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Beginning with an outdoor abstract sculpture in the courtyard of a new building in London, this film introduces artist and sculptor Barabara Hepworth and her work. Sculpting in wood, stone, metal, Ms. Hepworth is shown working in her home and studio in St. Ives, near Cornwall. Inspired by natural forms, though not imitating them, many of the artist's sculptures are shown in-studio and outdoors. Some of Ms. Hepworth's occasional realistic drawings and paintings are also shown.
Coronet Productions, Bureau of Audio-Visual Aids, Extension Division, Indiana University
Summary:
Coach Branch McCracken and the Indiana University basketball team demonstrate in regular and slow-motion photography the fundamental skills involved in shooting, passing, dribbling, and defensive and offensive footwork. Coach McCracken appears briefly at the end directly addressing viewers.
Explains why large quantities of war materials, in particular steel, are needed for the war effort. Shows the sea battle and beachhead landing of the Normandy invasion.
Relates the story of Brazil's "planned city with a plan." Explains the unique way in which Belo-Horizonte, city of more than 200,000 inhabitants, was completely planned less than fifty years ago before a single house or street was built. Describes Belo-Horizonte, in the heart of Brazil's mineral district, as one of the most modern and progressive cities in the world.
Explores the method man has developed to simplify the repesentation of both large and small numbers. Explains that scientific notation, using exponents, enable one to express any number, large or small, as the product of a number between one and ten and a power of ten.
A story of land economy and one man, Bill Bailey of Clarksville, Tennessee, through whose foresight and untiring effort the Four Pillars of Income were established in Montgomery County, Tennessee (adapted from the Reader's Digest story of the same name by J. P. McEvoy).
Traces early development of the camera: how first efforts of March in France, Muybridge in U.S. came about as a result of movements of animals and humans. How subsequent development by Lumiere and Edison brought about the modern motion picture camera and projector.
Relates the history of man's effort to photograph and reproduce living movement. Includes the first scientific study of movement, involving 24 cameras stationed at intervals along a horse's path, Thomas Edison's work, and Lumiere's commercial projector for large audiences.
Glimpses at the origin of the motion picture, the contribution of Muybridge, Edison, and Lumiere, and fragments of the screen's first "epics." | Glimpses at the origin of the motion picture, the contribution of Muybridge, Edison, and Lumiere, and fragments of the screen's first "epics."