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Soprano Virginia MacWatters was known not only for her impressive operatic career during which she performed in opera houses throughout the United States, Europe, and South America, but also for her dedication to teaching. In 1957 she joined the voice faculty of the Indiana University School of Music where she remained until her retirement in 1982. Besame Mucho was originally a Spanish song adapted to English about love, which MacWatters put her own touch on it beautifully.
Soprano Virginia MacWatters was known not only for her impressive operatic career during which she performed in opera houses throughout the United States, Europe, and South America, but also for her dedication to teaching. In 1957 she joined the voice faculty of the Indiana University School of Music where she remained until her retirement in 1982. “Lo, Hear the Gentle Lark” is one of the most famous pieces composed by Henry Rowley Bishop, which was an adaptation of Shakespeare’s The Comedy of Errors.
These tapes are an oral history of Optometrists, active or retired at the time, both in the United States and from abroad. The tapes delve into topics such as important innovators in the field, publications, politics, and personal anecdotes.
Soprano Virginia MacWatters was known not only for her impressive operatic career during which she performed in opera houses throughout the United States, Europe, and South America, but also for her dedication to teaching. In 1957 she joined the voice faculty of the Indiana University School of Music where she remained until her retirement in 1982. “Una Voce Poco Fa” is composed by Gioachino Rossini, an Italian composer, for the opera The Barber of Seville in 1816. The title translates as “A voice a little while ago” and is a highly popular piece in the comedic operas. Virginia performed as Rosina in 1949. “I Love You So” is piece from the Merry Widow, a German operetta composed by Franz Lehar.
In the throes of awards season, commentary on celebrity fashion choices runs rampant. This week, Professor Linda Pisano, chair of the Theatre, Drama, and Contemporary Dance department, talks costume design, style trends, and how we can contextualize red carpet fashion.
Mary Jo Weaver served as a professor in the Department of Religious Studies at Indiana University from 1975 until her retirement in 2006. Audiovisual materials in Dr. Weaver’s papers consist primarily of recordings of radio appearances and conference presentations.
Rebroadcasting of a talk by Mary Jo Weaver on the subject of catholic and protestant fundamentalism. She discusses the impact of fundamentalist protestants on protestant organizations, and extends these impacts to fundamentalist Catholics.
The Bateman Case Study Competition is a public relations competition for students nationwide to gain experience in public relations. IU has its own class devoted to this competition in which 4 students and a faculty advisor work together to implement a campaign for the chosen client. This year's client: The 2020 US Census. In this week's episode you'll hear from faculty advisor Dave Groobert and students Adara Donald and Abigail Bainbridge about what it's like to work on this case study and what exactly the US Census is.
Friesner, Brittany, Pasternak, Jesse, Shanahan, James
Summary:
In episode 46, we're joined by Brittany Friesner, associate director of the IU Cinema, and Jesse Pasternak, a junior at IU and the co-president of the Indiana Student Cinema Guild, to discuss the Oscars, why they're important, and their impact on our culture.
A large collection of folk songs, ballads and tales; many of the songs were written by Larry Gorman and Joe Scott. Also included are fiddle tunes, poetry, and interviews with loggers and the performers.
A large collection of folk songs, ballads and tales; composers include Joe Smith, John Calhoun, Joe Scott and Larry Gorman. Also included are fiddle tunes, clog dance music, poetry, harmonica music, and interviews with loggers and the performers.
This collection consists of music, oral data, and interviews among the Kpelle of Liberia and includes popular zither, lamellphone, musical bow, lute, slit-drum and xylophone music; Kpelle script interviews; children's songs, work-songs, drum signals, tales, cante-fables and music associated with rites and ceremonies. Descriptive information presented here may come from original collection documentation. Please note collections of historical content may contain material that could be offensive to some patrons.
Presentation about the İlhan Başgöz collection (ATM accession number 93-114-F) which contains Turkish folk music, Alevi music, riddles, and folk stories. The moderated discussion is focused on Başgöz's fieldwork experiences and memories with his interlocutors, and Başgöz discusses interesting examples that shows how he navigated fieldwork projects during the early years of his career.
"Corridos from the Mexican Revolution" (presented by Juan Díes). Descriptive information presented here may come from original collection documentation. Please note that collections of historical content may contain material that could be offensive to some patrons.
Descriptive information presented here may come from original collection documentation. Please note collections of historical content may contain material that could be offensive to some patrons. The original recordings in this collection are held at the Archive of American Folklife in the Library of Congress.
The information presented here about each recording in this collection comes from original documentation by the collector. This collection of historical material may contain material that will be offensive to some listeners. Patrons should contact atmusic@indiana.edu for assistance in getting further access to these recordings.
