1. Testing the I.Q. (16:18)

Date:
1942
Summary:
Demonstrates the administration of the revised Stanford-Binet intelligence test and the calculation of the I.Q. Gives a brief explanation of principles, and shows the administration of form L to a 5-year old child. Close-ups show the actual use of the testing material. Explains scoring standards and calculation of the I.Q.

2. High Over The Borders (19:35)

Date:
1942
Main contributors:
New York Zoological Society, National Film Board of Canada
Summary:
In their routes of migration, birds "mock the man-made lines by which nations separate themselves," as the narrator states in this film intended to foster goodwill between the nations of the Americas. Two boys, Richie in the North and Ricardo in the South, both feel ownership of the barn swallows that reside in their respective homes at opposite ends of migratory routes. Aerial photography follows Canada geese migrating from northern Quebec to the Chesapeake Bay. Technically advanced high speed photography reveals the beating wings of the ruby-throated hummingbird. The bird banding and migratory data-collecting work of the U.S. Fish and Wildlife Service is explained. Animated maps of the hemisphere illustrate some of the long-distance bird migration patterns between North and South America.

3. Scraping flat surfaces (13:20)

Date:
1942
Main contributors:
United States. Office of Education
Summary:
Shows how surface plates are used to check the flatness of surfaces, types of scrapers, how to remove high spots, and how to determine when a surface is scraped flat.

4. The Soviet School Child (24:07)

Date:
1942
Main contributors:
British Ministry of Information, Soviet War News Film Agency, Central News Reel Studios, Moscow
Summary:
A Soviet-British co-production reporting to the Allied nations on the lives of children in the Soviet Union, providing "a glimpse of the Soviet child from infancy to high school." Portrays an idyllic and well organized system for educating and caring for the 35 million Soviet children of the day. The scholastic, athletic, and creative accomplishments of Soviet youth are shown.

5. You Can't Eat Tobacco (13:18)

Date:
1942
Main contributors:
Mary L. DeGive, Margaret T. Cussler
Summary:
A social issue film directed at the problems of public health and malnutrition among rural southern tenant-farming communities. The film points directly to exploitative practices of the tobacco industry and reliance on tobacco growing as a cash crop in these communities as the cause of an ongoing cycle of poverty and poor public health. "Here is tobacco land: land of lost hope, land of broken promises, land of broken lives" states the narrator. Urging farmers to turn away from this single crop system in order to improve their own lives and those of the community, they suggest "the remedy is so close at hand - in the land itself." Farmers raising their own food, it is suggested, will lead to better health; community agents will provide guidance in raising food, gaining income from selling farm produce, education for children, and home economics programs. The concluding message to these communities is to "Eat well and be well. Learn about it, read about it, talk about it."

6. The Airplane Changes Our World Map (10:48)

Date:
1942
Main contributors:
ERPI Classroom Films, Inc., Encyclopaedia Britannica
Summary:
Traces the history of mapmaking and representation of the globe on two-dimensional surfaces. Considers early problems of distortion in map projection, and reviews the projections of Mercator, Mollweide, and Goode. Uses animation to emphasize the concept of present-day map-making as influenced by the development of modern air transportation and the subsequent shrinkage in time-distance values. Narrator states "the airplane forces us to think of world travel and transportation in terms of great circle routes." These routes run independently of land and water and mark the shortest distance between points on the surface of the earth. The film shows that advances in human culture and technology transform our mapmaking and conception of space and distance.

7. Pan-American Bazaar (08:54)

Date:
1942
Main contributors:
United States. Office of the Coordinator of Inter-American Affairs, R.H. Macy and Company, Inc.
Summary:
A Coordinator of Inter-American Affairs film reporting on a marketplace of goods from Latin American nations held at Macy's Department store in New York City's Herald Square. Promoting more than commerce between nations, both the bazaar and the film are intended to reinforce alliances between all the nations of the Americas during wartime. Showing the flags of the nations represented, narration states "21 symbols of American solidarity, 21 Republics firmly consolidated, to make up our western hemisphere." Color photography accentuates the beauty and exoticism of the displays. As shoppers are shown admiring the displays of art and culture and purchasing from each nation's vendors, the audience is told "they bought the goods that Latin America has to sell, money from merchandise, goodwill build on good trade relations, every sale a guarantee that the Americas mean business. Business that means friendship in the western hemisphere."

8. This Is Ecuador (17:52)

Date:
1942
Main contributors:
United States. Office of the Coordinator of Inter-American Affairs, Borge Hansen-Moller : produced and directed by, Kenneth Richter : camera
Summary:
A Coordinator of Inter-American affairs film intended to foster alliance and educate U.S. audiences about the Ecuadoran nation. "All who live in our hemisphere know that it must be kept as a place of freedom" states narration, urging the alliance of all the Americas in the fight against the Axis. The role of Ecuador and its Galapagos Islands territory in the defense of the Panama Canal are emphasized. Ecuadoran natural resources in service of the Allied cause include balsa wood and oil. Narration characterizes the viewpoint of the Ecuadoran people as supportive of the U.S. in the war: "Ecuador can hope for its rightful and untrammeled place in the family of nations only through the triumph of the United States and its allies." Concurrently, U.S. viewers are assured, "it’s good to know in these days of war that here is a friendly nation, a land ready for cooperation, for mutual defense..."

9. Youth farm volunteers (04:57)

Date:
1942
Main contributors:
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
Shows how the Extension Service of the U.S. Dept. of Agriculture helped recruit and place young people from towns and cities on farms during World War II to combat farm labor shortage.

11. Western front (20:22)

Date:
1942
Main contributors:
Wilding Picture Productions
Summary:
Begins with a short summary of American attitudes to the War in Europe and how the U.S. underestimated the militaristic tendencies of the Japanese. Argues that the Chinese have been fighting World War II longer than any other allied nation and should be considered one of America's chief allies. Describes America's effort to supply allied nations in the Pacific with war materials. The desperate need of the Chinese people is stressed. Scenes include the carrying of supplies over the Burma Road and the bombing of Chinese cities.

13. U.S. news review. Issue no. 5 (15:47)

Date:
1942
Main contributors:
United States. Office of War Information. Domestic Branch. Bureau of Motion Pictures
Summary:
Newsreel contains stories about Veronica Lake getting her hair cut to promote worker safety, how absence from factory jobs can affect soldiers, how women going to war is affecting the care of children, British planes bomb Bremen, a sing-along version of the Army Air Corps song.

14. World of plenty (44:42)

Date:
1942
Main contributors:
Rotha, Paul, 1907-1984.
Summary:
Uses found footage and animated diagrams to discuss the production, distribution, and consumption of food; the pre-war problems of overproduction and the anomaly of glutted markets and hungry people; the control exercised over production and distribution during World War II, with special attention to the food supply in Britain and America; and to offer a picture of what might be done in the post-war period.

15. A letter from Bataan (14:21)

Date:
1942
Main contributors:
Shane, Maxwell, 1905-1983
Summary:
A Hollywood short aiding the war effort, emphasizing the need for preparedness and conservation of materials, i.e. rubber, metal, shellac. An American soldier writes home from Bataan, and while his family reads the letter, the soldier's ghostly apparition interjects statistics about food and equipment shortages.

16. The World at War (43:15)

Date:
194u
Main contributors:
The Office of War Information Bureau of Motion Pictures; Samuel Spewack
Summary:

17. Ready on the home front (23:56)

Date:
1942
Main contributors:
Constable, J. M.
Summary:
Presents the general aims of the civilian defense program during World War II. Describes the training and duties of the air raid warden. Closes with a proclamation by Governor Schricker.

18. Home on the range (10:54)

Date:
1942
Summary:
Describes the productive power of ranchers and their role in supplying America's war effort during World War II. Portrays ranch life and western range country. Shows waterholes, windmills and watering tanks. Stresses improvements made through government range programs.

19. Blues and boogie (08:48)

Date:
1942
Summary:
Musical performance revue that includes three separate songs in this order: Some of these days, Caldonia, and Is you is, or is you ain't my baby?

20. Hidden Weapons (10:31)

Date:
1942
Main contributors:
United States. Department of Agriculture, Wilding Picture Productions, Inc.
Summary: