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  • American Folklore Society Annual Meeting Presentations77

Start Over Collection American Folklore Society Annual Meeting Presentations

1. Presidential Address: After the Revolution: Folklore, History, and the Future of Our Discipline (45:37)

Date:
2015-10-17
Main contributors:
Williams, Michael Ann, Turner, Kay
Summary:
More than four decades have passed since the advent of the new folkloristics. Assessments of this revolution tend to narrowly focus on performance theory and not on whether the broader promises of this era have been realized, especially in areas of cross-disciplinary research. This address will look specifically at how attitudes toward historical scholarship have changed within the discipline of folklore and how we have constructed our own disciplinary histories during this postrevolutionary phase. Finally, the address will look to the future and whether we are reconstructing our past in our current graduate training in the discipline.

16. Ask a Folklorist—Career Advice for New Professionals (1:53:19)

Date:
2018-10
Main contributors:
Palchik, Violeta; Decker, Adrienne; Eleuterio, Susan; Higgins, Lisa L.; Kolovos, Andy
Summary:
Job-seeking for folklorists can be daunting. In this forum, chaired and moderated by a member of the AFS Graduate Student Section, a group of representatives from the Archives and Libraries, Folklore and Museums, Independent Folklorists’, and Public Programs sections will discuss jobs in their respective fields and answer career-related questions from attendees. The discussion will not have a formalized agenda but will instead take its direction from audience inquiries. Moreover, the forum format allows for two-way conversation; veteran folklorists will themselves have the opportunity to hear directly from job-seekers about the challenges presented by the 21st-century job market and come away with new ideas to improve hiring processes.

28. Forming Foundations—Building Relationships in the Private Sector (53:02)

Date:
2018-10
Main contributors:
Gura, Catherine; Hurley, Maureen; McPeake, Cristin; Miller, Paula; Zulewski, Caitlin
Summary:
As government funding tightens, folklorists are turning to the private sector for funding. However, we come up against funders who do not understand folklore or the value of funding folklore projects. Participate in a discussion with grantors from business, corporate, private, and family foundations about how to create partnerships for successful fundraising. How do we engage and inform potential funders about the impact of supporting folklore projects that benefit a diverse and inclusive audience?

33. Talking Folklore: A Conversation with Leading Scholars of Folk Religion and Belief (2:00:21)

Date:
2015-10-16
Main contributors:
Shukla, Pravina; Goldstein, Diane E.; Griffith, James S.; Primiano, Leonard Norman
Summary:
This forum features a conversation with prominent folklorists who will reflect on their respective careers, and meditate on the past and future of our discipline. The forum contributes to the intellectual history of folklore; it will be recorded, as past forums have been, for the AFS “Collecting Memories” Oral History Project. This year’s forum will focus on folk religion and belief, by looking at the “life of learning” and the choices, chances, and triumphs of participants Diane Goldstein, Jim Griffith, Elaine Lawless, and Leonard Primiano. Pravina Shukla will once again facilitate this exchange about their academic and public work, their fieldwork and festivals, and also their important involvement in our field and in our scholarly society over the past several decades. (Sponsored by the American Folklore Society.)

35. On “The B-Side” with the Wooster Group (1:31:46)

Date:
2018-10
Main contributors:
Jackson, Bruce
Summary:
Bruce Jackson speaks about The B-Side: Negro Folklore from Texas State Prisons. A Record Album Interpretation, a production by the The Wooster Group, New York’s most celebrated experimental theater company. The B-Side is based on the classic LP, Negro Folklore from Texas State Prisons, based on Jackson’s 1964 field recordings. Peter Marks of the Washington Post called the production “ravishing,” and “a richly resonant auditory experience,” concluding that “the experience is history in melody, an a cappella song cycle that reveals how men sentenced to hard labor endured, forging bonds through music.” New York Times theater reviewer Ben Brantley named it one of the 10 best plays of the year. Jackson talks about the process of transforming his LP into theater with The Wooster Group, illustrating his presentation with photographs and audio and video clips.

36. The Freedom to Freelance—Find Your Why, How and When (1:00:02)

Date:
2018-10
Main contributors:
Saylor, Dana L.; Delmonte, Andrew; Heffernan, Kevin
Summary:
This workshop will inspire and motivate you to pursue your independent career or, for those already established, share new ideas. Creative entrepreneur Dana Saylor, Buffalo-based architectural historian, artist, preservation advocate and event planner, leads the session, with presentations by other talented and dynamic professionals. Topics include: small business types and basic finances; social media strategies, including how taking a stand can garner engagement with your desired audience; and why emotional vulnerability can be good business. With rotating breakout sessions, you’ll get face-time with each of the presenters and plenty of opportunity for lively discussion.

38. How to Pay Attention to the Countryside in the Digital Age (1:09:57)

Date:
2018-10
Main contributors:
Sainath, Palagummi
Summary:
P. Sainath, the former Rural Affairs Editor at The Hindu, where he forced public attention to India’s epidemic of farmer suicides, will discusses relationship between journalism, cultural documentation, and social justice. His current project, the People’s Archive of Rural India (ruralindiaonline.org) is a volunteer-sustained multimedia website documenting everyday life, cultural traditions, and socioeconomic and environmental challenges across India, with special attention to women’s labor. Among his many career awards are the 2007 Ramon Magsaysay Award (the “Asian Nobel”) and the first Amnesty International’s Global Human Rights Journalism Prize in 2000. His 1996 book, Everybody Loves a Good Drought: Stories from India’s Poorest Districts, was reissued as a Penguin Classic in 2012.