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Early use of rivers is described, form the Indian canoe of hollowed log to the flatboats and keelboats of the Ohio and Mississippi Rivers. Bash tells of the importance of water transportation, of families building flatboats and traveling down the currents with even their cows and chickens aboard, and she shows the ways the keelboats were propelled upstream by sweeps and by men with tow ropes walking along the banks. Cargoes of wheat, corn, animal skins and log rafts are related in their importance to the lives of the people. Songs include “Sewanee River,” “Shenandoah,” and “Old Woman.”
The interesting development of roads, from a path through the forest which a horse could scarcely travel, on through the building of the roads which led westward, and which were used by the huge Conestoga Wagons for hauling freight. A model of the Conestoga Wagon is shown, and models of the various kings of roads, those made of logs, those of boards, and later the McAdam Road. The building of the Cumberland Road is described, and the life which centered around those who used the roads depicted. The early toll road is mentioned, and a tie-in made with the Turnpike of today. Song material includes, “Goin’ Down the Road Feelin’ Bad,” “On Top of Old Smoky,” and “Low-Backed Car.”
Illustrates the techniques involved in drawing roosters. Depicts the rooster in several poses: looking "over his shoulder" and feeding. Explains various beliefs of the Japanese concerning the rooster. (KQED) Kinescope.
Teenagers from Malaya, Philippines, Greece, Iceland, Thailand, and Turkey discuss prejudices within their own countries and toward others. Criticism is made of the American soldier and tourist as representatives of the United States. Presents comments on Russia as a current problem source and the effect of tradition and war in stimulating prejudice. (WOR-TV) Kinescope.
Bash describes the three ways there were to get to California when the nation was excited about the gold found there, 1848-49. The use of the covered wagon, and “Prairie Schooner” is described, including information that it was shaped as it was so it could float across the rivers that had to be crossed. The route of taking a ship to Panama, then crossing the swampy Isthmus on foot is described, and then the third way, that of taking the long and dangerous trip by ship all the way around Cape Horn. Maps and authentic pictures illustrate the material, and a model of the record breaking Clipper Ship, “The Flying Cloud” is shown. Songs include “She’ll Be Comin’ Round the Mountain,” “Let the Rest of the World Go By,” and “Sacramento.”
Bash describes the rugged life aboard an early day sailing vessel … the various chores of the crews, and the romance of sailing to faraway ports in search of cargoes. On film, Bash goes aboard the ship Blaclutha, showing the rigging, the tall masts, how the sailors climbed to the yardarms, and how they paced around the capstan, to pull up the heavy anchor chain. She visits the crew’s quarters, and demonstrates the various kinds of “scrimshaw,” the sailors’ handiwork of carving whalebone, knotting ropes for decoration, and making model ships.
Host Dora shows Fignewton Frog the puppet how to make a star hand puppet and a cut-out fish to enact a play. She uses these to tell the story of Sayy the too-inquisitive starfish, who gets into trouble by being nosy. Dora recommends books on sea life.
Discusses the problems and rewards presented by the integrated school. Explains how the integrated school can, through constructive experiences, provide an opportunity for children to learn about problems they must eventually face. Answers questions concerning race and minority group prejudice, formation of undesirable manners and language, and the prevention od delinquency. (WTTW) Kinescope.
Explains the difference between scientific and non-scientific endeavor. Examines various areas such as flying saucers, astrology, and weather predictions to point out how these problems are approached from a scientific and non-scientific point of view. Features Dr. Harlow Shapley, Professor of Astronomy, Harvard University. (WGBH-TV) Kinescope.
Explains the role of whole numbers in understanding the organization of the physical universe. Uses non-mathematical props, such as rock crystals, to point up the arithmetic nature of basic discoveries in science. Tells how whole numbers limit the knowable universe around us. Features Dr. Philippe LeCorbeiller, Professor of Applied Physics, Harvard University. (WGBH-TV) Kinescope.
Dr. Joel Hildebrand discusses the importance of scientific forecasting. Compares forecasting through astrology, palmistry, "Laws of average," and the "business cycle" with the scientific methods of valid theory and statistical evaluation. (KQED) Film.
Dr. Joel Hildebrand discusses the role of the scientist in society. Indicates why a broad acquaintance with science is essential for the educated man. (KQED) Film.
The movement of traveling farmers, who follow the crops around the country, picking them as they ripen at different times in various areas is described in this program. The beginnings of the seasonal worker, when the land for farming for one’s self became difficult to find, start the story. It carries on through the possibility of following various crops all over the country, moving from one to another as they ripen. The ripening of cotton, apples, onions, tomatoes, strawberries and various others are shown on a large map, and the travels of the seasonal worker depicted on an animated visual. Songs include, “Chilly Winds,” “He’s Gone Away,” and “The Big Rock Candy Mountain.”
The children have to write their own story for a second part of the contest. Susie-Q decides to tell the story of how her kitten finally got to the cat show and won a prize.
In the second part of the music contest, the children do a square dance and act out a folk song in competition. They learn about music as a means of self-expression.
Discusses the serious problem of sex and crime and explains three categories: offense motivated by sexual desire, profit from sex, and sex deviation. Contrasts the American and British attitude toward this problem. Features Dr. Douglas M. Kelly.
Uses demonstrations to explain shadows. Illustrates materials that cast shadows and others that do not. Shows how to make a sun clock. (WCET) Kinescope.
Bash takes a trip to an old general store, driving up in a buggy as the early settler might have done. In the store she shops for old-time items and tells of their uses. She gets coffee from a big red coffee grinder and her meat is chopped in an old-fashioned hand cranked meat chopper. The stove and the “TV of the early day,” the stereopticon, are observed. Songs include “Blue Tail Fly” and “Bought Me a Cat.”
Simpleton dreams of living in a palace. He takes the silver coin his mother has given him and sets out to seek his fortune. One day on the road, he meets a man with a goose and buys the goose to give the King. Two guards at the palace refuse to let Simpleton see the King until he promises to give them half of what the King gives him for the goose. The King is very pleased with the goose and asks Simpleton what he wants in return. Simpleton replies he wants a beating. When the King asks his reason for such a reward, Simpleton tells him of his treatment by the guards. The King orders the guards out of the palace and appoints Simpleton as a Royal member of the guard.
Bash tells of the new state's mountains, tundra and the cities on the coast. She tells of the modern farmer, salmon fishing, mining and the Eskimos. Her songs include "Greenland Fishery," "Sacramento," and "Jennie Jenkins."
Bash tells how the use of medicines developed and how people learned to use beneficial plants. She tells the story of the original pharmacy in this country and the modern drugstore ... from bitter root to sugar-coated pills. Songs include "The Apothecary Shop," "Little Mohee," and "Buckeye Jim."
Bash Kennett tells the story of typical activities in the southwest in the days when the great cotton farms were developed. She pictures the "grubber" who removed tree stumps, the planting activities and harvesting. The Patterson Dancers re-enact a Saturday night dance which might have taken place in a "brush arbor." Songs include "Lazy River," "Pick a Bale of Cotton," and "Polly Wolly Doodle."
Bash tells the story behind many of the sayings we use today. She tells of historical events and circumstances leading to the use of such phrases as: to pull up stakes; in the nick of time; lock, stock and barrel, and to fly off the handle. Songs include "Grey Goose," "Cockle Shells" and "Big Rock Candy Mountain."
Bash tells the story of the building of the missions in California and describes the long voyage made by Father Serra and other Padres as they moved north from Mexico. Life in the mission community is described. Songs include "Adelita" and "Sombrero Blanco." The Lillian Patterson dancers perform a dance of the period of the latter song.
This program in the series is a signing survey of America at work, play, in love and the songs of the children. Bash sings some of her favorites including "Liza Jane," "Prisoner of Life," "Every Night When the Sun Goes In," "The Fox," "The Riddle Song," "Dig My Grave," "If I Had a Ribbon Bow," "Hullabaloo Belay," and "The Titanic."
Bash talks about the real pirates who operated in American waters in the early days. Stories of the exploits of Captain Kidd, Blackbeard, and others describe the kind of life the pirates led as they traveled on the high seas, and the various operations of pirates and privateers. The hazards of sailing with a fully lade ship, with pirates waiting off the coast to take the vessel were a very real and exciting part of the early-day sailing ships. The ballads of "Golden Vanity" and "Henry Martin" describe in song the activities of pirates.
The fabulous story of the men who built the railroad to join the Atlantic and Pacific coasts is told by Bash Kennett. The struggles of the laborers in the west who battled granite cliffs in order to lay more track than the crews on the plains who had to import their lumber is told. Songs include "Midnight Special," "Down in the Valley," and "Drill Ye Tarriers, Drill."
Opening this program with the song "Home on the Range," Bash tells of the importance of the American buffalo to the Plains Indian and how the buffalo led the early explorers over natural passes and up easy grades as the Western migration began. She describes an Indian buffalo hunt and the ways in which the animal was used for clothing, food and shelter. Songs also include "Buffalo Boy" (sometimes called "When We Gonna Marry"), and the music later made into a popular song, "Buffalo Gals."
This is the story of the actual trip of the Mayflower. Bash Kennett tells how the people planned for the voyage, what they took aboard the ship, what they hoped to find and how they anticipated living when they reached shore. Songs include "Three Blind Mice," "Pretty Saro," "Muffin Man," "Wee Willie Winkie," and "Barbara Allen."
Bash describes whaling and the life of a whale. She tells of harpooning the mammal and uses of whale oil. Songs include "Sarah the Whale" and "Greenland Fishery."
In this program, host Lohman examines the development of large prisons and the treatment of inmates in this type of institution. Film clips illustrate the masses of inmates confined and a prisoner tells of his life in such an institution. Wilkinson and Lohman discuss administrative problems occurring in the management of such large prisons and point out that modern penal thinking indicates a trend toward smaller prisons.
When Skip learns it is time for the children at school to have their shots, he decides to hide and miss the shots. The others decide that he can’t join them in their later fun if he is going to be ill because he didn’t look after his health.
Presents a vacation camping trip in the southeast by the Ed Harvey family. Upon meeting a low-income farm family they examine the causes and solutions to the extreme poverty of major portions of the farm population. (Agrafilms, Inc.) Film.
Dr. Joel Hildebrand discusses the forces that differentiate species of molecules. Reviews briefly the structure and nature of atoms and molecules. Illustrates different factor affecting the solubility of gases, liquids, and solids in water and other liquids. (KQED) Film.
Uses laboratory experiments to explain solubility. Demonstrates the solubility of a solid in a liquid by dissolving salts in water, a gas in a liquid with carbonated beverages and an ammonia fountain, and a gas in a liquid using charcoal. (KQED) Film.
Tells the story of the custom of helping out in the Southwest. Explains how people worked together in building their homes, harvesting crops, and promoting social activities. Discusses the cultivation of sugar cane and making of syrup.
Host Dora tells the story of Eloise the Skunk, a kid skunk who couldn't spray until one day a dog almost attacks her and she learns how to spray because she is scared. The dog asks to be adopted by her and she asks her mom and the familys takes in their new pet dog.
Tells the story of traveling by stagecoach. Explains how stagecoaches were made and used. Uses 19th century pictures and illustrations of early stages and discusses the dangers encountered during their trips. Host Bash Kennett plays guitar and sings the songs "Black Eyed Susie," "Every Night When The Sun Goes In" and "Old Joe Clark."
Presents principles of good staging for the panel and interview types of television programs. Points out common errors of staging and demonstrates methods to be used in good program staging. Suggests ways to make the most of available props and how to create general utility props at modest cost. Features Verne Weber.
Dr. Joel Hildebrand illustrates the "laws of chance" or "probability." Discusses fallacies of what is "normal" and "abnormal." Points out the variability of human beings by discussing the "average man." Emphasizes limitations in what can be predicted. (KQED) Film.
The story is one of the most significant and exciting in the whole history of science. It started with the “impractical” observation of a line in the solar spectrum with no then-known earthly counterpart. With guest, Captain Albert R. Behnke of the United States Navy, Dr. Hildebrand traces the unfolding story through discoveries of vast scientific value to applications in aeronautics, deep diving, and high altitude flying. In summary, Dr. Hildebrand discusses the revelation of the source of the sun’s energy and the possibility of obtaining inexhaustible supplies of energy to serve the needs to men.
Teenage delegates to the New York Herald Tribune Forum discuss their visit to America. Presents their views on what they have seen, learned, and experienced. 1958 (WOR-TV) Kinescope.
The importance of Sunday customs in the southern part of the country is described. The activities of the week, the tilling of the fields, the house chores, the sewing and gardening all came to a climax looking forward to Sunday. The families met at church, where the men and women then planned get-togethers for the afternoon. Of course, food was all-important, huge spreads of hams, yams, two-story biscuits, etc. At the meal, a house-raising is discussed, and the custom of helping neighbors to build a house is pictured. Songs include “Way Down Yonder in the Paw Patch,” “I’m Just a Poor Wayfarin’ Stranger,” and “Mr. Banjo.”
“Trade is a two-way street. If you want to sell, you’ve got to buy,” says Ed Harvey in this program, after a discussion of international trade and the relation of surplus to tariff. A trip through Washington, D.C., and cartoon sequences of the surplus problem and the import-export balance are featured in the program.
Discusses the area of general semantics. Develops the idea that one's language determines the limits of one's world. Illustrates the way in which undifferentiated reactions to words leads to a communications deadlock. (KQED) Film.
Discusses the basic narcotic drugs and their relationship to crime. Includes a filmed sequence of an addict undergoing withdrawal and receiving a shot that assuages him. Points out that crime committed by the drug addict is a secondary effect. (KQED) Kinescope.
Explains lighting fundamentals for the interview and panel-discussion types of television programs. Outlines problems and pitfalls and spells out how each may be avoided. Demonstrates good basic lighting principles in television production. Features Verne Weber.
In this discussion, Dr. Jones explains thatternary form is the repetition of an opening section of a composition after further development of the theme. This repetition brings the opening in to a relationship of tension with the rest of the piece since it closes or completes the structure, which would collapse without the repetition.