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Shows the importance of accuracy in the information a warden collects at the scene of disaster and the exact manner in which he should transmit information to the control.
Presents the training of civilians for rescue work during World War II. Shows the procedures for assigning volunteers to the type of work for which they are prepared and training them to perform as a unit. Follows a squad from the sounding of the alarm, going to the scene, surveying the wreckage and taking notes, and tunneling for buried victims, to the orderly departure of the squad from the scene.
Discusses radius, threading, sheer-cut finishing, round-nosed finishing, and side-facing tools. Demonstrates the correct setting of the tools and the type of cut each makes.
Shows how to operate the controls of a vertical turret lathe, set up tools in the main turret head, rough-face and rough-turn an aluminum casting, and drill the center hole.
Shows how surface plates are used to check the flatness of surfaces, types of scrapers, how to remove high spots, and how to determine when a surface is scraped flat.
United States. Office of the Coordinator of Inter-American Affairs
Summary:
"The title of this film is self-explanatory. It is especially adapted for students of archaeology and anthropology" (A List of U.S. War Information Films, Office of War Information, Bureau of Motion Pictures, April, 1943, 13)
United States. Office of the Coordinator of Inter-American Affairs
Summary:
Using color photography, this travelogue transports viewers in the U.S. to the exotic locale of Nahuel Huapi National Park, in the Argentine Andes. Showing the stifling mid-summer heat of Buenos Aires in January, the narrator explains city-dwellers' desire to escape to the cool, clean air of the mountains. The camera follows a group of young Argentines as they hike in the mountains, play with a herd of dairy cows, pick wild strawberries and prepare their yerba mate. Striking landscape photography shows glaciers, waterfalls, and captures an avalanche as it occurs. As with all Coordinator of Inter-American Affairs films, affinity between the nations of the Americas is encouraged by presenting foreign places to domestic audiences in an appealing, humanizing light.
United States. Office of the Coordinator of Inter-American Affairs
Summary:
A narrated travelogue addressed to viewers in the U.S. shows life in several small towns surrounding Lake Atitlan, Guatemala. Shows rope making from sisal hemp and traditional textile weaving. Concludes with a visits to the outdoor markets in Santiago Atitlan and Chichicastenango.
United States. Office of the Coordinator of Inter-American Affairs, Borge Hansen-Moller : produced and directed by, Kenneth Richter : camera
Summary:
A Coordinator of Inter-American affairs film intended to foster alliance and educate U.S. audiences about the Ecuadoran nation. "All who live in our hemisphere know that it must be kept as a place of freedom" states narration, urging the alliance of all the Americas in the fight against the Axis. The role of Ecuador and its Galapagos Islands territory in the defense of the Panama Canal are emphasized. Ecuadoran natural resources in service of the Allied cause include balsa wood and oil. Narration characterizes the viewpoint of the Ecuadoran people as supportive of the U.S. in the war: "Ecuador can hope for its rightful and untrammeled place in the family of nations only through the triumph of the United States and its allies." Concurrently, U.S. viewers are assured, "it’s good to know in these days of war that here is a friendly nation, a land ready for cooperation, for mutual defense..."
