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Delegates from India, Korea, Norway and the United Kingdom thrash out the controversial question of U.N. membership for Red China in a lively discussion during this program. "Actually it is not a question of whether we like a country or its government. The fact is that it—the country—should be recognized," Norway says and the Korean delegate comes back with, "Nations that don’t love peace should not be admitted to the U.N." The conversation swings into a second heated discussion on the effectiveness of competition between the United States and Russia to aid underdeveloped countries.
Delegates representing Australia, Guatemala, Norway and Turkey compare their own schools with those they have come to know in America. Girls and boys split over the value of coeducation with the males in favor and the girls opposed. Says the Australian delegate, "Maybe girls are afraid to let boys find out how intelligent they are." The girls also think American girls are too clothes conscious and suggest uniforms for students. Other comments include envy of the American student's freedom to work part time, lack of respect for the teacher, appreciation of the modern equipment in American schools and surprise at the American custom of "going steady."
The services of artist John Drummond of Iowa State College are utilized to show another method of causing laughter, that of the use of the caricature. He draws a caricature of lecturer Feinberg. The artist’s techniques are then analyzed and demonstrated to show just how he goes about emphasizing certain features and deemphasizing others to make his subject appear “funny.”
In this program, artist John Drummond of Iowa State College demonstrates more techniques of caricaturing and their relation to humor as Dr. Feinberg lectures on the same subject.
Analyzes and discusses Mark Twain's Huckleberry Finn. Points out the various levels of this picaresque novel and indicates the problems with which it deals. Speculates on the psychological meanings of some of Twain's chief characters. Considers the author's artistic development. (Syracuse University) Kinescope.
Considers developments in physics, chemistry, and psychology that have affected American art. Indicates that new materials, techniques, and subject matter have been provided. Discusses theories of perception, color and vision as they relate to the art of painting. (Hofstra College and WOR-TV) Kinescope.
Presents each member of the New York Brass Quintet as he introduces his instrument and plays illustrative excerpts. Two trumpets begin with a duet. With the addition of the trombone, the French horn, and the tuba, a selection written for each successive ensemble is performed. Musical selections are: Pezel, Three Short Pieces from Suite; Saint-Jacome, Duet, No. 6; Spezzaferri, Preluio e Fuga; Bach, Two Chorales; and Ewald, Quintet for Brass, (3rd movement). (Arts and Audiences, Inc.) Film.
The New York Woodwind Quintet is featured on this opening program with introductions by Yehudi Menuhin. Each member of the Quintet provides a simple explanation of his method of tone production evoking the familiar experiences of the children. For example: playing a flute is compared to blowing over the top of a soda bottle; the length of tubing in a French Horn is likened to a garden hose. The music selected for demonstration gives each instrument an opportunity to illustrate its sound alone and with the other instruments.
Introduces the series AMERICAN POLITICS. Proposes to answer the following questions. (1) What are the nature, purpose, and methods of the major American political parties? (2) How are the parties' candidates nominated, including candidates for president and vice-president? (3) What have been the parties' records on the major issues of American politics? (KETC) Kinescope.