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Explains why large quantities of war materials, in particular steel, are needed for the war effort. Shows the sea battle and beachhead landing of the Normandy invasion.
"Includes a report from Britain showing the RAF and the 8th Air Force on a hedgehopping bomber flight over France and Germany, and the 5th Air Force report from New Guinea." ("News and Notes," Educational Screen, June, 1944, 266.) Shows a film clip claiming to be an "Official German Newsreel," with footage of American planes that have been shot down and have crashed onto German soil. Shows how Germans salvage metal from these American aircraft to use for their own war effort and explains that each crashed plane is indicative of loss of soldiers' lives.
Shows to the men and women of American industry the vital importance to the war effort of all the little parts that they are making. Discusses the importance of ball bearings to the Nazi war effort and the Allied strategy of crippling the bearings industry. Shows the planning and intelligence gathering that led to the bombing of ball bearing factories in Schweinfurt.
Shows heavy equipment of all types used by the Corps of Engineers and the Seabees during World War II. Describes how the "work power" of military construction units clears beaches of mines, constructs new roads, builds bridges and airstrips, and sets up water purification systems. Contrasts the pre-technological building techniques of China, India, and Africa with the technological might of the U.S. military.
"How our fighting equipment gets through to our fighting men in quantity and on time. The mountains of supplies for combat loaded at ports of embarkation are unloaded under combat conditions and under fire in the South Pacific. From behind-the-lines General Supply Depots they are moved through jungle swamps to advance bases, to the firing lines. The never-ending battle of supply is graphically told in these pictures."--Supplement to Visual Aids Catalog, Indiana University Extension Division, May 1945.
Using dramatized events and newsreels, this film shows the organizing done during World War II to ship war supplies to the military. Shows the work of the Army Transportation Corps in providing ship convoys, as well as the work done by supply depots.
Reviews the World War II service of the transport "Wakefield," formerly the liner "Manhattan"; shows it being used for the transportation of troops, bombed at Singapore, and burned in the Atlantic.
Provides basic instructions for planting a home vegetable garden. "Sets forth, in light vein, the essentials of good gardening; selection of the site, preparation of the soil, how to lay out a garden, planting, transplanting, cultivating, weed and pest control, and proper watering. A 'dream' sequence shows, by stop motion photography, how plants grow. The picture closes with a series of humorous 'DON'TS' designed to bring home, through exaggeration, the many pitfalls that might mar the success of an amateur gardener" (Motion Pictures of the United States Department of Agriculture, 1945, 30-31).
United States. Department of Agriculture, Office of Information, Motion Picture Service
Summary:
An episode of the popular "Quiz Kids" radio program introduces the U.S. Department of Agriculture's school lunch program. The four precocious children, ages 7 to 12, demonstrate knowledge of Shakespeare, chemistry, math and geography as they answer a series of quiz questions given by host Joe Kelly. Concludes with a message from the host about importance of adequate and healthy food for schoolchildren. Showing women in wartime factory jobs, the narrator states "in busy America many mothers perform many necessary jobs outside the home, but we must never become too busy to feed our children." Community groups are called upon to sponsor school lunch programs with the support of the Department of Agriculture.
United States. Department of Agriculture, United States. Department of Agriculture. Forest Service
Summary:
Introduced as "the story of cattle grazing in the national forest," the film depicts cooperation between the Forest Service and local ranchers to manage the grazing of herds on public land. Original USDA catalog entry states: "Range management in the western national forests. Shows how to perpetuate grazing lands by protecting them from overuse by livestock and thus insure the income of ranchers and communities dependent on the livestock and grazing industry for a living" (Motion Pictures of the United States Department of Agriculture, 1945, 41). Depicts rounding up, branding and inoculating cattle in preparation for driving from private range land to National Forest. Shows duties of Forest Rangers, including monitoring fences and health of grasses. Cutting, raking and stacking of hay using mostly horse-drawn implements is shown. Concludes by showing that U.S. Forest Service range management has helped western "cow towns" to prosper and grow.
United States. Department of Agriculture, United States. Office of Information. Motion Picture Service
Summary:
Reports on the coordination of community volunteers for wartime farm harvesting labor through the efforts of the Victory Farm Volunteers of the U.S. Crop Corps and local agricultural agents. "The story of the farm labor shortage caused by the war, and how it was met during the crop season of 1944 through the vigorous and patriotic efforts of several million volunteers from our towns and cities. It shows the county agent in a typical agricultural county, marshalling its forces to recruit help needed to harvest the local potato crop. Similarly, workers were recruited all over the country to help with fruit, grain, cotton, sugar beets, hay, truck, and other crops. With the patriotic help of these volunteers, farmers, in spite of war handicaps were able to produce the largest crops in history" (Motion Pictures of the United States Department of Agriculture, 1945, 19). In an epilogue, Judge Marvin Jones, War Food Administrator, emphasizes that manpower shortage on farms is still a problem.
United States. Department of Agriculture, United States. Office of Information. Motion Picture Service, Wilding Picture Productions : produced by
Summary:
Shows methods of winter storage for produce grown in wartime Victory gardens. Provides demonstrations of how to achieve necessary temperature and moisture conditions for storing various vegetables by using attic space, construction of a storage room in the cellar, sunken barrels and insulated earthen mounds. "In the opening scene we find Mother and Father, Judy and Jimmy deep in the study of seed catalogs, preparatory to planting their victory garden. The picture passes quickly to the happy harvest time when Mother wonders what they will do with all the surplus vegetables. Father decides to store them. The film then demonstrates the best method of storing onions, beans, peas, apples, beets, carrots, salsify, squash, pumpkins, potatoes, sweet potatoes, turnips, parsnips, and cabbage" (Motion Pictures of the United States Department of Agriculture, 1945, 47). As this family exemplifies the industrious spirit of Victory gardening, narration states "in pantry and store room, in pit and mound, they have tangible proof of their husbandry."
United States. Department of Agriculture, Wilding Picture Productions, Inc. : produced by
Summary:
"A documentary tribute to the farm women of America and an explanation of their part in winning the war. Exemplified by 'Mom,' the farm woman is shown to be a potent force in lining up the farm family behind the agricultural war production program. It is "Mom" who helps the child out of difficulty. She looks after the chickens, the pigs, the young calf. If she's not in the garden or in the orchard, she is in the kitchen canning vegetables, picking a chicken, cooking, so that all will have enough and the right kind of food to eat. Everything and everybody on the farm depends on 'Mom.' She lends cheer and encouragement when morale is low. She is the moving spirit in community affairs. The things she does every day on the farm are war work. The attitude of farm women in general is summed up in 'Mom's' closing speech, 'If our farm can help—I guess it's little enough. It's kind of up to you and me to see it through' " (Motion Pictures of the United States Department of Agriculture, 1945, 22).
United States. Department of Agriculture. Agricultural Adjustment Administration
Summary:
Documents farming practices in the New England states, showing the prosperity that fertile soils brought to hardworking farmers who cleared the hilly land. That fertile soil, rich in minerals, accumulated over the course of centuries covered in forests. Shows that generations of farmers have enriched themselves from these fertile soils without adequately caring for them. Failing farms, dilapidation and abandonment are shown to follow farming these depleted soils. "But it doesn't have to be this way," states a narrator in the character of an old Yankee. Application of lime and phosphorous fertilizers recommended by soil scientists are shown to restore and maintain soil fertility. Abundant harvests of hay are shown resulting from well-fertilized fields. Depicts pre-mechanized farming and logging practices, hand harvesting, and use of working animals.
United States. Department of Agriculture. Bureau of Animal Industry
Summary:
An address given by Dr. John R. Mohler, Chief of the USDA Bureau of Animal Industry, provides narration for this film reporting on the work of the Bureau. "Animal husbandry and veterinary science increase the usefulness of domestic animals to mankind. Research, regulatory, and informational work of the United States Department of Agriculture; Cooperation with the States in the eradication of diseases; inspection of herds; laws regulating dairy conditions; livestock improvement; scientific poultry raising" (Motion Pictures of the United States Department of Agriculture, 1945, 35).
United States. Department of Agriculture. Bureau of Entomology and Plant Quarantine
Summary:
A presentation of the Bureau of Entomology and Plant Quarantine's code for the prevention of termite infestation. Using animated diagrams and detailed photography of actual termite infestations, the film educates builders and homeowners in inspection, remediation and prevention methods. Poor construction practices invite the ravages of these devastating insects. The film shows how buildings can be protected from further damage and points to be observed undertaking new construction. "It costs us 50 million dollars a year to feed the termites, it costs far less to block them," concludes the narrator.
United States. Department of Agriculture. Extension Service
Summary:
A history of home construction and architectural styles in the U.S. Emphasizes the homestead as symbolic of American values and national character. "The American farmstead, stronghold of human liberty —its history and social significance. This film presents views of many historic rural homes, from New England to California; points out that they have all been created and maintained by a lavish expenditure of sweat and elbow grease, and that the farm home is of prime importance in our civilization. Of general interest, with a special appeal to students of rural domestic architecture" (Motion Picture of the United States Department of Agriculture, 1945, 22). Includes scenes of New England colonial homes, the Georgian houses of the Chesapeake region, Monticello, Dutch colonial styles of Pennsylvania and the Hudson Valley, the Linnear House of Madison, IN, Andrew Jackson's Hermitage, the Uncle Sam Plantation in Louisiana, and the Spanish Haciendas of the southwest.
United States. Department of Agriculture. Forest Service
Summary:
Shows the necessity for U.S. Federal regulation of the nation's timber to insure protection and perpetuation of this vital resource. Shows that poor management practices for quick exploitation of privately owned forest lands have negative consequences for all citizens. "Private forest lands supply nearly 95 percent of all our forest products and the way they are managed is of daily importance to millions of individual Americans. Assured protection and proper management of our forests is a federal as well as a State responsibility because dependence on forests is interstate and national. This picture shows what can be done to stop destructive cutting practices, to restore and maintain a thrifty growing stock of valuable trees, and to safeguard forest production for the years ahead" (Motion Pictures of the United States Department of Agriculture, 1945, 24). Proposes a system of local regulation administered by local experts in forestry and the lumber industries. States that government regulation will not only protect and improve forest productivity, but will conserve and protect all natural resources and benefit the economic health of the nation.
United States. Department of Agriculture. Forest Service
Summary:
Shows the work of the U.S.D.A Forest Service forest rangers across the nation's 161 national forests. Narration lists the forest ranger's duty to "manage the vast American woodland to produce more timber for home builders, more forage for stockmen, more fish and game for sportsmen, protected watershed for towns and municipalities, abundant power for hydroelectric plants, and reliable supplies of water for famers who rely on irrigation." Forest fire prevention and fighting, replanting burned and logged areas, search and rescue of missing persons, educating children and enforcing poaching laws are among the jobs of the forest ranger depicted.
United States. Department of Agriculture. Rural Electrification Administration, Kendall Foss
Summary:
Worst of Farm Disasters was produced alongside the USDA's Rural Electrification Administration (REA) films Power and the Land and Bip Goes To Town. All three films document the life of an Ohio farm family, the Parkinson's, as they promote REA loans for modernization of small farms with electric service. Portrays the ever-present danger of fires on the farm resulting from reliance on kitchen cook stoves, kerosene lanterns and other traditional ways of farm life that would be improved through electrification. Narration conveys the message that "farms with electricity are more protected against fire loss than ever before, they are safer places to live for men and women."
United States. Department of Agriculture. Soil Conservation Service
Summary:
Presents problems of soil conservation and overgrazing in the western U.S. Narration states "the problem of saving the grasslands is before us," showing that careless management has resulted in the depletion of this vital natural resource. "This range, once capable of supporting 22,000,000 animal units, can now carry only half that number. Overstocking results in over-grazing. When the land is stripped of vegetation, erosion begins. How to prevent over-grazing, and restore areas of desolation to productivity is the problem presented in this film. Interesting photography of sheep and cattle on the range" (Motion Pictures of the United States Department of Agriculture, 1945, 42).
United States. Department of Agriculture. Soil Conservation Service
Summary:
A USDA production conveying the department's policy recommendations for the development of unusable wetlands into productive agricultural land. Narration explains that, for much of the year, land with "too much water with nowhere to go" is rendered unsuitable for farming. Engineering the draining of 31 million acres for the creation of productive agricultural land represents "one of the last great frontiers of America." Various drainage techniques are explained in detail: ditches, tile systems, and the creation of mole channels. "Shows where our 120 million acres of wet land are located. Points out that 78 million of these acres will serve us best if left in their natural state for the production of timber and the preservation of wildlife. Thirty-one million acres are shown to be suited to farming if properly drained. A section of the film illustrates briefly the principal types of water control and methods of land drainage. Through the use of these methods, farmers, working together, can improve drainage on land now being farmed, and bring into production land that is now too wet for any production at all. Recommended audiences: Farmers in Atlantic Seaboard and Gulf States; Ohio, Mississippi, and Missouri Valleys" (Motion Pictures of the United States Department of Agriculture, 1945, 46).
United States. Department of Interior. Division of Motion Pictures
Summary:
Recounts the history of land ownership by small farmers in the U.S. Free land for farmers gradually disappeared as the west was settled through the 19th century, resulting in the necessity for farmers to buy land with mortgages. Describes the creation of the 1916 Federal Farm Loan Act and regional land bank systems to enable tenant farmers to become landowners. "Shows how the cooperative mortgage credit system works in the everyday lives of John and Mary Farmer, who are typical of the 600,000 members of national farm loan associations now using their own credit system to achieve the goal of owning debt-free farms" (Motion Pictures of the United States Department of Agriculture, 1945, 21).
Presents a recent history of the war savings program from its inception in July 1941 to January, 1943, with special emphasis on the activities of retail stores and the payroll savings plan.
Wounded Americans, back from battlefields and task forces all over the world gave rise to the Navy's most important postwar mission--get them well and send them home.
Discusses the importance of various secret weapons used throughout World War II, such as radar and the atomic bomb. The film emphasizes the development and use of these weapons as being critical to winning the war, thereby justifying their costs. Ends with a plea to purchase victory bonds to support research that will prevent future wars.
"Step-by-step manufacture and assembly of the B-26 medium bomber in the Glenn Martin plant at Baltimore."--War Films, Bulletin of the Extension Division, Indiana University, February, 1943.
Describes and provides information about methods of defense regarding a recently developed type of German explosive fire bomb. In dramatic reenactments, wardens and civilians are warned to keep away from bombs that have fallen in the street. Various methods are shown for attacking bombs that have fallen in houses. The film demonstrates ways of applying water while taking advantage of the protection of brick walls.
Shows the importance of accuracy in the information a warden collects at the scene of disaster and the exact manner in which he should transmit information to the control.
"This film is an illustrated narrative of the method of preparing any home for a "black-out". It illustrates the vital importance to every family of knowing what to do and just how to do it. No details are omitted and the instructions are clear and well illustrated. Preparation of a shelter room is described and illustrated."--Frank Frankowiak, "Analysis and Evaluation of 16mm Motion Pictures Library Available at Indiana State Teachers College" (thesis), June, 1948, 109.
Presents the training of civilians for rescue work during World War II. Shows the procedures for assigning volunteers to the type of work for which they are prepared and training them to perform as a unit. Follows a squad from the sounding of the alarm, going to the scene, surveying the wreckage and taking notes, and tunneling for buried victims, to the orderly departure of the squad from the scene.
Discusses radius, threading, sheer-cut finishing, round-nosed finishing, and side-facing tools. Demonstrates the correct setting of the tools and the type of cut each makes.
Shows how to operate the controls of a vertical turret lathe, set up tools in the main turret head, rough-face and rough-turn an aluminum casting, and drill the center hole.
Shows how surface plates are used to check the flatness of surfaces, types of scrapers, how to remove high spots, and how to determine when a surface is scraped flat.
United States. Office of Education, United States. Federal Security Agency, United States Office of War Information, Overseas Branch, United Films
Summary:
Actress Ingrid Bergman gives an overview of the history of Swedes and Swedish culture in the U.S., presented as a reply to letters from her countrymen asking the question "why do Swedes get along so well in America?" A visit to the American Swedish Museum in Philadelphia occasions discussion of Swedes in the colonial era and prominent Swedes in the 19th century. Bergman travels to Minneapolis, "the center of Swedish culture," and tours Linstrom, Minnesota. Carl Sandburg is featured briefly before an overview of the Cooperative movement, started by Swedish Americans and widely adopted in agriculture and government.
United States. Office of Education. Division of Visual Aids , United States. Federal Security Agency, Caravel Films, Inc.
Summary:
Narration asks, and answers, the question: "what does a man need to have, outside of experience, to be a good leader?" Experienced supervisors discuss the qualities of good leadership with dramatized workplace scenes to illustrate. A machine operator promoted to group leader undergoes a change in personality with his newly gained status, causing resentment by his displays of authority. Shows that "a real leader never hesitates to praise a man for a job well done."
United States. Office of Education. Division of Visual Aids, United States. Federal Security Agency, Mode-Art Pictures, Inc.
Summary:
Dramatized scenarios in a machine shop workplace illustrate common problems arising between supervisors. "Larry Daniels fails as a supervisor because he does not recognize the importance of working harmoniously with other people, particularly with his fellow supervisors" (U.S. Government Films, U.S. Office of Education, 1954, 214). Concludes with a group of supervisors conversing in the locker room as they ask "I wonder if a guy like Larry should be a supervisor?"
United States. Office of Education. Division of Visual Aids, United States. Federal Security Agency, Caravel Films, Inc.
Summary:
Explains that the job of the supervisor includes preventing problems caused by a worker's loss of interest in the job. Narration explains "one of the most powerful spurs to production is the interest of the worker in his job." Shows various scenarios leading to loss of worker interest: monotony of the job, lack of advancement, a sense of failure in the job that is beyond the worker's control, a failure to appreciate the importance of the job, among others. Remedies for each of these scenarios are suggested.
United States. Office of Education. Division of Visual Aids, United States. Federal Security Agency, Caravel Films, Inc.
Summary:
Dramatizing a variety of poor workplace supervision practices, the film points out their flaws and suggests better approaches. Narration states "employees new in industry need special attention" and points out tactful approaches for supervisors to use in training. "Dramatized incidents illustrating good and poor methods of supervision, including the necessity for obtaining the confidence of workers and the dangers of 'snoopervising'" (U.S. Government Films, U.S. Office of Education, 1954, 184).
United States. Office of Education. Division of Visual Aids, United States. Federal Security Agency, Mode-Art Pictures : produced by
Summary:
Set in a typical wartime factory, the film discusses the supervisor's need to keep up production quantities while meeting quality standards. Narration states "quality work, like a mirror, reflects the one who produces it." Points emphasized include: the necessity for proper instruction of workers, making sure the right tools are provided and correctly used, matching the right man to the job, workers must have "job pride," the supervisor must assure that technical specifications are being met. "Bert Bowdler, a supervisor, learns that quality as well as quantity production is necessary, and how such quality standards can be achieved and maintained" (U.S. Government Films, U.S. Office of Education, 1954, 109).
United States. Office of the Coordinator of Inter-American Affairs
Summary:
"The title of this film is self-explanatory. It is especially adapted for students of archaeology and anthropology" (A List of U.S. War Information Films, Office of War Information, Bureau of Motion Pictures, April, 1943, 13)
United States. Office of the Coordinator of Inter-American Affairs
Summary:
Using color photography, this travelogue transports viewers in the U.S. to the exotic locale of Nahuel Huapi National Park, in the Argentine Andes. Showing the stifling mid-summer heat of Buenos Aires in January, the narrator explains city-dwellers' desire to escape to the cool, clean air of the mountains. The camera follows a group of young Argentines as they hike in the mountains, play with a herd of dairy cows, pick wild strawberries and prepare their yerba mate. Striking landscape photography shows glaciers, waterfalls, and captures an avalanche as it occurs. As with all Coordinator of Inter-American Affairs films, affinity between the nations of the Americas is encouraged by presenting foreign places to domestic audiences in an appealing, humanizing light.
United States. Office of the Coordinator of Inter-American Affairs
Summary:
A narrated travelogue addressed to viewers in the U.S. shows life in several small towns surrounding Lake Atitlan, Guatemala. Shows rope making from sisal hemp and traditional textile weaving. Concludes with a visits to the outdoor markets in Santiago Atitlan and Chichicastenango.
United States. Office of the Coordinator of Inter-American Affairs, Borge Hansen-Moller : produced and directed by, Kenneth Richter : camera
Summary:
A Coordinator of Inter-American affairs film intended to foster alliance and educate U.S. audiences about the Ecuadoran nation. "All who live in our hemisphere know that it must be kept as a place of freedom" states narration, urging the alliance of all the Americas in the fight against the Axis. The role of Ecuador and its Galapagos Islands territory in the defense of the Panama Canal are emphasized. Ecuadoran natural resources in service of the Allied cause include balsa wood and oil. Narration characterizes the viewpoint of the Ecuadoran people as supportive of the U.S. in the war: "Ecuador can hope for its rightful and untrammeled place in the family of nations only through the triumph of the United States and its allies." Concurrently, U.S. viewers are assured, "it’s good to know in these days of war that here is a friendly nation, a land ready for cooperation, for mutual defense..."
United States. Office of the Coordinator of Inter-American Affairs, R.H. Macy and Company, Inc.
Summary:
A Coordinator of Inter-American Affairs film reporting on a marketplace of goods from Latin American nations held at Macy's Department store in New York City's Herald Square. Promoting more than commerce between nations, both the bazaar and the film are intended to reinforce alliances between all the nations of the Americas during wartime. Showing the flags of the nations represented, narration states "21 symbols of American solidarity, 21 Republics firmly consolidated, to make up our western hemisphere." Color photography accentuates the beauty and exoticism of the displays. As shoppers are shown admiring the displays of art and culture and purchasing from each nation's vendors, the audience is told "they bought the goods that Latin America has to sell, money from merchandise, goodwill build on good trade relations, every sale a guarantee that the Americas mean business. Business that means friendship in the western hemisphere."
United States. Office of the Coordinator of Inter-American Affairs, Ralph E. Gray, A.C.L. : photographed and produced by
Summary:
A colorful travelogue of modern, urban life in Mexico City. "Shows scenes typical of modern Mexico, such as the tall buildings and wide boulevards of Mexico City. The canal leading to Xochimilco, with its fruit- and flower-laden boats, is pictured. Then describes a festival held in honor of the Vice President of the United States, Henry Wallace, when he visited Mexico City. It includes a bullfight and a parade of Mexican beauties. Ends with a pageant of old and new Mexican dances" (War Films Bulletin of the Extension Division Indiana University, February, 1943, 19)
United States. Office of the Coordinator of Inter-American Affairs, The National Geographic Society
Summary:
Described as a film portraying "twenty types of orchids and other flora of South and Central America and the conditions under which they grow" (U.S. Government Films, U.S. Office of Education, 1954, 134), its underlying subject is enchantment with the projected image itself. The color palette of Kodachrome reversal film is on display, capturing the faces of young women posed with exotic tropical flowers. The natural riches of Latin America --cacao, mangoes, and coffee--are presented for the delectation of audiences to the north. One of many similarly-styled productions in the Office of the Coordinator of Inter-American Affairs catalog of short, documentary subjects, this film contributes to the war era campaign to sway popular opinion toward a spirit of allegiance and neighborly-ness between the nations of the Americas.
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
Presents the wartime activities of four African American colleges--Tuskegee Institute in Alabama, Prairie View College in Texas, Howard University in Washington, D.C., and Hampton Institute in Virginia.
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
"A quick overview of the weeks spent in learning to jump, tumble, and fall, in practice jumping from a tower and from a dummy plane, in packing the parachute one's life depends on, in learning to jump from a plane in half a second, to guide a chute by working the shroud cords, to land without splintering a leg, to disengage the chute and come up fighting."--War Films, Bulletin of the Extension Division, Indiana University, February, 1943.
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
News stories include civilians giving up travel to enable the movement of soldiers, how a truck operates as a laundry at the front, the highway from Seattle through Canada to Alaska is completed, a report on the campaign in New Guinea, a sing-along version of The Marines' Hymn.
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
News stories include the introduction of the Mosquito reconnaissance bomber, the war in New Guinea, urging those at home to repair appliances as new ones are not available, the bombing on Naples, Italy, a letter to his fellow workers from machinist Arthur Hocking whose son has been killed in the war urging them to do everything possible to wind up the war, the United States Coast Guard song is played over scenes of Coast Guard life.
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
This newsreel covers six subjects. "The Raiders of Timor": recounts how Australian troops were forced to hide in the mountains on the island of Timor when the Japanese military conquered the island. The Australians conducted asymmetrical warfare against the superior Japanese forces. Their time as guerrilla soldiers and their recovery from the Australian Army is retold through reenactments. "Army Salvage": shows how the Army is recycling obsolete munitions and tanks from museums and warehouses into new weaponry. "We Guard Britain's Books": records how the British were using microfilm to reformat their rare books to provide a back-up copy in case the original texts were destroyed through German bombing. The microfilms are shipped to America and stored in the Library of Congress where they are accessioned, inspected, cataloged, and stored on shelves. "Good News from the Fishing Front": depicts how Canadian fishermen are increasing their yield to aid with food shortages in the U.S. Shows the repairing of nets and the hauling in of a 500-ton catch of herring. "Battle in the Caucasus": uses combat footage to tell how the Soviet military defeated German forces in a battle in the mountains of the Caucasus region on November 19, 1942. "Thingummybob: A Factory Song From Australia": a woman sings a song accompanied by a military band for workers at a factory. The Song celebrates female workers who worked on the production line to make equipment for the war. The chorus goes "I'm the girl that makes the thing/ that drills the hole that holds the ring /that drives the rod that turns the knob/ that works the thingummybob."
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
Newsreel contains stories about Veronica Lake getting her hair cut to promote worker safety, how absence from factory jobs can affect soldiers, how women going to war is affecting the care of children, British planes bomb Bremen, a sing-along version of the Army Air Corps song.
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
Shows how the Extension Service of the U.S. Dept. of Agriculture helped recruit and place young people from towns and cities on farms during World War II to combat farm labor shortage.
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures.
Summary:
Tells of the energy, the courage, and the efforts of the Russians behind the front lines in World War II. Shows the holding and striking power of Russia.
Uses captured German footage to show the unexpected Nazi counter-attack at the Battle of Ardennes, begun on December 16, 1944. Extends a plea for the American people to remain in their war-time jobs.
United States. War Department, The Signal Corps : produced by, Combat film units of Marines, Army Airforces, United States Navy
Summary:
Addressed to "the men and women of American Industry," the Film Communique series reports on military accomplishments to an audience of domestic workers producing materials for war. Composed of three short segments:
Burma Outpost Shows the air dropping of supplies for the 10th Air Force Division at outposts in the hills of Burma's border.
Private Snafu: The Home Front Cartoon intended for servicemen is here presented for civilian audiences. Private Snafu imagines his loved ones loafing and enjoying life, oblivious of his hardships. A fairy appears to show him the diligent war work going on back in his home town.
What Makes A Battle Shows the strategy and battles involved in the first land penetration of Japanese-held Marshall Islands, part of the campaign for the 32 Marshall Island atolls.
United States. War Department, The Signal Corps : produced by, Combat film units of Marines, Army Airforces, United States Navy
Summary:
Addressed to "the men and women of American Industry," the Film Communique series reports on military accomplishments to an audience of domestic workers producing materials for war. Composed of five short segments:
Cape Gloucester Jan 18 1944 Title card reads "1st Marine Division. Photo by Lt. R.S. Carter 7th Marines - leaving front - 23 day & nites in same clothes - fighting Japs - U.S.M.C." candid footage of battle-weary marines presented without commentary.
R.A.F. and 8th Air Force Report From Britain An aerial photographer follows daring French pilots of the R.A.F., flying at low altitude to evade radar detection, attacking a Nazi target in American-built A-20 bombers.
A 5th Air Force Report From New Guinea shows the ingenuity of ground crew men in repairing battle-damaged planes at an air depot in New Guinea. A Few Quick Facts animated sequence shows the distance a rifle bullet must travel before it reaches the Pacific battle lines to be fired at an enemy soldier.
A Fifth Army Report From The Beachhead shows the surprise invasion at Anzio, Italy, commentary describes "one of the boldest and toughest combined operations fought by the Fifth Army on the blood-soaked Italian boot." [see standalone short: http://collections.libraries.iub.edu/IULMIA/items/show/93]
Presented as an authentic message from the Japanese people to the American people, this film is actually a fake newsreel designed to counter any views the American moviegoer might have had about the Japanese being a backwards nation. The film employs a white American in yellowface as the Japanese narrator who describes the modern, technological Japan capable of withstanding the American military's attacks. Uses captured feature films and documentaries from the Japanese, including a short sequence from the 1937 German/Japanese co-production "The Daughter of the Samurai" in a brief clip with the actress Setsuko Hara. The film concludes with a plea to buy U.S. war bonds.
Incorporates footage originally used for the Japanese-produced newsreel, New Philippines News to show the horrible conditions that American prisoners experienced in enemy camps in the Philippines as a way to raise money through the sale of War Bonds.
University Films, J. D. Watson, Irwin H. Herskowitz
Summary:
Describes RNA and DNA which are favored as the carriers of genetic information. Presents DNA molecules as shown in the electron microscope and describes the polymeric nature of the DNA molecule and DNA nucleotides. Compares the base content of DNA from various organisms. Describes in detail the three-dimensional organization of DNA as revealed through X-ray diffraction experiments. Pictures a Watson-Crick double helix model of DNA which suggests that DNA may replicate by the two complementary chains separating with each single strand then acting as a template to form its complement. Lecture given by Dr. J. D. Watson.
Presents a high-school class studying god citizenship in the community and in the school. Dramatizes the manner in which the student committees organized projects for improving school elections, choosing proper representatives for student government, welcoming new students, and up-grading lunch room conditions. Emphasizes that good citizenship in the school produces good citizenship in the community.
Shot in Burma during the Denis-Roosevelt Asiatic Expedition (1939), led by filmmaker Armand Denis and his wife Leila Roosevelt. In Rangoon, views of the Shive Dagon Pagoda and huge bamboo irrigation water wheels are seen, as well as the temples, pagodas and bas-reliefs featuring snake motifs at the Pegan ruins. The ornamentation and neck wraps of Karen women are shown. A survey of the teak industry follows, including the training of elephants for logging work. The final sequence focuses on a Burmese priestess (Shan) who must supplicate a king cobra to appease the snake God.
Describes the first fire raid on the City of London on the night of December 29, 1940. Opening sequences in the film are taken from the roof of St. Paul's Cathedral. They show the London fire brigade working in the midst of blazing buildings and streets. Closing daylight sequences show the visible destruction of Guild Hall, St. Lawrence Jewry, St. Brides church and innumerable warehouses.
War Activities Committee of the Motion Picture Industry : distributed and exhibited by
Summary:
A short bulletin urging people to travel only when absolutely necessary in order that space can be saved for millions of troops and millions of essential civilian war workers. States that every non-essential traveler may be preventing a serviceman from joining his family during the holiday season. Civilians are told "on every highway and mainline, war has the right of way" and "we've got a battle of transportation to win here in the U.S., you can help to win it just by staying home."
War Food Administration, Nutrition and Conservation Branch, Westinghouse Electric and Manufacturing Co.
Summary:
In This Too Is Sabotage narration states "the saboteur is malnutrition," showing underlying causes of workplace accidents, lost man-hours, and losses in wartime productivity are often caused by the poor nutrition of workers' diets. Announcing "we're fighting against improper eating," a wartime nutritional program built from 7 food groups is detailed. At a dramatized presentation demonstrating meal planning following these nutritional guidelines before an audience of women, the presenter states that the guidelines "will help us with the job that has been given to us women, as the guardians of the vigor and vitality of our families."
"In the field of nutrition, the Westinghouse Company's film, This Too Is Sabotage, does a good job of selling the fact that a well-balanced diet is essential to health and happiness. This film is shown to employees in over a thousand war plants. The lunch hour is a favored time. Pre-shift showings to early arrivals are well attended, though many prefer to stay after a shift" (C.A. Lindstrom, "Agricultural Pictures and the War" Journal of the Society of Motion Picture Engineers vol. 42, no. 3, March, 1944, p. 183)
Presents an account of an actual air raid by the Bomber Command of the Royal Air Force. Aerial photographs disclose the objective to be raided. Then staff planning, routine preparations, and the tension of the evening take-off are shown. Follows a big Wellington bomber through its bombing of the target, engine trouble, the wounding of its wireless operator, and finally its report back to headquarters.
Begins with a short summary of American attitudes to the War in Europe and how the U.S. underestimated the militaristic tendencies of the Japanese. Argues that the Chinese have been fighting World War II longer than any other allied nation and should be considered one of America's chief allies. Describes America's effort to supply allied nations in the Pacific with war materials. The desperate need of the Chinese people is stressed. Scenes include the carrying of supplies over the Burma Road and the bombing of Chinese cities.
William J. Thiele, William Bruckner, Jack Chertok, Lee Van Cleef, Kenneth Tobey, Henry Morgan, Keith Richards, Lyle Talbot, Peter Hanson, Teaching Film Custodians
Summary:
Teaching Film Custodians abridged classroom version of an episode of the Cavalcade of America television series, "Duel at the OK Corral" (season 2, episode 20), which originally aired March 9th, 1954 on ABC-TV. This film highlights the efforts of Marshall Wyatt Earp to free the West of dangerous armed gunmen. Earp's activities in Dodge City, Kansas, in Deadwood, South Dakota, and in Tombstone, Arizona are featured.
Winifred Cullis, Gaumont-British Instructional Films, Beryl Denman Lacey, Frank Wells, Louis Dahl
Summary:
Uses animation to demonstrate the chemical processes of digestion. Shows the chemical breakdown of foods, the structure and functions of the glands involved, the absorption of digested foods, and the distribution and storage of food in the body.
Winifred Cullis, Gaumont-British Instructional Ltd., Beryl Denman Lacey, Frank Wells, Louis Dahl
Summary:
Uses animation to show the mechanical and muscular processes involved in the digestion of food. Includes the absorption of digested food, water, and salts into the blood and the function of the liver.
[videorecording] Filmed before the scenery of his rural Southern Indiana homestead, novelist James Alexander Thom talks about the philosophies and methods that frame his historical fiction. Believing that "character is a product of one's landscape," Thom uses his respect for and knowledge of the skills, resourcefulness, and self-reliance of contemporary "hill people" to re-create a visceral sense of living in the past. Thom's commitment to obtaining factual evidence as a basis for his novels leads him to seek out not only public documentation of historical events, but also those individuals, such as members of the Shawnee nation, who have preserved the past through generations of oral history. Thom is the author of Long Knife, the story of George Rogers Clark; Follow the River, the story of Mary Ingall's abduction and daring escape from the Indians; From Sea to Shining Sea, the saga of the entire Clark family; and Panther in the Sky, a biographical account of the life of the Shawnee leader, Tecumseh. Red Ribbon, 1991 American Film & Video Festival.
