The Sample: In this episode of The Sample, we take a jog through the IU Lilly Library's Slocum Puzzle Collection. We work from Rubik's Cubes to Hot Miso Soup on a tour of the interdisciplinary fun of puzzles.
In episode 107, Dean Shanahan and Jon Racek, senior lecturer in the IU School of Art, Architecture + Design's comprehensive design program, talk about Racek's start as a firm-owning designer, his foray into playground building and his most recent work in 3D-printing prosthetic hands.
In episode 93, Dean Shanahan interviews Maurer School of Law professors Ian Samuel and Steve Sanders. They talk about Supreme Court nominee Brett Kavanaugh, Samuel's time as Antonin Scalia's counter-clerk, judicial politics, and Samuel's podcast First Mondays.
In episode 96, Dean Shanahan and IU Soul Revue Director James Strong talk about soul music, the Soul Revue and Strong's time in the industry, working with artists from New Edition to Kenneth 'Babyface' Edmonds, to Stephanie Mills.
In episode 95, Dean Shanahan and Sustaining Hoosier Communities Director Jane Rogan talk about how her team addresses community-identified needs and opportunities by connecting Indiana towns with IU courses, students, and faculty.
In episode 83, Janae Cummings interviews legendary dancer and choreographer Twyla Tharp. The two talk about her career, method, and course collaboration with Indiana University's Jacobs School of Music and Department of Theatre, Drama, and Contemporary Dance.
In episode 79, Dean Shanahan speaks to Joan Hawkins, associate professor at the IU Media School, about the Wounded Galaxies festival and symposium.
Wounded Galaxies: 1968 – Beneath the Paving Stones, the Beach is a festival and symposium produced by The Burroughs Century Ltd., welcoming scholars, writers, artists, archivists, filmmakers, performers, and others interested in exploring the intellectual and aesthetic legacy of 1968, during its 50th Anniversary year.
The festival subtitle is a translation of the French slogan “Sous les pavés, la plage!,” a popular resistance graffiti in France Mai ’68 that refers to both the sand beneath cobblestones lifted by students to hurl at police as well as the ‘Situationist’ conviction that the streets–the expression of capital and consumption–could be rediscovered by abandoning a regimented life.