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This webinar walks users through the contents of the NSSE Institutional Report. The session specifically includes a review of the various data reports and supporting materials contained in the Institutional Report, details concerning which data were used in the creation of particular reports and comparison groups, and general strategies for understanding and getting the most out of your Institutional Report.
NSSE research analysts explain use of the NSSE SPSS syntax library, how to link NSSE responses to other data sources, and how to carry out sub-group analyses.
Shin-Yi Yang (Cambridge, Massachusetts)
Shin-Yi Yang is a musician and educator based in Cambridge, Massachusetts. She plays both guqin and guzheng, and is the founder of the Boston Guzheng Ensemble and Boston Qin Society. She is a two-time winner of the Traditional Arts Apprenticeship given by the Massachusetts Cultural Council’s Folk Arts and Heritage Program, and recipient of the 2008 Chinese Culture Connection Award. She has performed in the greater Boston area, and given performances and lecture demonstrations in venues including Yale University, New England Conservatory, and multiple museums. As a contemporary musician, she has premiered compositions and performed with ensembles such as IIIZ+ in venues including the 38e Rugissants Festival. A native of Taiwan, Shin-Yi has studied guzheng and guqin with teachers including Wang Ruey-Yuh, Tzay-Pyng, and See-Wah, and is a graduate of the National Taiwan Academy of Arts and the Hong Kong Academy for Performing Arts.
Interviewed by Tamar Sella, 10/26/2020.
Making is a deeply cultural and historical practice that often lives at the intersection where science meets the arts and humanities. As a portal to practicing various ways of knowing, inquiring, creating and relating, making is increasingly shaping educational spaces, both inside and outside of the classroom. Yet efforts to expand access to “makerspaces” often treat making as a normative or ahistorical practice, and tend to reproduce individualistic and economic narratives with regard to the purposes of making. In this talk, Vossoughi offers a critical framework for design, practice, and research on making in educational spaces. This framework draws from cultural-historical theories of learning, literature on educational equity and justice, and Vossoughi’s long-term ethnographic research on afterschool tinkering programs that merve students in non-dominant communities. More specifically, Vossoughi argues that a framework for equity in making ought to include: a) critical analyses of educational injustice; b) historicized approaches to making as cross-cultural and cross-disciplinary activity; c) explicit attention to pedagogical philosophies and practices; and d) ongoing inquiry into the sociopolitical values and purposes of making. Offering examples of each of these principles, Vossoughi considers the specific theoretical and pedagogical sensibilities that animate transformative visions for educational equity.
Video bio of Bill Shirk, inducted to Indiana Broadcast Pioneers Hall of Fame in 2016;
Bill Shirk graduated from Ball State in 1967 with a degree in education and initially worked as a repairman and as an account executive for his dad’s advertising agency. He taught a year of middle school in 1965 then talked his dad and mother into applying for the license for WERK-FM in Muncie, Indiana. They received the license and Shirk’s parents wanted him to start at the bottom, so he began at WERK-FM as the janitor. A year later, he became a weekend DJ at WERK-FM and by 1968 not only became the station manager of WERK-FM but also served as sales manager, program director, production manager and remained as a DJ in the afternoons. Throughout the next three decades, Shirk went on to own, general manage, program and serve as an air personality on 10 radio stations and two TV stations in Muncie; Indianapolis; Greenwood, Indiana; Greencastle, Indiana; Cloverdale, Indiana; and Lebanon, Indiana. A member of The Garden United Methodist Church, in 1983 Shirk was the executive producer and starred in “The Escapist,” the first motion picture ever produced in the state of Indiana before the film commission was established in Indiana. He now owns 12 radio stations in Hawaii and does mornings on the oldies station in Honolulu.
--Words from the Indiana Broadcast Pioneers
Shukla, Pravina; Goldstein, Diane E.; Griffith, James S.; Primiano, Leonard Norman
Summary:
This forum features a conversation with prominent folklorists who will reflect on their respective careers, and meditate on the past and future of our discipline. The forum contributes to the intellectual history of folklore; it will be recorded, as past forums have been, for the AFS “Collecting Memories” Oral History Project. This year’s forum will focus on folk religion and belief, by looking at the “life of learning” and the choices, chances, and triumphs of participants Diane Goldstein, Jim Griffith, Elaine Lawless, and Leonard Primiano. Pravina Shukla will once again facilitate this exchange about their academic and public work, their fieldwork and festivals, and also their important involvement in our field and in our scholarly society over the past several decades. (Sponsored by the American Folklore Society.)
Shulton "Desert Flower Perfume": A Christmas commercial for desert flower perfume which shows a women posing with the perfume while a jingle is sung in the background.
Helene Curtis "Tender Touch": A jingle is sung in the background while showing a woman bathing with Helene Curtis Tender Touch, dry skin bath oil.
A Spanish-language advertisement for the Ebro Siata-40 van in which a delivery man drives chaotically around a city and an underground subway station with a large wedding cake loaded in the back of his van. The man arrives at a wedding with the cake intact, only to drop it when he is startled by a small child. One of the winners of the 1973 Clio Awards.
Short 24x7 presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P5A: Building the Perfect Repository.
A man is working in a cramped cluttered office when a janitor squeezes in the door, drops off cleaning supplies, and then turns out the light. The commercial transitions to a show-reel of Silver Office furniture that could renovate any office.
24x7 short presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P4A: Managing Research (and Open) Data.
Video bio of Sam Simmermaker, inducted to Indiana Broadcast Pioneers Hall of Fame in 2008.
Producer: Susan Bartlett;
Narration: Susan Bartlett;
Post-Production: DreamVision Media Partners;
On Jan. 1, 2010, Sam Simmermaker celebrated 50 years of broadcasting on WCSI-AM in Columbus, Indiana. Listeners and fans alike can identify Sam by his trademark call —‘‘Holy Cow!’’— during his play-by-play call of local high school basketball, football and baseball games. By 2015, Simmermaker had handled more than 3,500 live ball games. He began his career at WKAM-AM in Goshen, Indiana. From 1958 to 1963 he did Indianapolis Indians games for WTTV-TV. Simmermaker has been honored as an inductee in both the Indiana Sportswriters and Sportscasters Hall of Fame, and the Indiana Basketball Hall of Fame.
--Words from the Indiana Broadcast Pioneers
Sims Delaney-Potthoff (Madison, Wisconsin)
Mandolin virtuoso and vocalist Sims Delaney-Potthoff is one of the founding members of the multi-award-winning trio, Harmonious Wail. The group plays Americana-infused Gypsy Jazz and takes their listeners on a ride via the music of the Hot Club sounds of Parisian cafes, to the deepest blues of the Memphis Delta, to the heartfelt folk scenes across every-town-America. This harmonious clique are sublime entertainers, great educators, and lifters of spirits. As stewards of the Gypsy Jazz genre, they have established the Midwest Gypsy Swing Fest, held twice a year in Madison, Wisconsin. They also offer to take the fest on the road as a special concert package. They have mastered a plan on how to bring amazing Gypsy Jazz All Stars from around the world and place them in front of concert audiences throughout the United States.
Interviewed by Raquel Paraíso, 09/02/2020.
An advertisement for Sinclair heating oil products in which a narrator describes the company's contribution to various American industries, including aircrafts, navy, and railroads. Submitted for Clio Awards category Corporate.
Sinclair Palmer (Durham, North Carolina)
Sinclair Palmer is a bass player, educator, and instrument maker based in Durham, North Carolina. They perform in a wide range of genres with multiple local bands, and have toured nationally and internationally. They are a member of the musical groups the Muslims, Violet Bell, and Loamlands. Sinclair is also a music educator, teaching in various contexts from private lessons to university settings. They have taught their own community music course titled Music Queery at the Durham venue Pinhook’s People’s School series. Sinclair also plays several other string instruments, in addition to building their own. They hold a BM in Music Performance in Double Bass from the Miles Davis Jazz Studies Program at the University of North Carolina at Greensboro (2017), and an MA in Music from the University of North Carolina at Chapel Hill (2019).
Interviewed by Tamar Sella, 10/16/2020.
Sissy Brown (Oklahoma City, Oklahoma)
Oklahoma singer-songwriter and guitarist Sissy Brown has maintained a grueling touring schedule for many years. Originally from between Wichita Falls and Waurika, Oklahoma, the independent country singer grew up in a very rural area before relocating to urban centers in her adult life. She first settled in Spokane, Washington, where she played with rockabilly bands, then moved to Los Angeles, where she played at famed venues like the Viper Room. She also spent time living in Austin and Kansas City, but she chose to return home to Oklahoma in the late 2010s and refocus, beginning to spend less time on the road and more time alone, writing and slowing down. From a family of musicians, including a great-uncle who played with Jimmie Rodgers and Lefty Frizzell, Sissy Brown is a born artist who also collects and sells vintage western wear.
Interviewed by Holly Hobbs, 09/28/2020.
An advertisement for Skin Mist deodorant bars in which a woman walking by a pond in a forest pauses to imagine a man sweeping her off her feet and caressing her face. An offscreen male narrator describes how the product makes women's skin soft and desirable. Submitted for the Clio Awards.
Marvin the elephant eats peanuts in bed. Marvin’s wife unable to sleep introduce Marvin to Skippy Peanut Butter. At first Marvin is skeptical but after tasting the peanut butter he finds that he loves the taste.
Video bio of Gene Slaymaker, inducted to Indiana Broadcast Pioneers Hall of Fame in 2007.
Producer: Ken Beckley;
Post-Production: DreamVision Media Partners;
After serving in World War II, Gene Slaymaker majored in radio journalism at Ohio State University where he was a reporter and announcer for WLWC-TV. Upon graduation, he was an anchor and reporter for WKBN-AM/FM/TV in Youngstown, Ohio, before joining Cleveland’s KYW-TV. In 1956, he became news editor of WFBM-AM/FM/TV. In 1960, he founded public relations firm Slaymaker and Associates. Nine years later, he was recruited to WTLC-FM and WTUX-AM radio where he served as news director for 18 national award-winning years. Slaymaker died Dec. 15, 2012.
--Words from the Indiana Broadcast Pioneers
In many human and environmental crises, individuals and their governments exhibit a morally troubling response to the risk of mass casualties that can be described by the phrase “the more who die, the less we care,” reflecting a flawed “arithmetic of compassion.” Paul Slovic will present research demonstrating three non-rational psychological mechanisms that underlie this phenomenon: psychic numbing, pseudoinefficacy, and the prominence effect. After documenting these obstacles to rational decision making, he will explore ways to counteract them -- a roadmap for future research and its application to crisis management.
Studies of risk perception examine the judgments people make when they are asked to characterize and evaluate hazardous activities and technologies. This research aims to aid risk analysis and policymaking by (i) providing a basis for understanding and anticipating public responses to hazards and (ii) improving the communication of risk information among lay people, technical experts, and decision makers. This work assumes that those who promote and regulate health and safety need to understand how people think about and respond to risk. Without such understanding, well-intended policies may be ineffective. Among the questions the lecturer will address are: How do people think about risk? What factors determine the perception of risk and the acceptance of risk? What role do emotion and reason play in risk perception? What are some of the social and economic implications of risk perceptions? Along the way, he will address such topics as the subjective and value-laden nature of risk assessment; the multidimensionality of risk; sex, politics, and emotion in risk judgments; risk and trust; and risk perception and terrorism.
Video bio of David Smith, inducted to Indiana Broadcast Pioneers Hall of Fame in 2005.
Produced by: Bob Smith;
Post Production by: DreamVision Media Partners;
Archive Footage: WISH TV and WTTV;
David Smith’s broadcasting career began in 1951 in Bloomington, Indiana, as an announcer/newscaster at WTTS-FM. He then joined WTTV-TV for three years doing air work, producing, directing, editing film and serving as a cameraman. For 20 years, he worked at WISH-TV in Indianapolis in management as program and production manager. In 1971, Smith created and hosted a thematic movie series called “When Movies Were Movies,” a series that ran for 10 years. In 1975 he joined the Ball State University faculty, where he taught telecommunications courses, gaining the rank of professor before retiring. Smith is a former president of the Indiana Broadcast Pioneers and has authored three books.
--Words from the Indiana Broadcast Pioneers
Michael Sobel has written extensively on causal inference in social science research. In addition to his many contributions to social science methodology, he serves as Associate Editor of Observational Studies and the Journal of Causal Inference, and he co-edited Sociological Methodology from 1997-2001.
An advertisement for Softique Beauty Bath Oil in which a young woman takes a 40-minute bath using the product while two older relatives outside the bathroom voice discuss whether she is drying out her skin from spending too long in the tub. An offscreen male narrator describes the moisturizing qualities of the product. Submitted for the Clio Awards.
Soni Moreno (New York City, New York)
Soni Moreno (Maya/Apache/Yaqui) is a vocalist, actress, composer, and poet, based in New York City. She began her career as a cast member in the original San Francisco production of Hair, and has appeared on Broadway plays including Hair and The Leaf People. Off Broadway, she has performed in plays including Aladdin, America Smith, and Blood Speaks. Soni is the co-founder of First Nations a cappella women’s trio Ulali, touring extensively throughout North America and beyond from 1987 to 2010. She is a member of MATOU, a group of Native American and Maori musicians and performers, performing original compositions that celebrate culture and traditions. Soni has toured with musicians including Buffy Sainte-Marie and the Indigo Girls and performed with Martha Redbone’s concert performances of her play Bone Hill. She has contributed to soundtracks in multiple films and television shows and performed at the Sundance Film Festival Native Program: Celebration of Music in Film.
Interviewed by Tamar Sella, 10/13/2020.
An advertisement for Sony cassette recorders in which a waiter tucks the product in his pocket to record orders from customers at a noisy table. An offscreen male narrator describes the features of the recorder as the waiter places the product in the kitchen for the chefs to playback the orders. A woman at the table claims that her order is incorrect, prompting the waiter to begin playing her audio on the recorder back to her. One of the winners of the 1976 Clio Awards.
Sophiyah E. (Detroit, Michigan)
Sophiyah E. is a producer, singer, and songwriter based in Detroit, Michigan. Her work with piano and technology explores genres that include house, electronic music, and jazz. In the fall of 2017, she began an ongoing multi-media social awareness exhibition highlighting artists and Black culture, which gave birth to her first musical production series Alignment, an introspective narrative comprised of interviews and musical arrangements. She has performed in venues such as Detroit’s Music Hall Jazz Café, Cultivate Coffee and Tap House, and the SXSW music festival. Additionally, she does music production and film scoring. Sophiyah E. is founder of Afro Moone, a Detroit-based resource furnishing event production services, content strategy, and accessible aid for healthy living. Sophiyha E. is also the Director of Artist Relations and Chief Strategist/Curator of DCIPHER, a Detroit based organization dedicated to advancing the community and music economy.
Interviewed by Tamar Sella, 10/06/2020.
An advertisement for Southeast Bank featuring footage of U.S. football players Howard Twilley and Paul Warfield being tackled during games while an offscreen male narrator talks about how they keep their hard-earned money at Southeast Bank. A white-collar worker in an office setting is also tackled by a coworker as the narrator argues how viewers should keep their own hard-earned money at Southeast. One of the winners of the 1973 Clio Awards.
An advertisement for Southern Airways in which a man on an airplane receives scowling expressions from first-class passengers as he walks back to the second-class cabin. An offscreen male narrator describes how "nobody's second class" on Southern Airlines over scenes of the man comfortably boarding a flight. One of the winners of the 1975 Clio Awards.
An advertisement for Southern Airways in which a man on an airplane walks from an upper-class lobster feast in first-class into a destitute refugee camp in coach. An offscreen male narrator describes how "nobody's second class" on Southern Airlines over scenes of the man comfortably boarding a flight. One of the winners of the 1975 Clio Awards.
An advertisement for Southern California Ford Dealers that depicts a quartet of singers made up of three men and one woman. They harmonize to sing "Ford has changed..." over and over again; the jingle ends with the woman singing a solo, but her voice turns out to be a very deep bass.
An advertisement for Southern California Ford Dealers that depicts an actor and a male director on set rehearsing the line, "The '64 Fords are stronger, smoother, and steadier," a few times with direction. When the actor is left to do an official take on his own he flubs his line to comic effect.
An advertisement for Southern California Ford Dealers with background music. The scene depicts a medium shot of a man smoking a cigarette who addresses the camera and says, "Take it from me, the '64 Ford has really changed."
Sowah Mensah (St. Paul, Minnesota)
Sowah Mensah is an ethnomusicologist, composer and master drummer from Ghana. Sowah taught music in both Ghana and Nigeria before becoming a music professor at both Macalester College and the University of St. Thomas in St. Paul, Minnesota, where he also directs each school’s African Music Ensemble. Mensah also directs the African Music Ensemble at the University of Minnesota and is the director of Sankofa, a Ghanaian Folklore and Dance Ensemble in the Twin Cities. He has performed extensively in the U.S., Latin America, and Africa, where he performed with the Ghana National Symphony Orchestra. In the U.S., he has performed with stars like Max Roach, Don Cherry, Roscoe Mitchell, and Julius Hemphill. He has also performed with the Minnesota Symphony Orchestra, as well as many festivals around the U.S. and abroad.
Interviewed by Holly Hobbs, 09/28/2020.
Presents four styles of folk dances from the Soviet Union, Uzbekistan, Georgia, and Ukraine. Performed by the USSR delegation to the International Dance Festival in London, England. Dances include "Horoomi", "The Lezguinka", and "Gopak"
Current scholarship on international students is sparse and tends to focus on contemporary crises and possibilities, but that limited scope neglects the long chronological impact of international students and the importance of the U.S. Empire in the development of international education. My dissertation will use digital humanities tools and historical methods to analyze the significance of international students to American universities, especially those students from the U.S. Empire such as Filipinos and Puerto Ricans, from the Antebellum Period to the onset of COVID-19. This sweeping chronological timeframe will allow me to contextualize the growth of the international student movement in temporal and geographic perspective. I will use case studies of specific students to balance the long durée and broad geographic scope of my work with the intimate details and everyday struggles of individuals. My dissertation will center the agency of colonial nationals, the development of anti-colonialism, the interpenetration of nongovernmental and state organizations, and the creation of the modern higher education system in the United States with ties to both state and corporate bodies. In this HASTAC project, I have focused on visually representing the data of the Institute of International Education and the 1917 and 1921 cohorts of Filipino students in the United States through mapping on ArcGIS to demonstrate the geographic scope of the international student movement and the change over time in the early to mid-twentieth century.
The Institute of International Education (IIE) administers the most prestigious awards for international education such as the Fulbright. As an intermediary between states, private philanthropies, corporations, and universities, the IIE has smoothed global crises and facilitated U.S. diplomatic policies related to international education for the past century. In my dissertation, “The Cosmopolitans: The Institute of International Education from Liberal Internationalism to Neoliberal Globalization (1919–2003),” I ask how parastatal organizations like the IIE became central to twentieth century liberalism. I argue that Americans came to rely on international students as proxies to end global conflicts, fortify the United States’ geopolitical standing, advance capitalist economic development in the Global South, and keep U.S. colleges financially afloat.The Institute of International Education has dominated the fields of international education and person-to-person diplomacy from 1919 to the present as an intermediary between states and private organizations. It has bolstered international student programs with private grants and administered flagship federal programs such as the Fulbright. This combination of private administration and capital with federal legislation and the brand of the U.S. government has characterized the shift from massive public spending and liberal internationalism in the postwar era to the neoliberalism of the late-twentieth century.
Video bio of Ken Speck, inducted to Indiana Broadcast Pioneers Hall of Fame in 2017;
Ken Speck served as an on-air personality at WIRE-AM in Indianapolis from 1970 to 1985 before moving to KRPM-FM in Seattle, where he helped take the station from No. 42 in the market to No. 1 within five months. During Speck’s time at WIRE-AM, the station received numerous Station of the Year awards. Arbitron ranked Speck No. 1 in his time slot for years. His radio work began in 1955 in Ohio at Kent State University’s WKSU-FM and then WAND-TV, WCMW-FM and WCNS-AM. His early years included working at WCAR-AM in Detroit and as program director at WSLR-AM in Akron, Ohio. There, his station was ranked No. 1 in Billboard Magazine’s radio response rating. Speck’s tireless charity and fundraising work for many groups resulted in numerous awards including the CASPER Award from the Central Indiana Community Service Council.
--Words from the Indiana Broadcast Pioneers
An advertisement for Speedy Muffler King auto repair shops in which a man attempting to sneak out of his home to go golfing without waking up his wife has his plans thwarted when his car makes loud noises that disrupt the entire neighborhood. The man brings his car into an auto repair shop as an offscreen male narrator describes how Speedy Muffler Repair's service makes the customer feel like a "somebody." One of the winners of the 1975 Clio Awards.
Video bio of Dean Spencer, inducted to Indiana Broadcast Pioneers Hall of Fame in 2007.
Producer: Ruth Hiatt;
Post-Production: DreamVision Media Partners;
Dean Spencer has continued to excel in providing his market with a local emphasis no longer common due to out of town ownerships. He has personally created programs that please his listeners in the Bedford, Indiana, area and is involved in issues that improve the community. In 1975, he designed and built Bedford’s first FM station and 16 years later did the same thing for the town of Mitchell, Indiana.
--Words from the Indiana Broadcast Pioneers
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
An advertisement for Spic and Span cleaner narrated by a man who is accompanied by music. The scene depicts a young janitor attempting to mop a hallway using a liquid cleaner. An older janitor gives him some Spic and Span and he is then able to clean the floor well. The scene ends with a close-up of the product as the narrator says, "Spic and Span, the big job cleaner, gets the dirt liquid cleaners leave behind."
Presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P3A: Integrating with External Systems.
Video bio of Ed Spray, inducted to Indiana Broadcast Pioneers Hall of Fame in 2019;
Seymour, Indiana, native Ed Spray earned his bachelor’s degree in radio-television with a minor in journalism from Indiana University. He worked as a producer-director for IU Radio and Television Services and then became a film editor and cameraman at WISH-TV in Indianapolis. In 1966, Spray became producer-director for WMAQ-TV in Chicago and won five Emmy Awards. In 1974, he moved across town to WBBM-TV, the CBS-owned station, where as program director he led one of commercial television’s most honored programming operations, winning nearly all of television’s best-known awards, including National Emmys, two Peabody Awards, and more than 75 local Emmys. Spray transferred to CBS-owned KCBS-TV in Los Angeles in 1986 and served as station manager before being promoted to vice president of programming and development for all CBS-owned stations. In 1994, he joined the E.W. Scripps Company where he was a co-founder of the Home and Garden Cable Television Network, HGTV. The company later acquired the Food Network and under Spray’s leadership launched two more cable networks: DIY and Fine Living. Spray retired as president of Scripps Networks in 2005.
--Words from the Indiana Broadcast Pioneers
An advertisement for Sprite featuring two stop-motion animated mannequin heads on a beach who talk about the appeals of the product. A female vocalist sings a jingle about the crispness of Sprite over shots of the product being poured into a glass. Submitted for the Clio Awards.
An advertisement for Sprite in which two statue heads in a park discuss how bells go off each time someone opens a bottle of Sprite. A female voice sings a jingle over images of Sprite bottles in a cooler of ice. Submitted for the Clio Awards.
An advertisement for Sprite in which two head bust statues in a museum try to talk to a bottle of Sprite sitting on display next to them. A female voice sings a jingle over images of Sprite being poured into a glass of ice. Submitted for the Clio Awards.
An advertisement for Sprite in which offscreen narration and a jingle about the tart and crackly qualities of the product play over winter scenes of young people skiing, tobogganing, and sledding. Submitted for the Clio Awards.
An advertisement for Sprite in which a jingle plays over close-ups of the product being poured into and served from a party punch bowl. An offscreen male narrator describes the tart and tingling qualities of new Sprite & Spice flavor varieties. Submitted for the Clio Awards.
"Safer Together 2023" made by Srikar Devulapalli, was selected as runner up winning video in "Safety Together: An Archival Remix Contest" organized by Indiana University Libraries.
In Spring 2023, IU Libraries launched its first ever archival remix contest with support from the IU Libraries Moving Image Archive Collections. In response to the alarming number of bike and pedestrian accidents and deaths, participants were invited to create a short, compelling video using archival footage to raise awareness about street safety.
All videos were judged by a Review Board in categories of originality, quality, appropriateness, and effectiveness of raising awareness around street safety.
As a runner-up, Srikar received a prize of $500!
Full website: https://libraries.indiana.edu/safer-together
An advertisement for St. John's packaged bread in which a narrator traces the history of schwarzbrot to the brand's product. Submitted for Clio Awards category Baked Goods.
Video bio of Terri Stacey inducted to Indiana Broadcast Pioneers Hall of Fame in 2020;
Terri Lynn Stacy was born in the small town of Knightstown in Henry County, Indiana. In 1985, Stacy was hired as the receptionist for WIBC-FM in Indianapolis. After winning “Employee of the Year” in 1989, Stacy was rewarded with a guest stint on the morning show on WIBC-FM, hosted by Jeff Pigeon. Stacy was such an instant hit that station managers decided to continue having her co-host the morning show, even though she was still working her full-time job as the station’s receptionist. In less than a year, the station made her a full-time on-air personality and morning show co-host. She would continue in that role, despite the ever-changing radio landscape, for more than 20 years. In 2010, Stacy finally stepped down from the morning drive and began a new direction as the traffic reporter for WIBC-FM. Since 2005, Stacy has hosted “The First Day Sunday Magazine Show” and she continues as host of the “Caregiver Crossing” show on WIBC-FM. In both 2007 and 2008, Stacy was acknowledged by Indianapolis Woman magazine as the “Local Female Radio Personality of the Year.”
--Words from the Indiana Broadcast Pioneers
An advertisement for Esso (Standard Oil) Kerosene in which a narrator describes culture and labor in Holland and how Esso kerosene affects these aspects of Dutch life. Submitted for Clio Awards category Corporate.
An advertisement for Standard Oil company in which a narrator describes the history of the company's development. Submitted for Clio Awards category Corporate.
An advertisement for Standard Oil in which a narrator describes the company's commitment to drilling for oil across the globe over an animation of a person searching for these reserves. Submitted for Clio Awards category Corporate.
An advertisement for Standard Oil products in which a narrator describes the company's endless search for oil resources across the globe over an animation. Submitted for Clio Awards category Corporate.
An advertisement for Standard Oil petroleum products in which a narrator describes how Standard Oil laborers develop and test the petroleum used in cleaning detergents. Submitted for Clio Awards category Corporate.
An advertisement for Standard Oil products in which a narrator describes the way oil affects American life over an animation of wheels turning using oil. Submitted for Clio Awards category Corporate.
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
Video bio of Steve Starnes, inducted to Indiana Broadcast Pioneers Hall of Fame in 2017;
For more than 30 years, Steve Starnes worked as a photographer for WTHR-TV in Indianapolis. One of his crowning achievements came in 1982 when he worked on a documentary about the Ku Klux Klan in Indiana. The program earned a myriad of national and international awards, including a national Emmy award. Starnes’s career behind the cameras took him all over the world, traveling from Afghanistan and Albania to Africa, before he retired in 2009.
--Words from the Indiana Broadcast Pioneers
An advertisement for State Farm automobile insurance featuring clown Emmett Kelly's Weary Willie character going through a car wash in a car without a protective hood. An offscreen male narrator describes the benefits of State Farm policies. Submitted for the Clio Awards.
An advertisement for State Farm automobile insurance in which a company agent drives to work as a jingle plays. State Farm marketing appears in increasingly absurd places along his drive, including traffic lights, trains, people's shirts, and on a dog. A skywriter pilot speaks to the agent and apologizes for oversleeping. Submitted for the Clio Awards.
An advertisement for State Farm automobile insurance in which two parking attendants discuss the benefits of the company's policies. An aerial shot reveals that the attendants have arranged the cars in the lot to resemble the State Farm logo. Submitted for the Clio Awards.
An advertisement for State Farm automobile insurance where shots of cars on the road are edited to up tempo music. An offscreen male narrator describes the savings available for State Farm customers and a jingle plays. Submitted for the Clio Awards.
An advertisement for State Farm homeowners insurance in which two construction workers discuss the benefits of State Farm's plans while on the job. The final shot revels that the workers has been building a giant wooden State Farm display logo. Submitted for the Clio Awards.
An advertisement for State Farm Insurance in which an offscreen male narrator describes how every State Farm sign on roadways across the country represents a local company agent. The narrator explains the benefits of State Farm's nationwide network over an image of a map of the U.S. populated by company branches. Submitted for the Clio Awards.
Steddy P (Kansas City, Missouri)
Ray Pierce, better known by his stage name, Steddy P, is a Kansas City-based rapper who, for many years, has come to represent underground Missouri hip-hop. Through his college years, he built a dedicated following in Columbia, Missouri, and then began to spread outward across the state and beyond. He is also the founder of the label Indyground Entertainment, which has artists Farout and Dom Chronicles on its roster. His music is often biographical, often political, and is inspired and assisted in creation by St. Louis-based DJ and producer, DJ Mahf.
Interviewed by Holly Hobbs, 09/08/2020.
John Stehr was lead news anchor for 23 years at WTHR-TV, Indianapolis, before retiring in 2018. His work earned him numerous Regional Emmy Awards. Previously he was anchor in New York for the CBS Morning News and the Money Wheel on CNBC. Stehr began his career working for stations in Erie, Pennsylvania, and Grand Rapids, Michigan.
--Words from the Indiana Broadcast Pioneers
Presentation at Open Repositories 2015 (OR2015), the 10th International Conference on Open Repositories, Indianapolis, Indiana, in session P5A: Building the Perfect Repository.
Stephanie BadSoldier Snow (Garwin, Iowa)
Stephanie BadSoldier Snow was raised on the Meskwaki Settlement in central Iowa with traditional Meskwaki ways and is of the Swan Clan. She is an enrolled tribal member of the HoChunk Nation of Wisconsin. Along with Meskwaki and HoChunk heritage, Stephanie is also Lakota and Umohon. As a member of various song, storytelling, and dance troupes, she has had the honor of working with acclaimed Native American performing artists throughout her career. A tremendous lifelong goal was realized when she was blessed to be one of the first Native performers on the Nashville stage. Stephanie is an award-winning artist who holds the Meskwaki way of life dear, appearing on recordings meant to revitalize the tribal language and revive songs once thought lost to the community. Today Stephanie, also a published poet and anthropologist, works from home as a cultural consultant, continues as a virtual musical performer, acts as learning coach to her two children, and spends time sharing ideas with her intellectual husband.
Interviewed by Holly Hobbs, 10/09/2020.
This workshop will give an overview of how to identify what types of data analysis tools to use for a project, along with basic “DIY” instructions. We will discuss the most common analysis tools for describing your data and performing significance tests (ANOVA, Regression, Correlation, Chi-square, etc), and how they should be selected based on the type of data and the type of research question you have. We will spend the first hour outlining ‘what analysis to use when’ and the second hour going through an example dataset in SPSS software “Comparing motivations for shopping at Farmer’s markets, CSA’s, or neither.” Bring your own data set to work along also.
In the past few decades, laboratory experiments have gained popularity in a number of social science disciplines outside of psychology, including economics, political science, and sociology. In part, this is due to the usefulness of laboratory experiments for addressing questions about causality. This workshop offers an introduction to the theory and practice of designing and conducting laboratory experiments, oriented towards those with little or no prior experience. The presentation will also address motivations for conducting experimental research, the relationship between theory, experiments, and the “real world,” and the ethics of experiments.
Stephen Kieran and James Timberlake proceed from the belief that architecture is most resonant, beautiful, and artful when it connects deeply across levels and dimensions in ways that resolve into a new whole—a whole that is expansive, unified, and far greater than the sum of its parts. Their lecture FULLNESS: The Art of the Whole explores how beautiful design arises from the art and science of a deep, query-based research process, and includes many individuals and many (often competing) influences. Central among these influences is an ethical commitment to researching and envisioning anew the ways in which architecture and planning can address some of the most pressing issues of our time: the international crisis of affordable shelter and the role that carbon consumption plays in global warming and the decimation of our physical environment. Using project examples from the past decade, they will discuss the evolution of their creative process over time, the expanding role of communication in their work, and how innovative new modeling and analysis technologies can become tools for dialogue and collaboration.
Jodi Cohen interviews Stephen Porges for her podcast "Essential Alchemy: the ancient art of healing naturally." The summary reads: "With Stephen Porges, PhD, you’ll learn the impact of the autonomic state on reactions, how safety cues calm the physiological state, and the ways in which trauma distorts neuroception and creates defensive reactions. In this episode, you will learn: Impact of the autonomic state on reactions; How safety cues calm the physiological state; Trauma distorts neuroception and creates defensive reactions"
Poetry reading of Stephen S. Mills. Video recording of Mills reading "How We Became Sluts" from his published work "Not Everything Thrown Starts a Revolution."
Stephen S. Mills is an award-winning LGBTQ poet who is a native of Richmond, Indiana. Travis Rountree, assistant professor of English and director of the Writing Program invited Stephen to IU East to read some of his poetry that often refers back to the region. Stephen also visited Dr. Rountree’s Eng-W270 class to talk to the students about growing up in Richmond, how he came out to his family and found his identity, and what inspires him as a writer.
Steve and Stan Blessing (Masters), Jon Kay (Director), Nineteenth State LLC. (Production Services), William Winchester Claytor (Videographer and Editor), Nathan Vollmar (Sound Recording and Editor) Kelly Totten (Cover Design), Betsy Shepherd (Production Coordinator) Traditional Arts Indiana
Summary:
In 2012 we partnered with Traditional Arts Indiana to produce this short profile of Blessing Farms, a family dairy farm and cattle breeding operation outside of Ft. Wayne, Indiana. The 800 acre farm, run by brothers Steve and Stan Blessing, is home to approximately 140 Brown Swiss dairy cows, and has been in operation since 1936. The Blessing family also grows corn, soybeans, alfalfa, and wheat.
Steve Eldridge, Vivianne Crowley, Michigan City Public Library
Summary:
"Getting There: Oral Histories about transportation in Michigan City" is a series of oral histories, focusing on the railroads and aviation in Michigan City. This project was initiated and administered by the Michigan City Public Library, co-sponsored by the LaPorte County Historical Society, and funded through an Indiana Heritage Research Grant from 1993-1994.
Interview of Steve Eldridge, conducted by Vivienne Crowley. This interview touches on reminiscences of the South Shore Railroad.
Steve Mason (Lawrence, Kansas)
Steve Mason is a multi-instrumentalist based in Lawrence, Kansas, who plays fiddle, guitar, bass, mandolin, and vocals. Steve Mason is a luthier who repairs, improves, and creates stringed instruments. Mason is also a long-time member of The Alferd Packer Memorial String Band, which includes five multi-instrumentalists dressed in old-time costumes, singing and playing fiddles, banjo, guitars, mandolin, hammered dulcimer, accordion, bass, and creative percussion. The band has been featured on CBS Sunday Morning with Bill Geist, and in a documentary called Overlooked which aired on KTKA-TV. They were the focus of articles in The Wall Street Journal, the New York Times and Readers’ Digest. Their music has been used in a national broadcast on NPR.
Interviewed by Holly Hobbs, 10/03/2020.
Steve Reidell (Chicago, Illinois)
Chicago-based music composer and producer Steve Reidell is one half of The Hood Internet, a DJ/production duo known for years of mixtapes blending hip-hop and indie rock samples together, creating a sensation that has racked up millions of streams worldwide and allowed for a busy touring schedule including regular stops at Lollapalooza, Bonnarroo, SWSX and more. They have also formed Air Credits, a collaboration between the Hood Internet and Chicago rap artist Showyousuck. Reidell has also worked on original music compositions for a variety of productions, including The Onion’s A.V. Club, Penguin/Random House’s TASTE podcast, the theme song for the FOX comedy show Party Over Here and more.
Interviewed by Holly Hobbs, 09/14/2020.
Stevie Ray Vavages (San Antonio, Texas)
Stevie Vavages grew up in Anegam, Tohono O'odham Nation on the Arizona/Mexico border. He comes from a musical family. His grandfather used to play with a group of old-time fiddlers called Gu-achi fiddlers that played Waila music—Waila being the term Tohono O’odham indigenous people use for their instrumental music. His father and uncle were musicians as well: “My uncle taught me for a month and after that month of practicing bajo sexto I had my first gig,” Stevie says. He moved to San Antonio, Texas, in 2017 to fulfill his dream of making a living playing Tejano conjunto music. His big surprise was to realize that many of the music the Tejano conjuntos were playing was music that he has learned from his grandfather. That and the realization of playing with musicians he grew up admiring. Stevie is a very talented bajo sexto player and superb musician who also plays accordion, bass, and drums. He has become a fixture in San Antonio’s Tex-Mex music scene and plays with artists such as Bobby Pulido, Belén Escobedo, and Flavio Longoria to say a few. He feels rooted into the community.
Interviewed by Raquel Paraíso, 09/14/2020.
Starring Lt. James Stewart, this WWII recruitment film shows jobs, training and education provided to men between the ages of 18 and 26 who enlist in the U.S. Army Air Forces.