April 12th, 1955 on ABC-TV. This film re-enacts the research of Boston physician and Nobel Prize winner Dr. George Minot, who disregarded his own diabetic condition to develop a cure for pernicious anemia in 1922. Concurrently, Canadian Dr. Frederick Banting (also a Nobel Prize winner) perfected insulin as a cure for diabetes, enabling Minot to conclude his experiment.
Joseph Moray, National Council of Teachers of Mathematics, John M. Davidson, Richard Gilbert, Arthur M. Kaye, Shirley Tebbe, Francesca Greene, Peter Smith, Carole Eickhoff, Davidson Films
Summary:
Delineates interesting facets of the development of our decimal system. Compares the additive, subtractive, multiplicative, and positional notation aspects of the Chinese, Babylonian, Egyptian, and Hindu-Arabic systems. Uses models to explain concepts which lead to greater understanding of base 10 systems.
This film traces the historical development of our present decimal system--the Hindu-Arabic system of numeration. The meaning and importance of base ten, place value, grouping, numerals, and expanded notation are carefully described.
Pictures the globe as a model of the earth and points out the representative shape and color of land and water areas. Identifies the continents and compares their sizes and locations. Uses animation to show the character of the ocean floor. Explains the poles and scales of latitude and compares various types of globes.
Describes various phases of high temperature research, giving examples of compounds being used, goals of the research, and some results to date. Discusses procedures being used, with emphasis on procedures with titanium sulfide.
Points out the danger of a drunk driver. Uses laboratory tests to show that the ability to drive diminishes in proportion to alcohol consumption. One man's experience is presented to stress the personal misery which can result from drinking before you drive.
Documents the principal works of ancient statuary which constituted the core of the exhibition, The Arts of Thailand, which came to the United States in the form of a traveling exhibition in 1960. Presents the transformation of the Buddha image from the representation of a revered teacher to that of a supreme deity. Makes the point that one cannot understand Thailand today if one fails to see how faithfully the psychology of a nation is mirrored in its depiction of the Buddha throughout the centuries.
Erling M. Hunt, Wade Arnold, Abraham Ribicoff, Center for Mass Communication, Columbia University Press
Summary:
Discusses the purposes and functions of the five major divisions within the department of Health, Education, and Welfare. Describes the several offices, agencies, and bureaus, and indicates how these deal with foods, drugs, social security, vocational rehabilitation, and education. Emphasizes that the major concern of the department is to benefit individuals in their living. Narrated by Abraham Ribicoff, a former secretary of the Department of Health, Education, and Welfare.
Discusses the purposes and functions of the five major divisions within the department of Health, Education, and Welfare. Describes the several offices, agencies, and bureaus, and indicates how these deal with foods, drugs, social security, vocational rehabilitation, and education. Emphasizes that the major concern of the department is to benefit individuals in their living. Narrated by Abraham Ribicoff, a former secretary of the Department of Health, Education, and Welfare.
Describes a geometric circle and defines and illustrates such terms as radius, congruent circles, chord, diameter, major and minor arcs, semicircles, and central angle. Shows the relationship between a central angle and its arc; presents methods for proving arcs equal in degrees and length; and describes the relationships of a diameter, a chord, and its intersected arcs.
Uses common everyday examples of the effects of humidity to introduce and explain this idea. Shows Kay, an attractive teenager, and her adventures with a violin, a stuck drawer, and drying off at the pool as these processes are influenced by the humidity. Animates an explanation of dew, relative humidity, and dew point. Shows and explains several weather instruments for measuring humidity.
Ellis Katzman, Elbert C. Weaver, John A. Skarulis, William H. Pasfield, Ross Lowell, Herman J. Engel, Robert Braverman, Peter Robinson, Geraldine Lerner, Max J. Rosenberg, Fisher Scientific Company
Summary:
Demonstrates the differences between saturated, unsaturated, and supersaturated solutions; that solutions are dynamic, not static in character; and also shows suspensions and colloidal dispersions. Presents characteristics of solutions and explains insolubility, solutions without chemical reactions, mixtures, suspensions, and the Tyndall effect in colloidal dispersions.