81. Sculpture IX (29:57)

Date:
1957
Summary:
Demonstrates the removal of the mold from the clay bust. Shows methods and implements used in removing the cast. Points out the importance of being careful and patient. Reviews briefly what has taken place in the preceding programs. (KETC) Kinescope.

82. Sculpture V (29:37)

Date:
1957
Summary:
Continues the modeling from Sculpture IV. Explains how the artist works to refine certain areas. Demonstrates how to "draw" carefully in the clay to bring out certain characteristics of the model. Discusses capturing certain expressions in the clay. (KETC) Kinescope.

83. Sculpture VI (29:25)

Date:
1957
Summary:
Continues the work on details begun in Sculpture V. Explains how an area can be broken up into planes by the use of a block of wood. Demonstrates ways of modeling the eyes. Discusses the importance of the sculptor being able to draw graphically. (KETC) Kinescope.

84. Sculpture VII (29:33)

Date:
1957
Summary:
Continues the modeling from Sculpture VI and completes the clay bust. Discusses and demonstrates how the eye is modeled. Emphasizes the importance of having different parts work together as a whole. Outlines the many finishing techniques that can be used. Comments briefly on several contemporary sculptors. (KECT) kinescope.

85. Sculpture VIII (29:38)

Date:
1957
Summary:
Describes and illustrates the mold casting stage in the development of the sculptural portrait. Shows how plaster is mixed, applied to the clay, and the importance of working fast. Discusses the use of shims for separating the mold. Concludes by showing the completed mold. (KETC) Kinescope.

86. Sculpture X (29:40)

Date:
1957
Summary:
Discusses the process of making a plaster cast. Points out how the molds are shellacked and placed together again. Demonstrates how the plaster is mixed. Shows the process of pouring the plaster into the mold. (KETC) Kinescope.

87. Sculpture XI (29:43)

Date:
1957
Summary:
Shows how the mold is removed from the finished plaster bust. Discusses the use of bluing in the first coat of plaster. Illustrates the use of the screwdriver and mallet in removing the mold. Concludes with a comparison of the model and the completed plaster portrait bust. (KETC) Kinescope.

88. Tape recording for instruction (29:51)

Date:
1957
Summary:
Shows the use of tape recorders in teaching situations and presents some of the different models of recorders indicating their controls, various speeds, and purposes. Gives a demonstration of several microphone placements and offers suggestions for the improvement of recorded sound quality. Explains how to edit tapes by splicing and suggests many uses for tape recorders such as in language instruction, music groups, and conferences.

89. The sculpture IV (29:34)

Date:
1957
Summary:
Continues the modeling from SCULPTURE: PART 3. Presents a review of the materials and work completed in the preceding programs. Explains the three general parts into which the head is divided. Shows the sculptor working on the eyes, chin, ears, and nose. Stresses the importance of good lighting on a work of sculpture. (KETC) Kinescope.

90. Constitution of the United States (22:10)

Date:
1956
Summary:
Depicts the events and conditions leading to the writing of the U.S. Constitution, the formulation of the Great Compromise between the small and large states, the struggle for ratification, and the addition of the Bill of Rights. For junior high, high school, and college students. Pictures some of the historical background of the struggle by the colonies for independence and of the signing of the Constitution. Includes Shay's rebellion against the tariff, the weaknesses of the Articles of Confederation, and the disagreements among states. Shows how the misunderstanding between large and small states led to the establishment of a House and a Senate.