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This talk will explore how network framework allows us to reveal hidden patterns in social and cultural data, by examining networks in food, history, online communities, and industry.
Research libraries continue to reinvent themselves in the face of increasing demand from users for digitized texts. As physical books move from stacks to deep storage, many researchers lament the reduction in the serendipitous discovery that was provided by browsing the stacks. We believe, however, that digitization offers even greater opportunities for guided serendipity. Developments in machine learning and computing at scale allow content-based models of library collections to be made accessible to patrons. In this talk, we will present a vision for the future of library browsing using the Topic Explorer ‰ÛÃHypershelf‰Û that we have developed for digital collections. It allows users to jump into the collection and browse nearby volumes, rearranging them at will according to topics extracted computationally from the full texts. We will demonstrate the Hypershelf in action, and discuss how it might be integrated with physically-shelved books. This vision enhances rather than supplants the traditional librarians' function of guiding patrons to the best starting points for their research needs.
This webinar will review how to use FSSE with NSSE results to compare student and faculty perspectives, to search for reasons for high or low student results, and to develop strategies to increase student engagement.
This pre-recorded webinar provides an overview of NSSE's most popular topical module-Academic Advising module. Learn about the item set and ways you can explore the data by relating it to student engagement and your own institutional data. The webinar will also highlight reports provided back to participants and helpful online resources for dissemination.
This webinar provides information on some basics of NSSE system participation. There are also tips for system coordinators to consider before survey administration, as well as utilizing their reports and data file, which can optimize their NSSE results.
Contemporary qualitative research often involves teams of researchers collaborating on a project. Armstrong will discuss the pleasures and challenges of this style of research, drawing both on her experiences working with Indiana University sociology alum Laura Hamilton and a team of graduate and undergraduate researchers on Paying for the Party and her more recent experiences at the University of Michigan. Larger teams can collect more data and leverage the diverse social identities of researchers to gain entree to research sites and participants. Collaboration can also add rigor to data analysis, as classifications and interpretations are debated by the research team. However, collaboration introduces challenges of coordination at all stages of the process. These challenges grow with the size of the research team. In addition, the temptation to collect large volumes of data creates risks that the principal investigator may fall into the role of administrator rather than fieldworker and may lose touch with the data. Goffman argued for full immersion in the field and saw the ethnographer's embodied reactions as invaluable. This embodied knowledge can not easily inform the final product if the person who participated in the ethnographic or interview interactions is not the one doing the writing.
This workshop will provide an overview of human subjects research and submitting an application through the KC IRB system. Representatives from the IU Human Subjects Office will provide a brief introduction to human subjects research, then focus the remaining time on learning how to navigate the IU IRB process.
Sara Benken is an Associate Director in the IU Human Subjects Office. Adam Mills and Andrew Neel are Research Compliance Associates in the IU Human Subjects Office.
Bill Harshbarger (Master), Jon Kay (Director), Kenny Stone (Music), Nicholas Blewett (Videographer), Buki Long (Assistant Editor), Traditional Arts Indiana
Summary:
In 1952, Bill Harshbarger began showing sheep on the county and State Fair level, and continued to exhibit until the early 1960s. After going to shearing school in Warsaw, Indiana, he began shearing at the State Fair. 2006 marked his 52nd consecutive year competing in the State Fair Sheep Shearing Contest. Harshbarger is also a fixture at the Sheep Barn, having helped generations of State Fair participants by sharpening their shears.
Medical Humanities Seminar Series lecture delivered by Angela Bowen Potter, PhD (Medical Humanities Program Coordinator, Purdue University) on March 23, 2016.
Python is a widely used, general purpose programming language. This workshop will introduce the basic elements of Python that are commonly used for data cleaning, analysis, visualization, and other applications. Participants will also learn how to set up a "development environment" for Python on their personal computer. Computers with Python pre-loaded are also available in the SSRC on a first-come, first-served basis. This workshop is intended for social scientists who are new to programming. No experience is required.
Web scraping is a method of extracting and restructuring information from web pages. This workshop will introduce basic techniques for web scraping using the popular Python libraries BeautifulSoup and Requests. Participants will practice accessing websites, parsing information, and storing data in a CSV file. This workshop is intended for social scientists who are new to web scraping but have some familiarity with Python or have attended the Intro to Python workshop.
Web scraping is a method of extracting and restructuring information from web pages. This workshop will introduce basic techniques for web scraping using popular open-source tools. The first part of the workshop will provide an overview of basic HTML elements and Python tools for developing a custom web scraper. The second part will enable participants to practice accessing websites, parsing information, and storing data in a CSV file. This workshop is intended for social scientists who are new to web scraping. No programming experience is required, but basic familiarity with HTML and Python is helpful.
NaLette Brodnax is a data scientist and fourth-year doctoral student in the Joint Public Policy program administered by the School of Public and Environmental Affairs and the Department of Political Science at Indiana University. Her research interests include education policy, policy analysis and program evaluation, and quantitative research methodology. As a graduate assistant for the Center of Excellence for Women in Technology, she is working on a number of projects intended to expose women to technology and to support women using technology in their studies and careers. Prior to entering the doctoral program, NaLette spent nine years in corporate finance roles, managing large data sets and developing financial models for large companies such as Abbott Laboratories and Nokia. She holds a BSBA from The Ohio State University with a concentration in Finance and a Master's in Public Policy from Loyola University Chicago.
As part of the 2016 Themester Beauty, the Archives of African American Music and Culture (AAAMC) hosted a presentation and panel discussion event in the Grand Hall of the Neal Marshall Black Culture Center. Comprised of IUB faculty members from the departments of Folklore and Ethnomusicology and African American and African Diaspora Studies, as well as a distinguished scholar and guest speaker Deborah Smith Pollard from Michigan State University, the panel explored concepts of beauty in music from two distinct, though related perspectives. Representations of gendered body images, male and female, served as one area of focus, while the second topic explored the body of aesthetic values which distinguish African American performance in ways which not only contrast, but often contradict those preferred by the larger American public.
As the need to manage and provide access to collections of digital content grows, the ecosystem of software solutions designed to meet these needs has greatly expanded. Into this pool of software comes Avalon, but what exactly does it do, and do differently, from applications like Sufia or Islandora? Developed in partnership with Northwestern University, the Avalon Media System is an open source system for managing and providing access to large collections of digital audio and video. Used for library services such as Media Collections Online and projects such as IU's Media Digitization and Preservation Initiative, Avalon is an application that provides a robust set of features related to media access and streaming. Come learn how Avalon's focus on web-based access to audio and video materials is developed to meet the needs of both consumers and stewards of digital collections, as well as the unique role it plays in the world of digital repository software.
Carl and Gerald Huber (Masters), Jon Kay (Director), Traditional Arts Indiana
Summary:
Since 1843, the Huber family has worked a small homestead located in the Knobs of Clark County, Indiana. Originally from Baden Baden, Germany, the family brought a fruit-growing and winemaking tradition with them to Southeastern Indiana. Like many of their neighbors, generations of Hubers have made a couple of barrels of wine each year for their own table. Winemaking was not a commercial venture until 1972, when Indiana passed the Small Farm Winery Act. Since the Huber family operated a fruit-based farm and had made wine as far back as they could trace their history, they decided to transform their retail fruit farm into the Huber Orchard and Winery.
Knowing that amateur winemaking was different from running a commercial winemaking operation, brothers Carl and Gerald Huber researched the business and trained themselves for their new agricultural venture. In 1979, they produced their first wine for sale. Gerald began competing and winning the Governor's Cup at the Indiana State Fair's International Wine Competition, which is the third largest competition of its kind in the United States. The competition helped the Hubers improve and develop their winemaking tradition and secure their reputation as a premier Indiana winery.
Gerald's son, Ted, began working in the vineyard as a young boy and in the winery as a teenager. At 21, he became the Huber Winery's head winemaker, after his father and uncle transferred the family business to Ted and his cousin Greg. Today, Ted oversees the winery and vineyard on the six-generation farm, while Greg manages the orchard and retail operations, which attract 550,000 visitors each year.
Audiovisual archivists agree that media holdings must be transferred to the digital domain as soon as possible in order to survive. Because this work requires significant resources, it must be conducted as efficiently as possible. One place to realize efficiencies is in the management of the digitization process. This presentation will explore managing effective and efficient 1:1 as well as parallel transfer media digitization workflows. Using the Indiana University Media Digitization and Preservation Initiative project as a case study, Mike Casey will discuss applying the theory of constraints and adapting software development methodologies to efficiently manage 1:1 digitization workflows. This will include a look at working with bottlenecks, scrum methodology, and the daily standup. Andrew Dapuzzo from Memnon Archiving Services will address issues in regulating parallel transfer workflows including the role of workflow management software, the importance of both human and machine quality assurance in each step of the process, the difficulty in maintaining obsolete machines, overall system design and Total Quality Management. The more efficient the digitization workflow, the more we are able to preserve with scarce resources.
The HathiTrust Research Center (HTRC) provides research support for the growing corpus of over fourteen million volumes in the HathiTrust Digital Library (HTDL) through a suite of tools for text analysis. This session will introduce attendees to the research services developed by the HTRC. Nicholae Cline and Leanne Nay will also demonstrate HathiTrust+Bookworm and the HTRC Portal, two web-based tools that are ideal for introducing students and scholars to text analysis.
Over 2 billion people now own smartphones, which are actually sophisticated mobile computing devices that can run applications, take photos, access the internet, and collect GPS, motion, and other sensor data. Many people use these devices to access online social media sites, which have also exploded in popularity over the last few years. For example, *each day* over 1 billion people log in to Facebook, and collectively upload about 350 million photos and share nearly 5 billion status updates and other pieces of content. As people use their digital devices and services, they are (without necessarily realizing it) leaving behind "digital footprints" about themselves and their behavior, including the things they "like", the people they communicate with, the places they visit, the photos they take, and so on. This is creating huge datasets about the world and human behavior, that could potentially be used to aid studies in a range of scientific disciplines. In this talk, I'll give a high-level overview of some of our recent work that has used mobile devices and online social media to collaborate with studies in sociology, psychology, and ecology. I'll talk about some of the advantages and disadvantages of this type of analysis, including the many sources of potential bias, and very real concerns about privacy.
The Indiana University Bloomington Libraries' Digital Collections Services department has offered Digital Project Planning consultation services twice a week since the opening of the Scholars' Commons in September 2014. Data collected from these consultation sessions provides insight into the individuals engaged in digital scholarship projects and initiatives at Indiana University. Building upon analysis performed by Meridith Beck Sayre, Council on Library and Information Resources Data Curation Postdoctoral Fellow for Data Curation in the Humanities, Dalmau and Homenda will provide an overview of emerging digital project planning and data curation trends and needs demonstrated by Indiana University Bloomington faculty, students and staff as well as recommendations for ongoing support of digital scholarship projects and initiatives on the Bloomington campus and beyond.
This introductory workshop will give an overview of how to identify what types of data analysis tools to use for a project, along with basic “DIY” instructions. We will discuss the most common analysis tools for describing your data and performing significance tests (ANOVA, Regression, Correlation, Chi-square, etc), and how they should be selected based on the type of data and the type of research question you have. This is geared towards students or faculty beginning their foray into quantitative analysis of research data, or those who have been around but would like to step back and get a framework for how to navigate basic statistical methods.
Digital preservation is one of those phrases that means a lot to a few people and a little to a lot of people. It is often confused with digitization (preservation by digital), digital curation (of which preservation is a piece), digital asset management (another variant of digital curation), and so on. This talk will lay out the unique characteristics of digital preservation, as well as the practical applications. Expect to learn about recent developments in both the field and within the IU Libraries.
Second lecture in the Leo J. McCarthy, MD History of Medicine Lectureship. Presented by Lawrence H. Einhorn, MD at the Ruth Lilly Medical Library on November 18, 2016.
Video bio of Richard M. Fairbanks, inducted to Indiana Broadcast Pioneers Hall of Fame in 2016;
For more than 50 years, Richard M. Fairbanks of Indianapolis was a leader and innovator in radio broadcasting. His company owned and operated 20 radio stations around the country, a television station in Atlanta, cable television systems, a charter airplane company and had interests in real estate. Fairbanks established the Indianapolis Motor Speedway Network when he owned and operated WIBC-FM. He was very involved with professional, civic and cultural organizations and served on many boards including Butler University, Better Business Bureau, United Way of Central Indiana and the Indianapolis Museum of Art. Fairbanks was also a director of Merchants National Bank for 20 years. The Richard M. Fairbanks Foundation, established in 1986, has been a benefactor of the Indiana Broadcast Pioneers. Fairbanks died in 2000.
--Words from the Indiana Broadcast Pioneers
Gerry and Ralph Dunkin (Masters), Jon Kay (Director), Matt Stockwell (Videographer/Editor), Deborah Justice and Rachel Sprinkle (Music), Traditional Arts Indiana
Summary:
Gerry and Ralph Dunkin are largely responsible for the increased appreciation for miniature donkeys in the last two decades. They enjoy introducing people of all ages to these intelligent and companionable animals. Their greatest reward is the camaraderie between exhibitors and visitors that extends beyond the Fair, to home and farm.
Gerry Gray and the Family Reunion String Band (Masters), Jon Kay (Director), Ben Schreiner (Videographer/Editor) Cynthia Hoye (Executive Director of the State Fair)
Summary:
Beginning in 1975 when Gerry Gray, known as the "Mother Hen" was asked to play dulcimer and talk to visitors at the State Fair Pioneer Village, the Family Reunion String Band has entertained fairgoers for over thirty years. Playing for twelve hours a day for twelve days of the fair, the band is happy to see people come back year after year and become part of their extended family at the State Fair. Filled with jokes, improvisation, and good humor, the magnetism of the band and its members has encouraged enthusiastic listeners to become fellow musicians, making their performances into reunions of an ever-expanding musical family.
Géza Szilvay, lecturer, Yvonne Frye, lecturer, Mimi Zweig, lecturer, Päivyt Meller, moderator
Summary:
A Videoconference Event presented by Sibelius Academy’s Distance Learning Program & the Jacobs School of Music, Indiana University.
Includes: Géza Szilvay and Yvonne Frye of the East Helsinki Music Institute and the Sibelius Academy of the University of the Arts Helsinki on The Colourstrings, Mimi Zweig of the Jacobs School of Music on String Pedagogy, and An Overseas Panel Discussion: What is a Good Violin Teacher Like? Discussion led by Päivyt Meller of he Sibelius Academy of the University of the Arts Helsinki, with panelists Géza Szilvay, Yvonne Frye, Réka Szilvay, Valerie Albrecht, Mimi Zweig, Grigory Kalinovsky, Asia Doike, and Rose Scioroni.
It is an interesting time in the libraries for metadata. We have a lot of things described and described well, but is it feasible to keep all of that description in a useful way moving forward? And how do we offer up a ton of items all at once for online access?
Whether it's cataloging records or other descriptive metadata, we seem to now be in transition in the libraries. New systems require that we move metadata into new formats. New massive digital collections require description at a scale previously not encountered. We know the metadata we're going to have after these moves and massive description efforts take place will not be complete or perfect and will probably not be the exact metadata we had before. We have to strategize about what information is going to be the most important for search and discovery and aim to have that information available as accurately as possible, regardless of the transition or the scale.
Join us for a look at the systems and approaches we are taking to manage these messy metadata scenarios. We'll discuss the Libraries' move from Fedora 3 to Fedora 4 and the metadata transition happening there, the Media Digitization and Preservation Initiative's influx of items requiring mass description and the ramifications and methods being employed, and the future of cataloging records as all libraries look to transition to systems using BIBFRAME. The strategies we employ this time around will inform future metadata moves and mass description efforts.
What does it mean to turn data into Linked Data? That is the question we are attempting to answer with this project. The IU Libraries released the metadata for the Cushman Photograph Collection under a CC-BY license as a CSV file and it is also available as an OAI-PMH harvestable feed in XML. But what would it take to make this metadata part of the Semantic Web and what does that mean for our digital collections moving forward? How might a collection like this available through the Semantic Web help researchers? This talk does not have all of the answers but we do have a story to share involving Cushman, OpenRefine, and RDF. Join us to learn what's happened and how the IU Libraries will use this learning experience to shape our digital collections into the future.
Jack Rodibaugh (Master), Jon Kay (Director), Cynthia Hoye (Executive Director of the State Fair), Kenny Stone (Music), Nicholas Blewett (Editor and Shooter), Buki Long (Assistant Editor), Traditional Arts Indiana
Summary:
Jack Rodibaugh and his family operate a hog business where they produce swine for breeding, market and 4-H youth. Rodibaugh's career began when his uncle gave him two piglets during the Depression. While he admits that he did not know much about pigs those first few years, he learned from older farmers and has spent the last 63 years perfecting breeding stock and competing at the State Fair. Today, he and his family encourage the tradition by producing and selling quality hogs to 4-H youth.
A short, concise presentation for NSSE campus contacts detailing NSSE survey preparations. This is a great overview for new campus contacts, and for those simply needing a refresher.
During the webinar, the presenters will demonstrate ways NSSE data can be leveraged to measure student participation in HIPs. Furthermore, there will be an emphasis on how to relate aspects of engagement with institutional measurements of HIP participation. The overall aim is to prepare participants to facilitate campus dialogue about high-impact practices and maximize the benefits of the updated NSSE survey data and reports.
We hope you are eagerly poring over your NSSE 2016 results. To support your efforts, please join Jillian Kinzie and Bob Gonyea for a free webinar for a step-by-step walkthrough of your Institutional Report package. We will review the data and reports, and provide general strategies and resources for utilizing and disseminating your results.
Video bio of "Bob (Kevoian) & Tom (Griswold)", inducted to Indiana Broadcast Pioneers Hall of Fame in 2016;
Bob Kevoian and Tom Griswold began their on-air partnership in 1981, hosting mornings in Michigan at WJML-AM in Petoskey. In 1983, they joined WFBQ-FM in Indianapolis as the station’s morning team. Once there, The Bob & Tom Show became the city’s top-rated morning show. The Bob & Tom Show has offered an unpredictable blend of news from Kristi Lee, sports from Chick McGee, talk, celebrity guests, in-studio musical performances, sketch comedy and topical, sometimes irreverent, humor. The Bob & Tom Show is recognized for giving national exposure to young and developing comedians including George Lopez, Brad Garrett, Tim Allen and Rodney Carrington. In 1995, The Bob & Tom Show began national syndication. The show has been heard on more than 400 stations nationwide and The American Forces Radio Network. The show has won over twenty major industry awards, including five Marconi Awards from The National Association of Broadcasters, and the show has released more than 60 comedy albums.
--Words from the Indiana Broadcast Pioneers
Textual analytics creates opportunities to ask new questions or test existing theories through a new lens. The HathiTrust (HT) collection can be considered one of the largest academic libraries in the US. How can a researcher unlock many insights of this digital library? What kinds of social science questions it can help to address? The HathiTrust Research Center (HTRC) has been developing computational tools to leverage the HathiTrust collection and its metadata. In this presentation we will provide an overview of the HathiTrust digital library and the suite of tools from the HTRC and invite participants to think creatively about how a corpus of ~14 billion volumes of text can be useful to them.
Annunciation is a video object operating within the aesthetic of painting. Each panel's background cycles through images sampled from an original digital abstract composition. One sees this composition in fragments across time controlled by an algorithm derived from 12-tone musical composition in which no fragment is repeated until all are shown. The motion background plays against and through the static black/white paired elements in the foreground, making them appear somewhat unstable. In the audio a noise sound floor supports a repeated claves + voice pair mirroring the motion + static structure of the video. The composition chases György Ligeti’s idea of using time to hold on to time, suspending its disappearance, confining it in the always present moment. –Michael Lasater
One, Two is a self-portrait. The image of me as a boy is split left and right, one side the echo of the other. In the audio, a single claves strike, doubled at the octave, mirrors the visual motif. The video, developing in multiple planes, and the audio, mirroring that development in multiple voices, express a time object – a moment continuously redefined – unified by its genesis in a single image, a single sound. One, Two is composed in Bogen (arch) form, a musical architecture. The piece begins in unity, develops to maximum complexity at mid-point, then resolves again to unity at the end. –Michael Lasater
How might we conceptualize "the digital” as a kind of mediation that articulates the time and space of diasporic experience? In answer, Parham's talk will explore rememory, affective excess, and glitch aesthetics in Toni Morrison’s Beloved, Hiro Murai’s video for Flying Lotus & Kendrick Lamar’s “Never Catch Me,” and Zun Lee’s digital project, “Fade Resistance.
The Center for Biological Research Collections is a consortium of research-based scientific collections at Indiana University that works in close collaboration with the IU Libraries, the Advanced Visualization Laboratory, University Information Technology Services, and a number of other campus wide organizations to promote the preservation, digitization, and discoverability of IU's natural history collections.
The CBRC enhances collection-based research, education, and outreach in biodiversity science, botany, paleontology, zooarchaeology, and related disciplines by providing shared infrastructural and data management support. The Center focuses on collections of biological specimens, including fossils and archaeological remains, that have shared taxonomic, geographic, and temporal metadata requirements. The CBRC provides institution-wide support for a collections management information system, Specifyåü and is working to facilitate the interoperability of this bio-collections data platform with the new Fedora 4 digital content management system being developed by the IU Libraries.
This presentation will provide an overview of the university-wide resources committed to the digitization of biological research collections, prospects for future research, education, and outreach opportunities, as well as a mention of some of the challenges that may arise in the digitization of the several million collections objects for which the CBRC is tasked. This grand challenge of specimen preservation, metadata maintenance, and data discoverability is a service and responsibility of the entire university community to enhance and augment the commitment of nearly 200 years of biological research in many scientific sub-disciplines focused on Indiana and beyond.