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Garrison, Sherri, Hill, A. Thomas (Gospel musician), Bryant, Rodnie, Burnim, Mellonee V. (Mellonee Victoria), 1950-, Grim, Valerie
Summary:
Panelists: Sherri Garrison (Director of Worship, Eastern Star Church; Former Director, Gospel Music Workshop of America Women of Worship), Rev. A. Thomas Hill (Recording Artist; Pastor, Healing Streams Word & Worship Center), Rodnie Bryant (Founding Director, Christian Community Mass Choir; Tyscot Recording Artist); Convener/Moderator: Dr. Mellonee Burnim (Department of Folklore and Ethnomusicology);
Respondent: Dr. Valerie Grim, Chair (Department of African and African American Diaspora Studies).
Campbell, Lamar, Dixson, Liz, Williamson, Tracy (Sound recording executive and producer), Wiggins, Raynetta, Johnson, Sylvester A., 1972-
Summary:
Panelists: Lamar Campbell (Recording Artist; Worship Leader, Emmaus Christian Church), Liz “Faith” Dixson (Radio Announcer, WTLC AM 1310),
Tracy Williamson (Founder TRE7, Inc., Artist Development, Marketing and Production Company); Moderator: Raynetta Wiggins (Department of Folklore and Ethnomusicology); Respondent: Dr. Sylvester Johnson (Department of Religious Studies).
Scott, Leonard S., Hobbs, Al, Cooper, Tyron, Maultsby, Portia K.
Summary:
Panelists: Dr. Leonard Scott (Co-founder, Tyscot Records; Pastor, Rock Community Church), Al “The Bishop” Hobbs (Founder, Aleho Records; Former General Manager WTLC; Past Executive Vice Chair, Gospel Music Workshop of America); Moderator: Tyron Cooper (Department of Folklore and Ethnomusicology); Respondent: Dr. Portia Maultsby (Department of Folklore and Ethnomusicology).
In 2011, Adam Matthew Digital published London Low Life: Street Culture, Social Reform and the Victorian Underworld, a digital collection based on books and manuscripts held at the Lilly Library, the principal rare books, manuscripts, and special collections library of the IUB Libraries. Public Services Librarian Erika Dowell, who oversees digital initiatives at the Lilly Library, will talk about the library's experience working with a commercial partner from initial discussions with editors to the nuts and bolts of collaborating with a British publisher and a California based imaging company. Now that the project has been finished for almost a year, she will share lessons learned and important issues to consider when developing a commercial partnership.
Open Folklore, launched in October 2010 by the American Folklore Society and the Indiana University Bloomington Libraries, is a new scholarly resource that will make a greater number and variety of useful resources, both published and unpublished, available for the field of folklore studies and the communities with which folklore scholars partner. In this session, speakers will describe the partnership, the technologies used to support the site, and the accomplishments and goals of the project. They will describe the site, the search functionality that brings together relevant folklore materials into a searchable collection via OAI records, and the larger aims of the partnership, such as advising researchers about good choices for scholarship in Folklore and educating about and advocating for open access models.
The IMLS-funded Variations FRBR project has developed a faceted search interface, Scherzo, that works on top of 80,000 FRBRized MARC records. This talk includes a demo of Scherzo and compares the Scherzo user experience with the experience of searching for sound recordings in IUCAT. In addition, we describe and demonstrate other recent experiments in search, including Blacklight and the eXtensible Catalog.
As interest in digital scholarship becomes more widespread, and more units within the Libraries and across the IU campus become interested in developing digital collections, the DLP is re-evaluating how it can best support the growing needs of the university and the wider community, and adjust to developing expectations. In this talk, the Associate Director for Digital Library Content and Services will briefly discuss the history of digital collections development, both at IU and beyond, before examining the new paradigm for digital scholarship and describing the DLP's plan for supporting that new paradigm.