121. [United States, Indiana, Bloomington, 2018] (1:28:00)

Date:
2018
Main contributors:
See Other Contributors
Summary:
Presentation about the İlhan Başgöz collection (ATM accession number 93-114-F) which contains Turkish folk music, Alevi music, riddles, and folk stories. The moderated discussion is focused on Başgöz's fieldwork experiences and memories with his interlocutors, and Başgöz discusses interesting examples that shows how he navigated fieldwork projects during the early years of his career.

123. [United States, Indiana, Bloomington, Indiana University, 1977] (3:11:17)

Date:
1977
Main contributors:
See Other Contributors
Summary:
"Future Directions in Ethnomusicology" panel discussion. Descriptive information presented here may come from original collection documentation. Please note collections of historical content may contain material that could be offensive to some patrons.

124. [United States, Indiana, Bloomington, Mexican, 1998] (1:37:15)

Date:
1998
Main contributors:
See Other Contributors
Summary:
Sones de México performs traditional Mexican music. Descriptive information presented here may come from original collection documentation. Please note that collections of historical content may contain material that could be offensive to some patrons.

125. [United States, Indiana, Bloomington, Mexican-American, 1990] (1:35:41)

Date:
1990
Main contributors:
See Other Contributors
Summary:
"Corridos from the Mexican Revolution" (presented by Juan Díes). Descriptive information presented here may come from original collection documentation. Please note that collections of historical content may contain material that could be offensive to some patrons.

126. [United States, Indiana, Illinois and Missouri, French-Americans, 1953] (2:04:57)

Date:
1953
Main contributors:
Pouinard, Alfred Antonin, 1904-1967.
Summary:
The information presented in this online record about each recording in this collection comes from original documentation by the collector. This collection of historical material may contain material that will be offensive to some listeners. Patrons should contact atmusic@indiana.edu for assistance in getting further access to these recordings and its documentation. Due to the nature of the original source recordings, audio fidelity is low. Information about each recording comes from the original documentation unless the information is in brackets which means it was supplied by Archives of Traditional Music staff for the sake of clarification.

127. [United States, Indiana, Vincennes and Fort Wayne, French Americans, 1938] (58:39)

Date:
1938
Main contributors:
Lomax, Alan, 1915-2002
Summary:
Descriptive information presented here may come from original collection documentation. Please note collections of historical content may contain material that could be offensive to some patrons. The original recordings in this collection are held at the Archive of American Folklife in the Library of Congress.

129. [United States, Maine and Rhode Island, 1956] (9:56:44)

Date:
1956
Main contributors:
Dorson, Richard M. (Richard Mercer), 1916-1981
Summary:
The information presented here about each recording in this collection comes from original documentation by the collector. This collection of historical material may contain material that will be offensive to some listeners. Patrons should contact atmusic@indiana.edu for assistance in getting further access to these recordings.

130. [United States, Middle Atlantic States, 1938] (19:17:51)

Date:
1938
Main contributors:
Halpert, Herbert.
Summary:
A large collection of Anglo-American songs including ballads, Child ballads, children's game songs, play-party songs, bawdy songs, sea shanties, sailor's songs, local songs, historical songs, Civil and Revolutionary war songs, raftman's songs, lumbering and hauling songs, railroad songs, wainwright's songs, and white spirituals. The information presented here about each recording in this collection comes from original documentation by the collector/depositor, Herbert Halpert. Additions by archival staff for clarity are framed in brackets [ ]. The Archives of Traditional Music makes these recordings available for historical and cultural research and users should be aware that any archival collection may contain material that they find offensive.