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This session will discuss how typological theories, or theories on different configurations of variables that constitute "types," can help address complex causal relations such as high order interaction effects and equifinality even when there is limited diversity of cases. The discussion will emphasize operational issues such as how to develop typological theories, how to iterate between theorizing and initial empirical case study examples, and how to use typological theories to clarify case selection for qualitative research projects. The session will focus on two extended examples that participants may want to review in advance, though it is not essential order to follow the discussion. The first is an article on burden sharing in the 1991 Persian Gulf War (Bennett, Lepgold, and Unger, International Organization, Winter 1994), and the second is an article on military occupations (Edelstein, International Security, Summer 2004).
This webinar overviews how to effective use data from the Beginning College Survey of Student Engagement in combination with data from the National Survey of Student Engagement.
An advertisement for Utica Club Beer in which a stop motion animation of three German beer steins are featured. One beer stein tells outlandish stories about him and the Kaiser but his nose grows longer the more lies he tells. As his nose grows he knocks over the other steins and then he speaks about the product and his nose shrinks
An advertisement for Utica Club beer in which a man enters a bar in a town called Rome and asks for Budweiser, but the bartender tells him he must "do as the Romans do" and hands him a Utica Club instead.
An advertisement for Utica Club beer in which a man cheers for the opposing team at a sporting event, then asks for a competitor's beer, but his companion hands him a Utica Club beer and he fits in with the group.
An advertisement for Utica Club Beer in which a pair of talking beer steins ("Schultz" and "Uncle Rudolph") talk about how the beer is authentically German. The ad concludes with a female beer stein singing a jingle about how Utica Club ages beer "the natural way." Submitted for the Clio Awards.
Common read experiences are rare in medical schools but are a proven high impact practice in undergraduate education. With the second year of the Common Read Experience (CRE) at IUSM completed, the data demonstrates that the common read experience fosters a sense of belonging for some students, diversifies their worldview, and allows them to understand social issues in society.
Source material used for the Agency for Instructional Technology series Geography in U.S. history : illuminating the geographic dimensions of our nation's development.
"Here is the first photographic report on the robot bomb since the censorship was lifted. In this nine-minute capsule of buzz-bomb terror, 'V-1' brings to the screen in 16 mm sound-on-film a subject which will arouse its audiences to a vivid realization of the terror that life in London must be under the robot. 'V-1' includes spectacular shots of the bombs being destroyed in mid-air by anti-aircraft fire and by fighter planes." "Scenes include: robot bomb attacks which killed or injured 26,000 persons by September 30, 1944 and destroyed or damaged a million houses. There is one tremendous moment when, in one of the most sensational scenes of the war, a 'V-1' is caught on the wing by a British plane" (Business Screen December, 1944, No. 2, Vol. 6, p. 41).
An advertisement for Vademecum toothpaste that is narrated by a man accompanied by music. The scene depicts a scientist named Sven Vademecum III who is experimenting on toothpaste tubes and how to get all the toothpaste out in a clean fashion. After observing a sardine can key he uses the concept at the end of a toothpaste tube. The scene ends with a close-up of the product and the tagline, "Neatness and clean teeth through science."
Nicolas Valazza, Institute for Digital Arts & Humanities
Summary:
In 1950, the U.S. Customs seized various materials that Alfred Kinsey was trying to import from Europe, a circumstance that led to the federal court case “United States v. 31 Photographs etc.” Among these controversial objects were books, engravings, and photographs that were deemed “obscene” according to the legal standard of the time. In 1957, thanks to the support of the IU President Herman B. Wells and a group of lawyers involved in civil liberties activities, the Kinsey Institute won the case and was able to recover the books and artworks, which are now part of its library. The verdict of this trial greatly contributed to redefine the notion of “obscenity” in legal terms, by creating an exception for the purpose of study and research, and thus consolidating academic freedom. This interdisciplinary project, at the crossroads of literary and legal studies, will develop a digital collection of books and artworks that were seized by U.S. Customs and then apply to this corpus tools of text mining and analysis meant to identify patterns that lead to the accusation of obscenity.
The Valient is shown as being the preferred car of San Franciscans because of its ability to drive up steep inclines, navigate through tight curves and its low cost.
Episode 13 from the Agency for Instructional Technology series Drawing with Paul Ringler. Shows the effects of value and contrast in pictures, how to recognize and choose a value key to fit subject, and how to recognize and use major, intermediate, and minor contrast.
Lesson 13 from the Agency for Instructional Technology series Amigos. The goals of this series, in order of priority, are: To expose children to basic Spanish; to introduce children to Hispanic culture; to create an interest in the geography of countries where Spanish is the primary language; to reinforce skills and concepts taught in the regular elementary school curricula.
An advertisement for Van Heusen men's shirts in which a man walks through a car wash wearing the product to demonstrate its "wash and wear" capabilities. Submitted for Clio Awards category Apparel.
An advertisement for Van Heusen apparel in which a man walks out of the ocean on his way to an office building modeling the brand's line of men's shirts with "wash and ready" technology. Submitted for Clio Awards category Apparel.
An advertisement for Van Heusen's men's shirts in which a woman describes why she likes her husband wearing the 417-style shirt. Submitted for Clio Awards category Apparel.
An advertisement for Van Heusen collared shirts in which actor/singer Bert Parks wears the product and addresses the camera about its wrinkle-free qualities. The screen occasionally becomes wrinkled and crumpled up as he speaks. Submitted for the Clio Awards.
An advertisement for Van Heusen Century Vantalux shirts in which a narrator describes the product's permanent wash and wear design. Submitted for Clio Awards category Apparel.
An advertisement for Van Heusen "Wash n' Wear" shirts with "Vanalux" narrated by a man. The scene depicts a man named George walking through a car wash with the shirt on and then putting the rest of his suit on and catching a bus. The scene ends with a montage of men wearing Van Heusen shirts with music and ends with a close-up of the logo.
Discusses musical form known as theme and variations in which attention is directed exclusively to the process of varying a simple theme. Illustrates with an example from a Mozart sonata. Points out the various kinds of· elaboration of the theme: (1) melodic embellishment; (2) change of tonality; (3) change of tempo; (4) change of basic meter; and (5) a coda at the end.
Discusses the type of variation form known as passacaglia in ·which the theme is a short pattern in the bass. Repeating this theme over and over again, more or less exactly, provides a ground for the variations above it. Illustrates with Purcell's Lament of Dido and Bach's Passacaglia in C Minor, both played in full.
The Indiana University Libraries, in partnership with Northwestern University Library, recently received a grant from the U.S. Institute of Museum and Library Services (IMLS) to create an open source software system for academic libraries and archives to easily provide online access to video and audio collections. This project builds on IU's success in developing the open source Variations digital music library system and on Northwestern's long history of expertise in video digitization and delivery. The speakers will describe the project objectives and organization, explaining how the project ties in with such strategic IU initiatives as Empowering People, the IU Bloomington Media Preservation Initiative, and the Libraries' own strategic directions work. The expected product architecture will also be described, including how other open source community projects such as Fedora, Hydra, and Opencast Matterhorn are involved. Finally, some requirements for the system gleaned from user research will be described.
An advertisement for Veep soda in which two animated young boys grab bottles of the product from a refrigerator and discuss how the drink does not spoil their appetites. A jingle and live-action footage of Veep bottles being opened and poured briefly punctuate the animation. Submitted for the Clio Awards.
Dr. Sumner explains how land surface is considered the most precious of all natural resources since it and climate together produce soil and determine the nature of vegetation. As an example of uncultivated plants which are a rich natural resource, Dr. Sumner cites our nation’s timber supplies. He points out that recent progress in reforestation has not equalized our consumption and growth of timber.
Records highlights of the emergence of democratic government in Venezuela. Shows that the Venezuelan election of December 2 1963, allowed for the first transfer of office from one democratic administration to another in that nation's history. The film documents numerous national problems and aspects of the political campaign. Factors included for examination are the importance of the military, the terrorists' campaign to prevent the election, and the problems of illiteracy and poverty. Refers to the large political setting of Venezuela within Latin American history. Shows the failure of the Cuban-backed terror campaign to keep the people from voting. Includes interviews with Past-President Betancourt and President-Elect Leoni.
Travelogue documenting Ed Feil's trip to Italy in 1963. Feil's film "Cleveland Institute of Art" is showing at the Venice Film Festival. Shares footage with Italy '63 (barcode 40000003364033).
Presents a background of Verdi's life and discusses his early operatic productions, including Rigoletto. Discusses the characteristics of the Italian opera, describes Verdi's love for and his contribution to his country, and tells of his awakening interest in Shakespeare which later influenced some of his compositions.
Here was a man whose music was often misinterpreted, says Dr. Popper as he discusses the life and works of operatic composer Verdi. He tells how Verdi was influenced by Shakespeare and talks of his master work, “Rigoletto.” The program also features demonstrations of Verdi’s music.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Film recording of a live performance of the V&E show.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
V&E show with a special travel-around component.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Intermittent audio in/out over the course of the show. two days of V&E show footage and skits.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Clips from the Nick & Leon Show, including several skits.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Skits - Micro-wave church, Dueling poets, 'The Fascists', Clown stereo repair, 30 second interview, etc. Tape contains several episodes.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
2 episodes with skits, musical and otherwise.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Collection of Skits, sometimes including several takes, for the Vern & Evelyn show.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Special episode where fans of the show visit V&E, and are interviewed by Leon Varjian. The tape contains another, unrelated recording on the end as well.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Continuation of the first anniversary live show recording.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Two episodes with skits, musical and otherwise.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Excerpts from several skits and episodes.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Recording of the first-anniversary of the V&E show. Performance from The Vomit Raisins.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Collection of V&E show skits from different 1983 episodes.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
3 Episodes on three subsequent days. Includes skits, musical and otherwise.
After leaving IU, 1970s campus prankster and graduate student Leon Varjian continued his studies at the University of Wisconsin-Madison, where he continued his fun-loving ways. While living in Madison, Varjian and his friends co-produced local public-access cable television show The Vern & Evelyn Show at the Madison Community Access Center beginning in January 1980. The show starred two live mice (named Vern and Evelyn) and a cast of supporting actors (humans and mice) in a variety of humorous storylines. Show skits satirized politics, religion, and popular culture; music was provided by local bands such as Spooner (later the band became Garbage); and interviews with special guests included the likes of Allen Ginsberg.
Special V&E skit where Vern runs for mayor of Madison, WI.
Video bio of Vern Kaspar, inducted to Indiana Broadcast Pioneers Hall of Fame in 2004;
Vern Kaspar owned, with his two sons, four radio stations and an online newspaper. He was the station’s CEO and senior political analyst. Born in 1922 in Sioux City, Iowa, Kaspar obtained his first FCC license at age 13 as an amateur radio operator, building and operating his own amateur radio station — the use of part of the radio frequency spectrum for recreation, non-commercial exchange of messages and emergency communication that is still used today. Back in the days before Teletype news was available, he would copy Morse code at 33 words per minute to obtain national and international news for local radio stations. After serving in the Navy in World War II and stints at Princeton and Columbia University, he became an executive for WOI-TV, the first TV station in Iowa. In 1953, he helped with TV coverage of Dwight D. Eisenhower’s presidential campaign. In 1959, as a minority partner in a radio station in Nebraska, he decided he’d like to own one of his own. In addition to WILO-AM in Frankfort, Indiana, Kaspar Broadcasting owned WHSW-FM, and two Missouri stations: KWRE-AM and KFAV-FM. Kaspar died Jan. 5, 2018, in Rossville, Indiana. He was 95.
--Words from the Indiana Broadcast Pioneers
Poster presented at the Indiana University Medical Student Program for Research and Scholarship (IMPRS) Research Symposium held on July 27-28, 2023 in Indianapolis, Indiana.
Edward R. Feil, Naomi Feil, Vicki Rubin, Beth Rubin
Summary:
Home movie of Vicki horseback riding as Naomi, Beth, and Eddie watch. She rides in a paddock with other children and receives a blue ribbon. Later shows Ed and Eddie building a sandcastle, possibly at Family Camp, while Vicki and a group of teenagers paddle in a canoe. Briefly shows the boys at home, Eddie in a sandbox and a housekeeper holding baby Kenny.
Edward R. Feil, Vicki Rubin, Julius Weil, Beth Rubin, Helen Kahn Weil, Edward G. Feil
Summary:
Vicki and Beth present Naomi's father, Julius Weil (called Opa), with a birthday cake and he blows out imaginary candles. Vicki then hands him birthday cards to open. Baby Eddie toddles around in the background amidst other party guests.
Edward R. Feil, Naomi Feil, Vicki Rubin, Beth Rubin
Summary:
Home movie showing a day trip to Burton, Ohio. Vicki, Beth, Naomi, and Gusty (the family housekeeper) eat ice cream cones in a car before driving to a flea market in Burton. Along the way, the car passes an Amish buggy.
"The biggest thing is the values that started with the Deinstitutionalization Project and went on through all of our projects about consumer advocacy, self-determination, empowerment to people with disabilities, language use... just totally different values about people with disabilities." Vicki (Victoria C.) Pappas arrived at the Developmental Training Center (D.T.C.) in Bloomington as a graduate student in 1974. The D.T.C. was the the original name of the Indiana Institute on Disability and Community (IIDC). Vicki retired as director of the IIDC's Center for Planning and Policy Studies the year prior to this 2013 interview.
Vicki discusses the history of the IIDC and significant activities involving government and other partners in the state of Indiana. She talks about her experience with the Deinstitutionalization Project directed by Mike Tracy in the early 1970s, the legacy of former Director Henry J. Schroeder, and the impact of important legislation in shaping the work of the IIDC, including passage of the Americans with Disabilities Act and its implementation in Indiana. She also discusses voting participation and access, developing the state disability plans with the Governor's Council for People with Disabilities, and the creation of the IIDC's Collaborative Work Lab for digitally assisted group decision making.
Video bio of Vicki Weger, inducted to Indiana Broadcast Pioneers Hall of Fame in 2013.
Producer: Vicki Weger;
Narrator: Ed Hopkins;
Editor: Mike Latta;
Vicki Weger traveled with her dad’s “Harry Weger and the Big Ten Western Feature” shows that signed on in 1955 on WTHI-TV in Terre Haute, Indiana. She performed in many shows across the country. In 1978, she began freelancing as a newspaper, radio and TV journalist, and in 1982 was hired at WTHI-TV. There she worked the assignment desk and later became the station’s managing editor, taking her freelancing work to the network level with travels to many foreign countries and coverage of notable domestic stories. In 1998 she moved to Chicago as a full-time freelance producer for “The PBS NewsHour” and “Religion & Ethics” and similar work for NBC and ABC.
--Words from the Indiana Broadcast Pioneers
Edward R. Feil, Vicki Rubin, Beth Rubin, Edward G. Feil, Ken Feil, Naomi Feil
Summary:
Home movie of Vicki Rubin's 16th birthday party at the Feil home. The living room is decorated with Halloween decorations. Vicki and her boyfriend wear colonial costumes. Her friends gather around as she opens gifts and Beth brings out a cake.
Edward R. Feil, Naomi Feil, Beth Rubin, Vicki Rubin
Summary:
Shows a group of children (including Vicki and Beth) wearing costumes outside in the Feil's yard. Naomi directs them as they perform. The group then performs for a classroom of younger children.
Edward R. Feil, Naomi Feil, Vicki Rubin, Beth Rubin, Kathryn Hellerstein, Betsy Feil, Susan Hellerstein, Beth Hellerstein, Mary Feil Hellerstein, Harold S. Feil, Amy Feil, Ellen Feil, Nellie Feil, Maren Mansberger Feil, George Feil, Herman Hellerstein, Leslie Feil, David Hellerstein, Daniel Hellerstein, Jonathan Hellerstein
Summary:
First half of the film shows Kathy Hellerstein’s birthday party (1964) at the Harold Feil home. She opens presents and blows out the candles on her birthday cake. The film then cuts to a celebration for Naomi, where she is presented with a cake that says “Happy Birthday and Welcome Home”. Ed, Vicki, Beth, and the housekeepers pose with her. On another occasion, Gusty, the housekeeper, is given a cake that reads “Happy Birthday to our beloved Gusty”. She then opens presents.
Edward R. Feil, Edward G. Feil, Naomi Feil, Vicki Rubin, Beth Rubin, Ken Feil, Robbie Cohen
Summary:
Naomi and Eddie at the airport seeing Vicki off as she boards a plane. Back at the house, a housekeeper, Kenny, and Beth are in the living room as Eddie runs by with no pants on. Next, the film shows a birthday party for Robbie Cohen, a next-door neighbor and friend of Eddie's. The Feils and the Cohens are present at the party. A teenage boy performs magic tricks for the children. Afterwards, the children play in the yard.
Edward R. Feil, Vicki Rubin, Beth Rubin, Naomi Feil, Edward G. Feil, Ken Feil, Julius Weil, Helen Kahn Weil
Summary:
Home movie of casual birthday celebrations over breakfast for Vicki and Beth at their home. The family is gathered around the kitchen table, where Beth is given cinnamon rolls with birthday candles. Beth opens her presents and is ecstatic to receive a new watch and comedy records. The film then shows Beth at a more formal gathering with extended Weil family receiving a birthday cake (possibly in conjunction with Rosh Hashanah dinner). On another day, Vicki receives a birthday cake and opens presents during breakfast as the family watches. Ends with brief footage of a party with friends.
Edward R. Feil, Naomi Feil, Vicki Rubin, Beth Rubin
Summary:
Home movie of the family’s trip to Euclid Beach amusement park. A pregnant Naomi watches as the girls go on rides with Gusty, the family's housekeeper. The girls also visit the Cleveland Aquarium.
The Victorian Women Writers Project started at Indiana University in 1995, under the leadership of Perry Willett, and had as its stated goal "to produce highly accurate transcriptions of works by British women writers of the 19th century." In 2007, encouraged by interest among the English department's faculty and graduate students, the Libraries and the English Department began exploring how to best reinvigorate this project, and over the summer of 2009 work has begun to upgrade the current contents of the VWWP and to add new texts. Currently plans are underway to involve English graduate student in the encoding process. This brown-bag conversation will share the changes to date and look ahead to the plans we are making to incorporate the VWWP in English graduate courses thereby establishing an ongoing dedication to this scholarly encoding project.
United States. Department of Agriculture, United States. Office of Information. Motion Picture Service
Summary:
Reports on the coordination of community volunteers for wartime farm harvesting labor through the efforts of the Victory Farm Volunteers of the U.S. Crop Corps and local agricultural agents. "The story of the farm labor shortage caused by the war, and how it was met during the crop season of 1944 through the vigorous and patriotic efforts of several million volunteers from our towns and cities. It shows the county agent in a typical agricultural county, marshalling its forces to recruit help needed to harvest the local potato crop. Similarly, workers were recruited all over the country to help with fruit, grain, cotton, sugar beets, hay, truck, and other crops. With the patriotic help of these volunteers, farmers, in spite of war handicaps were able to produce the largest crops in history" (Motion Pictures of the United States Department of Agriculture, 1945, 19). In an epilogue, Judge Marvin Jones, War Food Administrator, emphasizes that manpower shortage on farms is still a problem.